Candyman (1992)

Candyman
Theatrical Performance
Domestic Box Office $25,554,348Details
International Box Office $7,341,277Details
Worldwide Box Office $32,895,625
OpusData ID: 21100100 More info...
Further financial details...

Metrics

Opening Weekend:$5,404,320 (21.1% of total gross)
Legs:4.73 (domestic box office/biggest weekend)
Domestic Share:77.7% (domestic box office/worldwide)
Theater counts:1,251 opening theaters/1,500 max. theaters, 5.1 weeks average run per theater
Infl. Adj. Dom. BO $69,646,019

Movie Details

Domestic Releases: October 16th, 1992 (Wide) by Sony Pictures
International Releases: March 19th, 1993 (Wide) (United Kingdom)
April 30th, 1993 (Wide) (New Zealand)
Video Release: September 9th, 1998 by Sony Pictures Home Entertainment
MPA Rating: R for violence and gore.
Running Time: 101 minutes
Franchise: Candyman
Plot point: Kidnap, Lynching, Rescue, Testing an Urban Legend
Social setting: Slavery, Supernatural
Subgenre: Supernatural Horror
Time period setting: 1800s
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Tri-Star Pictures, PolyGram Filmed Entertainment, Propaganda Films
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 1992 4 $5,404,320   1,251 $4,320   $5,404,320 1
Oct 23, 1992 3 $4,220,850 -22% 1,481 $2,850   $11,176,410 2
Oct 30, 1992 3 $3,354,546 -21% 1,483 $2,262   $15,656,516 3
Nov 6, 1992 7 $2,511,340 -25% 1,486 $1,690   $19,158,500 4
Nov 13, 1992 8 $1,742,980 -31% 1,500 $1,162   $21,681,630 5
Jan 1, 1993 29 $132,854   181 $734   $25,063,952 12
Jan 8, 1993 29 $110,044 -17% 164 $671   $25,229,382 13
Jan 22, 1993 35 $64,310   109 $590   $25,480,377 15

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 1992 3 $6,955,560   1,251 $5,560   $6,955,560 1
Oct 23, 1992 3 $5,346,410 -23% 1,481 $3,610   $12,301,970 2
Oct 30, 1992 4 $4,345,190 -19% 1,483 $2,930   $16,647,160 3
Nov 6, 1992 7 $3,291,490 -24% 1,486 $2,215   $19,938,650 4
Jan 1, 1993 0 $188,240   181 $1,040   $25,119,338 12

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Mexico $351,000 865 865 865 $351,000 8/29/2021
New Zealand 4/30/1993 $0 0 1 1 $965 10/19/2020
United Kingdom 3/19/1993 $0 0 619 2,101 $6,989,312 10/13/2021
  
International Total $7,341,277 10/13/2021

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Kasi Lemmons    Bernadette 'Bernie' Walsh
Xander Berkeley    Trevor Lyle
Ted Raimi    Billy
Virginia Madsen    Helen Lyle
Tony Todd    The Candyman/Daniel Robitaille

Production and Technical Credits

Bernard Rose    Director
Bernard Rose    Screenwriter
Clive Barker    Story by
Clive Barker    Executive Producer
Philip Glass    Composer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Opening Weekend:$5,404,320 (21.1% of total gross)
Legs:4.73 (domestic box office/biggest weekend)
Domestic Share:77.7% (domestic box office/worldwide)
Theater counts:1,251 opening theaters/1,500 max. theaters, 5.1 weeks average run per theater
Infl. Adj. Dom. BO $69,646,019

Movie Details

Domestic Releases: October 16th, 1992 (Wide) by Sony Pictures
International Releases: March 19th, 1993 (Wide) (United Kingdom)
April 30th, 1993 (Wide) (New Zealand)
Video Release: September 9th, 1998 by Sony Pictures Home Entertainment
MPA Rating: R for violence and gore.
Running Time: 101 minutes
Franchise: Candyman
Plot point: Kidnap, Lynching, Rescue, Testing an Urban Legend
Social setting: Slavery, Supernatural
Subgenre: Supernatural Horror
Time period setting: 1800s
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Tri-Star Pictures, PolyGram Filmed Entertainment, Propaganda Films
Production Countries: United States
Languages: English

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 1992 4 $5,404,320   1,251 $4,320   $5,404,320 1
Oct 23, 1992 3 $4,220,850 -22% 1,481 $2,850   $11,176,410 2
Oct 30, 1992 3 $3,354,546 -21% 1,483 $2,262   $15,656,516 3
Nov 6, 1992 7 $2,511,340 -25% 1,486 $1,690   $19,158,500 4
Nov 13, 1992 8 $1,742,980 -31% 1,500 $1,162   $21,681,630 5
Jan 1, 1993 29 $132,854   181 $734   $25,063,952 12
Jan 8, 1993 29 $110,044 -17% 164 $671   $25,229,382 13
Jan 22, 1993 35 $64,310   109 $590   $25,480,377 15

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 16, 1992 3 $6,955,560   1,251 $5,560   $6,955,560 1
Oct 23, 1992 3 $5,346,410 -23% 1,481 $3,610   $12,301,970 2
Oct 30, 1992 4 $4,345,190 -19% 1,483 $2,930   $16,647,160 3
Nov 6, 1992 7 $3,291,490 -24% 1,486 $2,215   $19,938,650 4
Jan 1, 1993 0 $188,240   181 $1,040   $25,119,338 12

Top International Territories

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens/Theaters
Maximum
Screens/Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Mexico $351,000 865 865 865 $351,000 8/29/2021
New Zealand 4/30/1993 $0 0 1 1 $965 10/19/2020
United Kingdom 3/19/1993 $0 0 619 2,101 $6,989,312 10/13/2021
  
International Total $7,341,277 10/13/2021

Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.

Kasi Lemmons    Bernadette 'Bernie' Walsh
Xander Berkeley    Trevor Lyle
Ted Raimi    Billy
Virginia Madsen    Helen Lyle
Tony Todd    The Candyman/Daniel Robitaille

Production and Technical Credits

Bernard Rose    Director
Bernard Rose    Screenwriter
Clive Barker    Story by
Clive Barker    Executive Producer
Philip Glass    Composer

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.