Camp Nowhere (1994)
| Theatrical Performance | ||
| Domestic Box Office | $10,442,641 | Details |
| OpusData ID: 36520100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,755,661 (26.4% of total gross) |
| Legs: | 3.79 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,358 opening theaters/1,358 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,947,606 |
Movie Details
| Domestic Releases: | August 26th, 1994 (Wide) by Walt Disney |
| Video Release: | August 5th, 2003 by Walt Disney Home Entertainment |
| MPA Rating: | PG for some mild adolescent language and sensuality |
| Running Time: | 96 minutes |
| Plot point: | Blackmail, Coming of Age, Fugitive / On the Run |
| Social setting: | Summer Camp |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 26, 1994 | 9 | $2,755,661 | 1,358 | $2,029 | $2,755,661 | 1 | |
| Dec 9, 1994 | 55 | $16,646 | 51 | $326 | $10,438,786 | 16 |
| Christopher Lloyd | Dennis Van Welker | |
| Andrew Keegan | Zack Dell | |
| Jonathan Jackson | Morris 'Mud' Himmel | |
| Jonathan Frakes | Bob Spiegel | |
| M. Emmet Walsh | T.R. Polk | |
| Jessica Alba | Gail | |
| Peter Scolari | Donald Himmel | |
| Kate Mulgrew | Rachel Prescott | |
| Burgess Meredith | Fein | |
| Thomas F. Wilson | Lt. Eliot Hendricks | |
| Ray Baker | Norris Prescott |
Production and Technical Credits
| Jonathan Prince | Director | |
| Andrew Kurtzman | Screenwriter | |
| Eliot Wald | Screenwriter | |
| Andrew Kurtzman | Producer | |
| David Streit | Producer | |
| Eliot Wald | Producer | |
| Gloria Lopez | Producer | |
| Janet Graham | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,755,661 (26.4% of total gross) |
| Legs: | 3.79 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,358 opening theaters/1,358 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $28,947,606 |
Movie Details
| Domestic Releases: | August 26th, 1994 (Wide) by Walt Disney |
| Video Release: | August 5th, 2003 by Walt Disney Home Entertainment |
| MPA Rating: | PG for some mild adolescent language and sensuality |
| Running Time: | 96 minutes |
| Plot point: | Blackmail, Coming of Age, Fugitive / On the Run |
| Social setting: | Summer Camp |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 26, 1994 | 9 | $2,755,661 | 1,358 | $2,029 | $2,755,661 | 1 | |
| Dec 9, 1994 | 55 | $16,646 | 51 | $326 | $10,438,786 | 16 |
| Christopher Lloyd | Dennis Van Welker | |
| Andrew Keegan | Zack Dell | |
| Jonathan Jackson | Morris 'Mud' Himmel | |
| Jonathan Frakes | Bob Spiegel | |
| M. Emmet Walsh | T.R. Polk | |
| Jessica Alba | Gail | |
| Peter Scolari | Donald Himmel | |
| Kate Mulgrew | Rachel Prescott | |
| Burgess Meredith | Fein | |
| Thomas F. Wilson | Lt. Eliot Hendricks | |
| Ray Baker | Norris Prescott |
Production and Technical Credits
| Jonathan Prince | Director | |
| Andrew Kurtzman | Screenwriter | |
| Eliot Wald | Screenwriter | |
| Andrew Kurtzman | Producer | |
| David Streit | Producer | |
| Eliot Wald | Producer | |
| Gloria Lopez | Producer | |
| Janet Graham | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.