The Bride (1985)
| Theatrical Performance | ||
| Domestic Box Office | $3,600,000 | Details |
| OpusData ID: 50290100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,763,277 (49.0% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 955 opening theaters/980 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,469,290 |
Movie Details
| Domestic Releases: | August 16th, 1985 (Wide) by Sony Pictures |
| Video Release: | 1986 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 |
| Running Time: | 119 minutes |
| Plot point: | Frankenstien's Monster, Love Triangle, Mad Scientist, Relationships Gone Wrong, Romance, Scientific Experiment Gone Awry |
| Subgenre: | Gothic Horror |
| Target audience: | Cult Movie |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 1985 | 11 | $1,763,277 | 955 | $1,846 | $1,763,277 | 1 | |
| Aug 23, 1985 | 16 | $890,695 | -49% | 980 | $909 | $3,558,669 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 1985 | 11 | $2,667,974 | 955 | $2,794 | $2,667,974 | 1 |
Leading
| Sting | Baron Charles Frankenstein | |
| Jennifer Beals | Eva |
Supporting
| Geraldine Page | Mrs. Baumann | |
| Clancy Brown | Viktor the Monster | |
| Anthony Higgins | ||
| David Rappaport | Rinaldo the Midget | |
| Cary Elwes | Capt. Josef Schoden | |
| Timothy Spall | Paulus |
Production and Technical Credits
| Franc Roddam | Director | |
| Lloyd Fonvielle | Screenwriter | |
| Mary Shelley | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,763,277 (49.0% of total gross) |
| Legs: | 2.04 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 955 opening theaters/980 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $11,469,290 |
Movie Details
| Domestic Releases: | August 16th, 1985 (Wide) by Sony Pictures |
| Video Release: | 1986 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 |
| Running Time: | 119 minutes |
| Plot point: | Frankenstien's Monster, Love Triangle, Mad Scientist, Relationships Gone Wrong, Romance, Scientific Experiment Gone Awry |
| Subgenre: | Gothic Horror |
| Target audience: | Cult Movie |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 1985 | 11 | $1,763,277 | 955 | $1,846 | $1,763,277 | 1 | |
| Aug 23, 1985 | 16 | $890,695 | -49% | 980 | $909 | $3,558,669 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 1985 | 11 | $2,667,974 | 955 | $2,794 | $2,667,974 | 1 |
Leading
| Sting | Baron Charles Frankenstein | |
| Jennifer Beals | Eva |
Supporting
| Geraldine Page | Mrs. Baumann | |
| Clancy Brown | Viktor the Monster | |
| Anthony Higgins | ||
| David Rappaport | Rinaldo the Midget | |
| Cary Elwes | Capt. Josef Schoden | |
| Timothy Spall | Paulus |
Production and Technical Credits
| Franc Roddam | Director | |
| Lloyd Fonvielle | Screenwriter | |
| Mary Shelley | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.