Bring Them Down (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $336,339 | Details |
| International Box Office | $244,539 | Details |
| Worldwide Box Office | $580,878 | |
| OpusData ID: 721030100 More info... | ||
| Further financial details... | ||
Synopsis
An Irish shepherding family thrust into battle on several fronts: internal strife, hostility within the family, rivalry with another farmer. Paternalism, heritage, and the generational trauma cycle through the cultural prism of Ireland.
Metrics
| Opening Weekend: | $202,329 (60.2% of total gross) |
| Legs: | 1.66 (domestic box office/biggest weekend) |
| Domestic Share: | 57.9% (domestic box office/worldwide) |
| Theater counts: | 454 opening theaters/454 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $336,339 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Limited) by MUBI |
| International Releases: | February 6th, 2025 (Limited) (Mexico)
February 7th, 2025 (Limited) (United Kingdom) March 27th, 2025 (Wide), released as Bring Them Down (Уништи их) (Serbia and Montenegro) April 23rd, 2025 (Limited), released as Le Clan des Betes (France) ... Show all releases |
| Video Release: | March 28th, 2025 by Mubi |
| MPA Rating: | R for language throughout, violent content, some grisly images and brief drug use. (Rating bulletin 2867 (cert #55326), 1/8/2025) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Development Hell |
| Geographical setting: | Ireland |
| Plot point: | Dysfunctional Family, Medical and Hospitals, Professional Rivalry, The Past Catching up with You |
| Social setting: | Life on a Farm |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Ireland, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $202,329 | 454 | $446 | $202,329 | 1 | |
| Feb 14, 2025 | - | $6,724 | -97% | 18 | $374 | $329,080 | 2 |
| Feb 21, 2025 | - | $817 | -88% | 4 | $204 | $336,005 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $84,458 | 454 | $186 | $84,458 | 1 | ||
| Feb 8, 2025 | - | $81,839 | -3% | 454 | $180 | $166,297 | 2 | |
| Feb 9, 2025 | - | $36,032 | -56% | 454 | $79 | $202,329 | 3 | |
| Feb 10, 2025 | - | $33,329 | -8% | 454 | $73 | $235,658 | 4 | |
| Feb 11, 2025 | - | $42,352 | +27% | 454 | $93 | $278,010 | 5 | |
| Feb 12, 2025 | - | $31,812 | -25% | 454 | $70 | $309,822 | 6 | |
| Feb 13, 2025 | - | $12,534 | -61% | 454 | $28 | $322,356 | 7 | |
| Feb 14, 2025 | - | $1,856 | -85% | -98% | 18 | $103 | $324,212 | 8 |
| Feb 15, 2025 | - | $2,914 | +57% | -96% | 18 | $162 | $327,126 | 9 |
| Feb 16, 2025 | - | $1,954 | -33% | -95% | 18 | $109 | $329,080 | 10 |
| Feb 17, 2025 | - | $2,810 | +44% | -92% | 18 | $156 | $331,890 | 11 |
| Feb 18, 2025 | - | $1,408 | -50% | -97% | 18 | $78 | $333,298 | 12 |
| Feb 19, 2025 | - | $1,050 | -25% | -97% | 18 | $58 | $334,348 | 13 |
| Feb 20, 2025 | - | $840 | -20% | -93% | 18 | $47 | $335,188 | 14 |
| Feb 21, 2025 | - | $169 | -80% | -91% | 4 | $42 | $335,357 | 15 |
| Feb 22, 2025 | - | $287 | +70% | -90% | 4 | $72 | $335,644 | 16 |
| Feb 23, 2025 | - | $361 | +26% | -82% | 4 | $90 | $336,005 | 17 |
| Feb 24, 2025 | - | $114 | -68% | -96% | 4 | $29 | $336,119 | 18 |
| Feb 25, 2025 | - | $26 | -77% | -98% | 4 | $7 | $336,145 | 19 |
| Feb 26, 2025 | - | $58 | +123% | -94% | 4 | $15 | $336,203 | 20 |
| Feb 27, 2025 | - | $136 | +134% | -84% | 4 | $34 | $336,339 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 21 | $322,356 | 454 | $710 | $322,356 | 1 | |
| Feb 14, 2025 | 43 | $12,832 | -96% | 18 | $713 | $335,188 | 2 |
| Feb 21, 2025 | 63 | $1,151 | -91% | 4 | $288 | $336,339 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Serbia and Montenegro | 3/27/2025 | $0 | 0 | 1 | 0 | $6,315 | 4/6/2026 | |||
| United Kingdom | 2/7/2025 | $100,374 | 122 | 122 | 261 | $238,224 | 4/2/2025 | |||
| International Total | $244,539 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Christopher Abbott |
Supporting
| Barry Keoghan | ||
| Colm Meaney | ||
| Nora-Jane Noone | ||
| Paul Ready | ||
| Aaron Heffernan |
Production and Technical Credits
| Chris Andrews | Director | |
| Chris Andrews | Screenwriter | |
| Jonathan Hourigan | Screenwriter | |
| Julianne Forde | Producer | |
| Jacob Swan Hyam | Producer | |
| Ivana MacKinnon | Producer | |
| Ruth Treacy | Producer | |
| Jean-Yves Roubin | Producer | |
| Cassandre Warnauts | Producer | |
| Christopher Abbott | Executive Producer | |
| Barry Keoghan | Executive Producer | |
| Nick Cooke | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An Irish shepherding family thrust into battle on several fronts: internal strife, hostility within the family, rivalry with another farmer. Paternalism, heritage, and the generational trauma cycle through the cultural prism of Ireland.
Metrics
| Opening Weekend: | $202,329 (60.2% of total gross) |
| Legs: | 1.66 (domestic box office/biggest weekend) |
| Domestic Share: | 57.9% (domestic box office/worldwide) |
| Theater counts: | 454 opening theaters/454 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $336,339 |
Movie Details
| Domestic Releases: | February 7th, 2025 (Limited) by MUBI |
| International Releases: | February 6th, 2025 (Limited) (Mexico)
February 7th, 2025 (Limited) (United Kingdom) March 27th, 2025 (Wide), released as Bring Them Down (Уништи их) (Serbia and Montenegro) April 23rd, 2025 (Limited), released as Le Clan des Betes (France) ... Show all releases |
| Video Release: | March 28th, 2025 by Mubi |
| MPA Rating: | R for language throughout, violent content, some grisly images and brief drug use. (Rating bulletin 2867 (cert #55326), 1/8/2025) |
| Running Time: | 105 minutes |
| Cast, crew, or production detail: | Development Hell |
| Geographical setting: | Ireland |
| Plot point: | Dysfunctional Family, Medical and Hospitals, Professional Rivalry, The Past Catching up with You |
| Social setting: | Life on a Farm |
| Subgenre: | Psychological Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Ireland, United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $202,329 | 454 | $446 | $202,329 | 1 | |
| Feb 14, 2025 | - | $6,724 | -97% | 18 | $374 | $329,080 | 2 |
| Feb 21, 2025 | - | $817 | -88% | 4 | $204 | $336,005 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | - | $84,458 | 454 | $186 | $84,458 | 1 | ||
| Feb 8, 2025 | - | $81,839 | -3% | 454 | $180 | $166,297 | 2 | |
| Feb 9, 2025 | - | $36,032 | -56% | 454 | $79 | $202,329 | 3 | |
| Feb 10, 2025 | - | $33,329 | -8% | 454 | $73 | $235,658 | 4 | |
| Feb 11, 2025 | - | $42,352 | +27% | 454 | $93 | $278,010 | 5 | |
| Feb 12, 2025 | - | $31,812 | -25% | 454 | $70 | $309,822 | 6 | |
| Feb 13, 2025 | - | $12,534 | -61% | 454 | $28 | $322,356 | 7 | |
| Feb 14, 2025 | - | $1,856 | -85% | -98% | 18 | $103 | $324,212 | 8 |
| Feb 15, 2025 | - | $2,914 | +57% | -96% | 18 | $162 | $327,126 | 9 |
| Feb 16, 2025 | - | $1,954 | -33% | -95% | 18 | $109 | $329,080 | 10 |
| Feb 17, 2025 | - | $2,810 | +44% | -92% | 18 | $156 | $331,890 | 11 |
| Feb 18, 2025 | - | $1,408 | -50% | -97% | 18 | $78 | $333,298 | 12 |
| Feb 19, 2025 | - | $1,050 | -25% | -97% | 18 | $58 | $334,348 | 13 |
| Feb 20, 2025 | - | $840 | -20% | -93% | 18 | $47 | $335,188 | 14 |
| Feb 21, 2025 | - | $169 | -80% | -91% | 4 | $42 | $335,357 | 15 |
| Feb 22, 2025 | - | $287 | +70% | -90% | 4 | $72 | $335,644 | 16 |
| Feb 23, 2025 | - | $361 | +26% | -82% | 4 | $90 | $336,005 | 17 |
| Feb 24, 2025 | - | $114 | -68% | -96% | 4 | $29 | $336,119 | 18 |
| Feb 25, 2025 | - | $26 | -77% | -98% | 4 | $7 | $336,145 | 19 |
| Feb 26, 2025 | - | $58 | +123% | -94% | 4 | $15 | $336,203 | 20 |
| Feb 27, 2025 | - | $136 | +134% | -84% | 4 | $34 | $336,339 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 7, 2025 | 21 | $322,356 | 454 | $710 | $322,356 | 1 | |
| Feb 14, 2025 | 43 | $12,832 | -96% | 18 | $713 | $335,188 | 2 |
| Feb 21, 2025 | 63 | $1,151 | -91% | 4 | $288 | $336,339 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Serbia and Montenegro | 3/27/2025 | $0 | 0 | 1 | 0 | $6,315 | 4/6/2026 | |||
| United Kingdom | 2/7/2025 | $100,374 | 122 | 122 | 261 | $238,224 | 4/2/2025 | |||
| International Total | $244,539 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Christopher Abbott |
Supporting
| Barry Keoghan | ||
| Colm Meaney | ||
| Nora-Jane Noone | ||
| Paul Ready | ||
| Aaron Heffernan |
Production and Technical Credits
| Chris Andrews | Director | |
| Chris Andrews | Screenwriter | |
| Jonathan Hourigan | Screenwriter | |
| Julianne Forde | Producer | |
| Jacob Swan Hyam | Producer | |
| Ivana MacKinnon | Producer | |
| Ruth Treacy | Producer | |
| Jean-Yves Roubin | Producer | |
| Cassandre Warnauts | Producer | |
| Christopher Abbott | Executive Producer | |
| Barry Keoghan | Executive Producer | |
| Nick Cooke | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.