Certain Women (2016)
| Theatrical Performance | ||
| Domestic Box Office | $1,068,054 | Details |
| International Box Office | $152,393 | Details |
| Worldwide Box Office | $1,220,447 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $86,422 | |
| Blu-ray Sales (estimated) | $75,682 | |
| Total | $162,104 | |
| OpusData ID: 253630100 More info... | ||
| Further financial details... | ||
Synopsis
A look at three women striving to forge their own paths amidst the wide-open plains of the American Northwest: a lawyer who finds herself contending with both office sexism and a hostage situation; a wife and mother whose determination to build her dream home puts her at odds with the men in her life; and a young law student who forms an ambiguous bond with a lonely ranch hand. As their stories intersect in subtle but powerful ways, a portrait emerges of flawed, but strong-willed individuals in the process of defining themselves.
Metrics
| Opening Weekend: | $60,898 (5.7% of total gross) |
| Legs: | 5.72 (domestic box office/biggest weekend) |
| Domestic Share: | 87.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/138 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,476,749 |
Movie Details
| Domestic Releases: | October 14th, 2016 (Limited) by IFC Films |
| International Releases: | March 3rd, 2017 (Wide) (United Kingdom)
March 3rd, 2017 (Wide) (France) May 13th, 2021 (Wide) (Australia) |
| Video Release: | September 19th, 2017 by Criterion |
| MPA Rating: | R for some language. (Rating bulletin 2424 (Cert #50193), 5/11/2016) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Segments |
| Geographical setting: | Montana |
| Plot point: | Dysfunctional Family, Hostage, Lawyers, Meaning of Life, Sexism, Unrequited Love |
| Social setting: | Life in a Small Town |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Filmscience |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 44 | $60,898 | 5 | $12,180 | $60,898 | 1 | |
| Oct 21, 2016 | 32 | $139,687 | +129% | 41 | $3,407 | $225,266 | 2 |
| Oct 28, 2016 | 29 | $186,574 | +34% | 90 | $2,073 | $470,349 | 3 |
| Nov 4, 2016 | 26 | $184,326 | -1% | 138 | $1,336 | $740,223 | 4 |
| Nov 11, 2016 | 34 | $108,283 | -41% | 120 | $902 | $929,398 | 5 |
| Nov 18, 2016 | 47 | $34,020 | -69% | 63 | $540 | $1,011,020 | 6 |
| Nov 25, 2016 | 53 | $14,542 | -57% | 19 | $765 | $1,037,787 | 7 |
| Dec 2, 2016 | 59 | $7,859 | -46% | 16 | $491 | $1,051,956 | 8 |
| Dec 9, 2016 | 64 | $3,466 | -56% | 8 | $433 | $1,060,313 | 9 |
| Dec 16, 2016 | 64 | $1,983 | -43% | 7 | $283 | $1,066,509 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 45 | $86,579 | 5 | $17,316 | $86,579 | 1 | |
| Oct 21, 2016 | 34 | $197,196 | +128% | 41 | $4,810 | $283,775 | 2 |
| Oct 28, 2016 | 27 | $272,122 | +38% | 92 | $2,958 | $555,897 | 3 |
| Nov 4, 2016 | 26 | $265,218 | -3% | 138 | $1,922 | $821,115 | 4 |
| Nov 11, 2016 | 34 | $155,885 | -41% | 120 | $1,299 | $977,000 | 5 |
| Nov 18, 2016 | 50 | $46,386 | -70% | 65 | $714 | $1,023,245 | 6 |
| Nov 25, 2016 | 55 | $20,852 | -55% | 25 | $834 | $1,044,097 | 7 |
| Dec 2, 2016 | 61 | $12,352 | -41% | 16 | $772 | $1,056,847 | 8 |
| Dec 9, 2016 | 64 | $6,979 | -43% | 9 | $775 | $1,064,011 | 9 |
| Dec 16, 2016 | 71 | $3,528 | -49% | 7 | $504 | $1,068,054 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/13/2021 | $449 | 1 | 1 | 1 | $4,756 | 4/4/2026 | |||
| France | 3/3/2017 | $85,225 | 0 | 0 | 0 | $85,225 | 6/26/2018 | |||
| United Kingdom | 3/3/2017 | $62,412 | 25 | 25 | 25 | $62,412 | 3/8/2017 | |||
| International Total | $152,393 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Laura Dern | Laura Wells | |
| Kristen Stewart | Beth Travis | |
| Michelle Williams | Gina Lewis | |
| Lily Gladstone | Jamie |
Supporting
| James LeGros | Ryan Lewis | |
| Jared Harris | Fuller | |
| René Auberjonois | Albert | |
| Sara Rodier | Guthrie Lewis | |
| John Getz | George Rowles | |
| Ashlie Atkinson | Patty |
Production and Technical Credits
| Kelly Reichardt | Director | |
| Kelly Reichardt | Screenwriter | |
| Maile Meloy | Based on Stories by | |
| Neil Kopp | Producer | |
| Vincent Savino | Producer | |
| Anish Savjani | Producer | |
| Todd Haynes | Executive Producer | |
| Larry Fessenden | Executive Producer | |
| Christopher Carroll | Executive Producer | |
| Nathan Kelly | Executive Producer | |
| Kelly Reichardt | Editor | |
| Christopher Blauvelt | Cinematographer | |
| Anthony Gasparro | Production Designer | |
| April Napier | Costume Designer | |
| Jeff Grace | Composer | |
| Mark Bennett | Casting Director | |
| Gayle Keller | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A look at three women striving to forge their own paths amidst the wide-open plains of the American Northwest: a lawyer who finds herself contending with both office sexism and a hostage situation; a wife and mother whose determination to build her dream home puts her at odds with the men in her life; and a young law student who forms an ambiguous bond with a lonely ranch hand. As their stories intersect in subtle but powerful ways, a portrait emerges of flawed, but strong-willed individuals in the process of defining themselves.
Metrics
| Opening Weekend: | $60,898 (5.7% of total gross) |
| Legs: | 5.72 (domestic box office/biggest weekend) |
| Domestic Share: | 87.5% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/138 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,476,749 |
Movie Details
| Domestic Releases: | October 14th, 2016 (Limited) by IFC Films |
| International Releases: | March 3rd, 2017 (Wide) (United Kingdom)
March 3rd, 2017 (Wide) (France) May 13th, 2021 (Wide) (Australia) |
| Video Release: | September 19th, 2017 by Criterion |
| MPA Rating: | R for some language. (Rating bulletin 2424 (Cert #50193), 5/11/2016) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Segments |
| Geographical setting: | Montana |
| Plot point: | Dysfunctional Family, Hostage, Lawyers, Meaning of Life, Sexism, Unrequited Love |
| Social setting: | Life in a Small Town |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | IFC Films, Filmscience |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 44 | $60,898 | 5 | $12,180 | $60,898 | 1 | |
| Oct 21, 2016 | 32 | $139,687 | +129% | 41 | $3,407 | $225,266 | 2 |
| Oct 28, 2016 | 29 | $186,574 | +34% | 90 | $2,073 | $470,349 | 3 |
| Nov 4, 2016 | 26 | $184,326 | -1% | 138 | $1,336 | $740,223 | 4 |
| Nov 11, 2016 | 34 | $108,283 | -41% | 120 | $902 | $929,398 | 5 |
| Nov 18, 2016 | 47 | $34,020 | -69% | 63 | $540 | $1,011,020 | 6 |
| Nov 25, 2016 | 53 | $14,542 | -57% | 19 | $765 | $1,037,787 | 7 |
| Dec 2, 2016 | 59 | $7,859 | -46% | 16 | $491 | $1,051,956 | 8 |
| Dec 9, 2016 | 64 | $3,466 | -56% | 8 | $433 | $1,060,313 | 9 |
| Dec 16, 2016 | 64 | $1,983 | -43% | 7 | $283 | $1,066,509 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 2016 | 45 | $86,579 | 5 | $17,316 | $86,579 | 1 | |
| Oct 21, 2016 | 34 | $197,196 | +128% | 41 | $4,810 | $283,775 | 2 |
| Oct 28, 2016 | 27 | $272,122 | +38% | 92 | $2,958 | $555,897 | 3 |
| Nov 4, 2016 | 26 | $265,218 | -3% | 138 | $1,922 | $821,115 | 4 |
| Nov 11, 2016 | 34 | $155,885 | -41% | 120 | $1,299 | $977,000 | 5 |
| Nov 18, 2016 | 50 | $46,386 | -70% | 65 | $714 | $1,023,245 | 6 |
| Nov 25, 2016 | 55 | $20,852 | -55% | 25 | $834 | $1,044,097 | 7 |
| Dec 2, 2016 | 61 | $12,352 | -41% | 16 | $772 | $1,056,847 | 8 |
| Dec 9, 2016 | 64 | $6,979 | -43% | 9 | $775 | $1,064,011 | 9 |
| Dec 16, 2016 | 71 | $3,528 | -49% | 7 | $504 | $1,068,054 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/13/2021 | $449 | 1 | 1 | 1 | $4,756 | 4/4/2026 | |||
| France | 3/3/2017 | $85,225 | 0 | 0 | 0 | $85,225 | 6/26/2018 | |||
| United Kingdom | 3/3/2017 | $62,412 | 25 | 25 | 25 | $62,412 | 3/8/2017 | |||
| International Total | $152,393 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Laura Dern | Laura Wells | |
| Kristen Stewart | Beth Travis | |
| Michelle Williams | Gina Lewis | |
| Lily Gladstone | Jamie |
Supporting
| James LeGros | Ryan Lewis | |
| Jared Harris | Fuller | |
| René Auberjonois | Albert | |
| Sara Rodier | Guthrie Lewis | |
| John Getz | George Rowles | |
| Ashlie Atkinson | Patty |
Production and Technical Credits
| Kelly Reichardt | Director | |
| Kelly Reichardt | Screenwriter | |
| Maile Meloy | Based on Stories by | |
| Neil Kopp | Producer | |
| Vincent Savino | Producer | |
| Anish Savjani | Producer | |
| Todd Haynes | Executive Producer | |
| Larry Fessenden | Executive Producer | |
| Christopher Carroll | Executive Producer | |
| Nathan Kelly | Executive Producer | |
| Kelly Reichardt | Editor | |
| Christopher Blauvelt | Cinematographer | |
| Anthony Gasparro | Production Designer | |
| April Napier | Costume Designer | |
| Jeff Grace | Composer | |
| Mark Bennett | Casting Director | |
| Gayle Keller | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.