The Caveman's Valentine (2001)
| Theatrical Performance | ||
| Domestic Box Office | $687,081 | Details |
| International Box Office | $205,425 | |
| Worldwide Box Office | $892,506 | |
| OpusData ID: 64730100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $112,041 (16.3% of total gross) |
| Legs: | 3.62 (domestic box office/biggest weekend) |
| Domestic Share: | 77.0% (domestic box office/worldwide) |
| Production Budget: | $13,500,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 16 opening theaters/59 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,451,848 |
Movie Details
| Domestic Releases: | March 2nd, 2001 (Wide) by Focus Features |
| MPA Rating: | R for language, some violence and sexuality. |
| Running Time: | 105 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Jersey Shore |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2001 | 42 | $112,041 | 16 | $7,003 | $112,041 | 1 | |
| Mar 9, 2001 | 35 | $189,863 | +69% | 59 | $3,218 | $337,212 | 2 |
| Mar 16, 2001 | 45 | $89,916 | -53% | 58 | $1,550 | $481,138 | 3 |
| Mar 23, 2001 | 64 | $30,139 | -66% | 25 | $1,206 | $544,178 | 4 |
| Mar 30, 2001 | 47 | $47,125 | +56% | 26 | $1,813 | $601,937 | 5 |
| Apr 6, 2001 | 69 | $11,969 | -75% | 24 | $499 | $628,706 | 6 |
| Apr 13, 2001 | 68 | $11,172 | -7% | 31 | $360 | $644,986 | 7 |
| Apr 20, 2001 | 69 | $15,011 | +34% | 47 | $319 | $665,495 | 8 |
| Apr 27, 2001 | 96 | $3,366 | -78% | 17 | $198 | $675,364 | 9 |
| May 4, 2001 | 88 | $2,377 | -29% | 8 | $297 | $679,191 | 10 |
| May 11, 2001 | 107 | $1,958 | -18% | 8 | $245 | $682,213 | 11 |
| May 18, 2001 | 111 | $680 | -65% | 3 | $227 | $683,413 | 12 |
| May 25, 2001 | 103 | $1,565 | +130% | 5 | $313 | $685,323 | 13 |
| Jun 1, 2001 | 91 | $492 | -69% | 2 | $246 | $686,681 | 14 |
| Jun 8, 2001 | 110 | $211 | -57% | 1 | $211 | $687,081 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2001 | 42 | $147,349 | 16 | $9,209 | $147,349 | 1 | |
| Mar 9, 2001 | 36 | $243,873 | +66% | 59 | $4,133 | $391,222 | 2 |
| Mar 16, 2001 | 45 | $122,817 | -50% | 58 | $2,118 | $514,039 | 3 |
| Mar 23, 2001 | 63 | $40,773 | -67% | 25 | $1,631 | $554,812 | 4 |
| Mar 30, 2001 | 47 | $61,925 | +52% | 26 | $2,382 | $616,737 | 5 |
| Apr 6, 2001 | 67 | $17,077 | -72% | 24 | $712 | $633,814 | 6 |
| Apr 13, 2001 | 66 | $16,670 | -2% | 31 | $538 | $650,484 | 7 |
| Apr 20, 2001 | 66 | $21,514 | +29% | 47 | $458 | $671,998 | 8 |
| Apr 27, 2001 | 89 | $4,816 | -78% | 17 | $283 | $676,814 | 9 |
| May 4, 2001 | 87 | $3,441 | -29% | 8 | $430 | $680,255 | 10 |
| May 11, 2001 | 106 | $2,478 | -28% | 8 | $310 | $682,733 | 11 |
| May 18, 2001 | 100 | $1,025 | -59% | 3 | $342 | $683,758 | 12 |
| May 25, 2001 | 94 | $2,431 | +137% | 5 | $486 | $686,189 | 13 |
| Jun 1, 2001 | 92 | $681 | -72% | 2 | $341 | $686,870 | 14 |
| Jun 8, 2001 | 96 | $211 | -69% | 1 | $211 | $687,081 | 15 |
Leading
| Samuel L. Jackson | Romulus Ledbetter |
Supporting
| Ann Magnuson | Moira | |
| Aunjanue Ellis | Lulu | |
| Tamara Tunie | Sheila | |
| Anthony Michael Hall | Bob | |
| Colm Feore | David Leppenraub | |
| Rodney Eastman | Matthew | |
| Jay Rodan | Joey / No Face | |
| Damir Andrei | Arnold | |
| Peter MacNeill | Cork | |
| Kate McNeil | Betty | |
| Leonard L. Thomas | Shaker / Greater No Face | |
| Joris Jorsky | Boy Toy / Andy | |
| Pierre Alcide | Toupee | |
| Richard Fitzpatrick | Walter | |
| Sean MacMahon | Scotty | |
| Vija Brigita Grosgalvis | Penny | |
| Phillip Jarrett | Chroe | |
| Cecil Phillips | Manuel | |
| Henry Stram | Social Worker | |
| Carla Collins | First Reporter | |
| Deborah Lobban | Librarian | |
| Erik Laray Harvey* | Young Rom | |
| Mica Le John | Young Lulu | |
| Joanne Jang | Beauty / Cassandra | |
| Alex Karzis | Byzantine Emperor / Dan | |
| Val Boyle | Lucinda |
Production and Technical Credits
| Kasi Lemmons | Director | |
| George Dawes Green* | Screenwriter | |
| George Dawes Green* | Based on the Novel by | |
| Danny DeVito | Producer | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Scott Frank | Producer | |
| Elie Samaha | Producer | |
| Andrew Stevens | Producer | |
| Samuel L. Jackson | Executive Producer | |
| Julie Yorn | Executive Producer | |
| Eli Selden | Executive Producer | |
| Nicolas Clermont | Executive Producer | |
| Michael Bennett | Co-Producer | |
| James Holt | Co-Producer | |
| Pamela Abdy | Co-Producer | |
| Amelia Vincent | Cinematographer | |
| Robin Standefer | Production Designer | |
| Terilyn A. Shropshire | Editor | |
| Stephanie Davis | Co-Executive Producer | |
| Jonathan Weisgal | Co-Executive Producer | |
| Michael Drake | Associate Producer | |
| Tracee Stanley | Associate Producer | |
| Terence Blanchard | Composer | |
| Andrew Shea | Assistant Director | |
| Tammy Quinn | Unit Production Manager | |
| Grant Van Der Slagt | Art Director | |
| Peter Nick | Set Decorator | |
| Denise Cronenberg | Costume Designer | |
| Brenda Gilles | Costume Supervisor | |
| Glen Gauthier | Sound Mixer | |
| Michael Casper | Re-recording Mixer | |
| Lance Brown | Re-recording Mixer | |
| Jay Nierenberg | Supervising Sound Editor | |
| Bernard Weiser | Sound Editor | |
| Steven F. Nelson | Sound Editor | |
| Kim Secrist | Sound Editor | |
| Brian T. Best | Sound Editor | |
| Tim Walston | Sound Designer | |
| Kimberly Lowe-Voigt | Dialogue Editor | |
| Lori Slomka | Music Editor | |
| Sylvain Cournoyer | Makeup | |
| Vincent Sullivan | Hairstylist | |
| Zoltan Elek | Special Make-up Effects | |
| Amanda Scheer Demme | Music Supervisor | |
| Buck Damon | Music Supervisor | |
| Jaki-Brown Karman | Casting Director | |
| Branko Racki | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $112,041 (16.3% of total gross) |
| Legs: | 3.62 (domestic box office/biggest weekend) |
| Domestic Share: | 77.0% (domestic box office/worldwide) |
| Production Budget: | $13,500,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 16 opening theaters/59 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,451,848 |
Movie Details
| Domestic Releases: | March 2nd, 2001 (Wide) by Focus Features |
| MPA Rating: | R for language, some violence and sexuality. |
| Running Time: | 105 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Jersey Shore |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2001 | 42 | $112,041 | 16 | $7,003 | $112,041 | 1 | |
| Mar 9, 2001 | 35 | $189,863 | +69% | 59 | $3,218 | $337,212 | 2 |
| Mar 16, 2001 | 45 | $89,916 | -53% | 58 | $1,550 | $481,138 | 3 |
| Mar 23, 2001 | 64 | $30,139 | -66% | 25 | $1,206 | $544,178 | 4 |
| Mar 30, 2001 | 47 | $47,125 | +56% | 26 | $1,813 | $601,937 | 5 |
| Apr 6, 2001 | 69 | $11,969 | -75% | 24 | $499 | $628,706 | 6 |
| Apr 13, 2001 | 68 | $11,172 | -7% | 31 | $360 | $644,986 | 7 |
| Apr 20, 2001 | 69 | $15,011 | +34% | 47 | $319 | $665,495 | 8 |
| Apr 27, 2001 | 96 | $3,366 | -78% | 17 | $198 | $675,364 | 9 |
| May 4, 2001 | 88 | $2,377 | -29% | 8 | $297 | $679,191 | 10 |
| May 11, 2001 | 107 | $1,958 | -18% | 8 | $245 | $682,213 | 11 |
| May 18, 2001 | 111 | $680 | -65% | 3 | $227 | $683,413 | 12 |
| May 25, 2001 | 103 | $1,565 | +130% | 5 | $313 | $685,323 | 13 |
| Jun 1, 2001 | 91 | $492 | -69% | 2 | $246 | $686,681 | 14 |
| Jun 8, 2001 | 110 | $211 | -57% | 1 | $211 | $687,081 | 15 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 2, 2001 | 42 | $147,349 | 16 | $9,209 | $147,349 | 1 | |
| Mar 9, 2001 | 36 | $243,873 | +66% | 59 | $4,133 | $391,222 | 2 |
| Mar 16, 2001 | 45 | $122,817 | -50% | 58 | $2,118 | $514,039 | 3 |
| Mar 23, 2001 | 63 | $40,773 | -67% | 25 | $1,631 | $554,812 | 4 |
| Mar 30, 2001 | 47 | $61,925 | +52% | 26 | $2,382 | $616,737 | 5 |
| Apr 6, 2001 | 67 | $17,077 | -72% | 24 | $712 | $633,814 | 6 |
| Apr 13, 2001 | 66 | $16,670 | -2% | 31 | $538 | $650,484 | 7 |
| Apr 20, 2001 | 66 | $21,514 | +29% | 47 | $458 | $671,998 | 8 |
| Apr 27, 2001 | 89 | $4,816 | -78% | 17 | $283 | $676,814 | 9 |
| May 4, 2001 | 87 | $3,441 | -29% | 8 | $430 | $680,255 | 10 |
| May 11, 2001 | 106 | $2,478 | -28% | 8 | $310 | $682,733 | 11 |
| May 18, 2001 | 100 | $1,025 | -59% | 3 | $342 | $683,758 | 12 |
| May 25, 2001 | 94 | $2,431 | +137% | 5 | $486 | $686,189 | 13 |
| Jun 1, 2001 | 92 | $681 | -72% | 2 | $341 | $686,870 | 14 |
| Jun 8, 2001 | 96 | $211 | -69% | 1 | $211 | $687,081 | 15 |
Leading
| Samuel L. Jackson | Romulus Ledbetter |
Supporting
| Ann Magnuson | Moira | |
| Aunjanue Ellis | Lulu | |
| Tamara Tunie | Sheila | |
| Anthony Michael Hall | Bob | |
| Colm Feore | David Leppenraub | |
| Rodney Eastman | Matthew | |
| Jay Rodan | Joey / No Face | |
| Damir Andrei | Arnold | |
| Peter MacNeill | Cork | |
| Kate McNeil | Betty | |
| Leonard L. Thomas | Shaker / Greater No Face | |
| Joris Jorsky | Boy Toy / Andy | |
| Pierre Alcide | Toupee | |
| Richard Fitzpatrick | Walter | |
| Sean MacMahon | Scotty | |
| Vija Brigita Grosgalvis | Penny | |
| Phillip Jarrett | Chroe | |
| Cecil Phillips | Manuel | |
| Henry Stram | Social Worker | |
| Carla Collins | First Reporter | |
| Deborah Lobban | Librarian | |
| Erik Laray Harvey* | Young Rom | |
| Mica Le John | Young Lulu | |
| Joanne Jang | Beauty / Cassandra | |
| Alex Karzis | Byzantine Emperor / Dan | |
| Val Boyle | Lucinda |
Production and Technical Credits
| Kasi Lemmons | Director | |
| George Dawes Green* | Screenwriter | |
| George Dawes Green* | Based on the Novel by | |
| Danny DeVito | Producer | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Scott Frank | Producer | |
| Elie Samaha | Producer | |
| Andrew Stevens | Producer | |
| Samuel L. Jackson | Executive Producer | |
| Julie Yorn | Executive Producer | |
| Eli Selden | Executive Producer | |
| Nicolas Clermont | Executive Producer | |
| Michael Bennett | Co-Producer | |
| James Holt | Co-Producer | |
| Pamela Abdy | Co-Producer | |
| Amelia Vincent | Cinematographer | |
| Robin Standefer | Production Designer | |
| Terilyn A. Shropshire | Editor | |
| Stephanie Davis | Co-Executive Producer | |
| Jonathan Weisgal | Co-Executive Producer | |
| Michael Drake | Associate Producer | |
| Tracee Stanley | Associate Producer | |
| Terence Blanchard | Composer | |
| Andrew Shea | Assistant Director | |
| Tammy Quinn | Unit Production Manager | |
| Grant Van Der Slagt | Art Director | |
| Peter Nick | Set Decorator | |
| Denise Cronenberg | Costume Designer | |
| Brenda Gilles | Costume Supervisor | |
| Glen Gauthier | Sound Mixer | |
| Michael Casper | Re-recording Mixer | |
| Lance Brown | Re-recording Mixer | |
| Jay Nierenberg | Supervising Sound Editor | |
| Bernard Weiser | Sound Editor | |
| Steven F. Nelson | Sound Editor | |
| Kim Secrist | Sound Editor | |
| Brian T. Best | Sound Editor | |
| Tim Walston | Sound Designer | |
| Kimberly Lowe-Voigt | Dialogue Editor | |
| Lori Slomka | Music Editor | |
| Sylvain Cournoyer | Makeup | |
| Vincent Sullivan | Hairstylist | |
| Zoltan Elek | Special Make-up Effects | |
| Amanda Scheer Demme | Music Supervisor | |
| Buck Damon | Music Supervisor | |
| Jaki-Brown Karman | Casting Director | |
| Branko Racki | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.