Cat Person (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $55,548 | Details |
| International Box Office | $354,776 | Details |
| Worldwide Box Office | $410,324 | |
| OpusData ID: 507640100 More info... | ||
| Further financial details... | ||
Synopsis
When Margot, a college sophomore goes on a date with the older Robert, she finds that the real life Robert doesn’t live up to the Robert she has been flirting with via texting.
Metrics
| Opening Weekend: | $9,562 (17.2% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 13.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/26 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $60,733 |
Movie Details
| Domestic Releases: | October 6th, 2023 (Limited) by Rialto Pictures |
| International Releases: | October 20th, 2023 (Limited) (South Africa)
October 26th, 2023 (Limited), released as Cat Person (Кошки-мышки) (Russia (CIS)) October 27th, 2023 (Wide) (United Kingdom) October 30th, 2023 (Limited) (United Kingdom) November 2nd, 2023 (Limited) (New Zealand) ... Show all releases |
| Video Release: | February 9th, 2024 by Hulu |
| MPA Rating: | R for sexual content, violence and language. (Rating bulletin 2816 (cert #54801), 1/10/2024) |
| Running Time: | 119 minutes |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Imperative Entertainment, 30 West |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2023 | - | $9,562 | 4 | $2,391 | $9,562 | 1 | |
| Oct 13, 2023 | - | $20,183 | +111% | 26 | $776 | $33,238 | 2 |
| Oct 20, 2023 | - | $7,597 | -62% | 11 | $691 | $50,652 | 3 |
| Oct 27, 2023 | - | $727 | -90% | 3 | $242 | $51,839 | 4 |
| Nov 3, 2023 | - | $776 | +7% | 3 | $259 | $53,071 | 5 |
| Nov 10, 2023 | - | $203 | -74% | 2 | $102 | $53,419 | 6 |
| Nov 17, 2023 | - | $1,246 | +514% | 3 | $415 | $55,134 | 7 |
| Nov 24, 2023 | - | $1,660 | +33% | 3 | $553 | $55,548 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2023 | 40 | $13,055 | 4 | $3,264 | $13,055 | 1 | |
| Oct 13, 2023 | 37 | $30,000 | +130% | 26 | $1,154 | $43,055 | 2 |
| Oct 20, 2023 | 43 | $8,057 | -73% | 16 | $504 | $51,112 | 3 |
| Oct 27, 2023 | 55 | $1,183 | -85% | 4 | $296 | $52,295 | 4 |
| Nov 3, 2023 | 55 | $921 | -22% | 4 | $230 | $53,216 | 5 |
| Nov 10, 2023 | 52 | $672 | -27% | 3 | $224 | $53,888 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/23/2023 | $13,176 | 50 | 50 | 85 | $27,225 | 1/8/2024 | |||
| Croatia | 4/11/2024 | $5,408 | 24 | 24 | 42 | $13,021 | 4/26/2024 | |||
| New Zealand | 11/2/2023 | $3,594 | 25 | 26 | 58 | $7,436 | 11/26/2023 | |||
| Russia (CIS) | 10/26/2023 | $56,995 | 399 | 399 | 669 | $106,091 | 11/8/2023 | |||
| South Korea | 6/19/2024 | $11,844 | 102 | 102 | 102 | $45,210 | 6/26/2024 | |||
| United Kingdom | 10/27/2023 | $96,870 | 178 | 178 | 178 | $155,793 | 11/7/2023 | |||
| International Total | $354,776 | 6/26/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Braun | ||
| Emilia Jones |
Supporting
| Geraldine Viswanathan | ||
| Hope Davis | ||
| Isabella Rossellini | ||
| Liza Koshy | ||
| Isaac Powell |
Production and Technical Credits
| Susanna Fogel | Director | |
| Michelle Ashford | Screenwriter | |
| Kristen Roupenian | Story by | |
| Jeremy Steckler | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Margot, a college sophomore goes on a date with the older Robert, she finds that the real life Robert doesn’t live up to the Robert she has been flirting with via texting.
Metrics
| Opening Weekend: | $9,562 (17.2% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 13.5% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/26 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $60,733 |
Movie Details
| Domestic Releases: | October 6th, 2023 (Limited) by Rialto Pictures |
| International Releases: | October 20th, 2023 (Limited) (South Africa)
October 26th, 2023 (Limited), released as Cat Person (Кошки-мышки) (Russia (CIS)) October 27th, 2023 (Wide) (United Kingdom) October 30th, 2023 (Limited) (United Kingdom) November 2nd, 2023 (Limited) (New Zealand) ... Show all releases |
| Video Release: | February 9th, 2024 by Hulu |
| MPA Rating: | R for sexual content, violence and language. (Rating bulletin 2816 (cert #54801), 1/10/2024) |
| Running Time: | 119 minutes |
| Subgenre: | Psychological Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Imperative Entertainment, 30 West |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2023 | - | $9,562 | 4 | $2,391 | $9,562 | 1 | |
| Oct 13, 2023 | - | $20,183 | +111% | 26 | $776 | $33,238 | 2 |
| Oct 20, 2023 | - | $7,597 | -62% | 11 | $691 | $50,652 | 3 |
| Oct 27, 2023 | - | $727 | -90% | 3 | $242 | $51,839 | 4 |
| Nov 3, 2023 | - | $776 | +7% | 3 | $259 | $53,071 | 5 |
| Nov 10, 2023 | - | $203 | -74% | 2 | $102 | $53,419 | 6 |
| Nov 17, 2023 | - | $1,246 | +514% | 3 | $415 | $55,134 | 7 |
| Nov 24, 2023 | - | $1,660 | +33% | 3 | $553 | $55,548 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2023 | 40 | $13,055 | 4 | $3,264 | $13,055 | 1 | |
| Oct 13, 2023 | 37 | $30,000 | +130% | 26 | $1,154 | $43,055 | 2 |
| Oct 20, 2023 | 43 | $8,057 | -73% | 16 | $504 | $51,112 | 3 |
| Oct 27, 2023 | 55 | $1,183 | -85% | 4 | $296 | $52,295 | 4 |
| Nov 3, 2023 | 55 | $921 | -22% | 4 | $230 | $53,216 | 5 |
| Nov 10, 2023 | 52 | $672 | -27% | 3 | $224 | $53,888 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/23/2023 | $13,176 | 50 | 50 | 85 | $27,225 | 1/8/2024 | |||
| Croatia | 4/11/2024 | $5,408 | 24 | 24 | 42 | $13,021 | 4/26/2024 | |||
| New Zealand | 11/2/2023 | $3,594 | 25 | 26 | 58 | $7,436 | 11/26/2023 | |||
| Russia (CIS) | 10/26/2023 | $56,995 | 399 | 399 | 669 | $106,091 | 11/8/2023 | |||
| South Korea | 6/19/2024 | $11,844 | 102 | 102 | 102 | $45,210 | 6/26/2024 | |||
| United Kingdom | 10/27/2023 | $96,870 | 178 | 178 | 178 | $155,793 | 11/7/2023 | |||
| International Total | $354,776 | 6/26/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Braun | ||
| Emilia Jones |
Supporting
| Geraldine Viswanathan | ||
| Hope Davis | ||
| Isabella Rossellini | ||
| Liza Koshy | ||
| Isaac Powell |
Production and Technical Credits
| Susanna Fogel | Director | |
| Michelle Ashford | Screenwriter | |
| Kristen Roupenian | Story by | |
| Jeremy Steckler | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.