Cameraperson (2016)
| Theatrical Performance | ||
| Domestic Box Office | $102,033 | Details |
| International Box Office | $8,375 | Details |
| Worldwide Box Office | $110,408 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $68,890 | |
| Blu-ray Sales (estimated) | $124,942 | |
| Total | $193,832 | |
| OpusData ID: 267610100 More info... | ||
| Further financial details... | ||
Synopsis
Through a series of episodic juxtapositions, Filmmaker Kirsten Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative.
Metrics
| Opening Weekend: | $12,760 (12.5% of total gross) |
| Legs: | 8.00 (domestic box office/biggest weekend) |
| Domestic Share: | 92.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,080 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Limited) by Janus Films |
| International Releases: | January 27th, 2017 (Wide) (United Kingdom)
February 24th, 2017 (Wide) (Australia) |
| Video Release: | February 7th, 2017 by Criterion |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Archive Footage, Autobiographical, Directing Yourself |
| Social setting: | Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Fork Films, Big Mouth Productions |
| Production Countries: | United States |
| Languages: | Bosnian, English, Arabic, Dari, Hausa, Fur |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 72 | $12,760 | 1 | $12,760 | $12,760 | 1 | |
| Sep 16, 2016 | 83 | $7,791 | -39% | 2 | $3,896 | $27,289 | 2 |
| Sep 23, 2016 | 81 | $5,428 | -30% | 3 | $1,809 | $38,683 | 3 |
| Sep 30, 2016 | 68 | $9,692 | +79% | 6 | $1,615 | $50,893 | 4 |
| Oct 7, 2016 | 71 | $6,855 | -29% | 7 | $979 | $63,565 | 5 |
| Oct 14, 2016 | 64 | $10,207 | +49% | 7 | $1,458 | $79,521 | 6 |
| Oct 21, 2016 | 84 | $6,244 | -39% | 6 | $1,041 | $90,398 | 7 |
| Nov 11, 2016 | 104 | $644 | 10 | $64 | $94,910 | 10 | |
| Nov 18, 2016 | 88 | $1,095 | +70% | 1 | $1,095 | $96,634 | 11 |
| Nov 25, 2016 | 84 | $1,155 | +5% | 2 | $578 | $99,088 | 12 |
| Dec 2, 2016 | 110 | $564 | -51% | 1 | $564 | $101,074 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 73 | $19,489 | 1 | $19,489 | $19,489 | 1 | |
| Sep 16, 2016 | 83 | $13,748 | -29% | 2 | $6,874 | $33,246 | 2 |
| Sep 23, 2016 | 91 | $7,946 | -42% | 3 | $2,649 | $41,192 | 3 |
| Sep 30, 2016 | 70 | $15,549 | +96% | 6 | $2,592 | $56,741 | 4 |
| Oct 7, 2016 | 69 | $12,565 | -19% | 7 | $1,795 | $69,305 | 5 |
| Oct 14, 2016 | 70 | $14,808 | +18% | 7 | $2,115 | $84,113 | 6 |
| Oct 21, 2016 | 88 | $9,180 | -38% | 6 | $1,530 | $93,324 | 7 |
| Oct 28, 2016 | 111 | $940 | -90% | 2 | $470 | $94,264 | 8 |
| Nov 11, 2016 | 109 | $1,274 | 1 | $1,274 | $95,539 | 10 | |
| Nov 18, 2016 | 92 | $2,394 | +88% | 1 | $2,394 | $97,933 | 11 |
| Nov 25, 2016 | 81 | $2,577 | +8% | 2 | $1,289 | $100,510 | 12 |
| Dec 2, 2016 | 109 | $1,369 | -47% | 1 | $1,369 | $102,033 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/24/2017 | $956 | 1 | 1 | 1 | $956 | 3/2/2017 | |||
| United Kingdom | 1/27/2017 | $7,419 | 7 | 7 | 7 | $7,419 | 2/1/2017 | |||
| International Total | $8,375 | 3/2/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Kirsten Johnson | Director | |
| Kirsten Johnson | Producer | |
| Marilyn Ness | Producer | |
| Nels Bangerter | Editor | |
| Abigail Disney | Executive Producer | |
| Gini Reticker | Executive Producer | |
| Danielle Varga | Co-Producer | |
| Amanda Laws | Co-Editor | |
| Kathryn Bostic | Composer | |
| Wellington Bowler | Composer | |
| Carla Kihlstedt | Composer | |
| Kirsten Johnson | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Through a series of episodic juxtapositions, Filmmaker Kirsten Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative.
Metrics
| Opening Weekend: | $12,760 (12.5% of total gross) |
| Legs: | 8.00 (domestic box office/biggest weekend) |
| Domestic Share: | 92.4% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/10 max. theaters, 4.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,080 |
Movie Details
| Domestic Releases: | September 9th, 2016 (Limited) by Janus Films |
| International Releases: | January 27th, 2017 (Wide) (United Kingdom)
February 24th, 2017 (Wide) (Australia) |
| Video Release: | February 7th, 2017 by Criterion |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Cast, crew, or production detail: | Archive Footage, Autobiographical, Directing Yourself |
| Social setting: | Movie Business |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Fork Films, Big Mouth Productions |
| Production Countries: | United States |
| Languages: | Bosnian, English, Arabic, Dari, Hausa, Fur |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 72 | $12,760 | 1 | $12,760 | $12,760 | 1 | |
| Sep 16, 2016 | 83 | $7,791 | -39% | 2 | $3,896 | $27,289 | 2 |
| Sep 23, 2016 | 81 | $5,428 | -30% | 3 | $1,809 | $38,683 | 3 |
| Sep 30, 2016 | 68 | $9,692 | +79% | 6 | $1,615 | $50,893 | 4 |
| Oct 7, 2016 | 71 | $6,855 | -29% | 7 | $979 | $63,565 | 5 |
| Oct 14, 2016 | 64 | $10,207 | +49% | 7 | $1,458 | $79,521 | 6 |
| Oct 21, 2016 | 84 | $6,244 | -39% | 6 | $1,041 | $90,398 | 7 |
| Nov 11, 2016 | 104 | $644 | 10 | $64 | $94,910 | 10 | |
| Nov 18, 2016 | 88 | $1,095 | +70% | 1 | $1,095 | $96,634 | 11 |
| Nov 25, 2016 | 84 | $1,155 | +5% | 2 | $578 | $99,088 | 12 |
| Dec 2, 2016 | 110 | $564 | -51% | 1 | $564 | $101,074 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 9, 2016 | 73 | $19,489 | 1 | $19,489 | $19,489 | 1 | |
| Sep 16, 2016 | 83 | $13,748 | -29% | 2 | $6,874 | $33,246 | 2 |
| Sep 23, 2016 | 91 | $7,946 | -42% | 3 | $2,649 | $41,192 | 3 |
| Sep 30, 2016 | 70 | $15,549 | +96% | 6 | $2,592 | $56,741 | 4 |
| Oct 7, 2016 | 69 | $12,565 | -19% | 7 | $1,795 | $69,305 | 5 |
| Oct 14, 2016 | 70 | $14,808 | +18% | 7 | $2,115 | $84,113 | 6 |
| Oct 21, 2016 | 88 | $9,180 | -38% | 6 | $1,530 | $93,324 | 7 |
| Oct 28, 2016 | 111 | $940 | -90% | 2 | $470 | $94,264 | 8 |
| Nov 11, 2016 | 109 | $1,274 | 1 | $1,274 | $95,539 | 10 | |
| Nov 18, 2016 | 92 | $2,394 | +88% | 1 | $2,394 | $97,933 | 11 |
| Nov 25, 2016 | 81 | $2,577 | +8% | 2 | $1,289 | $100,510 | 12 |
| Dec 2, 2016 | 109 | $1,369 | -47% | 1 | $1,369 | $102,033 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/24/2017 | $956 | 1 | 1 | 1 | $956 | 3/2/2017 | |||
| United Kingdom | 1/27/2017 | $7,419 | 7 | 7 | 7 | $7,419 | 2/1/2017 | |||
| International Total | $8,375 | 3/2/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Kirsten Johnson | Director | |
| Kirsten Johnson | Producer | |
| Marilyn Ness | Producer | |
| Nels Bangerter | Editor | |
| Abigail Disney | Executive Producer | |
| Gini Reticker | Executive Producer | |
| Danielle Varga | Co-Producer | |
| Amanda Laws | Co-Editor | |
| Kathryn Bostic | Composer | |
| Wellington Bowler | Composer | |
| Carla Kihlstedt | Composer | |
| Kirsten Johnson | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.