Cerdita (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $50,966 | Details |
| International Box Office | $478,363 | Details |
| Worldwide Box Office | $529,329 | |
| OpusData ID: 530950100 More info... | ||
| Further financial details... | ||
Synopsis
During the sweltering summertime of rural Spain, Sara carries an extra load of teenage agony due to the perpetual bullying from her peers. She’s also an outsider at home—her parents and little brother just don’t understand her—so, feelings internalized, she’s often found buried in her headphones, drowning out her surroundings. One day, Sara’s usual solo dip at the local pool is disrupted by the presence of a mysterious stranger in the water and an exceptionally grueling bout of abuse at the hands of three girls. But, in a strange twist of fate, along the way home Sara witnesses her bloodied tormentors being kidnapped in the back of the stranger’s van.
Metrics
| Opening Weekend: | $22,542 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 9.6% (domestic box office/worldwide) |
| Theater counts: | 23 opening theaters/23 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,886 |
Movie Details
| Domestic Releases: | October 7th, 2022 (Limited) by Magnet Releasing, released as Piggy |
| International Releases: | August 4th, 2022 (Limited) (New Zealand)
October 14th, 2022 (Limited) (Spain) October 27th, 2022 (Limited) (Germany) January 6th, 2023 (Limited), released as Piggy (United Kingdom) January 19th, 2023 (Limited) (Portugal) ... Show all releases |
| Video Release: | October 14th, 2022 by Magnet Releasing, released as Piggy |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake, Remake with Returning Cast Member |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Bullies, Kidnap |
| Social setting: | Summer Vacation |
| Subgenre: | Psychological Horror |
| Source: | Based on Short Film |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnet Releasing, Morena Films, Backup Media, Cerdita A.I.E., La Banque Postale 15, Indefilms 10, Triodos Bank, RTVE, Movistar Plus, Gobierno De Espana-ICAA, Consejeria De Cultura, Turismo Y Deportes de la Junta de Extremadura, Eurimages, Creative Europe, Media of the Europeen Union, Comunibad de Madrid |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 7, 2022 | - | $22,542 | 23 | $980 | $22,542 | 1 | |
| Oct 14, 2022 | - | $17,235 | -24% | 18 | $958 | $45,829 | 2 |
| Oct 21, 2022 | - | $1,288 | -93% | 9 | $143 | $49,716 | 3 |
| Oct 28, 2022 | - | $582 | -55% | 4 | $146 | $50,951 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 7, 2022 | 30 | $28,594 | 23 | $1,243 | $28,594 | 1 | |
| Oct 14, 2022 | 27 | $19,834 | -31% | 20 | $992 | $48,428 | 2 |
| Oct 21, 2022 | 37 | $1,941 | -90% | 9 | $216 | $50,369 | 3 |
| Oct 28, 2022 | 50 | $597 | -69% | 4 | $149 | $50,966 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/20/2023 | $17,677 | 0 | 0 | 0 | $22,787 | 7/24/2023 | |||
| New Zealand | 8/4/2022 | $0 | 0 | 1 | 2 | $516 | 8/22/2022 | |||
| Portugal | 1/19/2023 | $253 | 1 | 1 | 1 | $253 | 1/25/2023 | |||
| South Korea | 4/26/2023 | $7,459 | 64 | 64 | 85 | $19,307 | 5/17/2023 | |||
| Spain | 10/14/2022 | $131,797 | 255 | 255 | 610 | $425,388 | 5/11/2023 | |||
| United Kingdom | 1/6/2023 | $10,112 | 17 | 17 | 17 | $10,112 | 1/11/2023 | |||
| International Total | $478,363 | 7/24/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Laura Galán | Sara |
Supporting
| Richard Holmes | Desconocido | |
| Carmen Machi | Madre | |
| Irene Ferreiro | Claudia | |
| Camielle Aguilar | Roci | |
| Pilar Castro | Elena | |
| Claudia Salas | Maca |
Production and Technical Credits
| Carlota Pereda | Director | |
| Carlota Pereda | Screenwriter | |
| Merry Colomer | Producer | |
| Pilar Benito | Executive Producer | |
| David Atlan-Jackson | Co-Producer | |
| Jean-Baptiste Babin | Co-Producer | |
| Joel Thibout | Co-Producer | |
| María Soler* | Associate Producer | |
| Rita Noriega | Director or Photography | |
| Olivier Arson | Composer | |
| David Pelegrín | Editor | |
| Oscar Sempere | Art Director | |
| Arantxa Ezquerro | Wardrobe Design | |
| Nicolas Mas | Sound | |
| Nacho Arenas | Sound | |
| Nicolas de Poulpiquet | Sound | |
| Paloma Lozano | Make-up and Hair Designer | |
| Sara García* | Line Producer | |
| Elena Alcolea | Post-Production Supervisor | |
| Sara San Martín* | 1st Assistant to the director | |
| Arantza Vélez | Casting Director | |
| Paula Cámara | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
During the sweltering summertime of rural Spain, Sara carries an extra load of teenage agony due to the perpetual bullying from her peers. She’s also an outsider at home—her parents and little brother just don’t understand her—so, feelings internalized, she’s often found buried in her headphones, drowning out her surroundings. One day, Sara’s usual solo dip at the local pool is disrupted by the presence of a mysterious stranger in the water and an exceptionally grueling bout of abuse at the hands of three girls. But, in a strange twist of fate, along the way home Sara witnesses her bloodied tormentors being kidnapped in the back of the stranger’s van.
Metrics
| Opening Weekend: | $22,542 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 9.6% (domestic box office/worldwide) |
| Theater counts: | 23 opening theaters/23 max. theaters, 2.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,886 |
Movie Details
| Domestic Releases: | October 7th, 2022 (Limited) by Magnet Releasing, released as Piggy |
| International Releases: | August 4th, 2022 (Limited) (New Zealand)
October 14th, 2022 (Limited) (Spain) October 27th, 2022 (Limited) (Germany) January 6th, 2023 (Limited), released as Piggy (United Kingdom) January 19th, 2023 (Limited) (Portugal) ... Show all releases |
| Video Release: | October 14th, 2022 by Magnet Releasing, released as Piggy |
| Running Time: | 90 minutes |
| Cast, crew, or production detail: | Director Remaking Their Own Movie, Remake, Remake with Returning Cast Member |
| Film festival: | Sundance Film Festival 2022 |
| Plot point: | Bullies, Kidnap |
| Social setting: | Summer Vacation |
| Subgenre: | Psychological Horror |
| Source: | Based on Short Film |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Magnet Releasing, Morena Films, Backup Media, Cerdita A.I.E., La Banque Postale 15, Indefilms 10, Triodos Bank, RTVE, Movistar Plus, Gobierno De Espana-ICAA, Consejeria De Cultura, Turismo Y Deportes de la Junta de Extremadura, Eurimages, Creative Europe, Media of the Europeen Union, Comunibad de Madrid |
| Production Countries: | Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 7, 2022 | - | $22,542 | 23 | $980 | $22,542 | 1 | |
| Oct 14, 2022 | - | $17,235 | -24% | 18 | $958 | $45,829 | 2 |
| Oct 21, 2022 | - | $1,288 | -93% | 9 | $143 | $49,716 | 3 |
| Oct 28, 2022 | - | $582 | -55% | 4 | $146 | $50,951 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 7, 2022 | 30 | $28,594 | 23 | $1,243 | $28,594 | 1 | |
| Oct 14, 2022 | 27 | $19,834 | -31% | 20 | $992 | $48,428 | 2 |
| Oct 21, 2022 | 37 | $1,941 | -90% | 9 | $216 | $50,369 | 3 |
| Oct 28, 2022 | 50 | $597 | -69% | 4 | $149 | $50,966 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Italy | 7/20/2023 | $17,677 | 0 | 0 | 0 | $22,787 | 7/24/2023 | |||
| New Zealand | 8/4/2022 | $0 | 0 | 1 | 2 | $516 | 8/22/2022 | |||
| Portugal | 1/19/2023 | $253 | 1 | 1 | 1 | $253 | 1/25/2023 | |||
| South Korea | 4/26/2023 | $7,459 | 64 | 64 | 85 | $19,307 | 5/17/2023 | |||
| Spain | 10/14/2022 | $131,797 | 255 | 255 | 610 | $425,388 | 5/11/2023 | |||
| United Kingdom | 1/6/2023 | $10,112 | 17 | 17 | 17 | $10,112 | 1/11/2023 | |||
| International Total | $478,363 | 7/24/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Laura Galán | Sara |
Supporting
| Richard Holmes | Desconocido | |
| Carmen Machi | Madre | |
| Irene Ferreiro | Claudia | |
| Camielle Aguilar | Roci | |
| Pilar Castro | Elena | |
| Claudia Salas | Maca |
Production and Technical Credits
| Carlota Pereda | Director | |
| Carlota Pereda | Screenwriter | |
| Merry Colomer | Producer | |
| Pilar Benito | Executive Producer | |
| David Atlan-Jackson | Co-Producer | |
| Jean-Baptiste Babin | Co-Producer | |
| Joel Thibout | Co-Producer | |
| María Soler* | Associate Producer | |
| Rita Noriega | Director or Photography | |
| Olivier Arson | Composer | |
| David Pelegrín | Editor | |
| Oscar Sempere | Art Director | |
| Arantxa Ezquerro | Wardrobe Design | |
| Nicolas Mas | Sound | |
| Nacho Arenas | Sound | |
| Nicolas de Poulpiquet | Sound | |
| Paloma Lozano | Make-up and Hair Designer | |
| Sara García* | Line Producer | |
| Elena Alcolea | Post-Production Supervisor | |
| Sara San Martín* | 1st Assistant to the director | |
| Arantza Vélez | Casting Director | |
| Paula Cámara | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.