The Call of the Wild (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $62,342,368 | Details |
| International Box Office | $45,008,823 | Details |
| Worldwide Box Office | $107,351,191 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $7,112,667 | |
| Blu-ray Sales (estimated) | $9,963,615 | |
| Total | $17,076,282 | |
| OpusData ID: 307700100 More info... | ||
| Further financial details... | ||
Synopsis
Buck is a big-hearted dog whose blissful domestic life is turned upside down when he is suddenly uprooted from his California home and transplanted to the exotic wilds of the Alaskan Yukon during the Gold Rush of the 1890s. As the newest rookie on a mail delivery dog sled team—and later its leader—Buck experiences the adventure of a lifetime, ultimately finding his true place in the world and becoming his own master.
Metrics
| Opening Weekend: | $24,791,624 (39.8% of total gross) |
| Legs: | 2.51 (domestic box office/biggest weekend) |
| Domestic Share: | 58.1% (domestic box office/worldwide) |
| Production Budget: | $125,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,752 opening theaters/3,914 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,221,652 |
Movie Details
| Domestic Releases: | February 21st, 2020 (Wide) by 20th Century Studios |
| International Releases: | January 3rd, 2020 (Wide) (Poland)
February 20th, 2020 (Wide), released as ЗОВ ПРЕДКОВ (Russia (CIS)) February 20th, 2020 (Wide), released as Il richiamo della foresta (Italy) February 20th, 2020 (Wide) (France) February 20th, 2020 (Wide) (Germany) ... Show all releases |
| Video Release: | March 27th, 2020 by Fox Home Entertainment |
| MPA Rating: | PG for some violence, peril, thematic elements and mild language. (Rating bulletin 2612 (Cert #52529), 1/15/2020) |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Arctic Circle, Canada, Yukon |
| Plot point: | Autumn Years |
| Social setting: | Gold Rush |
| Subgenre: | Family Adventure |
| Target audience: | Family Movie |
| Time period setting: | 1890s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | 20th Century Studios, TSG Entertainment, 3 Arts Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 2 | $24,791,624 | 3,752 | $6,608 | $24,791,624 | 1 | |
| Feb 28, 2020 | 3 | $13,362,823 | -46% | 3,865 | $3,457 | $46,166,861 | 2 |
| Mar 6, 2020 | 5 | $6,762,405 | -49% | 3,914 | $1,728 | $57,246,143 | 3 |
| Mar 13, 2020 | 8 | $2,226,720 | -67% | 3,201 | $696 | $62,092,631 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 20, 2020 | P | $1,000,000 | 0 | $1,000,000 | ||||
| Feb 21, 2020 | 1 | $8,049,028 | 3,752 | $2,145 | $8,049,028 | 1 | ||
| Feb 22, 2020 | 2 | $10,126,296 | +26% | 3,752 | $2,699 | $18,175,324 | 2 | |
| Feb 23, 2020 | 2 | $6,616,300 | -35% | 3,752 | $1,763 | $24,791,624 | 3 | |
| Feb 24, 2020 | 1 | $1,707,315 | -74% | 3,752 | $455 | $26,498,939 | 4 | |
| Feb 25, 2020 | 1 | $3,224,918 | +89% | 3,752 | $860 | $29,723,857 | 5 | |
| Feb 26, 2020 | 2 | $1,602,471 | -50% | 3,752 | $427 | $31,326,328 | 6 | |
| Feb 27, 2020 | 1 | $1,477,710 | -8% | 3,752 | $394 | $32,804,038 | 7 | |
| Feb 28, 2020 | 3 | $3,427,997 | +132% | -57% | 3,865 | $887 | $36,232,035 | 8 |
| Feb 29, 2020 | 3 | $6,102,957 | +78% | -40% | 3,865 | $1,579 | $42,334,992 | 9 |
| Mar 1, 2020 | 3 | $3,831,869 | -37% | -42% | 3,865 | $991 | $46,166,861 | 10 |
| Mar 2, 2020 | 3 | $875,177 | -77% | -49% | 3,865 | $226 | $47,042,038 | 11 |
| Mar 3, 2020 | 2 | $1,708,113 | +95% | -47% | 3,865 | $442 | $48,750,151 | 12 |
| Mar 4, 2020 | 3 | $886,882 | -48% | -45% | 3,865 | $229 | $49,637,033 | 13 |
| Mar 5, 2020 | 2 | $846,705 | -5% | -43% | 3,865 | $219 | $50,483,738 | 14 |
| Mar 6, 2020 | 4 | $1,851,154 | +119% | -46% | 3,914 | $473 | $52,334,892 | 15 |
| Mar 7, 2020 | 5 | $3,148,405 | +70% | -48% | 3,914 | $804 | $55,483,297 | 16 |
| Mar 8, 2020 | 5 | $1,762,846 | -44% | -54% | 3,914 | $450 | $57,246,143 | 17 |
| Mar 9, 2020 | 5 | $560,665 | -68% | -36% | 3,914 | $143 | $57,806,808 | 18 |
| Mar 10, 2020 | 5 | $972,365 | +73% | -43% | 3,914 | $248 | $58,779,173 | 19 |
| Mar 11, 2020 | 5 | $590,399 | -39% | -33% | 3,914 | $151 | $59,369,572 | 20 |
| Mar 12, 2020 | 4 | $496,339 | -16% | -41% | 3,914 | $127 | $59,865,911 | 21 |
| Mar 13, 2020 | 8 | $685,637 | +38% | -63% | 3,201 | $214 | $60,551,548 | 22 |
| Mar 14, 2020 | 8 | $993,881 | +45% | -68% | 3,201 | $310 | $61,545,429 | 23 |
| Mar 15, 2020 | 8 | $547,202 | -45% | -69% | 3,201 | $171 | $62,092,631 | 24 |
| Mar 16, 2020 | 7 | $148,918 | -73% | -73% | 3,201 | $47 | $62,241,549 | 25 |
| Mar 17, 2020 | 7 | $68,899 | -54% | -93% | 3,201 | $22 | $62,310,448 | 26 |
| Mar 18, 2020 | 6 | $17,263 | -75% | -97% | 3,201 | $5 | $62,327,711 | 27 |
| Mar 19, 2020 | 5 | $14,657 | -15% | -97% | 3,201 | $5 | $62,342,368 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 1 | $32,804,038 | 3,752 | $8,743 | $32,804,038 | 1 | |
| Feb 28, 2020 | 3 | $17,679,700 | -46% | 3,865 | $4,574 | $50,483,738 | 2 |
| Mar 6, 2020 | 5 | $9,382,173 | -47% | 3,914 | $2,397 | $59,865,911 | 3 |
| Mar 13, 2020 | 8 | $2,476,457 | -74% | 3,201 | $774 | $62,342,368 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/28/2020 | $92,621 | 0 | 110 | 110 | $163,370 | 3/26/2020 | |||
| Australia | 2/21/2020 | $559,119 | 272 | 272 | 1,340 | $1,719,863 | 4/4/2026 | |||
| Brazil | 2/21/2020 | $196,065 | 0 | 0 | 0 | $646,169 | 11/20/2020 | |||
| Bulgaria | 2/21/2020 | $39,717 | 0 | 0 | 0 | $109,642 | 3/11/2020 | |||
| China | 11/13/2020 | $1,320,000 | 18,545 | 20,706 | 33,049 | $5,204,274 | 4/4/2026 | |||
| Czech Republic | 2/28/2020 | $87,796 | 124 | 124 | 228 | $138,647 | 10/19/2022 | |||
| France | 2/20/2020 | $2,600,000 | 0 | 544 | 2,506 | $10,431,551 | 7/31/2020 | |||
| Germany | 2/20/2020 | $700,000 | 0 | 346 | 630 | $1,800,000 | 10/19/2022 | |||
| Hong Kong | 3/6/2020 | $300,000 | 0 | 0 | 0 | $602,554 | 4/9/2020 | |||
| Indonesia | 2/21/2020 | $700,000 | 0 | 0 | 0 | $1,600,000 | 10/19/2022 | |||
| Italy | 2/20/2020 | $738,778 | 0 | 0 | 0 | $1,322,257 | 10/19/2022 | |||
| Japan | 2/28/2020 | $880,000 | 0 | 0 | 0 | $1,600,000 | 10/19/2022 | |||
| Lithuania | 2/21/2020 | $49,493 | 16 | 16 | 51 | $95,196 | 7/15/2020 | |||
| Mexico | 2/21/2020 | $1,483,017 | 0 | 0 | 0 | $3,350,537 | 4/4/2026 | |||
| Netherlands | 2/21/2020 | $142,713 | 85 | 146 | 312 | $447,292 | 10/19/2022 | |||
| New Zealand | 2/20/2020 | $111,160 | 85 | 92 | 580 | $482,279 | 10/19/2022 | |||
| Poland | 1/3/2020 | $0 | 0 | 79 | 79 | $24,534 | 4/4/2026 | |||
| Portugal | 2/21/2020 | $95,368 | 50 | 57 | 179 | $342,350 | 3/17/2020 | |||
| Romania | 2/28/2020 | $89,869 | 88 | 88 | 224 | $218,757 | 10/19/2022 | |||
| Russia (CIS) | 2/20/2020 | $1,393,428 | 945 | 957 | 3,148 | $2,937,611 | 4/4/2026 | |||
| Slovakia | 2/28/2020 | $42,232 | 60 | 60 | 95 | $70,652 | 3/10/2020 | |||
| Slovenia | 2/21/2020 | $21,021 | 32 | 32 | 60 | $63,555 | 4/8/2020 | |||
| South Korea | 5/14/2020 | $122,190 | 505 | 505 | 854 | $250,847 | 6/17/2020 | |||
| Spain | 2/20/2020 | $773,148 | 688 | 688 | 1,412 | $2,579,726 | 11/30/2020 | |||
| Taiwan | 2/28/2020 | $228,319 | 0 | 0 | 0 | $503,487 | 3/26/2020 | |||
| Turkey | 2/21/2020 | $23,347 | 65 | 65 | 89 | $44,473 | 10/19/2022 | |||
| United Kingdom | 2/21/2020 | $1,900,156 | 487 | 500 | 1,443 | $3,604,135 | 12/30/2020 | |||
| Rest of World | $4,655,065 | |||||||||
| International Total | $45,008,823 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Harrison Ford | John Thornton |
Supporting
| Terry Notary | Rail Worker | |
| Dan Stevens | Hal | |
| Karen Gillan | Mercedes | |
| Omar Sy | Perrault | |
| Colin Woodell | Charles | |
| Bradley Whitford | Judge Miller | |
| Akpe Gift | John Thornton Jr | |
| Cara Gee | Françoise | |
| Jean Louisa Kelly | Katie Miller | |
| Michael Horse | Edenshaw | |
| Micah Fitzgerald | Red Sweater | |
| Heather McPhaul | Head Cook | |
| Adam Fergus | James | |
| Stephanie Czajkowski | Postmaster | |
| Abraham Benrubi | Skookum Bench King | |
| Thomas Adoue Polk | Assistant Postmaster | |
| Raven Scott | Pastry Chef | |
| Brad Greenquist | Skagway Dog Seller | |
| Benjamin Hoffman | Deckhand | |
| Alexander Schoenauer | Miner | |
| Aria Lyric Leabu | Alice Miller | |
| Salem Meade | Molly Millwe | |
| Greg Tarzan Davis | Orchard Worker | |
| Jamie Bock | Abigail | |
| Karl Makinen | Proprietor | |
| Adam William Zastrow | Greasy Man | |
| Bryan Scott Johnson | Prospector | |
| Kirk Geiger | Weary Climber | |
| Paul Mabon | Second Rail Worker | |
| Scott MacDonald | Dawson Dog Seller | |
| Tim deZarn | Hermit Fisherman | |
| P.J. King | Chief Deckhand | |
| Michael Lanahan | Attorney | |
| Joshua Nazaroff | Gambling Orchard Worker | |
| Alex Solowitz | Miner #1 | |
| Martin J. Riddell | Miner #2 | |
| Wes Brown | Mountie | |
| Ellen Buckley | Preacher Lady | |
| Dillon Daniel | Buffalo Soldier | |
| Alexander Lewis | Dry Goods Shopkeeper | |
| Michael Froton | Man Selling Used Equipment | |
| Anthony Fox | Man Selling New Equipment | |
| Patty Ann Nix | Stew Vendor | |
| Craig Reed | Stew Seller | |
| Bo McCann | Man with the Dishes | |
| Aureelia E. Richards | Child | |
| Haley Benson | Townswoman | |
| Lucinda Jubb | Disgusted Lady | |
| Jonney Ahmanson | Man Reading Newspaper | |
| Preston Bailey | Teenager on Stoop | |
| Monty Stuart | Wagon Driver | |
| Tom Crisp | Ice Man #1 | |
| Aviel Ayoung | Ice Man #2 | |
| Larry Cedar | Grocer | |
| Mac Jarman | Paperboy | |
| Lon Gowan | Mailman | |
| John Apicella | Ship’s Captain |
Production and Technical Credits
| Chris Sanders | Director | |
| Michael Green | Screenwriter | |
| Jack London | Story based on the novel “The Call of the Wild” by | |
| Erwin Stoff | Producer | |
| James Mangold | Producer | |
| Diana Pokorny | Executive Producer | |
| Ryan Stafford | Executive Producer | |
| Michael Green | Executive Producer | |
| Stefan Dechant | Production Designer | |
| David Heinz | Editor | |
| William Hoy | Editor | |
| John Powell | Composer | |
| Janusz Kaminski | Director of Photography | |
| Ryan Stafford | Co-Producer | |
| Erik Nash | Visual Effects Supervisor | |
| Kate Hawley | Costume Designer | |
| Denise Chamian | Casting Director | |
| Diana Pokorny | Unit Production Manager | |
| K.C. Colwell | First Assistant Director | |
| Mark Conte | Second Assistant Director | |
| Charles Croughwell | Stunt Coordinator | |
| Gavin J. Behrman | Production Supervisor | |
| Desma Murphy | Supervising Art Director | |
| Andrew Max Cahn | Art Director | |
| Jason T. Clark | Art Director | |
| Iain McFadyen | Art Director | |
| Jay Pelissier | Art Director | |
| Ernie Avila | Set Designer | |
| David Chow | Set Designer | |
| Timothy Croshaw | Set Designer | |
| Tim Earls | Set Designer | |
| Sarah Forrest | Set Designer | |
| A. Todd Holland | Set Designer | |
| Martha Johnston | Set Designer | |
| David Moreau | Set Designer | |
| Scott Schneider | Set Designer | |
| Mike Stassi | Set Designer | |
| Jane Wuu | Set Designer | |
| Ron Yates | Set Designer | |
| Ryan Stafford | Visual Effects Producer | |
| Danielle Berman | Set Decorator | |
| Kerry Lyn McKissick | Script Supervisor | |
| Steve Cantamessa | Sound Mixer | |
| Ken Terry | Supervising First Assistant Editor | |
| Amanda Goodpaster | Supervising Music Editor | |
| Nashia Wachsman | Music Editor | |
| Matt Simpson | First Assistant Editor | |
| David Giammarco | Sound Mixer | |
| Warren Hendriks | Sound Mixer | |
| Warren Hendriks | Supervising Sound Editor | |
| Susan Dawes | Supervising Dialogue Editor | |
| Doug Jackson | Sound Effects Editor | |
| Troy Prehmus | Sound Effects Editor | |
| Derek Vanderhorst | Sound Effects Editor | |
| Richard Duarte | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Dan Bronson | Costume Supervisor | |
| Helen Monaghan | Costume Supervisor | |
| Deborah Lamia Denaver | Make up | |
| Terry Baliel | Hairstylist | |
| Robin Citrin | Location Manager | |
| Jeremy Hays | Special Effects Coordinator | |
| Tim Gomillion | Recordist | |
| Michael Gowen | Assistant Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Buck is a big-hearted dog whose blissful domestic life is turned upside down when he is suddenly uprooted from his California home and transplanted to the exotic wilds of the Alaskan Yukon during the Gold Rush of the 1890s. As the newest rookie on a mail delivery dog sled team—and later its leader—Buck experiences the adventure of a lifetime, ultimately finding his true place in the world and becoming his own master.
Metrics
| Opening Weekend: | $24,791,624 (39.8% of total gross) |
| Legs: | 2.51 (domestic box office/biggest weekend) |
| Domestic Share: | 58.1% (domestic box office/worldwide) |
| Production Budget: | $125,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,752 opening theaters/3,914 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,221,652 |
Movie Details
| Domestic Releases: | February 21st, 2020 (Wide) by 20th Century Studios |
| International Releases: | January 3rd, 2020 (Wide) (Poland)
February 20th, 2020 (Wide), released as ЗОВ ПРЕДКОВ (Russia (CIS)) February 20th, 2020 (Wide), released as Il richiamo della foresta (Italy) February 20th, 2020 (Wide) (France) February 20th, 2020 (Wide) (Germany) ... Show all releases |
| Video Release: | March 27th, 2020 by Fox Home Entertainment |
| MPA Rating: | PG for some violence, peril, thematic elements and mild language. (Rating bulletin 2612 (Cert #52529), 1/15/2020) |
| Running Time: | 100 minutes |
| Cast, crew, or production detail: | Animal Lead |
| Geographical setting: | Arctic Circle, Canada, Yukon |
| Plot point: | Autumn Years |
| Social setting: | Gold Rush |
| Subgenre: | Family Adventure |
| Target audience: | Family Movie |
| Time period setting: | 1890s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | 20th Century Studios, TSG Entertainment, 3 Arts Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 2 | $24,791,624 | 3,752 | $6,608 | $24,791,624 | 1 | |
| Feb 28, 2020 | 3 | $13,362,823 | -46% | 3,865 | $3,457 | $46,166,861 | 2 |
| Mar 6, 2020 | 5 | $6,762,405 | -49% | 3,914 | $1,728 | $57,246,143 | 3 |
| Mar 13, 2020 | 8 | $2,226,720 | -67% | 3,201 | $696 | $62,092,631 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 20, 2020 | P | $1,000,000 | 0 | $1,000,000 | ||||
| Feb 21, 2020 | 1 | $8,049,028 | 3,752 | $2,145 | $8,049,028 | 1 | ||
| Feb 22, 2020 | 2 | $10,126,296 | +26% | 3,752 | $2,699 | $18,175,324 | 2 | |
| Feb 23, 2020 | 2 | $6,616,300 | -35% | 3,752 | $1,763 | $24,791,624 | 3 | |
| Feb 24, 2020 | 1 | $1,707,315 | -74% | 3,752 | $455 | $26,498,939 | 4 | |
| Feb 25, 2020 | 1 | $3,224,918 | +89% | 3,752 | $860 | $29,723,857 | 5 | |
| Feb 26, 2020 | 2 | $1,602,471 | -50% | 3,752 | $427 | $31,326,328 | 6 | |
| Feb 27, 2020 | 1 | $1,477,710 | -8% | 3,752 | $394 | $32,804,038 | 7 | |
| Feb 28, 2020 | 3 | $3,427,997 | +132% | -57% | 3,865 | $887 | $36,232,035 | 8 |
| Feb 29, 2020 | 3 | $6,102,957 | +78% | -40% | 3,865 | $1,579 | $42,334,992 | 9 |
| Mar 1, 2020 | 3 | $3,831,869 | -37% | -42% | 3,865 | $991 | $46,166,861 | 10 |
| Mar 2, 2020 | 3 | $875,177 | -77% | -49% | 3,865 | $226 | $47,042,038 | 11 |
| Mar 3, 2020 | 2 | $1,708,113 | +95% | -47% | 3,865 | $442 | $48,750,151 | 12 |
| Mar 4, 2020 | 3 | $886,882 | -48% | -45% | 3,865 | $229 | $49,637,033 | 13 |
| Mar 5, 2020 | 2 | $846,705 | -5% | -43% | 3,865 | $219 | $50,483,738 | 14 |
| Mar 6, 2020 | 4 | $1,851,154 | +119% | -46% | 3,914 | $473 | $52,334,892 | 15 |
| Mar 7, 2020 | 5 | $3,148,405 | +70% | -48% | 3,914 | $804 | $55,483,297 | 16 |
| Mar 8, 2020 | 5 | $1,762,846 | -44% | -54% | 3,914 | $450 | $57,246,143 | 17 |
| Mar 9, 2020 | 5 | $560,665 | -68% | -36% | 3,914 | $143 | $57,806,808 | 18 |
| Mar 10, 2020 | 5 | $972,365 | +73% | -43% | 3,914 | $248 | $58,779,173 | 19 |
| Mar 11, 2020 | 5 | $590,399 | -39% | -33% | 3,914 | $151 | $59,369,572 | 20 |
| Mar 12, 2020 | 4 | $496,339 | -16% | -41% | 3,914 | $127 | $59,865,911 | 21 |
| Mar 13, 2020 | 8 | $685,637 | +38% | -63% | 3,201 | $214 | $60,551,548 | 22 |
| Mar 14, 2020 | 8 | $993,881 | +45% | -68% | 3,201 | $310 | $61,545,429 | 23 |
| Mar 15, 2020 | 8 | $547,202 | -45% | -69% | 3,201 | $171 | $62,092,631 | 24 |
| Mar 16, 2020 | 7 | $148,918 | -73% | -73% | 3,201 | $47 | $62,241,549 | 25 |
| Mar 17, 2020 | 7 | $68,899 | -54% | -93% | 3,201 | $22 | $62,310,448 | 26 |
| Mar 18, 2020 | 6 | $17,263 | -75% | -97% | 3,201 | $5 | $62,327,711 | 27 |
| Mar 19, 2020 | 5 | $14,657 | -15% | -97% | 3,201 | $5 | $62,342,368 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2020 | 1 | $32,804,038 | 3,752 | $8,743 | $32,804,038 | 1 | |
| Feb 28, 2020 | 3 | $17,679,700 | -46% | 3,865 | $4,574 | $50,483,738 | 2 |
| Mar 6, 2020 | 5 | $9,382,173 | -47% | 3,914 | $2,397 | $59,865,911 | 3 |
| Mar 13, 2020 | 8 | $2,476,457 | -74% | 3,201 | $774 | $62,342,368 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/28/2020 | $92,621 | 0 | 110 | 110 | $163,370 | 3/26/2020 | |||
| Australia | 2/21/2020 | $559,119 | 272 | 272 | 1,340 | $1,719,863 | 4/4/2026 | |||
| Brazil | 2/21/2020 | $196,065 | 0 | 0 | 0 | $646,169 | 11/20/2020 | |||
| Bulgaria | 2/21/2020 | $39,717 | 0 | 0 | 0 | $109,642 | 3/11/2020 | |||
| China | 11/13/2020 | $1,320,000 | 18,545 | 20,706 | 33,049 | $5,204,274 | 4/4/2026 | |||
| Czech Republic | 2/28/2020 | $87,796 | 124 | 124 | 228 | $138,647 | 10/19/2022 | |||
| France | 2/20/2020 | $2,600,000 | 0 | 544 | 2,506 | $10,431,551 | 7/31/2020 | |||
| Germany | 2/20/2020 | $700,000 | 0 | 346 | 630 | $1,800,000 | 10/19/2022 | |||
| Hong Kong | 3/6/2020 | $300,000 | 0 | 0 | 0 | $602,554 | 4/9/2020 | |||
| Indonesia | 2/21/2020 | $700,000 | 0 | 0 | 0 | $1,600,000 | 10/19/2022 | |||
| Italy | 2/20/2020 | $738,778 | 0 | 0 | 0 | $1,322,257 | 10/19/2022 | |||
| Japan | 2/28/2020 | $880,000 | 0 | 0 | 0 | $1,600,000 | 10/19/2022 | |||
| Lithuania | 2/21/2020 | $49,493 | 16 | 16 | 51 | $95,196 | 7/15/2020 | |||
| Mexico | 2/21/2020 | $1,483,017 | 0 | 0 | 0 | $3,350,537 | 4/4/2026 | |||
| Netherlands | 2/21/2020 | $142,713 | 85 | 146 | 312 | $447,292 | 10/19/2022 | |||
| New Zealand | 2/20/2020 | $111,160 | 85 | 92 | 580 | $482,279 | 10/19/2022 | |||
| Poland | 1/3/2020 | $0 | 0 | 79 | 79 | $24,534 | 4/4/2026 | |||
| Portugal | 2/21/2020 | $95,368 | 50 | 57 | 179 | $342,350 | 3/17/2020 | |||
| Romania | 2/28/2020 | $89,869 | 88 | 88 | 224 | $218,757 | 10/19/2022 | |||
| Russia (CIS) | 2/20/2020 | $1,393,428 | 945 | 957 | 3,148 | $2,937,611 | 4/4/2026 | |||
| Slovakia | 2/28/2020 | $42,232 | 60 | 60 | 95 | $70,652 | 3/10/2020 | |||
| Slovenia | 2/21/2020 | $21,021 | 32 | 32 | 60 | $63,555 | 4/8/2020 | |||
| South Korea | 5/14/2020 | $122,190 | 505 | 505 | 854 | $250,847 | 6/17/2020 | |||
| Spain | 2/20/2020 | $773,148 | 688 | 688 | 1,412 | $2,579,726 | 11/30/2020 | |||
| Taiwan | 2/28/2020 | $228,319 | 0 | 0 | 0 | $503,487 | 3/26/2020 | |||
| Turkey | 2/21/2020 | $23,347 | 65 | 65 | 89 | $44,473 | 10/19/2022 | |||
| United Kingdom | 2/21/2020 | $1,900,156 | 487 | 500 | 1,443 | $3,604,135 | 12/30/2020 | |||
| Rest of World | $4,655,065 | |||||||||
| International Total | $45,008,823 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Harrison Ford | John Thornton |
Supporting
| Terry Notary | Rail Worker | |
| Dan Stevens | Hal | |
| Karen Gillan | Mercedes | |
| Omar Sy | Perrault | |
| Colin Woodell | Charles | |
| Bradley Whitford | Judge Miller | |
| Akpe Gift | John Thornton Jr | |
| Cara Gee | Françoise | |
| Jean Louisa Kelly | Katie Miller | |
| Michael Horse | Edenshaw | |
| Micah Fitzgerald | Red Sweater | |
| Heather McPhaul | Head Cook | |
| Adam Fergus | James | |
| Stephanie Czajkowski | Postmaster | |
| Abraham Benrubi | Skookum Bench King | |
| Thomas Adoue Polk | Assistant Postmaster | |
| Raven Scott | Pastry Chef | |
| Brad Greenquist | Skagway Dog Seller | |
| Benjamin Hoffman | Deckhand | |
| Alexander Schoenauer | Miner | |
| Aria Lyric Leabu | Alice Miller | |
| Salem Meade | Molly Millwe | |
| Greg Tarzan Davis | Orchard Worker | |
| Jamie Bock | Abigail | |
| Karl Makinen | Proprietor | |
| Adam William Zastrow | Greasy Man | |
| Bryan Scott Johnson | Prospector | |
| Kirk Geiger | Weary Climber | |
| Paul Mabon | Second Rail Worker | |
| Scott MacDonald | Dawson Dog Seller | |
| Tim deZarn | Hermit Fisherman | |
| P.J. King | Chief Deckhand | |
| Michael Lanahan | Attorney | |
| Joshua Nazaroff | Gambling Orchard Worker | |
| Alex Solowitz | Miner #1 | |
| Martin J. Riddell | Miner #2 | |
| Wes Brown | Mountie | |
| Ellen Buckley | Preacher Lady | |
| Dillon Daniel | Buffalo Soldier | |
| Alexander Lewis | Dry Goods Shopkeeper | |
| Michael Froton | Man Selling Used Equipment | |
| Anthony Fox | Man Selling New Equipment | |
| Patty Ann Nix | Stew Vendor | |
| Craig Reed | Stew Seller | |
| Bo McCann | Man with the Dishes | |
| Aureelia E. Richards | Child | |
| Haley Benson | Townswoman | |
| Lucinda Jubb | Disgusted Lady | |
| Jonney Ahmanson | Man Reading Newspaper | |
| Preston Bailey | Teenager on Stoop | |
| Monty Stuart | Wagon Driver | |
| Tom Crisp | Ice Man #1 | |
| Aviel Ayoung | Ice Man #2 | |
| Larry Cedar | Grocer | |
| Mac Jarman | Paperboy | |
| Lon Gowan | Mailman | |
| John Apicella | Ship’s Captain |
Production and Technical Credits
| Chris Sanders | Director | |
| Michael Green | Screenwriter | |
| Jack London | Story based on the novel “The Call of the Wild” by | |
| Erwin Stoff | Producer | |
| James Mangold | Producer | |
| Diana Pokorny | Executive Producer | |
| Ryan Stafford | Executive Producer | |
| Michael Green | Executive Producer | |
| Stefan Dechant | Production Designer | |
| David Heinz | Editor | |
| William Hoy | Editor | |
| John Powell | Composer | |
| Janusz Kaminski | Director of Photography | |
| Ryan Stafford | Co-Producer | |
| Erik Nash | Visual Effects Supervisor | |
| Kate Hawley | Costume Designer | |
| Denise Chamian | Casting Director | |
| Diana Pokorny | Unit Production Manager | |
| K.C. Colwell | First Assistant Director | |
| Mark Conte | Second Assistant Director | |
| Charles Croughwell | Stunt Coordinator | |
| Gavin J. Behrman | Production Supervisor | |
| Desma Murphy | Supervising Art Director | |
| Andrew Max Cahn | Art Director | |
| Jason T. Clark | Art Director | |
| Iain McFadyen | Art Director | |
| Jay Pelissier | Art Director | |
| Ernie Avila | Set Designer | |
| David Chow | Set Designer | |
| Timothy Croshaw | Set Designer | |
| Tim Earls | Set Designer | |
| Sarah Forrest | Set Designer | |
| A. Todd Holland | Set Designer | |
| Martha Johnston | Set Designer | |
| David Moreau | Set Designer | |
| Scott Schneider | Set Designer | |
| Mike Stassi | Set Designer | |
| Jane Wuu | Set Designer | |
| Ron Yates | Set Designer | |
| Ryan Stafford | Visual Effects Producer | |
| Danielle Berman | Set Decorator | |
| Kerry Lyn McKissick | Script Supervisor | |
| Steve Cantamessa | Sound Mixer | |
| Ken Terry | Supervising First Assistant Editor | |
| Amanda Goodpaster | Supervising Music Editor | |
| Nashia Wachsman | Music Editor | |
| Matt Simpson | First Assistant Editor | |
| David Giammarco | Sound Mixer | |
| Warren Hendriks | Sound Mixer | |
| Warren Hendriks | Supervising Sound Editor | |
| Susan Dawes | Supervising Dialogue Editor | |
| Doug Jackson | Sound Effects Editor | |
| Troy Prehmus | Sound Effects Editor | |
| Derek Vanderhorst | Sound Effects Editor | |
| Richard Duarte | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Dan Bronson | Costume Supervisor | |
| Helen Monaghan | Costume Supervisor | |
| Deborah Lamia Denaver | Make up | |
| Terry Baliel | Hairstylist | |
| Robin Citrin | Location Manager | |
| Jeremy Hays | Special Effects Coordinator | |
| Tim Gomillion | Recordist | |
| Michael Gowen | Assistant Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.