Carmine Street Guitars (2019)

Carmine Street Guitars
Theatrical Performance
Domestic Box Office $44,253Details
Further financial details...

Synopsis

Once the center of the New York bohemia, Greenwich Village is now home to lux restaurants and buzzer-door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars. There, custom guitar-maker Rick Kelly and his young apprentice Cindy Hulej build handcrafted guitars out of reclaimed wood from old hotels, bars, churches, and other local buildings. Nothing looks or sounds quite like a Rick Kelly guitar, which is the reason they are embraced by the likes of Bob Dylan, Lou Reed, Patti Smith, and Jim Jarmusch, just to name a few.

Metrics

Opening Weekend:$6,090 (13.8% of total gross)
Legs:7.27 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/5 max. theaters, 4.2 weeks average run per theater
Infl. Adj. Dom. BO $52,078

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 14,101-14,200) 14,167 $44,253
All Time Worldwide Box Office (Rank 27,401-27,500) 27,440 $44,253
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,801-5,900) 5,842 $44,253

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: April 24th, 2019 (Limited) by Abramorama Films
MPAA Rating: Not Rated
Running Time: 80 minutes
Comparisons: Create your own comparison chart…
Keywords: Set in New York City, Musicians, Artists, Artisans vs. Automation
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: The Movie Network, The Match Factory, Sphinx Productions, Bell Media, Telefilm Canada, The Rogers Group of Funds, Ontario Media Development Corporation, Canadian Film or Video Production Tax Credit
Production Countries: Canada
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 26, 2019 63 $6,090   1 $6,090   $6,090 1
May 3, 2019 64 $5,346 -12% 2 $2,673   $17,739 2
May 10, 2019 62 $5,516 +3% 4 $1,379   $26,073 3
May 17, 2019 66 $3,363 -39% 5 $673   $32,805 4
May 24, 2019 67 $5,968 +77% 5 $1,194   $40,711 5
May 31, 2019 78 $1,263 -79% 2 $632   $42,730 6
Jun 7, 2019 80 $848 -33% 2 $424   $44,037 7

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 26, 2019 63 $9,258   1 $9,258   $12,393 2
May 3, 2019 66 $8,164 -12% 2 $4,082   $20,557 3
May 10, 2019 63 $8,885 +9% 4 $2,221   $29,442 4
May 17, 2019 70 $5,301 -40% 5 $1,060   $34,743 5
May 24, 2019 74 $6,724 +27% 5 $1,345   $41,467 6
May 31, 2019 84 $1,722 -74% 2 $861   $43,189 7
Jun 7, 2019 - $1,064 -38% 2 $532   $44,253 8

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Rick Kelly    Himself
Cindy Hulej    Herself
Dorothy Kelly    Herself
Eszter Balint    Herself
Christine Bougie    Herself
Nels Cline    Himself
Kirk Douglas    Himself
Eleanor Friedberger    Herself
Bill Frisell    Himself
Dallas Good    Himself
Travis Good    Himself
Dave Hill    Himself
Jaime Hince    Himself
Stewart Hurwood    Himself
Lenny Kaye    Himself
Marc Ribot    Himself
Charlie Sexton    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ron Mann    Director
Ron Mann    Producer
Len Blum    Screenwriter
Robert Kennedy    Editor
Ted Rosnick    Sound Designer
Michael Guggino    Sound Recordist
John M Tran    Director of Photography
Becky Parsons    Director of Photography
Carter Logan    Executive Producer
Michael Hirsh    Executive Producer

Theater Averages: The $10,000 Club Doesn’t End with Endgame

May 2nd, 2019

Avengers: Endgame

Avengers: Endgame led the way on the theater average chart with an average of $76,601. This is not only the best theater average of the week, it is the best theater average of the year, doubling the previous best of $35,599 set by Captain Marvel. It is also the best theater average of all time for a wide release, beating The Force Awakens’ old mark of $59,982. Impressively, it wasn’t the only film in the $10,000 club this weekend. The White Crow was in a distant second place with an average of $15,756 in five theaters, but that’s still something to be proud of. More...

Limited and VOD Releases: End of the Road for Limited Releases

April 26th, 2019

JT LeRoy

It is a rough week for limited releases, as Avengers: Endgame is scaring away all of the competition. The biggest release of the week is JT LeRoy, but its reviews strongly suggest it will do better on VOD than in theaters. There are some films on this week’s list that earned stellar reviews, like Okko’s Inn, Carmine Street Guitars, etc., but none of them have the buzz to be major hits. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Once the center of the New York bohemia, Greenwich Village is now home to lux restaurants and buzzer-door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars. There, custom guitar-maker Rick Kelly and his young apprentice Cindy Hulej build handcrafted guitars out of reclaimed wood from old hotels, bars, churches, and other local buildings. Nothing looks or sounds quite like a Rick Kelly guitar, which is the reason they are embraced by the likes of Bob Dylan, Lou Reed, Patti Smith, and Jim Jarmusch, just to name a few.

Metrics

Opening Weekend:$6,090 (13.8% of total gross)
Legs:7.27 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/5 max. theaters, 4.2 weeks average run per theater
Infl. Adj. Dom. BO $52,078

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 14,101-14,200) 14,167 $44,253
All Time Worldwide Box Office (Rank 27,401-27,500) 27,440 $44,253
All Time Domestic Highest Grossing Limited Release Movies (Rank 5,801-5,900) 5,842 $44,253

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: April 24th, 2019 (Limited) by Abramorama Films
MPAA Rating: Not Rated
Running Time: 80 minutes
Comparisons: Create your own comparison chart…
Keywords: Set in New York City, Musicians, Artists, Artisans vs. Automation
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: The Movie Network, The Match Factory, Sphinx Productions, Bell Media, Telefilm Canada, The Rogers Group of Funds, Ontario Media Development Corporation, Canadian Film or Video Production Tax Credit
Production Countries: Canada
Languages: English

Interviewee(s)

Rick Kelly    Himself
Cindy Hulej    Herself
Dorothy Kelly    Herself
Eszter Balint    Herself
Christine Bougie    Herself
Nels Cline    Himself
Kirk Douglas    Himself
Eleanor Friedberger    Herself
Bill Frisell    Himself
Dallas Good    Himself
Travis Good    Himself
Dave Hill    Himself
Jaime Hince    Himself
Stewart Hurwood    Himself
Lenny Kaye    Himself
Marc Ribot    Himself
Charlie Sexton    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ron Mann    Director
Ron Mann    Producer
Len Blum    Screenwriter
Robert Kennedy    Editor
Ted Rosnick    Sound Designer
Michael Guggino    Sound Recordist
John M Tran    Director of Photography
Becky Parsons    Director of Photography
Carter Logan    Executive Producer
Michael Hirsh    Executive Producer

Theater Averages: The $10,000 Club Doesn’t End with Endgame

May 2nd, 2019

Avengers: Endgame

Avengers: Endgame led the way on the theater average chart with an average of $76,601. This is not only the best theater average of the week, it is the best theater average of the year, doubling the previous best of $35,599 set by Captain Marvel. It is also the best theater average of all time for a wide release, beating The Force Awakens’ old mark of $59,982. Impressively, it wasn’t the only film in the $10,000 club this weekend. The White Crow was in a distant second place with an average of $15,756 in five theaters, but that’s still something to be proud of. More...

Limited and VOD Releases: End of the Road for Limited Releases

April 26th, 2019

JT LeRoy

It is a rough week for limited releases, as Avengers: Endgame is scaring away all of the competition. The biggest release of the week is JT LeRoy, but its reviews strongly suggest it will do better on VOD than in theaters. There are some films on this week’s list that earned stellar reviews, like Okko’s Inn, Carmine Street Guitars, etc., but none of them have the buzz to be major hits. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 26, 2019 63 $6,090   1 $6,090   $6,090 1
May 3, 2019 64 $5,346 -12% 2 $2,673   $17,739 2
May 10, 2019 62 $5,516 +3% 4 $1,379   $26,073 3
May 17, 2019 66 $3,363 -39% 5 $673   $32,805 4
May 24, 2019 67 $5,968 +77% 5 $1,194   $40,711 5
May 31, 2019 78 $1,263 -79% 2 $632   $42,730 6
Jun 7, 2019 80 $848 -33% 2 $424   $44,037 7

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Apr 26, 2019 63 $9,258   1 $9,258   $12,393 2
May 3, 2019 66 $8,164 -12% 2 $4,082   $20,557 3
May 10, 2019 63 $8,885 +9% 4 $2,221   $29,442 4
May 17, 2019 70 $5,301 -40% 5 $1,060   $34,743 5
May 24, 2019 74 $6,724 +27% 5 $1,345   $41,467 6
May 31, 2019 84 $1,722 -74% 2 $861   $43,189 7
Jun 7, 2019 - $1,064 -38% 2 $532   $44,253 8

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.