The Captive Heart (1947)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 460420100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | April 26th, 1947 (Limited) by Universal |
| Video Release: | May 19th, 2020 by Kino Lorber |
| MPA Rating: | Not Rated Approved |
| Running Time: | 86 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United Kingdom |
| Languages: | English, German |
Leading
| Michael Redgrave | Capt. Karel Hasek |
Supporting
| Jack Warner | Cpl. Ted Horsfall | |
| Basil Radford | Major Ossy Dalrymple | |
| Mervyn Johns | Private Evans | |
| Rachel Kempson | Celia Mitchell | |
| Frederick Leister | Mr. Mowbray | |
| Gordon Jackson | Lt. Lennox | |
| Gladys Henson | Mrs. Horsfall | |
| Guy Middleton | Capt. Jim Mason | |
| Karel Stepanek | Forster |
Production and Technical Credits
| Basil Dearden | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | April 26th, 1947 (Limited) by Universal |
| Video Release: | May 19th, 2020 by Kino Lorber |
| MPA Rating: | Not Rated Approved |
| Running Time: | 86 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United Kingdom |
| Languages: | English, German |
Leading
| Michael Redgrave | Capt. Karel Hasek |
Supporting
| Jack Warner | Cpl. Ted Horsfall | |
| Basil Radford | Major Ossy Dalrymple | |
| Mervyn Johns | Private Evans | |
| Rachel Kempson | Celia Mitchell | |
| Frederick Leister | Mr. Mowbray | |
| Gordon Jackson | Lt. Lennox | |
| Gladys Henson | Mrs. Horsfall | |
| Guy Middleton | Capt. Jim Mason | |
| Karel Stepanek | Forster |
Production and Technical Credits
| Basil Dearden | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.