Canal Street (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $251,917 | Details |
| OpusData ID: 384770100 More info... | ||
| Further financial details... | ||
Synopsis
The story of a teen, Kholi Styles, trying to get by in an unwelcoming new world. After the mysterious death of a classmate, all eyes fall on Kholi, the new kid at his high school. It’s up to his father, Jackie Styles, an up-and-coming lawyer from the slums of Chicago, to defend his son in court and battle an outraged public before time runs out. Jackie fights to keep his faith and prove his son is not the monster the world has made him out to be.
Metrics
| Opening Weekend: | $108,259 (43.0% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 73 opening theaters/73 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $328,924 |
Movie Details
| Domestic Releases: | January 18th, 2019 (Limited) by Smith Global Media |
| Video Release: | August 20th, 2019 by Cinedigm |
| MPA Rating: | PG-13 for thematic elements including some bloody images, drug use and teen partying. (Rating bulletin 2555 (Cert #51929), 11/28/2018) |
| Running Time: | 89 minutes |
| Geographical setting: | Chicago |
| Plot point: | Falsely Accused, Race Relations |
| Subgenre: | Courtroom / Legal Drama |
| Target audience: | Faith-Based Film |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Smith Global Media, Red Guerrilla Entertainment, Catch the Vision LLC, Bondit, NYC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | 35 | $108,259 | 73 | $1,483 | $108,259 | 1 | |
| Jan 25, 2019 | 42 | $28,204 | -74% | 22 | $1,282 | $208,441 | 2 |
| Feb 1, 2019 | 48 | $15,288 | -46% | 26 | $588 | $235,741 | 3 |
| Feb 8, 2019 | 64 | $2,898 | -81% | 3 | $966 | $247,843 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | - | $37,595 | 73 | $515 | $37,595 | 1 | ||
| Jan 19, 2019 | - | $38,033 | +1% | 73 | $521 | $75,628 | 2 | |
| Jan 20, 2019 | - | $32,631 | -14% | 73 | $447 | $108,259 | 3 | |
| Jan 21, 2019 | - | $33,580 | +3% | 73 | $460 | $141,839 | 4 | |
| Jan 22, 2019 | - | $17,666 | -47% | 73 | $242 | $159,505 | 5 | |
| Jan 23, 2019 | - | $11,242 | -36% | 73 | $154 | $170,747 | 6 | |
| Jan 24, 2019 | - | $9,490 | -16% | 73 | $130 | $180,237 | 7 | |
| Jan 25, 2019 | - | $8,536 | -10% | -77% | 22 | $388 | $188,773 | 8 |
| Jan 26, 2019 | - | $11,352 | +33% | -70% | 22 | $516 | $200,125 | 9 |
| Jan 27, 2019 | - | $8,316 | -27% | -75% | 22 | $378 | $208,441 | 10 |
| Jan 28, 2019 | - | $2,376 | -71% | -93% | 22 | $108 | $210,817 | 11 |
| Jan 29, 2019 | - | $3,542 | +49% | -80% | 22 | $161 | $214,359 | 12 |
| Jan 30, 2019 | - | $3,806 | +7% | -66% | 22 | $173 | $218,165 | 13 |
| Jan 31, 2019 | - | $2,288 | -40% | -76% | 26 | $88 | $220,453 | 14 |
| Feb 1, 2019 | - | $3,744 | +64% | -56% | 26 | $144 | $224,197 | 15 |
| Feb 2, 2019 | - | $9,048 | +142% | -20% | 26 | $348 | $233,245 | 16 |
| Feb 3, 2019 | - | $2,496 | -72% | -70% | 26 | $96 | $235,741 | 17 |
| Feb 4, 2019 | - | $1,690 | -32% | -29% | 26 | $65 | $237,431 | 18 |
| Feb 5, 2019 | - | $3,276 | +94% | -8% | 26 | $126 | $240,707 | 19 |
| Feb 6, 2019 | - | $2,210 | -33% | -42% | 26 | $85 | $242,917 | 20 |
| Feb 7, 2019 | - | $2,028 | -8% | -11% | 26 | $78 | $244,945 | 21 |
| Feb 8, 2019 | - | $279 | -86% | -93% | 3 | $93 | $245,224 | 22 |
| Feb 9, 2019 | - | $1,293 | +363% | -86% | 3 | $431 | $246,517 | 23 |
| Feb 10, 2019 | - | $1,326 | +3% | -47% | 3 | $442 | $247,843 | 24 |
| Feb 11, 2019 | - | $147 | -89% | -91% | 3 | $49 | $247,990 | 25 |
| Feb 12, 2019 | - | $201 | +37% | -94% | 3 | $67 | $248,191 | 26 |
| Feb 13, 2019 | - | $51 | -75% | -98% | 3 | $17 | $248,242 | 27 |
| Feb 14, 2019 | - | $3,675 | +7,106% | +81% | 3 | $1,225 | $251,917 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | 36 | $180,237 | 73 | $2,469 | $180,237 | 1 | |
| Jan 25, 2019 | 41 | $40,216 | -78% | 26 | $1,547 | $220,453 | 2 |
| Feb 1, 2019 | 49 | $24,492 | -39% | 26 | $942 | $244,945 | 3 |
| Feb 8, 2019 | 69 | $6,972 | -72% | 3 | $2,324 | $251,917 | 4 |
Lead Ensemble Member
| Bryshere Y. Gray | Kholi Styles | |
| Mekhi Phifer | Prosecutor A.J. Canton | |
| Mykelti Williamson | Jackie Styles | |
| Kevin Quinn | Brian Sudermill | |
| Woody McClain | MayMay |
Supporting
| Harry J. Lennix | DJ Terrance Palmer |
Lead Ensemble Member
| Lance Reddick | Jerry Shaw |
Supporting
| Jamie Hector | Pastor Sam Billings | |
| Clayne Crawford | Uncredited | |
| Katie Chang | Elizabeth Chu | |
| Giovanni Watson | Lashawn | |
| Juani Feliz | Zoey Swanson | |
| Jon Seda | Detective Mike Watts | |
| Rhyan LaMarr | Uncredited |
Production and Technical Credits
| Rhyan LaMarr | Director | |
| Jon Knitter | Screenwriter | |
| Rhyan LaMarr | Screenwriter | |
| Adam George Key | Screenwriter | |
| Rhyan LaMarr | Producer | |
| Christopher Jennings | Producer | |
| Erika Jacobsen | Producer | |
| Eric Edmonds | Producer | |
| Reginald Hunter | Producer | |
| Charles Alston | Producer | |
| Don Hale, Jr. | Producer | |
| Harry Smith | Producer | |
| Kevin Mullens | Executive Producer | |
| Eric D. Garnes | Executive Producer | |
| Rhyan LaMarr | Executive Producer | |
| Christopher Jennings | Executive Producer | |
| Yancy Arias | Executive Producer | |
| Amir Windom | Executive Producer | |
| Nick Puetz | Director of Photography | |
| David C. Keith | Editor | |
| Stacey Buckner | Production Designer | |
| Amir Windom | Composer | |
| Michael Lane | Composer | |
| Gretchen Yanover | Composer | |
| Angela Cox | Costume Designer | |
| Marisa Ross | Casting Director | |
| Christal Karge | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The story of a teen, Kholi Styles, trying to get by in an unwelcoming new world. After the mysterious death of a classmate, all eyes fall on Kholi, the new kid at his high school. It’s up to his father, Jackie Styles, an up-and-coming lawyer from the slums of Chicago, to defend his son in court and battle an outraged public before time runs out. Jackie fights to keep his faith and prove his son is not the monster the world has made him out to be.
Metrics
| Opening Weekend: | $108,259 (43.0% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 73 opening theaters/73 max. theaters, 1.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $328,924 |
Movie Details
| Domestic Releases: | January 18th, 2019 (Limited) by Smith Global Media |
| Video Release: | August 20th, 2019 by Cinedigm |
| MPA Rating: | PG-13 for thematic elements including some bloody images, drug use and teen partying. (Rating bulletin 2555 (Cert #51929), 11/28/2018) |
| Running Time: | 89 minutes |
| Geographical setting: | Chicago |
| Plot point: | Falsely Accused, Race Relations |
| Subgenre: | Courtroom / Legal Drama |
| Target audience: | Faith-Based Film |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Smith Global Media, Red Guerrilla Entertainment, Catch the Vision LLC, Bondit, NYC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | 35 | $108,259 | 73 | $1,483 | $108,259 | 1 | |
| Jan 25, 2019 | 42 | $28,204 | -74% | 22 | $1,282 | $208,441 | 2 |
| Feb 1, 2019 | 48 | $15,288 | -46% | 26 | $588 | $235,741 | 3 |
| Feb 8, 2019 | 64 | $2,898 | -81% | 3 | $966 | $247,843 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | - | $37,595 | 73 | $515 | $37,595 | 1 | ||
| Jan 19, 2019 | - | $38,033 | +1% | 73 | $521 | $75,628 | 2 | |
| Jan 20, 2019 | - | $32,631 | -14% | 73 | $447 | $108,259 | 3 | |
| Jan 21, 2019 | - | $33,580 | +3% | 73 | $460 | $141,839 | 4 | |
| Jan 22, 2019 | - | $17,666 | -47% | 73 | $242 | $159,505 | 5 | |
| Jan 23, 2019 | - | $11,242 | -36% | 73 | $154 | $170,747 | 6 | |
| Jan 24, 2019 | - | $9,490 | -16% | 73 | $130 | $180,237 | 7 | |
| Jan 25, 2019 | - | $8,536 | -10% | -77% | 22 | $388 | $188,773 | 8 |
| Jan 26, 2019 | - | $11,352 | +33% | -70% | 22 | $516 | $200,125 | 9 |
| Jan 27, 2019 | - | $8,316 | -27% | -75% | 22 | $378 | $208,441 | 10 |
| Jan 28, 2019 | - | $2,376 | -71% | -93% | 22 | $108 | $210,817 | 11 |
| Jan 29, 2019 | - | $3,542 | +49% | -80% | 22 | $161 | $214,359 | 12 |
| Jan 30, 2019 | - | $3,806 | +7% | -66% | 22 | $173 | $218,165 | 13 |
| Jan 31, 2019 | - | $2,288 | -40% | -76% | 26 | $88 | $220,453 | 14 |
| Feb 1, 2019 | - | $3,744 | +64% | -56% | 26 | $144 | $224,197 | 15 |
| Feb 2, 2019 | - | $9,048 | +142% | -20% | 26 | $348 | $233,245 | 16 |
| Feb 3, 2019 | - | $2,496 | -72% | -70% | 26 | $96 | $235,741 | 17 |
| Feb 4, 2019 | - | $1,690 | -32% | -29% | 26 | $65 | $237,431 | 18 |
| Feb 5, 2019 | - | $3,276 | +94% | -8% | 26 | $126 | $240,707 | 19 |
| Feb 6, 2019 | - | $2,210 | -33% | -42% | 26 | $85 | $242,917 | 20 |
| Feb 7, 2019 | - | $2,028 | -8% | -11% | 26 | $78 | $244,945 | 21 |
| Feb 8, 2019 | - | $279 | -86% | -93% | 3 | $93 | $245,224 | 22 |
| Feb 9, 2019 | - | $1,293 | +363% | -86% | 3 | $431 | $246,517 | 23 |
| Feb 10, 2019 | - | $1,326 | +3% | -47% | 3 | $442 | $247,843 | 24 |
| Feb 11, 2019 | - | $147 | -89% | -91% | 3 | $49 | $247,990 | 25 |
| Feb 12, 2019 | - | $201 | +37% | -94% | 3 | $67 | $248,191 | 26 |
| Feb 13, 2019 | - | $51 | -75% | -98% | 3 | $17 | $248,242 | 27 |
| Feb 14, 2019 | - | $3,675 | +7,106% | +81% | 3 | $1,225 | $251,917 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 18, 2019 | 36 | $180,237 | 73 | $2,469 | $180,237 | 1 | |
| Jan 25, 2019 | 41 | $40,216 | -78% | 26 | $1,547 | $220,453 | 2 |
| Feb 1, 2019 | 49 | $24,492 | -39% | 26 | $942 | $244,945 | 3 |
| Feb 8, 2019 | 69 | $6,972 | -72% | 3 | $2,324 | $251,917 | 4 |
Lead Ensemble Member
| Bryshere Y. Gray | Kholi Styles | |
| Mekhi Phifer | Prosecutor A.J. Canton | |
| Mykelti Williamson | Jackie Styles | |
| Kevin Quinn | Brian Sudermill | |
| Woody McClain | MayMay |
Supporting
| Harry J. Lennix | DJ Terrance Palmer |
Lead Ensemble Member
| Lance Reddick | Jerry Shaw |
Supporting
| Jamie Hector | Pastor Sam Billings | |
| Clayne Crawford | Uncredited | |
| Katie Chang | Elizabeth Chu | |
| Giovanni Watson | Lashawn | |
| Juani Feliz | Zoey Swanson | |
| Jon Seda | Detective Mike Watts | |
| Rhyan LaMarr | Uncredited |
Production and Technical Credits
| Rhyan LaMarr | Director | |
| Jon Knitter | Screenwriter | |
| Rhyan LaMarr | Screenwriter | |
| Adam George Key | Screenwriter | |
| Rhyan LaMarr | Producer | |
| Christopher Jennings | Producer | |
| Erika Jacobsen | Producer | |
| Eric Edmonds | Producer | |
| Reginald Hunter | Producer | |
| Charles Alston | Producer | |
| Don Hale, Jr. | Producer | |
| Harry Smith | Producer | |
| Kevin Mullens | Executive Producer | |
| Eric D. Garnes | Executive Producer | |
| Rhyan LaMarr | Executive Producer | |
| Christopher Jennings | Executive Producer | |
| Yancy Arias | Executive Producer | |
| Amir Windom | Executive Producer | |
| Nick Puetz | Director of Photography | |
| David C. Keith | Editor | |
| Stacey Buckner | Production Designer | |
| Amir Windom | Composer | |
| Michael Lane | Composer | |
| Gretchen Yanover | Composer | |
| Angela Cox | Costume Designer | |
| Marisa Ross | Casting Director | |
| Christal Karge | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.