Carbon Copy (1981)
| Theatrical Performance | ||
| Domestic Box Office | $8,400,000 | Details |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $32,902 | |
| Total | $32,902 | |
| OpusData ID: 39730100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,451,286 (17.3% of total gross) |
| Legs: | 5.79 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 450 opening theaters/450 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,174,092 |
Movie Details
| Domestic Releases: | September 25th, 1981 (Wide) by Avco Embassy |
| Video Release: | May 15th, 2018 by Shout Factory |
| MPA Rating: | PG |
| Running Time: | 92 minutes |
| Plot point: | African Americans, Bigotry, Dysfunctional Family, Infidelity, Interracial Child, Jewish, Riches to Rags |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | First City Film |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1981 | 8 | $1,451,286 | 450 | $3,225 | $1,451,286 | 1 | |
| Oct 2, 1981 | 9 | $1,100,000 | -24% | 268 | $4,104 | $2,843,791 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1981 | 9 | $1,743,791 | 450 | $3,875 | $1,743,791 | 1 |
Leading
| George Segal | Walter Whitney | |
| Denzel Washington | Roger Porter |
Supporting
| Jack Warden | Nelson Longhurst | |
| Susan Saint James | ||
| Dick Martin |
Production and Technical Credits
| Michael Schultz | Director | |
| Stanley Shapiro | Screenwriter | |
| Carter Dehaven | Producer | |
| Stanley Shapiro | Producer | |
| John Daly | Executive Producer | |
| Bill Conti | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,451,286 (17.3% of total gross) |
| Legs: | 5.79 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 450 opening theaters/450 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $34,174,092 |
Movie Details
| Domestic Releases: | September 25th, 1981 (Wide) by Avco Embassy |
| Video Release: | May 15th, 2018 by Shout Factory |
| MPA Rating: | PG |
| Running Time: | 92 minutes |
| Plot point: | African Americans, Bigotry, Dysfunctional Family, Infidelity, Interracial Child, Jewish, Riches to Rags |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | First City Film |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1981 | 8 | $1,451,286 | 450 | $3,225 | $1,451,286 | 1 | |
| Oct 2, 1981 | 9 | $1,100,000 | -24% | 268 | $4,104 | $2,843,791 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 25, 1981 | 9 | $1,743,791 | 450 | $3,875 | $1,743,791 | 1 |
Leading
| George Segal | Walter Whitney | |
| Denzel Washington | Roger Porter |
Supporting
| Jack Warden | Nelson Longhurst | |
| Susan Saint James | ||
| Dick Martin |
Production and Technical Credits
| Michael Schultz | Director | |
| Stanley Shapiro | Screenwriter | |
| Carter Dehaven | Producer | |
| Stanley Shapiro | Producer | |
| John Daly | Executive Producer | |
| Bill Conti | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.