The Carpenter’s Son (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $141,193 | Details |
| International Box Office | $5,204 | Details |
| Worldwide Box Office | $146,397 | |
| OpusData ID: 763930100 More info... | ||
| Further financial details... | ||
Synopsis
A remote village in Roman-era Egypt explodes into spiritual warfare when a carpenter, his wife and their child are targeted by supernatural forces in The Carpenter’s Son. Joseph, Mary and their teenage son Jesus have lived for years under threat, clinging to their faith and traditions. But a stopover in a small settlement unleashes growing chaos when a mysterious stranger tries to entice young Jesus to abandon his devout father’s rules. With every pull of temptation, the boy is lured into a forbidden world, as a terrified Joseph realizes that a demonic power is at work. Violent, unnatural events inexplicably follow Jesus, and he begins to experience nightmarish visions of the future. Finally, he learns the fearsome truth about his new playmate, as well as the child’s real name: Satan.
Metrics
| Opening Weekend: | $96,081 (68.0% of total gross) |
| Legs: | 1.47 (domestic box office/biggest weekend) |
| Domestic Share: | 96.4% (domestic box office/worldwide) |
| Theater counts: | 549 opening theaters/549 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,193 |
Movie Details
| Domestic Releases: | November 14th, 2025 (Limited) by Magnolia Pictures |
| International Releases: | November 13th, 2025 (Limited), released as Sombras no deserto (Brazil)
November 20th, 2025 (Limited) (New Zealand) November 21st, 2025 (Limited) (United Kingdom) December 11th, 2025 (Limited) (Australia) December 11th, 2025 (Limited) (Mexico) ... Show all releases |
| MPA Rating: | R for strong/bloody violent content, and brief nudity. (Rating bulletin 2902 (cert #55671), 9/10/2025) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Unnamed Character, Voiceover/Narration |
| Geographical setting: | Egypt |
| Plot point: | Faith Healer, Religious, Witches |
| Subgenre: | Supernatural Horror |
| Time period setting: | Ancient Rome |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Magnolia Pictures, Spacemaker Productions, Cinenovo Productions, Anonymous Content, Curious Gremlin, Saturn Films, Goodfellas Pictures, Le Pacte |
| Production Countries: | United Kingdom, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2025 | - | $96,081 | 549 | $175 | $96,081 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2025 | 28 | $141,193 | 549 | $257 | $141,193 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/11/2025 | $647 | 9 | 9 | 0 | $647 | 4/4/2026 | |||
| New Zealand | 11/20/2025 | $550 | 5 | 5 | 0 | $550 | 4/4/2026 | |||
| Portugal | 2/26/2026 | $2,135 | 6 | 6 | 0 | $2,135 | 4/4/2026 | |||
| United Kingdom | 11/21/2025 | $1,872 | 34 | 34 | 34 | $1,872 | 4/4/2026 | |||
| International Total | $5,204 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicolas Cage | The Carpenter | |
| Noah Jupe | The Boy | |
| FKA Twigs | The Mother |
Supporting
| Isla Johnston | The Stranger | |
| Souheila Yacoub | Lilith |
Production and Technical Credits
| Lotfy Nathan | Director | |
| Lotfy Nathan | Screenwriter | |
| Julie Viez | Producer | |
| Alex Hughes | Producer | |
| Riccardo Maddalosso | Producer | |
| Nicolas Cage | Producer | |
| Eugene Kotlyarenko | Producer | |
| David Levine | Executive Producer | |
| Nick Shumaker | Executive Producer | |
| Alihan Yalcindag | Executive Producer | |
| Sinan Eczacibasi | Executive Producer | |
| Scott Aharoni | Executive Producer | |
| Noëmie Devide | Executive Producer | |
| Theo Vieljeux | Executive Producer | |
| Jennifer Venditti | Executive Producer | |
| Maxime Herve | Executive Producer | |
| Iannis Iakovides | Executive Producer | |
| Jackie Bernon | Executive Producer | |
| Harry Finkel | Executive Producer | |
| Lotfy Nathan | Executive Producer | |
| Benoit Roland | Co-Producer | |
| Alexandra Boussiou | Co-Producer | |
| Simon Beaufils | Director of Photography | |
| Jean-Vincent Puzos | Production Designer | |
| Liza K. Amorphokyria | Costume Designer | |
| Sophie Corra | Editor | |
| Guillaume Fusil | Editor | |
| Lorenz Dangel | Composer | |
| Peter Hinderthur | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A remote village in Roman-era Egypt explodes into spiritual warfare when a carpenter, his wife and their child are targeted by supernatural forces in The Carpenter’s Son. Joseph, Mary and their teenage son Jesus have lived for years under threat, clinging to their faith and traditions. But a stopover in a small settlement unleashes growing chaos when a mysterious stranger tries to entice young Jesus to abandon his devout father’s rules. With every pull of temptation, the boy is lured into a forbidden world, as a terrified Joseph realizes that a demonic power is at work. Violent, unnatural events inexplicably follow Jesus, and he begins to experience nightmarish visions of the future. Finally, he learns the fearsome truth about his new playmate, as well as the child’s real name: Satan.
Metrics
| Opening Weekend: | $96,081 (68.0% of total gross) |
| Legs: | 1.47 (domestic box office/biggest weekend) |
| Domestic Share: | 96.4% (domestic box office/worldwide) |
| Theater counts: | 549 opening theaters/549 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $141,193 |
Movie Details
| Domestic Releases: | November 14th, 2025 (Limited) by Magnolia Pictures |
| International Releases: | November 13th, 2025 (Limited), released as Sombras no deserto (Brazil)
November 20th, 2025 (Limited) (New Zealand) November 21st, 2025 (Limited) (United Kingdom) December 11th, 2025 (Limited) (Australia) December 11th, 2025 (Limited) (Mexico) ... Show all releases |
| MPA Rating: | R for strong/bloody violent content, and brief nudity. (Rating bulletin 2902 (cert #55671), 9/10/2025) |
| Running Time: | 94 minutes |
| Cast, crew, or production detail: | Unnamed Character, Voiceover/Narration |
| Geographical setting: | Egypt |
| Plot point: | Faith Healer, Religious, Witches |
| Subgenre: | Supernatural Horror |
| Time period setting: | Ancient Rome |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Magnolia Pictures, Spacemaker Productions, Cinenovo Productions, Anonymous Content, Curious Gremlin, Saturn Films, Goodfellas Pictures, Le Pacte |
| Production Countries: | United Kingdom, France |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2025 | - | $96,081 | 549 | $175 | $96,081 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 14, 2025 | 28 | $141,193 | 549 | $257 | $141,193 | 1 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/11/2025 | $647 | 9 | 9 | 0 | $647 | 4/4/2026 | |||
| New Zealand | 11/20/2025 | $550 | 5 | 5 | 0 | $550 | 4/4/2026 | |||
| Portugal | 2/26/2026 | $2,135 | 6 | 6 | 0 | $2,135 | 4/4/2026 | |||
| United Kingdom | 11/21/2025 | $1,872 | 34 | 34 | 34 | $1,872 | 4/4/2026 | |||
| International Total | $5,204 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicolas Cage | The Carpenter | |
| Noah Jupe | The Boy | |
| FKA Twigs | The Mother |
Supporting
| Isla Johnston | The Stranger | |
| Souheila Yacoub | Lilith |
Production and Technical Credits
| Lotfy Nathan | Director | |
| Lotfy Nathan | Screenwriter | |
| Julie Viez | Producer | |
| Alex Hughes | Producer | |
| Riccardo Maddalosso | Producer | |
| Nicolas Cage | Producer | |
| Eugene Kotlyarenko | Producer | |
| David Levine | Executive Producer | |
| Nick Shumaker | Executive Producer | |
| Alihan Yalcindag | Executive Producer | |
| Sinan Eczacibasi | Executive Producer | |
| Scott Aharoni | Executive Producer | |
| Noëmie Devide | Executive Producer | |
| Theo Vieljeux | Executive Producer | |
| Jennifer Venditti | Executive Producer | |
| Maxime Herve | Executive Producer | |
| Iannis Iakovides | Executive Producer | |
| Jackie Bernon | Executive Producer | |
| Harry Finkel | Executive Producer | |
| Lotfy Nathan | Executive Producer | |
| Benoit Roland | Co-Producer | |
| Alexandra Boussiou | Co-Producer | |
| Simon Beaufils | Director of Photography | |
| Jean-Vincent Puzos | Production Designer | |
| Liza K. Amorphokyria | Costume Designer | |
| Sophie Corra | Editor | |
| Guillaume Fusil | Editor | |
| Lorenz Dangel | Composer | |
| Peter Hinderthur | Additional Music |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.