Cameraman: The Life and Work of Jack Cardiff (2011)
| Theatrical Performance | ||
| Domestic Box Office | $20,840 | Details |
| OpusData ID: 158850100 More info... | ||
| Further financial details... | ||
Synopsis
Jack Cardiff's career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s film about the legendary cinematographer reveals a unique figure in British and international cinema.
Metrics
| Opening Weekend: | $1,998 (9.6% of total gross) |
| Legs: | 10.43 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,431 |
Movie Details
| Domestic Releases: | May 13th, 2011 (Limited) by Strand Releasing |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Gratuitous Cameos, Voiceover/Narration |
| Plot point: | Biography, Performing Arts, Photography |
| Social setting: | Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Modus Operandi Films, UK Film Council, Smoke & Mirrors |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 13, 2011 | 110 | $1,998 | 1 | $1,998 | $1,998 | 1 | |
| May 20, 2011 | 104 | $1,968 | -2% | 2 | $984 | $5,245 | 2 |
| May 27, 2011 | 104 | $530 | -73% | 1 | $530 | $6,838 | 3 |
| Jun 3, 2011 | 95 | $1,340 | +153% | 2 | $670 | $8,442 | 4 |
| Jun 24, 2011 | 104 | $761 | 2 | $381 | $10,663 | 7 | |
| Jul 1, 2011 | 103 | $358 | -53% | 1 | $358 | $11,923 | 8 |
| Jul 8, 2011 | 95 | $1,994 | +457% | 1 | $1,994 | $14,096 | 9 |
| Jul 15, 2011 | 104 | $701 | -65% | 1 | $701 | $15,754 | 10 |
| Jul 29, 2011 | 111 | $461 | 1 | $461 | $16,646 | 12 | |
| Aug 5, 2011 | 98 | $1,822 | +295% | 3 | $607 | $20,019 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 30, 2011 | 95 | $60 | 1 | $60 | $6,368 | 18 | ||
| Jul 4, 2011 | 97 | $45 | 1 | $45 | $11,968 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 13, 2011 | 105 | $3,277 | 1 | $3,277 | $3,277 | 1 | |
| May 20, 2011 | 107 | $3,031 | -8% | 2 | $1,516 | $6,308 | 2 |
| May 27, 2011 | 107 | $794 | -74% | 1 | $794 | $7,102 | 3 |
| Jun 3, 2011 | 93 | $2,800 | +253% | 2 | $1,400 | $9,902 | 4 |
| Jun 24, 2011 | 105 | $1,663 | 2 | $832 | $11,565 | 7 | |
| Jul 1, 2011 | 108 | $537 | -68% | 1 | $537 | $12,102 | 8 |
| Jul 8, 2011 | 98 | $2,951 | +450% | 1 | $2,951 | $15,053 | 9 |
| Jul 15, 2011 | 106 | $1,132 | -62% | 1 | $1,132 | $16,185 | 10 |
| Jul 29, 2011 | 99 | $2,012 | 1 | $2,012 | $18,197 | 12 | |
| Aug 5, 2011 | 104 | $2,643 | +31% | 3 | $881 | $20,840 | 13 |
Interviewee
| Jack Cardiff | Himself | |
| Martin Scorsese | Himself | |
| Kirk Douglas | Himself | |
| Lauren Bacall | Herself | |
| John Mills | Himself | |
| Thelma Schoonmaker | Herself | |
| Kim Hunter | Herself |
Production and Technical Credits
| Craig McCall | Director | |
| Craig McCall | Producer | |
| Richard McGill | Co-Producer | |
| Mason Cardiff | Executive Producer | |
| Lenny Crooks | Executive Producer | |
| Chris Roff | Executive Producer | |
| Julie Williams | Executive Producer | |
| Sean Broughton | Associate Producer | |
| Helen Ireson | Associate Producer | |
| Steve Parish | Associate Producer | |
| Penny Verbe | Associate Producer | |
| Mark Wildig | Associate Producer | |
| Martin Dorey | Line Producer | |
| Mark Sayer-Wade | Editor | |
| Dan Roberts | Editor | |
| Chris Dickens | Associate Editor | |
| Miles Glyn | Art Director | |
| Steven Chivers | Cinematographer | |
| Ricardo Coll | Cinematographer | |
| Simon Fanthorpe | Cinematographer | |
| Nicholas Hoffman | Cinematographer | |
| Jonathan Rho | Cinematographer | |
| Ian Salvage | Cinematographer | |
| John Walker | Cinematographer | |
| James Welland | Cinematographer | |
| Bob Williams | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Jack Cardiff's career spanned an incredible nine of moving picture’s first ten decades and his work behind the camera altered the look of films forever through his use of Technicolor photography. Craig McCall’s film about the legendary cinematographer reveals a unique figure in British and international cinema.
Metrics
| Opening Weekend: | $1,998 (9.6% of total gross) |
| Legs: | 10.43 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/3 max. theaters, 5.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $31,431 |
Movie Details
| Domestic Releases: | May 13th, 2011 (Limited) by Strand Releasing |
| MPA Rating: | Not Rated |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Gratuitous Cameos, Voiceover/Narration |
| Plot point: | Biography, Performing Arts, Photography |
| Social setting: | Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Modus Operandi Films, UK Film Council, Smoke & Mirrors |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 13, 2011 | 110 | $1,998 | 1 | $1,998 | $1,998 | 1 | |
| May 20, 2011 | 104 | $1,968 | -2% | 2 | $984 | $5,245 | 2 |
| May 27, 2011 | 104 | $530 | -73% | 1 | $530 | $6,838 | 3 |
| Jun 3, 2011 | 95 | $1,340 | +153% | 2 | $670 | $8,442 | 4 |
| Jun 24, 2011 | 104 | $761 | 2 | $381 | $10,663 | 7 | |
| Jul 1, 2011 | 103 | $358 | -53% | 1 | $358 | $11,923 | 8 |
| Jul 8, 2011 | 95 | $1,994 | +457% | 1 | $1,994 | $14,096 | 9 |
| Jul 15, 2011 | 104 | $701 | -65% | 1 | $701 | $15,754 | 10 |
| Jul 29, 2011 | 111 | $461 | 1 | $461 | $16,646 | 12 | |
| Aug 5, 2011 | 98 | $1,822 | +295% | 3 | $607 | $20,019 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 30, 2011 | 95 | $60 | 1 | $60 | $6,368 | 18 | ||
| Jul 4, 2011 | 97 | $45 | 1 | $45 | $11,968 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 13, 2011 | 105 | $3,277 | 1 | $3,277 | $3,277 | 1 | |
| May 20, 2011 | 107 | $3,031 | -8% | 2 | $1,516 | $6,308 | 2 |
| May 27, 2011 | 107 | $794 | -74% | 1 | $794 | $7,102 | 3 |
| Jun 3, 2011 | 93 | $2,800 | +253% | 2 | $1,400 | $9,902 | 4 |
| Jun 24, 2011 | 105 | $1,663 | 2 | $832 | $11,565 | 7 | |
| Jul 1, 2011 | 108 | $537 | -68% | 1 | $537 | $12,102 | 8 |
| Jul 8, 2011 | 98 | $2,951 | +450% | 1 | $2,951 | $15,053 | 9 |
| Jul 15, 2011 | 106 | $1,132 | -62% | 1 | $1,132 | $16,185 | 10 |
| Jul 29, 2011 | 99 | $2,012 | 1 | $2,012 | $18,197 | 12 | |
| Aug 5, 2011 | 104 | $2,643 | +31% | 3 | $881 | $20,840 | 13 |
Interviewee
| Jack Cardiff | Himself | |
| Martin Scorsese | Himself | |
| Kirk Douglas | Himself | |
| Lauren Bacall | Herself | |
| John Mills | Himself | |
| Thelma Schoonmaker | Herself | |
| Kim Hunter | Herself |
Production and Technical Credits
| Craig McCall | Director | |
| Craig McCall | Producer | |
| Richard McGill | Co-Producer | |
| Mason Cardiff | Executive Producer | |
| Lenny Crooks | Executive Producer | |
| Chris Roff | Executive Producer | |
| Julie Williams | Executive Producer | |
| Sean Broughton | Associate Producer | |
| Helen Ireson | Associate Producer | |
| Steve Parish | Associate Producer | |
| Penny Verbe | Associate Producer | |
| Mark Wildig | Associate Producer | |
| Martin Dorey | Line Producer | |
| Mark Sayer-Wade | Editor | |
| Dan Roberts | Editor | |
| Chris Dickens | Associate Editor | |
| Miles Glyn | Art Director | |
| Steven Chivers | Cinematographer | |
| Ricardo Coll | Cinematographer | |
| Simon Fanthorpe | Cinematographer | |
| Nicholas Hoffman | Cinematographer | |
| Jonathan Rho | Cinematographer | |
| Ian Salvage | Cinematographer | |
| John Walker | Cinematographer | |
| James Welland | Cinematographer | |
| Bob Williams | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.