Carving a Life (2017)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 307380100 More info... | ||
| Further financial details... | ||
Synopsis
A vivid insight into the undaunting world of love, marriage, and second chances. The story follows the life of Mitch, a 25-year-old wood carving artist, who falls for Lauren, an elementary school teacher. Their newlywed bliss takes a quick downward turn when Lauren discovers she’s pregnant and Mitch struggles with haunting memories, addiction, and health issues.
Metrics
Movie Details
| Domestic Releases: | October 13th, 2017 (Limited) by Self Distributed |
| Video Release: | January 16th, 2018 by Indie Rights |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Plot point: | Addiction, Artists, Dysfunctional Family, Rehab / Former Addict, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Life in Reels Productions |
| Production Countries: | United States |
| Languages: | English |
Leading
| Tyler Bruhn | Mitch | |
| Karenssa LeGear | Lauren |
Supporting
| Sandi Todorovic | Eric | |
| Aaron Landon Bornstein | Stephen | |
| Lisa Winans | Rebecca | |
| Navid Negahban | Dr. Kasem | |
| Tiffany Espensen | Veronica | |
| Christy Linden | Mary | |
| Kathleen Holt | Nurse Mary | |
| Marla Bingham | Rehab Counselor |
Production and Technical Credits
| Terry Ross | Director | |
| Oscar Velasquez | Cinematographer | |
| Peter K. Flynn | Sound Designer | |
| Faelynn Paterson | Art Director | |
| Edna Alejandra Longoria | Composer | |
| Janna Resnik | Editor | |
| Jackie Bainto | Editor | |
| Lisa Bruhn | Screenwriter | |
| Lisa Bruhn | Executive Producer | |
| Gabe Pan | Assistant Director | |
| Evette Betancourt | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A vivid insight into the undaunting world of love, marriage, and second chances. The story follows the life of Mitch, a 25-year-old wood carving artist, who falls for Lauren, an elementary school teacher. Their newlywed bliss takes a quick downward turn when Lauren discovers she’s pregnant and Mitch struggles with haunting memories, addiction, and health issues.
Metrics
Movie Details
| Domestic Releases: | October 13th, 2017 (Limited) by Self Distributed |
| Video Release: | January 16th, 2018 by Indie Rights |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Plot point: | Addiction, Artists, Dysfunctional Family, Rehab / Former Addict, Romance |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Life in Reels Productions |
| Production Countries: | United States |
| Languages: | English |
Leading
| Tyler Bruhn | Mitch | |
| Karenssa LeGear | Lauren |
Supporting
| Sandi Todorovic | Eric | |
| Aaron Landon Bornstein | Stephen | |
| Lisa Winans | Rebecca | |
| Navid Negahban | Dr. Kasem | |
| Tiffany Espensen | Veronica | |
| Christy Linden | Mary | |
| Kathleen Holt | Nurse Mary | |
| Marla Bingham | Rehab Counselor |
Production and Technical Credits
| Terry Ross | Director | |
| Oscar Velasquez | Cinematographer | |
| Peter K. Flynn | Sound Designer | |
| Faelynn Paterson | Art Director | |
| Edna Alejandra Longoria | Composer | |
| Janna Resnik | Editor | |
| Jackie Bainto | Editor | |
| Lisa Bruhn | Screenwriter | |
| Lisa Bruhn | Executive Producer | |
| Gabe Pan | Assistant Director | |
| Evette Betancourt | Line Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.