Cafarnaúm (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $1,660,708 | Details |
| International Box Office | $63,573,085 | Details |
| Worldwide Box Office | $65,233,793 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $17,465 | |
| Total | $17,465 | |
| OpusData ID: 332440100 More info... | ||
| Further financial details... | ||
Synopsis
The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom.
Metrics
| Opening Weekend: | $24,988 (1.5% of total gross) |
| Legs: | 8.75 (domestic box office/biggest weekend) |
| Domestic Share: | 2.5% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 16.3 times production budget) |
| Theater counts: | 3 opening theaters/136 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,169,161 |
Movie Details
| Domestic Releases: | December 14th, 2018 (Limited) by Sony Pictures Classics, released as Capernaum |
| International Releases: | October 19th, 2018 (Wide) (France)
January 17th, 2019 (Wide), released as Capharnaüm (Brazil) January 24th, 2019 (Wide) (South Korea) January 25th, 2019 (Wide), released as Kefernahum (Turkey) February 1st, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | March 26th, 2019 by Sony Pictures Home Entertainment, released as Capernaum |
| MPA Rating: | R for language and some drug material. (Rating bulletin 2552 (Cert #51889), 11/7/2018) |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Non Professional Actor |
| Geographical setting: | Lebanon |
| Plot point: | Dysfunctional Family, Homeless, Runaway |
| Subgenre: | Courtroom / Legal Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sony Pictures Classics, Khaled Mouzanar, Mooz Films |
| Production Countries: | Lebanon, United States |
| Languages: | Arabic, Amharic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2018 | 41 | $24,988 | 3 | $8,329 | $24,988 | 1 | |
| Dec 21, 2018 | 39 | $23,881 | -4% | 7 | $3,412 | $62,438 | 2 |
| Dec 28, 2018 | 40 | $29,553 | +24% | 9 | $3,284 | $114,607 | 3 |
| Jan 4, 2019 | 39 | $32,578 | +10% | 10 | $3,258 | $172,390 | 4 |
| Jan 11, 2019 | 38 | $50,563 | +55% | 15 | $3,371 | $240,579 | 5 |
| Jan 18, 2019 | 39 | $37,753 | -25% | 17 | $2,221 | $301,696 | 6 |
| Jan 25, 2019 | 37 | $55,270 | +46% | 20 | $2,764 | $384,606 | 7 |
| Feb 1, 2019 | 33 | $118,114 | +114% | 47 | $2,513 | $524,218 | 8 |
| Feb 8, 2019 | 32 | $142,875 | +21% | 63 | $2,268 | $736,165 | 9 |
| Feb 15, 2019 | 34 | $189,816 | +33% | 136 | $1,396 | $989,865 | 10 |
| Feb 22, 2019 | 39 | $128,247 | -32% | 115 | $1,115 | $1,228,942 | 11 |
| Mar 1, 2019 | 42 | $73,873 | -42% | 58 | $1,274 | $1,371,848 | 12 |
| Mar 8, 2019 | 45 | $50,546 | -32% | 45 | $1,123 | $1,459,589 | 13 |
| Mar 15, 2019 | 54 | $31,763 | -37% | 32 | $993 | $1,518,348 | 14 |
| Mar 22, 2019 | 52 | $24,975 | -21% | 24 | $1,041 | $1,564,811 | 15 |
| Mar 29, 2019 | 49 | $17,947 | -28% | 15 | $1,196 | $1,593,534 | 16 |
| Apr 5, 2019 | 51 | $11,314 | -37% | 14 | $808 | $1,614,606 | 17 |
| Apr 12, 2019 | 65 | $7,183 | -37% | 14 | $513 | $1,628,639 | 18 |
| Apr 19, 2019 | 67 | $9,383 | +31% | 11 | $853 | $1,643,812 | 19 |
| Apr 26, 2019 | 72 | $3,373 | -64% | 9 | $375 | $1,651,099 | 20 |
| May 3, 2019 | 82 | $1,326 | -61% | 3 | $442 | $1,656,120 | 21 |
| May 10, 2019 | 84 | $882 | -33% | 3 | $294 | $1,657,721 | 22 |
| May 17, 2019 | 95 | $396 | -55% | 3 | $132 | $1,658,867 | 23 |
| May 24, 2019 | 77 | $1,841 | +365% | 3 | $614 | $1,660,708 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2018 | 46 | $38,557 | 3 | $12,852 | $38,557 | 1 | |
| Dec 21, 2018 | 43 | $46,497 | +21% | 7 | $6,642 | $85,054 | 2 |
| Dec 28, 2018 | 41 | $54,758 | +18% | 9 | $6,084 | $139,444 | 3 |
| Jan 4, 2019 | 40 | $50,204 | -8% | 10 | $5,020 | $189,648 | 4 |
| Jan 11, 2019 | 40 | $74,295 | +48% | 14 | $5,307 | $263,943 | 5 |
| Jan 18, 2019 | 40 | $65,393 | -12% | 17 | $3,847 | $329,336 | 6 |
| Jan 25, 2019 | 37 | $76,768 | +17% | 20 | $3,838 | $406,104 | 7 |
| Feb 1, 2019 | 35 | $187,186 | +144% | 47 | $3,983 | $593,290 | 8 |
| Feb 8, 2019 | 37 | $206,759 | +10% | 63 | $3,282 | $800,049 | 9 |
| Feb 15, 2019 | 34 | $300,046 | +45% | 136 | $2,206 | $1,100,695 | 10 |
| Feb 22, 2019 | 38 | $197,280 | -34% | 115 | $1,715 | $1,297,975 | 11 |
| Mar 1, 2019 | 42 | $111,068 | -44% | 58 | $1,915 | $1,409,043 | 12 |
| Mar 8, 2019 | 46 | $77,542 | -30% | 45 | $1,723 | $1,486,585 | 13 |
| Mar 15, 2019 | 53 | $53,251 | -31% | 32 | $1,664 | $1,539,836 | 14 |
| Mar 22, 2019 | 53 | $35,751 | -33% | 24 | $1,490 | $1,575,587 | 15 |
| Mar 29, 2019 | 50 | $27,705 | -23% | 15 | $1,847 | $1,603,292 | 16 |
| Apr 5, 2019 | 54 | $18,164 | -34% | 14 | $1,297 | $1,621,456 | 17 |
| Apr 12, 2019 | 63 | $12,973 | -29% | 14 | $927 | $1,634,429 | 18 |
| Apr 19, 2019 | 68 | $13,297 | +2% | 13 | $1,023 | $1,647,726 | 19 |
| Apr 26, 2019 | 70 | $7,068 | -47% | 9 | $785 | $1,654,794 | 20 |
| May 3, 2019 | 84 | $2,045 | -71% | 3 | $682 | $1,656,839 | 21 |
| May 10, 2019 | 84 | $1,632 | -20% | 3 | $544 | $1,658,471 | 22 |
| May 17, 2019 | 94 | $396 | -76% | 3 | $132 | $1,658,867 | 23 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/21/2019 | $8,104 | 18 | 18 | 30 | $15,524 | 4/24/2019 | |||
| Australia | 2/8/2019 | $53,830 | 27 | 28 | 203 | $356,877 | 8/6/2019 | |||
| Brazil | 1/17/2019 | $23,517 | 7 | 19 | 138 | $243,867 | 5/23/2019 | |||
| Bulgaria | 5/17/2019 | $0 | 0 | 0 | 0 | $7,309 | 9/19/2019 | |||
| China | 4/29/2019 | $12,200,000 | 54,206 | 66,345 | 149,603 | $53,980,000 | 4/4/2026 | |||
| Colombia | 2/14/2019 | $25,240 | 30 | 30 | 88 | $69,153 | 4/16/2019 | |||
| Czech Republic | 2/22/2019 | $4,947 | 7 | 7 | 7 | $4,947 | 2/26/2019 | |||
| France | 10/19/2018 | $635,067 | 159 | 350 | 1,461 | $2,881,734 | 12/6/2018 | |||
| Germany | 4/12/2019 | $0 | 0 | 36 | 36 | $1,103,683 | 5/24/2019 | |||
| Italy | 4/11/2019 | $313,706 | 0 | 36 | 94 | $1,182,455 | 10/11/2019 | |||
| Lithuania | 4/5/2019 | $6,106 | 8 | 8 | 45 | $25,289 | 8/7/2019 | |||
| Mexico | 2/8/2019 | $57,364 | 57 | 57 | 217 | $244,371 | 6/12/2019 | |||
| Netherlands | 2/1/2019 | $64,907 | 35 | 39 | 252 | $490,446 | 3/25/2019 | |||
| New Zealand | 2/7/2019 | $0 | 0 | 1 | 1 | $48,851 | 9/11/2019 | |||
| Portugal | 2/8/2019 | $8,776 | 9 | 9 | 36 | $34,466 | 5/7/2019 | |||
| Russia (CIS) | 2/14/2019 | $40,821 | 116 | 116 | 306 | $133,852 | 10/19/2022 | |||
| Slovakia | 2/22/2019 | $1,461 | 6 | 6 | 6 | $1,461 | 2/28/2019 | |||
| South Africa | 4/19/2019 | $0 | 0 | 3 | 22 | $35,380 | 9/4/2019 | |||
| South Korea | 1/24/2019 | $118,500 | 108 | 108 | 501 | $901,294 | 4/4/2026 | |||
| Spain | 2/15/2019 | $103,348 | 48 | 69 | 225 | $424,376 | 3/14/2019 | |||
| Turkey | 1/25/2019 | $12,113 | 25 | 27 | 86 | $63,154 | 2/21/2019 | |||
| United Kingdom | 2/22/2019 | $183,941 | 48 | 48 | 48 | $183,941 | 3/1/2019 | |||
| Rest of World | $1,140,655 | |||||||||
| International Total | $63,573,085 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Zain Al Rafeea | Zain | |
| Yordanos Shiferaw | Rahil |
Supporting
| Boluwatife Treasure Bankole | Yonas | |
| Kawthar Al Haddad | Souad | |
| Fadi Kamel Yousef | Selim | |
| Cedra Izam | Sahar | |
| Alaa Chouchnieh | Aspro | |
| Elias Khoury | The Judge | |
| Nadine Labaki | Nadine | |
| Nour El Husseini | Assaad | |
| Joseph Jimbazian | Cockroach Man / Harout |
Production and Technical Credits
| Nadine Labaki | Director | |
| Khaled Mouzanar | Producer | |
| Nadine Labaki | Screenwriter | |
| Jihad Hojeily | Screenwriter | |
| Michelle Keserwany | Screenwriter | |
| Georges Khabbaz | Screenplay in Collaboration with | |
| Khaled Mouzanar | Screenplay in Participation with | |
| Khaled Mouzanar | Composer | |
| Christopher Aoun | Director of Photography | |
| Konstantin Bock | Editor | |
| Laure Gardette | Editor | |
| Hussein Baydoun | Art Director | |
| Zein Saab De Melero | Costume Designer | |
| Jennifer Haddad | Casting Director | |
| Toufic Khreich | First Assistant Director | |
| Chadi Roukoz | Sound Designer | |
| Emmanuel Croset | Sound Mixer | |
| Matthieu Tertois | Sound Mixer | |
| Pierre Sarraf | Line Producer | |
| Marianne Katra | Line Producer | |
| Michel Merkt | Producer | |
| Akram Safa | Executive Producer | |
| Pierre Sarraf | Co-Producer | |
| Anne Dominique Toussaint | Executive Producer | |
| Jason Kliot | Executive Producer | |
| Joana Vicente | Executive Producer | |
| Fouad Mikati | Executive Producer | |
| Candice Abela | Executive Producer | |
| Samer Rizk | Executive Producer | |
| Ayla Rizk | Executive Producer | |
| Georges Sarraf | Executive Producer | |
| Sylvio Sharif Tabet | Executive Producer | |
| Ray Barakat | Executive Producer | |
| Chadi Eli Mattar | Executive Producer | |
| Antoine Khalife | Executive Producer | |
| Joslyn Barnes | Executive Producer | |
| Danny Glover | Executive Producer | |
| Susan Rockefeller | Executive Producer | |
| Wissam Smayra | Executive Producer | |
| Assaad Debs | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of Zain, a Lebanese boy who sues his parents for the “crime” of giving him life. The film follows Zain, a gutsy streetwise child as he flees his negligent parents, survives through his wits on the streets, takes care of Ethiopian refugee Rahil and her baby son, Yonas, being jailed for a crime, and finally, seeks justice in a courtroom.
Metrics
| Opening Weekend: | $24,988 (1.5% of total gross) |
| Legs: | 8.75 (domestic box office/biggest weekend) |
| Domestic Share: | 2.5% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 16.3 times production budget) |
| Theater counts: | 3 opening theaters/136 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,169,161 |
Movie Details
| Domestic Releases: | December 14th, 2018 (Limited) by Sony Pictures Classics, released as Capernaum |
| International Releases: | October 19th, 2018 (Wide) (France)
January 17th, 2019 (Wide), released as Capharnaüm (Brazil) January 24th, 2019 (Wide) (South Korea) January 25th, 2019 (Wide), released as Kefernahum (Turkey) February 1st, 2019 (Wide) (Netherlands) ... Show all releases |
| Video Release: | March 26th, 2019 by Sony Pictures Home Entertainment, released as Capernaum |
| MPA Rating: | R for language and some drug material. (Rating bulletin 2552 (Cert #51889), 11/7/2018) |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Non Professional Actor |
| Geographical setting: | Lebanon |
| Plot point: | Dysfunctional Family, Homeless, Runaway |
| Subgenre: | Courtroom / Legal Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sony Pictures Classics, Khaled Mouzanar, Mooz Films |
| Production Countries: | Lebanon, United States |
| Languages: | Arabic, Amharic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2018 | 41 | $24,988 | 3 | $8,329 | $24,988 | 1 | |
| Dec 21, 2018 | 39 | $23,881 | -4% | 7 | $3,412 | $62,438 | 2 |
| Dec 28, 2018 | 40 | $29,553 | +24% | 9 | $3,284 | $114,607 | 3 |
| Jan 4, 2019 | 39 | $32,578 | +10% | 10 | $3,258 | $172,390 | 4 |
| Jan 11, 2019 | 38 | $50,563 | +55% | 15 | $3,371 | $240,579 | 5 |
| Jan 18, 2019 | 39 | $37,753 | -25% | 17 | $2,221 | $301,696 | 6 |
| Jan 25, 2019 | 37 | $55,270 | +46% | 20 | $2,764 | $384,606 | 7 |
| Feb 1, 2019 | 33 | $118,114 | +114% | 47 | $2,513 | $524,218 | 8 |
| Feb 8, 2019 | 32 | $142,875 | +21% | 63 | $2,268 | $736,165 | 9 |
| Feb 15, 2019 | 34 | $189,816 | +33% | 136 | $1,396 | $989,865 | 10 |
| Feb 22, 2019 | 39 | $128,247 | -32% | 115 | $1,115 | $1,228,942 | 11 |
| Mar 1, 2019 | 42 | $73,873 | -42% | 58 | $1,274 | $1,371,848 | 12 |
| Mar 8, 2019 | 45 | $50,546 | -32% | 45 | $1,123 | $1,459,589 | 13 |
| Mar 15, 2019 | 54 | $31,763 | -37% | 32 | $993 | $1,518,348 | 14 |
| Mar 22, 2019 | 52 | $24,975 | -21% | 24 | $1,041 | $1,564,811 | 15 |
| Mar 29, 2019 | 49 | $17,947 | -28% | 15 | $1,196 | $1,593,534 | 16 |
| Apr 5, 2019 | 51 | $11,314 | -37% | 14 | $808 | $1,614,606 | 17 |
| Apr 12, 2019 | 65 | $7,183 | -37% | 14 | $513 | $1,628,639 | 18 |
| Apr 19, 2019 | 67 | $9,383 | +31% | 11 | $853 | $1,643,812 | 19 |
| Apr 26, 2019 | 72 | $3,373 | -64% | 9 | $375 | $1,651,099 | 20 |
| May 3, 2019 | 82 | $1,326 | -61% | 3 | $442 | $1,656,120 | 21 |
| May 10, 2019 | 84 | $882 | -33% | 3 | $294 | $1,657,721 | 22 |
| May 17, 2019 | 95 | $396 | -55% | 3 | $132 | $1,658,867 | 23 |
| May 24, 2019 | 77 | $1,841 | +365% | 3 | $614 | $1,660,708 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2018 | 46 | $38,557 | 3 | $12,852 | $38,557 | 1 | |
| Dec 21, 2018 | 43 | $46,497 | +21% | 7 | $6,642 | $85,054 | 2 |
| Dec 28, 2018 | 41 | $54,758 | +18% | 9 | $6,084 | $139,444 | 3 |
| Jan 4, 2019 | 40 | $50,204 | -8% | 10 | $5,020 | $189,648 | 4 |
| Jan 11, 2019 | 40 | $74,295 | +48% | 14 | $5,307 | $263,943 | 5 |
| Jan 18, 2019 | 40 | $65,393 | -12% | 17 | $3,847 | $329,336 | 6 |
| Jan 25, 2019 | 37 | $76,768 | +17% | 20 | $3,838 | $406,104 | 7 |
| Feb 1, 2019 | 35 | $187,186 | +144% | 47 | $3,983 | $593,290 | 8 |
| Feb 8, 2019 | 37 | $206,759 | +10% | 63 | $3,282 | $800,049 | 9 |
| Feb 15, 2019 | 34 | $300,046 | +45% | 136 | $2,206 | $1,100,695 | 10 |
| Feb 22, 2019 | 38 | $197,280 | -34% | 115 | $1,715 | $1,297,975 | 11 |
| Mar 1, 2019 | 42 | $111,068 | -44% | 58 | $1,915 | $1,409,043 | 12 |
| Mar 8, 2019 | 46 | $77,542 | -30% | 45 | $1,723 | $1,486,585 | 13 |
| Mar 15, 2019 | 53 | $53,251 | -31% | 32 | $1,664 | $1,539,836 | 14 |
| Mar 22, 2019 | 53 | $35,751 | -33% | 24 | $1,490 | $1,575,587 | 15 |
| Mar 29, 2019 | 50 | $27,705 | -23% | 15 | $1,847 | $1,603,292 | 16 |
| Apr 5, 2019 | 54 | $18,164 | -34% | 14 | $1,297 | $1,621,456 | 17 |
| Apr 12, 2019 | 63 | $12,973 | -29% | 14 | $927 | $1,634,429 | 18 |
| Apr 19, 2019 | 68 | $13,297 | +2% | 13 | $1,023 | $1,647,726 | 19 |
| Apr 26, 2019 | 70 | $7,068 | -47% | 9 | $785 | $1,654,794 | 20 |
| May 3, 2019 | 84 | $2,045 | -71% | 3 | $682 | $1,656,839 | 21 |
| May 10, 2019 | 84 | $1,632 | -20% | 3 | $544 | $1,658,471 | 22 |
| May 17, 2019 | 94 | $396 | -76% | 3 | $132 | $1,658,867 | 23 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/21/2019 | $8,104 | 18 | 18 | 30 | $15,524 | 4/24/2019 | |||
| Australia | 2/8/2019 | $53,830 | 27 | 28 | 203 | $356,877 | 8/6/2019 | |||
| Brazil | 1/17/2019 | $23,517 | 7 | 19 | 138 | $243,867 | 5/23/2019 | |||
| Bulgaria | 5/17/2019 | $0 | 0 | 0 | 0 | $7,309 | 9/19/2019 | |||
| China | 4/29/2019 | $12,200,000 | 54,206 | 66,345 | 149,603 | $53,980,000 | 4/4/2026 | |||
| Colombia | 2/14/2019 | $25,240 | 30 | 30 | 88 | $69,153 | 4/16/2019 | |||
| Czech Republic | 2/22/2019 | $4,947 | 7 | 7 | 7 | $4,947 | 2/26/2019 | |||
| France | 10/19/2018 | $635,067 | 159 | 350 | 1,461 | $2,881,734 | 12/6/2018 | |||
| Germany | 4/12/2019 | $0 | 0 | 36 | 36 | $1,103,683 | 5/24/2019 | |||
| Italy | 4/11/2019 | $313,706 | 0 | 36 | 94 | $1,182,455 | 10/11/2019 | |||
| Lithuania | 4/5/2019 | $6,106 | 8 | 8 | 45 | $25,289 | 8/7/2019 | |||
| Mexico | 2/8/2019 | $57,364 | 57 | 57 | 217 | $244,371 | 6/12/2019 | |||
| Netherlands | 2/1/2019 | $64,907 | 35 | 39 | 252 | $490,446 | 3/25/2019 | |||
| New Zealand | 2/7/2019 | $0 | 0 | 1 | 1 | $48,851 | 9/11/2019 | |||
| Portugal | 2/8/2019 | $8,776 | 9 | 9 | 36 | $34,466 | 5/7/2019 | |||
| Russia (CIS) | 2/14/2019 | $40,821 | 116 | 116 | 306 | $133,852 | 10/19/2022 | |||
| Slovakia | 2/22/2019 | $1,461 | 6 | 6 | 6 | $1,461 | 2/28/2019 | |||
| South Africa | 4/19/2019 | $0 | 0 | 3 | 22 | $35,380 | 9/4/2019 | |||
| South Korea | 1/24/2019 | $118,500 | 108 | 108 | 501 | $901,294 | 4/4/2026 | |||
| Spain | 2/15/2019 | $103,348 | 48 | 69 | 225 | $424,376 | 3/14/2019 | |||
| Turkey | 1/25/2019 | $12,113 | 25 | 27 | 86 | $63,154 | 2/21/2019 | |||
| United Kingdom | 2/22/2019 | $183,941 | 48 | 48 | 48 | $183,941 | 3/1/2019 | |||
| Rest of World | $1,140,655 | |||||||||
| International Total | $63,573,085 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Zain Al Rafeea | Zain | |
| Yordanos Shiferaw | Rahil |
Supporting
| Boluwatife Treasure Bankole | Yonas | |
| Kawthar Al Haddad | Souad | |
| Fadi Kamel Yousef | Selim | |
| Cedra Izam | Sahar | |
| Alaa Chouchnieh | Aspro | |
| Elias Khoury | The Judge | |
| Nadine Labaki | Nadine | |
| Nour El Husseini | Assaad | |
| Joseph Jimbazian | Cockroach Man / Harout |
Production and Technical Credits
| Nadine Labaki | Director | |
| Khaled Mouzanar | Producer | |
| Nadine Labaki | Screenwriter | |
| Jihad Hojeily | Screenwriter | |
| Michelle Keserwany | Screenwriter | |
| Georges Khabbaz | Screenplay in Collaboration with | |
| Khaled Mouzanar | Screenplay in Participation with | |
| Khaled Mouzanar | Composer | |
| Christopher Aoun | Director of Photography | |
| Konstantin Bock | Editor | |
| Laure Gardette | Editor | |
| Hussein Baydoun | Art Director | |
| Zein Saab De Melero | Costume Designer | |
| Jennifer Haddad | Casting Director | |
| Toufic Khreich | First Assistant Director | |
| Chadi Roukoz | Sound Designer | |
| Emmanuel Croset | Sound Mixer | |
| Matthieu Tertois | Sound Mixer | |
| Pierre Sarraf | Line Producer | |
| Marianne Katra | Line Producer | |
| Michel Merkt | Producer | |
| Akram Safa | Executive Producer | |
| Pierre Sarraf | Co-Producer | |
| Anne Dominique Toussaint | Executive Producer | |
| Jason Kliot | Executive Producer | |
| Joana Vicente | Executive Producer | |
| Fouad Mikati | Executive Producer | |
| Candice Abela | Executive Producer | |
| Samer Rizk | Executive Producer | |
| Ayla Rizk | Executive Producer | |
| Georges Sarraf | Executive Producer | |
| Sylvio Sharif Tabet | Executive Producer | |
| Ray Barakat | Executive Producer | |
| Chadi Eli Mattar | Executive Producer | |
| Antoine Khalife | Executive Producer | |
| Joslyn Barnes | Executive Producer | |
| Danny Glover | Executive Producer | |
| Susan Rockefeller | Executive Producer | |
| Wissam Smayra | Executive Producer | |
| Assaad Debs | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.