The Bride! (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $12,744,025 | Details |
| International Box Office | $11,200,000 | Details |
| Worldwide Box Office | $23,944,025 | |
| OpusData ID: 669680100 More info... | ||
| Further financial details... | ||
Synopsis
In the 1930s, a lonely Frankenstein travels to Chicago to seek the aid of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.
Metrics
| Opening Weekend: | $7,051,476 (55.3% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 53.2% (domestic box office/worldwide) |
| Production Budget: | $80,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 3,304 opening theaters/3,304 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,744,025 |
Movie Details
| Domestic Releases: | March 6th, 2026 (Wide) by Warner Bros. March 6th, 2026 (IMAX) by Warner Bros. |
| International Releases: | March 4th, 2026 (Wide) (Belgium)
March 4th, 2026 (Wide), released as The Bride! (브라이드!) (South Korea) March 4th, 2026 (Wide) (France) March 5th, 2026 (Wide) (Australia) March 5th, 2026 (Wide), released as A Noiva! (Portugal) ... Show all releases |
| Video Release: | April 7th, 2026 by Warner Home Video |
| MPA Rating: | R for strong/bloody violent content, sexual content/nudity and language. (Rating bulletin 2900 (cert #55552), 8/27/2025) |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Remake, Remake with a Different Genre |
| Geographical setting: | Chicago |
| Plot point: | Frankenstien's Monster, Romance |
| Source material: | Modern Adaptation |
| Subgenre: | Gothic Horror |
| Time period setting: | 1930s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Warner Bros., First Love Films, In the Current Company |
| Production Countries: | United States, Israel |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2026 | 3 | $7,051,476 | 3,304 | $2,134 | $7,051,476 | 1 | |
| Mar 13, 2026 | 6 | $2,088,182 | -70% | 3,304 | $632 | $11,312,948 | 2 |
| Mar 20, 2026 | - | $285,508 | -86% | 708 | $403 | $12,553,526 | 3 |
| Mar 27, 2026 | - | $37,418 | -87% | 94 | $398 | $12,729,859 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 5, 2026 | P | $1,000,000 | 3,000 | $333 | $1,000,000 | |||
| Mar 6, 2026 | 3 | $3,000,725 | 3,304 | $908 | $3,000,725 | 1 | ||
| Mar 7, 2026 | 4 | $2,501,443 | -17% | 3,304 | $757 | $5,502,168 | 2 | |
| Mar 8, 2026 | 4 | $1,549,308 | -38% | 3,304 | $469 | $7,051,476 | 3 | |
| Mar 9, 2026 | 3 | $508,762 | -67% | 3,304 | $154 | $7,560,238 | 4 | |
| Mar 10, 2026 | 3 | $791,574 | +56% | 3,304 | $240 | $8,351,812 | 5 | |
| Mar 11, 2026 | 4 | $496,813 | -37% | 3,304 | $150 | $8,848,625 | 6 | |
| Mar 12, 2026 | 4 | $376,141 | -24% | 3,304 | $114 | $9,224,766 | 7 | |
| Mar 13, 2026 | 6 | $651,726 | +73% | -78% | 3,304 | $197 | $9,876,492 | 8 |
| Mar 14, 2026 | 6 | $885,081 | +36% | -65% | 3,304 | $268 | $10,761,573 | 9 |
| Mar 15, 2026 | 6 | $551,375 | -38% | -64% | 3,304 | $167 | $11,312,948 | 10 |
| Mar 16, 2026 | 7 | $223,766 | -59% | -56% | 3,304 | $68 | $11,536,714 | 11 |
| Mar 17, 2026 | 7 | $330,364 | +48% | -58% | 3,304 | $100 | $11,867,078 | 12 |
| Mar 18, 2026 | 7 | $270,687 | -18% | -46% | 3,304 | $82 | $12,137,765 | 13 |
| Mar 19, 2026 | - | $130,253 | -52% | -65% | 3,304 | $39 | $12,268,018 | 14 |
| Mar 20, 2026 | - | $85,312 | -35% | -87% | 708 | $120 | $12,353,330 | 15 |
| Mar 21, 2026 | - | $115,107 | +35% | -87% | 708 | $163 | $12,468,437 | 16 |
| Mar 22, 2026 | - | $85,089 | -26% | -85% | 708 | $120 | $12,553,526 | 17 |
| Mar 23, 2026 | - | $34,878 | -59% | -84% | 708 | $49 | $12,588,404 | 18 |
| Mar 24, 2026 | - | $43,703 | +25% | -87% | 708 | $62 | $12,632,107 | 19 |
| Mar 25, 2026 | - | $38,051 | -13% | -86% | 708 | $54 | $12,670,158 | 20 |
| Mar 26, 2026 | - | $22,283 | -41% | -83% | 708 | $31 | $12,692,441 | 21 |
| Mar 27, 2026 | - | $11,103 | -50% | -87% | 94 | $118 | $12,703,544 | 22 |
| Mar 28, 2026 | - | $15,079 | +36% | -87% | 94 | $160 | $12,718,623 | 23 |
| Mar 29, 2026 | - | $11,236 | -25% | -87% | 94 | $120 | $12,729,859 | 24 |
| Mar 30, 2026 | - | $5,168 | -54% | -85% | 94 | $55 | $12,735,027 | 25 |
| Mar 31, 2026 | - | $6,126 | +19% | -86% | 94 | $65 | $12,741,153 | 26 |
| Apr 1, 2026 | - | $1,581 | -74% | -96% | 94 | $17 | $12,742,734 | 27 |
| Apr 2, 2026 | - | $1,291 | -18% | -94% | 94 | $14 | $12,744,025 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2026 | 3 | $9,224,766 | 3,304 | $2,792 | $9,224,766 | 1 | |
| Mar 13, 2026 | 6 | $3,043,252 | -67% | 3,304 | $921 | $12,268,018 | 2 |
| Mar 20, 2026 | 11 | $424,423 | -86% | 708 | $599 | $12,692,441 | 3 |
| Mar 27, 2026 | 29 | $51,584 | -88% | 94 | $549 | $12,744,025 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/5/2026 | $287,186 | 302 | 302 | 0 | $526,370 | 5/11/2026 | |||
| Brazil | 3/5/2026 | $376,000 | 0 | 0 | 0 | $659,000 | 4/4/2026 | |||
| China | 3/6/2026 | $475,364 | 0 | 0 | 0 | $632,509 | 5/22/2026 | |||
| Colombia | 3/5/2026 | $116,000 | 0 | 0 | 0 | $172,000 | 4/6/2026 | |||
| Croatia | 3/5/2026 | $15,624 | 43 | 43 | 66 | $24,586 | 4/4/2026 | |||
| Czech Republic | 3/5/2026 | $19,760 | 102 | 102 | 102 | $37,359 | 4/4/2026 | |||
| Egypt | 3/26/2026 | $0 | 0 | 0 | 0 | $5,365 | 4/10/2026 | |||
| Finland | 3/6/2026 | $37,190 | 81 | 81 | 149 | $65,910 | 4/21/2026 | |||
| France | 3/4/2026 | $406,000 | 0 | 0 | 0 | $631,000 | 4/4/2026 | |||
| Germany | 3/5/2026 | $181,000 | 0 | 0 | 0 | $296,000 | 4/4/2026 | |||
| Italy | 3/5/2026 | $267,715 | 0 | 0 | 0 | $436,000 | 4/4/2026 | |||
| Mexico | 3/5/2026 | $724,855 | 0 | 0 | 0 | $1,200,000 | 4/4/2026 | |||
| Netherlands | 3/5/2026 | $112,564 | 114 | 114 | 114 | $202,000 | 5/6/2026 | |||
| New Zealand | 3/5/2026 | $31,621 | 86 | 86 | 0 | $55,020 | 4/20/2026 | |||
| Poland | 3/6/2026 | $114,000 | 0 | 0 | 0 | $215,000 | 4/4/2026 | |||
| Portugal | 3/5/2026 | $56,662 | 72 | 72 | 0 | $85,081 | 4/6/2026 | |||
| Romania | 3/6/2026 | $38,842 | 93 | 93 | 0 | $113,268 | 5/6/2026 | |||
| Russia (CIS) | 3/5/2026 | $83,211 | 147 | 147 | 147 | $83,211 | 4/6/2026 | |||
| Slovakia | 3/5/2026 | $16,209 | 79 | 79 | 104 | $24,958 | 4/13/2026 | |||
| South Korea | 3/4/2026 | $135,292 | 172 | 172 | 0 | $163,105 | 4/6/2026 | |||
| Spain | 3/6/2026 | $293,463 | 349 | 349 | 624 | $480,000 | 4/4/2026 | |||
| Turkey | 3/6/2026 | $53,219 | 325 | 325 | 497 | $126,368 | 4/16/2026 | |||
| United Kingdom | 3/6/2026 | $962,068 | 630 | 590 | 630 | $1,700,000 | 4/4/2026 | |||
| Rest of World | $3,265,890 | |||||||||
| International Total | $11,200,000 | 5/22/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jessie Buckley | Frankenstein’s bride | |
| Christian Bale | Frankenstein’s monster |
Supporting
| Penélope Cruz | Myrna | |
| John Magaro | ||
| Jeannie Berlin | Greta | |
| Peter Sarsgaard | Detective | |
| Annette Bening | Dr. Euphronious | |
| Julianne Hough | ||
| Jake Gyllenhaal | Ronnie Reed |
Production and Technical Credits
| Maggie Gyllenhaal | Director | |
| Maggie Gyllenhaal | Screenwriter | |
| Mary Shelley | Story Creator | |
| John L. Balderston | Story Creator | |
| William Hurlbut | Story Creator | |
| Emma Tillinger Koskoff | Producer | |
| Maggie Gyllenhaal | Producer | |
| Talia Kleinhendler | Producer | |
| Osnat Handelsman-Keren | Producer | |
| Carla Raij | Executive Producer | |
| David Webb | Executive Producer | |
| Courtney Kivowitz | Executive Producer | |
| Dylan Tichenor | Editor | |
| Hildur Guðnadóttir | Composer | |
| Lawrence Sher | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the 1930s, a lonely Frankenstein travels to Chicago to seek the aid of a Dr. Euphronius in creating a companion for himself. The two reinvigorate a murdered young woman and the Bride is born. She is beyond what either of them intended, igniting a combustible romance, the attention of the police and a wild and radical social movement.
Metrics
| Opening Weekend: | $7,051,476 (55.3% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 53.2% (domestic box office/worldwide) |
| Production Budget: | $80,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 3,304 opening theaters/3,304 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,744,025 |
Movie Details
| Domestic Releases: | March 6th, 2026 (Wide) by Warner Bros. March 6th, 2026 (IMAX) by Warner Bros. |
| International Releases: | March 4th, 2026 (Wide) (Belgium)
March 4th, 2026 (Wide), released as The Bride! (브라이드!) (South Korea) March 4th, 2026 (Wide) (France) March 5th, 2026 (Wide) (Australia) March 5th, 2026 (Wide), released as A Noiva! (Portugal) ... Show all releases |
| Video Release: | April 7th, 2026 by Warner Home Video |
| MPA Rating: | R for strong/bloody violent content, sexual content/nudity and language. (Rating bulletin 2900 (cert #55552), 8/27/2025) |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Remake, Remake with a Different Genre |
| Geographical setting: | Chicago |
| Plot point: | Frankenstien's Monster, Romance |
| Source material: | Modern Adaptation |
| Subgenre: | Gothic Horror |
| Time period setting: | 1930s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Warner Bros., First Love Films, In the Current Company |
| Production Countries: | United States, Israel |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2026 | 3 | $7,051,476 | 3,304 | $2,134 | $7,051,476 | 1 | |
| Mar 13, 2026 | 6 | $2,088,182 | -70% | 3,304 | $632 | $11,312,948 | 2 |
| Mar 20, 2026 | - | $285,508 | -86% | 708 | $403 | $12,553,526 | 3 |
| Mar 27, 2026 | - | $37,418 | -87% | 94 | $398 | $12,729,859 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 5, 2026 | P | $1,000,000 | 3,000 | $333 | $1,000,000 | |||
| Mar 6, 2026 | 3 | $3,000,725 | 3,304 | $908 | $3,000,725 | 1 | ||
| Mar 7, 2026 | 4 | $2,501,443 | -17% | 3,304 | $757 | $5,502,168 | 2 | |
| Mar 8, 2026 | 4 | $1,549,308 | -38% | 3,304 | $469 | $7,051,476 | 3 | |
| Mar 9, 2026 | 3 | $508,762 | -67% | 3,304 | $154 | $7,560,238 | 4 | |
| Mar 10, 2026 | 3 | $791,574 | +56% | 3,304 | $240 | $8,351,812 | 5 | |
| Mar 11, 2026 | 4 | $496,813 | -37% | 3,304 | $150 | $8,848,625 | 6 | |
| Mar 12, 2026 | 4 | $376,141 | -24% | 3,304 | $114 | $9,224,766 | 7 | |
| Mar 13, 2026 | 6 | $651,726 | +73% | -78% | 3,304 | $197 | $9,876,492 | 8 |
| Mar 14, 2026 | 6 | $885,081 | +36% | -65% | 3,304 | $268 | $10,761,573 | 9 |
| Mar 15, 2026 | 6 | $551,375 | -38% | -64% | 3,304 | $167 | $11,312,948 | 10 |
| Mar 16, 2026 | 7 | $223,766 | -59% | -56% | 3,304 | $68 | $11,536,714 | 11 |
| Mar 17, 2026 | 7 | $330,364 | +48% | -58% | 3,304 | $100 | $11,867,078 | 12 |
| Mar 18, 2026 | 7 | $270,687 | -18% | -46% | 3,304 | $82 | $12,137,765 | 13 |
| Mar 19, 2026 | - | $130,253 | -52% | -65% | 3,304 | $39 | $12,268,018 | 14 |
| Mar 20, 2026 | - | $85,312 | -35% | -87% | 708 | $120 | $12,353,330 | 15 |
| Mar 21, 2026 | - | $115,107 | +35% | -87% | 708 | $163 | $12,468,437 | 16 |
| Mar 22, 2026 | - | $85,089 | -26% | -85% | 708 | $120 | $12,553,526 | 17 |
| Mar 23, 2026 | - | $34,878 | -59% | -84% | 708 | $49 | $12,588,404 | 18 |
| Mar 24, 2026 | - | $43,703 | +25% | -87% | 708 | $62 | $12,632,107 | 19 |
| Mar 25, 2026 | - | $38,051 | -13% | -86% | 708 | $54 | $12,670,158 | 20 |
| Mar 26, 2026 | - | $22,283 | -41% | -83% | 708 | $31 | $12,692,441 | 21 |
| Mar 27, 2026 | - | $11,103 | -50% | -87% | 94 | $118 | $12,703,544 | 22 |
| Mar 28, 2026 | - | $15,079 | +36% | -87% | 94 | $160 | $12,718,623 | 23 |
| Mar 29, 2026 | - | $11,236 | -25% | -87% | 94 | $120 | $12,729,859 | 24 |
| Mar 30, 2026 | - | $5,168 | -54% | -85% | 94 | $55 | $12,735,027 | 25 |
| Mar 31, 2026 | - | $6,126 | +19% | -86% | 94 | $65 | $12,741,153 | 26 |
| Apr 1, 2026 | - | $1,581 | -74% | -96% | 94 | $17 | $12,742,734 | 27 |
| Apr 2, 2026 | - | $1,291 | -18% | -94% | 94 | $14 | $12,744,025 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 6, 2026 | 3 | $9,224,766 | 3,304 | $2,792 | $9,224,766 | 1 | |
| Mar 13, 2026 | 6 | $3,043,252 | -67% | 3,304 | $921 | $12,268,018 | 2 |
| Mar 20, 2026 | 11 | $424,423 | -86% | 708 | $599 | $12,692,441 | 3 |
| Mar 27, 2026 | 29 | $51,584 | -88% | 94 | $549 | $12,744,025 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/5/2026 | $287,186 | 302 | 302 | 0 | $526,370 | 5/11/2026 | |||
| Brazil | 3/5/2026 | $376,000 | 0 | 0 | 0 | $659,000 | 4/4/2026 | |||
| China | 3/6/2026 | $475,364 | 0 | 0 | 0 | $632,509 | 5/22/2026 | |||
| Colombia | 3/5/2026 | $116,000 | 0 | 0 | 0 | $172,000 | 4/6/2026 | |||
| Croatia | 3/5/2026 | $15,624 | 43 | 43 | 66 | $24,586 | 4/4/2026 | |||
| Czech Republic | 3/5/2026 | $19,760 | 102 | 102 | 102 | $37,359 | 4/4/2026 | |||
| Egypt | 3/26/2026 | $0 | 0 | 0 | 0 | $5,365 | 4/10/2026 | |||
| Finland | 3/6/2026 | $37,190 | 81 | 81 | 149 | $65,910 | 4/21/2026 | |||
| France | 3/4/2026 | $406,000 | 0 | 0 | 0 | $631,000 | 4/4/2026 | |||
| Germany | 3/5/2026 | $181,000 | 0 | 0 | 0 | $296,000 | 4/4/2026 | |||
| Italy | 3/5/2026 | $267,715 | 0 | 0 | 0 | $436,000 | 4/4/2026 | |||
| Mexico | 3/5/2026 | $724,855 | 0 | 0 | 0 | $1,200,000 | 4/4/2026 | |||
| Netherlands | 3/5/2026 | $112,564 | 114 | 114 | 114 | $202,000 | 5/6/2026 | |||
| New Zealand | 3/5/2026 | $31,621 | 86 | 86 | 0 | $55,020 | 4/20/2026 | |||
| Poland | 3/6/2026 | $114,000 | 0 | 0 | 0 | $215,000 | 4/4/2026 | |||
| Portugal | 3/5/2026 | $56,662 | 72 | 72 | 0 | $85,081 | 4/6/2026 | |||
| Romania | 3/6/2026 | $38,842 | 93 | 93 | 0 | $113,268 | 5/6/2026 | |||
| Russia (CIS) | 3/5/2026 | $83,211 | 147 | 147 | 147 | $83,211 | 4/6/2026 | |||
| Slovakia | 3/5/2026 | $16,209 | 79 | 79 | 104 | $24,958 | 4/13/2026 | |||
| South Korea | 3/4/2026 | $135,292 | 172 | 172 | 0 | $163,105 | 4/6/2026 | |||
| Spain | 3/6/2026 | $293,463 | 349 | 349 | 624 | $480,000 | 4/4/2026 | |||
| Turkey | 3/6/2026 | $53,219 | 325 | 325 | 497 | $126,368 | 4/16/2026 | |||
| United Kingdom | 3/6/2026 | $962,068 | 630 | 590 | 630 | $1,700,000 | 4/4/2026 | |||
| Rest of World | $3,265,890 | |||||||||
| International Total | $11,200,000 | 5/22/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jessie Buckley | Frankenstein’s bride | |
| Christian Bale | Frankenstein’s monster |
Supporting
| Penélope Cruz | Myrna | |
| John Magaro | ||
| Jeannie Berlin | Greta | |
| Peter Sarsgaard | Detective | |
| Annette Bening | Dr. Euphronious | |
| Julianne Hough | ||
| Jake Gyllenhaal | Ronnie Reed |
Production and Technical Credits
| Maggie Gyllenhaal | Director | |
| Maggie Gyllenhaal | Screenwriter | |
| Mary Shelley | Story Creator | |
| John L. Balderston | Story Creator | |
| William Hurlbut | Story Creator | |
| Emma Tillinger Koskoff | Producer | |
| Maggie Gyllenhaal | Producer | |
| Talia Kleinhendler | Producer | |
| Osnat Handelsman-Keren | Producer | |
| Carla Raij | Executive Producer | |
| David Webb | Executive Producer | |
| Courtney Kivowitz | Executive Producer | |
| Dylan Tichenor | Editor | |
| Hildur Guðnadóttir | Composer | |
| Lawrence Sher | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.