A Change of Seasons (1980)

A Change of Seasons
Theatrical Performance
Domestic Box Office $16,400,000Details
OpusData ID: 28700100 More info...
Further financial details...

Metrics

Domestic Share:100.0% (domestic box office/worldwide)
Infl. Adj. Dom. BO $68,953,157

Movie Details

Domestic Releases: December 1st, 1980 (Limited) by 20th Century Fox
MPA Rating: R
Running Time: 102 minutes
Plot point: College Professor, Dysfunctional Family, Infidelity, Mid-Life Crisis, Relationships Gone Wrong
Subgenre: Comedy Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Shirley MacLaine    Karyn Evans
Anthony Hopkins    Adam Evans
Bo Derek    Lindsey Rutledge
Mary Beth Hurt    Kasey Evans
Steve Eastin    Lance

Production and Technical Credits

Richard Lang    Director
Erich Segal    Screenwriter
Martin Ranshoff    Screenwriter
Ronni Kern    Screenwriter
Fred Segal    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.


Metrics

Domestic Share:100.0% (domestic box office/worldwide)
Infl. Adj. Dom. BO $68,953,157

Movie Details

Domestic Releases: December 1st, 1980 (Limited) by 20th Century Fox
MPA Rating: R
Running Time: 102 minutes
Plot point: College Professor, Dysfunctional Family, Infidelity, Mid-Life Crisis, Relationships Gone Wrong
Subgenre: Comedy Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Shirley MacLaine    Karyn Evans
Anthony Hopkins    Adam Evans
Bo Derek    Lindsey Rutledge
Mary Beth Hurt    Kasey Evans
Steve Eastin    Lance

Production and Technical Credits

Richard Lang    Director
Erich Segal    Screenwriter
Martin Ranshoff    Screenwriter
Ronni Kern    Screenwriter
Fred Segal    Screenwriter

Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.