Burden (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $18,440 | Details |
| International Box Office | $1,994 | Details |
| Worldwide Box Office | $20,434 | |
| OpusData ID: 273010100 More info... | ||
| Further financial details... | ||
Synopsis
Chris Burden guaranteed his place in art history in 1971 with a period of often dangerous and at times stomach-churning performances. After having himself shot, locked up in a locker for five days, electrocuted, and crucified on the back of a VW bug, Burden reinvented himself as the creator of truly mesmerizing installations and sculptures, from a suspended gigantic flywheel that seemingly spins on its own, to an assemblage of antique streetlights rewired for solar energy and illuminated outside the Los Angeles County Museum of Art.
Metrics
| Opening Weekend: | $3,231 (17.5% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 90.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/13 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,590 |
Movie Details
| Domestic Releases: | May 5th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | May 5th, 2017 (Limited) (United Kingdom) |
| Video Release: | May 5th, 2017 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Archive Footage, Scene in End Credits |
| Plot point: | Artists, Biography, Museum, Performing Arts |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Submarine Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 71 | $3,231 | 2 | $1,616 | $3,231 | 1 | |
| May 12, 2017 | 69 | $6,501 | +101% | 12 | $542 | $12,446 | 2 |
| May 19, 2017 | - | $1,480 | -77% | 3 | $493 | $18,001 | 3 |
| May 26, 2017 | 86 | $305 | -79% | 1 | $305 | $18,334 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 69 | $5,945 | 2 | $2,973 | $5,945 | 1 | |
| May 12, 2017 | 66 | $10,576 | +78% | 13 | $814 | $16,521 | 2 |
| May 19, 2017 | 81 | $1,508 | -86% | 3 | $503 | $18,029 | 3 |
| May 26, 2017 | 83 | $411 | -73% | 1 | $411 | $18,440 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/5/2017 | $1,519 | 1 | 1 | 3 | $1,994 | 5/26/2017 | |||
| International Total | $1,994 | 5/26/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Chris Burden | Himself |
Interviewee
| Jonathan Gold | Himself | |
| Marina Abramovic | Herself | |
| Frank Gehry | Himself | |
| Alexis Smith | Herself | |
| John McEnroe | Himself | |
| Vito Acconci | Himself | |
| Brian Sewell | Himself | |
| Ed Ruscha | Himself | |
| Ed Moses | Himself |
Production and Technical Credits
| Richard Dewey | Director | |
| Timothy Marrinan* | Director | |
| David Koh | Producer | |
| Josh Braun | Producer | |
| Dan Braun | Producer | |
| Simone Haggiag | Executive Producer | |
| Stanley Buchthal | Executive Producer | |
| Maja Hoffmann | Executive Producer | |
| Anna Godas | Executive Producer | |
| Jakob Abrahamsson | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Chris Burden guaranteed his place in art history in 1971 with a period of often dangerous and at times stomach-churning performances. After having himself shot, locked up in a locker for five days, electrocuted, and crucified on the back of a VW bug, Burden reinvented himself as the creator of truly mesmerizing installations and sculptures, from a suspended gigantic flywheel that seemingly spins on its own, to an assemblage of antique streetlights rewired for solar energy and illuminated outside the Los Angeles County Museum of Art.
Metrics
| Opening Weekend: | $3,231 (17.5% of total gross) |
| Legs: | 2.84 (domestic box office/biggest weekend) |
| Domestic Share: | 90.2% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/13 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,590 |
Movie Details
| Domestic Releases: | May 5th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | May 5th, 2017 (Limited) (United Kingdom) |
| Video Release: | May 5th, 2017 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Archive Footage, Scene in End Credits |
| Plot point: | Artists, Biography, Museum, Performing Arts |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Magnolia Pictures, Submarine Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 71 | $3,231 | 2 | $1,616 | $3,231 | 1 | |
| May 12, 2017 | 69 | $6,501 | +101% | 12 | $542 | $12,446 | 2 |
| May 19, 2017 | - | $1,480 | -77% | 3 | $493 | $18,001 | 3 |
| May 26, 2017 | 86 | $305 | -79% | 1 | $305 | $18,334 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 5, 2017 | 69 | $5,945 | 2 | $2,973 | $5,945 | 1 | |
| May 12, 2017 | 66 | $10,576 | +78% | 13 | $814 | $16,521 | 2 |
| May 19, 2017 | 81 | $1,508 | -86% | 3 | $503 | $18,029 | 3 |
| May 26, 2017 | 83 | $411 | -73% | 1 | $411 | $18,440 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/5/2017 | $1,519 | 1 | 1 | 3 | $1,994 | 5/26/2017 | |||
| International Total | $1,994 | 5/26/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Chris Burden | Himself |
Interviewee
| Jonathan Gold | Himself | |
| Marina Abramovic | Herself | |
| Frank Gehry | Himself | |
| Alexis Smith | Herself | |
| John McEnroe | Himself | |
| Vito Acconci | Himself | |
| Brian Sewell | Himself | |
| Ed Ruscha | Himself | |
| Ed Moses | Himself |
Production and Technical Credits
| Richard Dewey | Director | |
| Timothy Marrinan* | Director | |
| David Koh | Producer | |
| Josh Braun | Producer | |
| Dan Braun | Producer | |
| Simone Haggiag | Executive Producer | |
| Stanley Buchthal | Executive Producer | |
| Maja Hoffmann | Executive Producer | |
| Anna Godas | Executive Producer | |
| Jakob Abrahamsson | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.