Catch the Fair One (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $34,541 | Details |
| OpusData ID: 520220100 More info... | ||
| Further financial details... | ||
Synopsis
A Native American boxer embarks on the fight of her life when she goes in search of her missing sister.
Metrics
| Opening Weekend: | $7,992 (23.1% of total gross) |
| Legs: | 4.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/30 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,229 |
Movie Details
| Domestic Releases: | February 11th, 2022 (Limited) by IFC Films |
| International Releases: | January 26th, 2023 (Limited) (Germany) |
| Video Release: | February 11th, 2022 by IFC Video |
| Running Time: | 85 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, The Population, Protozoa Pictures, Firstgen Content, LLC, Heretical Reason Productions, Needle Eye, Memento Films International |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $7,992 | 30 | $266 | $7,992 | 1 | |
| Feb 18, 2022 | - | $8,625 | +8% | 8 | $1,078 | $22,519 | 2 |
| Feb 25, 2022 | - | $6,397 | -26% | 3 | $2,132 | $31,359 | 3 |
| Mar 4, 2022 | - | $295 | -95% | 1 | $295 | $33,674 | 4 |
| Mar 11, 2022 | - | $234 | -21% | 2 | $117 | $34,118 | 5 |
| Mar 18, 2022 | - | $210 | -10% | 2 | $105 | $34,391 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $2,195 | 30 | $73 | $2,195 | 1 | ||
| Feb 12, 2022 | - | $4,546 | +107% | 30 | $152 | $6,741 | 2 | |
| Feb 13, 2022 | - | $1,251 | -72% | 30 | $42 | $7,992 | 3 | |
| Feb 14, 2022 | - | $2,644 | +111% | 30 | $88 | $10,636 | 4 | |
| Feb 15, 2022 | - | $1,017 | -62% | 30 | $34 | $11,653 | 5 | |
| Feb 16, 2022 | - | $1,290 | +27% | 30 | $43 | $12,943 | 6 | |
| Feb 17, 2022 | - | $951 | -26% | 30 | $32 | $13,894 | 7 | |
| Feb 18, 2022 | - | $3,039 | +220% | +38% | 8 | $380 | $16,933 | 8 |
| Feb 19, 2022 | - | $3,964 | +30% | -13% | 8 | $496 | $20,897 | 9 |
| Feb 20, 2022 | - | $1,622 | -59% | +30% | 8 | $203 | $22,519 | 10 |
| Feb 21, 2022 | - | $448 | -72% | -83% | 8 | $56 | $22,967 | 11 |
| Feb 22, 2022 | - | $887 | +98% | -13% | 8 | $111 | $23,854 | 12 |
| Feb 23, 2022 | - | $223 | -75% | -83% | 8 | $28 | $24,077 | 13 |
| Feb 24, 2022 | - | $876 | +293% | -8% | 8 | $110 | $24,962 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $13,894 | 30 | $463 | $13,894 | 1 | |
| Feb 18, 2022 | - | $11,068 | -20% | 8 | $1,384 | $24,962 | 2 |
| Feb 25, 2022 | - | $8,417 | -24% | 3 | $2,806 | $33,379 | 3 |
| Mar 4, 2022 | - | $505 | -94% | 1 | $505 | $33,884 | 4 |
| Mar 11, 2022 | - | $297 | -41% | 2 | $149 | $34,181 | 5 |
| Mar 18, 2022 | - | $369 | +24% | 2 | $185 | $34,541 | 6 |
Leading
| Kali Reis | Kaylee |
Supporting
| Daniel Henshall | Bobby | |
| Tiffany Chu | Linda | |
| Michael Drayer | Danny | |
| Kimberly Norris Guerrero | Jaya | |
| Lisa Emery | Debra | |
| Kevin Dunn | Willie | |
| Jonathan Kowalsky | Stan | |
| Isabelle Chester | Lisa | |
| Gerald Webb | Gary |
Production and Technical Credits
| Josef Wladyka | Director | |
| Josef Wladyka | Screenwriter | |
| Josef Wladyka | Story by | |
| Kali Reis | Story by | |
| Mollye Asher | Producer | |
| Kimberly Parker | Producer | |
| Josef Wladyka | Producer | |
| Darren Aronofsky | Executive Producer | |
| Mynette Louie | Executive Producer | |
| Derek Nguyen | Executive Producer | |
| Ari Handel | Executive Producer | |
| Cat Hobbs | Executive Producer | |
| James M. Hausler | Executive Producer | |
| Charles Stiefel | Executive Producer | |
| Todd Stiefel | Executive Producer | |
| Michael D’Alto | Executive Producer | |
| Chris Triana | Executive Producer | |
| Claude Amadeo | Executive Producer | |
| Shaun Sanghani | Executive Producer | |
| Sam Bisbee | Executive Producer | |
| Arturo Castro | Executive Producer | |
| Ross Giardina | Cinematographer | |
| Stacy Jansen | Costume Designer | |
| Alan Lampert | Production Designer | |
| Olivia Peebles | Production Designer | |
| Benjamin Rodriguez Jr | Editor | |
| Nathan Halpern | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A Native American boxer embarks on the fight of her life when she goes in search of her missing sister.
Metrics
| Opening Weekend: | $7,992 (23.1% of total gross) |
| Legs: | 4.00 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 30 opening theaters/30 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $39,229 |
Movie Details
| Domestic Releases: | February 11th, 2022 (Limited) by IFC Films |
| International Releases: | January 26th, 2023 (Limited) (Germany) |
| Video Release: | February 11th, 2022 by IFC Video |
| Running Time: | 85 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, The Population, Protozoa Pictures, Firstgen Content, LLC, Heretical Reason Productions, Needle Eye, Memento Films International |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $7,992 | 30 | $266 | $7,992 | 1 | |
| Feb 18, 2022 | - | $8,625 | +8% | 8 | $1,078 | $22,519 | 2 |
| Feb 25, 2022 | - | $6,397 | -26% | 3 | $2,132 | $31,359 | 3 |
| Mar 4, 2022 | - | $295 | -95% | 1 | $295 | $33,674 | 4 |
| Mar 11, 2022 | - | $234 | -21% | 2 | $117 | $34,118 | 5 |
| Mar 18, 2022 | - | $210 | -10% | 2 | $105 | $34,391 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $2,195 | 30 | $73 | $2,195 | 1 | ||
| Feb 12, 2022 | - | $4,546 | +107% | 30 | $152 | $6,741 | 2 | |
| Feb 13, 2022 | - | $1,251 | -72% | 30 | $42 | $7,992 | 3 | |
| Feb 14, 2022 | - | $2,644 | +111% | 30 | $88 | $10,636 | 4 | |
| Feb 15, 2022 | - | $1,017 | -62% | 30 | $34 | $11,653 | 5 | |
| Feb 16, 2022 | - | $1,290 | +27% | 30 | $43 | $12,943 | 6 | |
| Feb 17, 2022 | - | $951 | -26% | 30 | $32 | $13,894 | 7 | |
| Feb 18, 2022 | - | $3,039 | +220% | +38% | 8 | $380 | $16,933 | 8 |
| Feb 19, 2022 | - | $3,964 | +30% | -13% | 8 | $496 | $20,897 | 9 |
| Feb 20, 2022 | - | $1,622 | -59% | +30% | 8 | $203 | $22,519 | 10 |
| Feb 21, 2022 | - | $448 | -72% | -83% | 8 | $56 | $22,967 | 11 |
| Feb 22, 2022 | - | $887 | +98% | -13% | 8 | $111 | $23,854 | 12 |
| Feb 23, 2022 | - | $223 | -75% | -83% | 8 | $28 | $24,077 | 13 |
| Feb 24, 2022 | - | $876 | +293% | -8% | 8 | $110 | $24,962 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 11, 2022 | - | $13,894 | 30 | $463 | $13,894 | 1 | |
| Feb 18, 2022 | - | $11,068 | -20% | 8 | $1,384 | $24,962 | 2 |
| Feb 25, 2022 | - | $8,417 | -24% | 3 | $2,806 | $33,379 | 3 |
| Mar 4, 2022 | - | $505 | -94% | 1 | $505 | $33,884 | 4 |
| Mar 11, 2022 | - | $297 | -41% | 2 | $149 | $34,181 | 5 |
| Mar 18, 2022 | - | $369 | +24% | 2 | $185 | $34,541 | 6 |
Leading
| Kali Reis | Kaylee |
Supporting
| Daniel Henshall | Bobby | |
| Tiffany Chu | Linda | |
| Michael Drayer | Danny | |
| Kimberly Norris Guerrero | Jaya | |
| Lisa Emery | Debra | |
| Kevin Dunn | Willie | |
| Jonathan Kowalsky | Stan | |
| Isabelle Chester | Lisa | |
| Gerald Webb | Gary |
Production and Technical Credits
| Josef Wladyka | Director | |
| Josef Wladyka | Screenwriter | |
| Josef Wladyka | Story by | |
| Kali Reis | Story by | |
| Mollye Asher | Producer | |
| Kimberly Parker | Producer | |
| Josef Wladyka | Producer | |
| Darren Aronofsky | Executive Producer | |
| Mynette Louie | Executive Producer | |
| Derek Nguyen | Executive Producer | |
| Ari Handel | Executive Producer | |
| Cat Hobbs | Executive Producer | |
| James M. Hausler | Executive Producer | |
| Charles Stiefel | Executive Producer | |
| Todd Stiefel | Executive Producer | |
| Michael D’Alto | Executive Producer | |
| Chris Triana | Executive Producer | |
| Claude Amadeo | Executive Producer | |
| Shaun Sanghani | Executive Producer | |
| Sam Bisbee | Executive Producer | |
| Arturo Castro | Executive Producer | |
| Ross Giardina | Cinematographer | |
| Stacy Jansen | Costume Designer | |
| Alan Lampert | Production Designer | |
| Olivia Peebles | Production Designer | |
| Benjamin Rodriguez Jr | Editor | |
| Nathan Halpern | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.