The Brink (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $106,059 | Details |
| International Box Office | $8,662 | Details |
| Worldwide Box Office | $114,721 | |
| OpusData ID: 398870100 More info... | ||
| Further financial details... | ||
Synopsis
When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville “Unite the Right” rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post—though some say he still has a direct line to the White House—he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. THE BRINK follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilize and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself—as he has many times before—this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.
Metrics
| Opening Weekend: | $18,063 (17.0% of total gross) |
| Legs: | 5.10 (domestic box office/biggest weekend) |
| Domestic Share: | 92.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/30 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $138,473 |
Movie Details
| Domestic Releases: | March 29th, 2019 (Limited) by Magnolia Pictures |
| International Releases: | July 12th, 2019 (Limited) (United Kingdom) |
| Video Release: | June 4th, 2019 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Agitprop |
| Film festival: | Sundance Film Festival 2019 |
| Plot point: | Political, White Supremacists |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, aliklay productions, Claverie Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2019 | 48 | $18,063 | 4 | $4,516 | $18,063 | 1 | |
| Apr 5, 2019 | 44 | $20,808 | +15% | 17 | $1,224 | $47,105 | 2 |
| Apr 12, 2019 | 49 | $16,808 | -19% | 29 | $580 | $74,413 | 3 |
| Apr 19, 2019 | 73 | $4,982 | -70% | 15 | $332 | $88,279 | 4 |
| Apr 26, 2019 | 68 | $3,914 | -21% | 14 | $280 | $96,056 | 5 |
| May 3, 2019 | 76 | $2,333 | -40% | 10 | $233 | $101,439 | 6 |
| May 10, 2019 | 77 | $1,412 | -39% | 7 | $202 | $104,297 | 7 |
| May 17, 2019 | 100 | $124 | -91% | 3 | $41 | $105,320 | 8 |
| May 24, 2019 | 96 | $255 | +106% | 2 | $128 | $106,059 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2019 | 51 | $26,297 | 4 | $6,574 | $26,297 | 1 | |
| Apr 5, 2019 | 44 | $31,308 | +19% | 17 | $1,842 | $57,605 | 2 |
| Apr 12, 2019 | 52 | $25,692 | -18% | 30 | $856 | $83,297 | 3 |
| Apr 19, 2019 | 72 | $8,845 | -66% | 15 | $590 | $92,142 | 4 |
| Apr 26, 2019 | 71 | $6,964 | -21% | 15 | $464 | $99,106 | 5 |
| May 3, 2019 | 77 | $3,779 | -46% | 12 | $315 | $102,885 | 6 |
| May 10, 2019 | 80 | $2,311 | -39% | 7 | $330 | $105,196 | 7 |
| May 17, 2019 | 92 | $608 | -74% | 4 | $152 | $105,804 | 8 |
| May 24, 2019 | 96 | $255 | -58% | 2 | $128 | $106,059 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/12/2019 | $8,662 | 11 | 11 | 11 | $8,662 | 7/17/2019 | |||
| International Total | $8,662 | 7/17/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Stephen K. Bannon* | Himself |
Interviewee
| Sean Bannon | Himself | |
| Raheem Kassam | Himself | |
| Andy Surabian | Himself | |
| Lena Epstein | Herself | |
| Joshua Green | Himself | |
| Patrick Caddell | Himself | |
| Dan Fleuette | Himself | |
| Nigel Farage | Himself | |
| Louis Aliot | Himself |
Production and Technical Credits
| Alison Klayman | Director | |
| Marie-Therese Guirgis | Producer | |
| Adam Bardach | Producer | |
| Hayley Pappas | Executive Producer | |
| Bryn Mooser | Executive Producer | |
| Matt Ippolito | Executive Producer | |
| Brian Goetz | Editor | |
| Marina Katz | Editor | |
| Alison Klayman | Director of Photography | |
| Ilan Isakov | Composer | |
| Dan Teicher | Composer | |
| Rob Slychuk | Art Director | |
| Rob Slychuk | Animation | |
| Magda Gora | Associate Producer | |
| Steph Ching | Post-Production Supervisor | |
| Alison Klayman | Co-Editor | |
| Steph Ching | Associate Editor | |
| Alison Klayman | Sound Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville “Unite the Right” rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post—though some say he still has a direct line to the White House—he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. THE BRINK follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilize and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself—as he has many times before—this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.
Metrics
| Opening Weekend: | $18,063 (17.0% of total gross) |
| Legs: | 5.10 (domestic box office/biggest weekend) |
| Domestic Share: | 92.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/30 max. theaters, 3.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $138,473 |
Movie Details
| Domestic Releases: | March 29th, 2019 (Limited) by Magnolia Pictures |
| International Releases: | July 12th, 2019 (Limited) (United Kingdom) |
| Video Release: | June 4th, 2019 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Cast, crew, or production detail: | Agitprop |
| Film festival: | Sundance Film Festival 2019 |
| Plot point: | Political, White Supremacists |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, aliklay productions, Claverie Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2019 | 48 | $18,063 | 4 | $4,516 | $18,063 | 1 | |
| Apr 5, 2019 | 44 | $20,808 | +15% | 17 | $1,224 | $47,105 | 2 |
| Apr 12, 2019 | 49 | $16,808 | -19% | 29 | $580 | $74,413 | 3 |
| Apr 19, 2019 | 73 | $4,982 | -70% | 15 | $332 | $88,279 | 4 |
| Apr 26, 2019 | 68 | $3,914 | -21% | 14 | $280 | $96,056 | 5 |
| May 3, 2019 | 76 | $2,333 | -40% | 10 | $233 | $101,439 | 6 |
| May 10, 2019 | 77 | $1,412 | -39% | 7 | $202 | $104,297 | 7 |
| May 17, 2019 | 100 | $124 | -91% | 3 | $41 | $105,320 | 8 |
| May 24, 2019 | 96 | $255 | +106% | 2 | $128 | $106,059 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 29, 2019 | 51 | $26,297 | 4 | $6,574 | $26,297 | 1 | |
| Apr 5, 2019 | 44 | $31,308 | +19% | 17 | $1,842 | $57,605 | 2 |
| Apr 12, 2019 | 52 | $25,692 | -18% | 30 | $856 | $83,297 | 3 |
| Apr 19, 2019 | 72 | $8,845 | -66% | 15 | $590 | $92,142 | 4 |
| Apr 26, 2019 | 71 | $6,964 | -21% | 15 | $464 | $99,106 | 5 |
| May 3, 2019 | 77 | $3,779 | -46% | 12 | $315 | $102,885 | 6 |
| May 10, 2019 | 80 | $2,311 | -39% | 7 | $330 | $105,196 | 7 |
| May 17, 2019 | 92 | $608 | -74% | 4 | $152 | $105,804 | 8 |
| May 24, 2019 | 96 | $255 | -58% | 2 | $128 | $106,059 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 7/12/2019 | $8,662 | 11 | 11 | 11 | $8,662 | 7/17/2019 | |||
| International Total | $8,662 | 7/17/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Stephen K. Bannon* | Himself |
Interviewee
| Sean Bannon | Himself | |
| Raheem Kassam | Himself | |
| Andy Surabian | Himself | |
| Lena Epstein | Herself | |
| Joshua Green | Himself | |
| Patrick Caddell | Himself | |
| Dan Fleuette | Himself | |
| Nigel Farage | Himself | |
| Louis Aliot | Himself |
Production and Technical Credits
| Alison Klayman | Director | |
| Marie-Therese Guirgis | Producer | |
| Adam Bardach | Producer | |
| Hayley Pappas | Executive Producer | |
| Bryn Mooser | Executive Producer | |
| Matt Ippolito | Executive Producer | |
| Brian Goetz | Editor | |
| Marina Katz | Editor | |
| Alison Klayman | Director of Photography | |
| Ilan Isakov | Composer | |
| Dan Teicher | Composer | |
| Rob Slychuk | Art Director | |
| Rob Slychuk | Animation | |
| Magda Gora | Associate Producer | |
| Steph Ching | Post-Production Supervisor | |
| Alison Klayman | Co-Editor | |
| Steph Ching | Associate Editor | |
| Alison Klayman | Sound Recordist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.