Bring Her Back (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $19,323,752 | Details |
| International Box Office | $19,769,102 | Details |
| Worldwide Box Office | $39,092,854 | |
| OpusData ID: 678190100 More info... | ||
| Further financial details... | ||
Synopsis
A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.
Metrics
| Opening Weekend: | $7,081,501 (36.6% of total gross) |
| Legs: | 2.73 (domestic box office/biggest weekend) |
| Domestic Share: | 49.4% (domestic box office/worldwide) |
| Production Budget: | $17,500,000 (worldwide box office is 2.2 times production budget) |
| Theater counts: | 2,449 opening theaters/2,449 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,323,752 |
Movie Details
| Domestic Releases: | May 30th, 2025 (Wide) by A24 |
| International Releases: | May 29th, 2025 (Limited) (Australia)
May 29th, 2025 (Wide), released as Bring Her Back (還魂) (Hong Kong) May 29th, 2025 (Wide), released as Bring Her Back (Верни её из мёртвых) (Russia (CIS)) May 29th, 2025 (Wide) (New Zealand) May 30th, 2025 (Wide) (Bolivia) ... Show all releases |
| Video Release: | July 1st, 2025 by A24 |
| MPA Rating: | R for strong disturbing bloody violent content, some grisly images, graphic nudity, underage drinking and language. (Rating bulletin 2879 (cert #55450), 4/2/2025) |
| Running Time: | 104 minutes |
| Filming location (country): | Australia |
| Plot point: | Blindness, Child Abuse, Death of a Son or Daughter, Dysfunctional Family, Mute, Occult, Orphan, Young Child Dealing with the Death of a Parent |
| Social setting: | Foster Family |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Causeway Films, A24, RackaRacka |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2025 | 5 | $7,081,501 | 2,449 | $2,892 | $7,081,501 | 1 | |
| Jun 6, 2025 | 7 | $3,526,295 | -50% | 2,425 | $1,454 | $14,112,796 | 2 |
| Jun 13, 2025 | 11 | $1,415,578 | -60% | 1,250 | $1,132 | $17,654,275 | 3 |
| Jun 20, 2025 | - | $387,831 | -73% | 406 | $955 | $18,916,588 | 4 |
| Jun 27, 2025 | - | $93,463 | -76% | 126 | $742 | $19,250,241 | 5 |
| Jul 4, 2025 | - | $15,841 | -83% | 33 | $480 | $19,313,547 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 29, 2025 | P | $850,000 | 2,409 | $353 | $850,000 | |||
| May 30, 2025 | 5 | $3,143,350 | 2,449 | $1,284 | $3,143,350 | 1 | ||
| May 31, 2025 | 5 | $2,263,305 | -28% | 2,449 | $924 | $5,406,655 | 2 | |
| Jun 1, 2025 | 5 | $1,674,846 | -26% | 2,449 | $684 | $7,081,501 | 3 | |
| Jun 6, 2025 | 8 | $1,095,505 | -65% | 2,425 | $452 | $11,682,006 | 8 | |
| Jun 7, 2025 | 7 | $1,357,983 | +24% | -40% | 2,425 | $560 | $13,039,989 | 9 |
| Jun 8, 2025 | 7 | $1,072,807 | -21% | -36% | 2,425 | $442 | $14,112,796 | 10 |
| Jun 13, 2025 | 10 | $475,425 | -57% | 1,250 | $380 | $16,714,122 | 15 | |
| Jun 14, 2025 | 11 | $537,230 | +13% | -60% | 1,250 | $430 | $17,251,352 | 16 |
| Jun 15, 2025 | 12 | $402,923 | -25% | -62% | 1,250 | $322 | $17,654,275 | 17 |
| Jun 20, 2025 | - | $122,344 | -74% | 406 | $301 | $18,651,101 | 22 | |
| Jun 21, 2025 | - | $151,707 | +24% | -72% | 406 | $374 | $18,802,808 | 23 |
| Jun 22, 2025 | - | $113,780 | -25% | -72% | 406 | $280 | $18,916,588 | 24 |
| Jun 23, 2025 | - | $61,256 | -46% | 406 | $151 | $18,977,844 | 25 | |
| Jun 24, 2025 | - | $74,332 | +21% | 406 | $183 | $19,052,176 | 26 | |
| Jun 25, 2025 | - | $64,590 | -13% | 406 | $159 | $19,116,766 | 27 | |
| Jun 26, 2025 | - | $40,012 | -38% | 406 | $99 | $19,156,778 | 28 | |
| Jun 27, 2025 | - | $30,492 | -24% | -75% | 126 | $242 | $19,187,270 | 29 |
| Jun 28, 2025 | - | $38,420 | +26% | -75% | 126 | $305 | $19,225,690 | 30 |
| Jun 29, 2025 | - | $24,551 | -36% | -78% | 126 | $195 | $19,250,241 | 31 |
| Jun 30, 2025 | - | $17,765 | -28% | -71% | 126 | $141 | $19,268,006 | 32 |
| Jul 1, 2025 | - | $19,763 | +11% | -73% | 126 | $157 | $19,287,769 | 33 |
| Jul 2, 2025 | - | $4,561 | -77% | -93% | 126 | $36 | $19,292,330 | 34 |
| Jul 3, 2025 | - | $5,376 | +18% | -87% | 126 | $43 | $19,297,706 | 35 |
| Jul 4, 2025 | - | $4,158 | -23% | -86% | 33 | $126 | $19,301,864 | 36 |
| Jul 5, 2025 | - | $6,465 | +55% | -83% | 33 | $196 | $19,308,329 | 37 |
| Jul 6, 2025 | - | $5,218 | -19% | -79% | 33 | $158 | $19,313,547 | 38 |
| Jul 7, 2025 | - | $2,754 | -47% | -84% | 33 | $83 | $19,316,301 | 39 |
| Jul 8, 2025 | - | $2,880 | +5% | -85% | 33 | $87 | $19,319,181 | 40 |
| Jul 9, 2025 | - | $2,665 | -7% | -42% | 33 | $81 | $19,321,846 | 41 |
| Jul 10, 2025 | - | $1,906 | -28% | -65% | 33 | $58 | $19,323,752 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2025 | 5 | $10,586,501 | 2,449 | $4,323 | $10,586,501 | 1 | |
| Jun 6, 2025 | 7 | $5,652,196 | -47% | 2,449 | $2,308 | $16,238,697 | 2 |
| Jun 13, 2025 | 11 | $2,290,060 | -59% | 1,250 | $1,832 | $18,528,757 | 3 |
| Jun 20, 2025 | 14 | $628,021 | -73% | 406 | $1,547 | $19,156,778 | 4 |
| Jun 27, 2025 | 19 | $140,928 | -78% | 126 | $1,118 | $19,297,706 | 5 |
| Jul 4, 2025 | 23 | $26,046 | -82% | 33 | $789 | $19,323,752 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/29/2025 | $536,046 | 254 | 254 | 0 | $1,693,995 | 4/6/2026 | |||
| Croatia | 7/31/2025 | $18,486 | 20 | 20 | 48 | $43,614 | 4/4/2026 | |||
| Czech Republic | 7/31/2025 | $49,488 | 85 | 85 | 85 | $49,488 | 4/4/2026 | |||
| Finland | 8/15/2025 | $38,639 | 51 | 51 | 131 | $146,533 | 4/4/2026 | |||
| Italy | 7/30/2025 | $383,602 | 0 | 0 | 0 | $1,100,685 | 4/4/2026 | |||
| Mexico | 8/21/2025 | $656,193 | 0 | 0 | 0 | $1,595,545 | 4/4/2026 | |||
| Netherlands | 7/31/2025 | $217,103 | 87 | 87 | 311 | $591,506 | 4/4/2026 | |||
| New Zealand | 5/29/2025 | $50,333 | 62 | 62 | 0 | $122,972 | 4/6/2026 | |||
| Portugal | 7/31/2025 | $38,305 | 41 | 41 | 71 | $81,567 | 4/4/2026 | |||
| Romania | 8/1/2025 | $38,529 | 72 | 72 | 0 | $166,430 | 4/4/2026 | |||
| Russia (CIS) | 5/29/2025 | $354,876 | 1,095 | 1,095 | 2,403 | $893,621 | 4/4/2026 | |||
| Serbia and Montenegro | 7/31/2025 | $0 | 0 | 17 | 0 | $22,285 | 4/4/2026 | |||
| Slovakia | 7/31/2025 | $21,993 | 50 | 50 | 70 | $33,000 | 4/4/2026 | |||
| South Korea | 6/6/2025 | $193,050 | 246 | 246 | 0 | $406,532 | 4/6/2026 | |||
| Spain | 8/1/2025 | $504,107 | 290 | 290 | 865 | $1,669,579 | 4/4/2026 | |||
| Turkey | 8/1/2025 | $62,279 | 257 | 257 | 532 | $142,472 | 4/4/2026 | |||
| United Kingdom | 8/1/2025 | $1,615,927 | 497 | 497 | 885 | $2,251,917 | 4/4/2026 | |||
| Rest of World | $8,757,361 | |||||||||
| International Total | $19,769,102 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Billy Barratt | Andy | |
| Sora Wong | Piper | |
| Sally Hawkins | Laura |
Supporting
| Jonah Wren Phillips | Oliver | |
| Sally-Anne Upton | Wendy | |
| Stephen Phillips | Phil | |
| Mischa Heywood | Cathy | |
| Olga Miller | Macia |
Production and Technical Credits
| Danny Philippou | Director | |
| Michael Philippou | Director | |
| Danny Philippou | Screenwriter | |
| Bill Hinzman | Screenwriter | |
| Kristina Ceyton | Producer | |
| Samantha Jennings | Producer | |
| Aaron McLisky | Director of Photography | |
| Geoff Lamb | Editor | |
| Cornel Wilczek | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A brother and sister uncover a terrifying ritual at the secluded home of their new foster mother.
Metrics
| Opening Weekend: | $7,081,501 (36.6% of total gross) |
| Legs: | 2.73 (domestic box office/biggest weekend) |
| Domestic Share: | 49.4% (domestic box office/worldwide) |
| Production Budget: | $17,500,000 (worldwide box office is 2.2 times production budget) |
| Theater counts: | 2,449 opening theaters/2,449 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,323,752 |
Movie Details
| Domestic Releases: | May 30th, 2025 (Wide) by A24 |
| International Releases: | May 29th, 2025 (Limited) (Australia)
May 29th, 2025 (Wide), released as Bring Her Back (還魂) (Hong Kong) May 29th, 2025 (Wide), released as Bring Her Back (Верни её из мёртвых) (Russia (CIS)) May 29th, 2025 (Wide) (New Zealand) May 30th, 2025 (Wide) (Bolivia) ... Show all releases |
| Video Release: | July 1st, 2025 by A24 |
| MPA Rating: | R for strong disturbing bloody violent content, some grisly images, graphic nudity, underage drinking and language. (Rating bulletin 2879 (cert #55450), 4/2/2025) |
| Running Time: | 104 minutes |
| Filming location (country): | Australia |
| Plot point: | Blindness, Child Abuse, Death of a Son or Daughter, Dysfunctional Family, Mute, Occult, Orphan, Young Child Dealing with the Death of a Parent |
| Social setting: | Foster Family |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Causeway Films, A24, RackaRacka |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2025 | 5 | $7,081,501 | 2,449 | $2,892 | $7,081,501 | 1 | |
| Jun 6, 2025 | 7 | $3,526,295 | -50% | 2,425 | $1,454 | $14,112,796 | 2 |
| Jun 13, 2025 | 11 | $1,415,578 | -60% | 1,250 | $1,132 | $17,654,275 | 3 |
| Jun 20, 2025 | - | $387,831 | -73% | 406 | $955 | $18,916,588 | 4 |
| Jun 27, 2025 | - | $93,463 | -76% | 126 | $742 | $19,250,241 | 5 |
| Jul 4, 2025 | - | $15,841 | -83% | 33 | $480 | $19,313,547 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 29, 2025 | P | $850,000 | 2,409 | $353 | $850,000 | |||
| May 30, 2025 | 5 | $3,143,350 | 2,449 | $1,284 | $3,143,350 | 1 | ||
| May 31, 2025 | 5 | $2,263,305 | -28% | 2,449 | $924 | $5,406,655 | 2 | |
| Jun 1, 2025 | 5 | $1,674,846 | -26% | 2,449 | $684 | $7,081,501 | 3 | |
| Jun 6, 2025 | 8 | $1,095,505 | -65% | 2,425 | $452 | $11,682,006 | 8 | |
| Jun 7, 2025 | 7 | $1,357,983 | +24% | -40% | 2,425 | $560 | $13,039,989 | 9 |
| Jun 8, 2025 | 7 | $1,072,807 | -21% | -36% | 2,425 | $442 | $14,112,796 | 10 |
| Jun 13, 2025 | 10 | $475,425 | -57% | 1,250 | $380 | $16,714,122 | 15 | |
| Jun 14, 2025 | 11 | $537,230 | +13% | -60% | 1,250 | $430 | $17,251,352 | 16 |
| Jun 15, 2025 | 12 | $402,923 | -25% | -62% | 1,250 | $322 | $17,654,275 | 17 |
| Jun 20, 2025 | - | $122,344 | -74% | 406 | $301 | $18,651,101 | 22 | |
| Jun 21, 2025 | - | $151,707 | +24% | -72% | 406 | $374 | $18,802,808 | 23 |
| Jun 22, 2025 | - | $113,780 | -25% | -72% | 406 | $280 | $18,916,588 | 24 |
| Jun 23, 2025 | - | $61,256 | -46% | 406 | $151 | $18,977,844 | 25 | |
| Jun 24, 2025 | - | $74,332 | +21% | 406 | $183 | $19,052,176 | 26 | |
| Jun 25, 2025 | - | $64,590 | -13% | 406 | $159 | $19,116,766 | 27 | |
| Jun 26, 2025 | - | $40,012 | -38% | 406 | $99 | $19,156,778 | 28 | |
| Jun 27, 2025 | - | $30,492 | -24% | -75% | 126 | $242 | $19,187,270 | 29 |
| Jun 28, 2025 | - | $38,420 | +26% | -75% | 126 | $305 | $19,225,690 | 30 |
| Jun 29, 2025 | - | $24,551 | -36% | -78% | 126 | $195 | $19,250,241 | 31 |
| Jun 30, 2025 | - | $17,765 | -28% | -71% | 126 | $141 | $19,268,006 | 32 |
| Jul 1, 2025 | - | $19,763 | +11% | -73% | 126 | $157 | $19,287,769 | 33 |
| Jul 2, 2025 | - | $4,561 | -77% | -93% | 126 | $36 | $19,292,330 | 34 |
| Jul 3, 2025 | - | $5,376 | +18% | -87% | 126 | $43 | $19,297,706 | 35 |
| Jul 4, 2025 | - | $4,158 | -23% | -86% | 33 | $126 | $19,301,864 | 36 |
| Jul 5, 2025 | - | $6,465 | +55% | -83% | 33 | $196 | $19,308,329 | 37 |
| Jul 6, 2025 | - | $5,218 | -19% | -79% | 33 | $158 | $19,313,547 | 38 |
| Jul 7, 2025 | - | $2,754 | -47% | -84% | 33 | $83 | $19,316,301 | 39 |
| Jul 8, 2025 | - | $2,880 | +5% | -85% | 33 | $87 | $19,319,181 | 40 |
| Jul 9, 2025 | - | $2,665 | -7% | -42% | 33 | $81 | $19,321,846 | 41 |
| Jul 10, 2025 | - | $1,906 | -28% | -65% | 33 | $58 | $19,323,752 | 42 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 30, 2025 | 5 | $10,586,501 | 2,449 | $4,323 | $10,586,501 | 1 | |
| Jun 6, 2025 | 7 | $5,652,196 | -47% | 2,449 | $2,308 | $16,238,697 | 2 |
| Jun 13, 2025 | 11 | $2,290,060 | -59% | 1,250 | $1,832 | $18,528,757 | 3 |
| Jun 20, 2025 | 14 | $628,021 | -73% | 406 | $1,547 | $19,156,778 | 4 |
| Jun 27, 2025 | 19 | $140,928 | -78% | 126 | $1,118 | $19,297,706 | 5 |
| Jul 4, 2025 | 23 | $26,046 | -82% | 33 | $789 | $19,323,752 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/29/2025 | $536,046 | 254 | 254 | 0 | $1,693,995 | 4/6/2026 | |||
| Croatia | 7/31/2025 | $18,486 | 20 | 20 | 48 | $43,614 | 4/4/2026 | |||
| Czech Republic | 7/31/2025 | $49,488 | 85 | 85 | 85 | $49,488 | 4/4/2026 | |||
| Finland | 8/15/2025 | $38,639 | 51 | 51 | 131 | $146,533 | 4/4/2026 | |||
| Italy | 7/30/2025 | $383,602 | 0 | 0 | 0 | $1,100,685 | 4/4/2026 | |||
| Mexico | 8/21/2025 | $656,193 | 0 | 0 | 0 | $1,595,545 | 4/4/2026 | |||
| Netherlands | 7/31/2025 | $217,103 | 87 | 87 | 311 | $591,506 | 4/4/2026 | |||
| New Zealand | 5/29/2025 | $50,333 | 62 | 62 | 0 | $122,972 | 4/6/2026 | |||
| Portugal | 7/31/2025 | $38,305 | 41 | 41 | 71 | $81,567 | 4/4/2026 | |||
| Romania | 8/1/2025 | $38,529 | 72 | 72 | 0 | $166,430 | 4/4/2026 | |||
| Russia (CIS) | 5/29/2025 | $354,876 | 1,095 | 1,095 | 2,403 | $893,621 | 4/4/2026 | |||
| Serbia and Montenegro | 7/31/2025 | $0 | 0 | 17 | 0 | $22,285 | 4/4/2026 | |||
| Slovakia | 7/31/2025 | $21,993 | 50 | 50 | 70 | $33,000 | 4/4/2026 | |||
| South Korea | 6/6/2025 | $193,050 | 246 | 246 | 0 | $406,532 | 4/6/2026 | |||
| Spain | 8/1/2025 | $504,107 | 290 | 290 | 865 | $1,669,579 | 4/4/2026 | |||
| Turkey | 8/1/2025 | $62,279 | 257 | 257 | 532 | $142,472 | 4/4/2026 | |||
| United Kingdom | 8/1/2025 | $1,615,927 | 497 | 497 | 885 | $2,251,917 | 4/4/2026 | |||
| Rest of World | $8,757,361 | |||||||||
| International Total | $19,769,102 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Billy Barratt | Andy | |
| Sora Wong | Piper | |
| Sally Hawkins | Laura |
Supporting
| Jonah Wren Phillips | Oliver | |
| Sally-Anne Upton | Wendy | |
| Stephen Phillips | Phil | |
| Mischa Heywood | Cathy | |
| Olga Miller | Macia |
Production and Technical Credits
| Danny Philippou | Director | |
| Michael Philippou | Director | |
| Danny Philippou | Screenwriter | |
| Bill Hinzman | Screenwriter | |
| Kristina Ceyton | Producer | |
| Samantha Jennings | Producer | |
| Aaron McLisky | Director of Photography | |
| Geoff Lamb | Editor | |
| Cornel Wilczek | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.