Chaos Walking (2021)
| Theatrical Performance | ||
| Domestic Box Office | $13,287,908 | Details |
| International Box Office | $13,784,261 | Details |
| Worldwide Box Office | $27,072,169 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,440,171 | |
| Blu-ray Sales (estimated) | $1,899,607 | |
| Total | $3,339,778 | |
| OpusData ID: 296670100 More info... | ||
| Further financial details... | ||
Synopsis
Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home.
Metrics
| Opening Weekend: | $3,775,350 (28.4% of total gross) |
| Legs: | 3.52 (domestic box office/biggest weekend) |
| Domestic Share: | 49.1% (domestic box office/worldwide) |
| Production Budget: | $100,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,980 opening theaters/2,132 max. theaters, 6.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,626,685 |
Movie Details
| Domestic Releases: | March 5th, 2021 (Wide) by Lionsgate March 5th, 2021 (IMAX) by Lionsgate |
| International Releases: | February 3rd, 2021 (Wide) (France)
February 24th, 2021 (Wide) (South Korea) March 4th, 2021 (Wide) (Australia) March 4th, 2021 (Wide), released as Caos: El inicio (Mexico) March 4th, 2021 (Wide) (New Zealand) ... Show all releases |
| Video Release: | April 2nd, 2021 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for violence and language. (Rating bulletin 2653 (cert #52756), 10/28/2020) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Fugitive / On the Run |
| Social setting: | Dystopia, Post Apocalypse |
| Subgenre: | Chase Adventure |
| Time period setting: | Near Future |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Lionsgate, Quadrant Pictures, Allison Shearmur, 3 Arts Entertainment, TIK Films, Hercules Bron Creative Partnership |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | 3 | $3,775,350 | 1,980 | $1,907 | $3,775,350 | 1 | |
| Mar 12, 2021 | 3 | $2,248,332 | -40% | 1,995 | $1,127 | $6,909,739 | 2 |
| Mar 19, 2021 | 3 | $1,923,097 | -14% | 2,132 | $902 | $9,691,730 | 3 |
| Mar 26, 2021 | 4 | $1,208,710 | -37% | 2,036 | $594 | $11,491,966 | 4 |
| Apr 2, 2021 | 8 | $369,377 | -69% | 1,605 | $230 | $12,222,445 | 5 |
| Apr 9, 2021 | - | $273,866 | -26% | 1,300 | $211 | $12,683,521 | 6 |
| Apr 16, 2021 | 11 | $209,761 | -23% | 1,242 | $169 | $12,984,669 | 7 |
| Apr 23, 2021 | - | $107,218 | -49% | 1,071 | $100 | $13,153,403 | 8 |
| Apr 30, 2021 | - | $50,800 | -53% | 502 | $101 | $13,231,677 | 9 |
| May 7, 2021 | - | $31,888 | -37% | 413 | $77 | $13,280,044 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $1,326,427 | 1,980 | $670 | $1,326,427 | 1 | ||
| Mar 6, 2021 | - | $1,586,984 | +20% | 1,980 | $802 | $2,913,411 | 2 | |
| Mar 7, 2021 | - | $861,939 | -46% | 1,980 | $435 | $3,775,350 | 3 | |
| Mar 8, 2021 | - | $209,143 | -76% | 1,980 | $106 | $3,984,493 | 4 | |
| Mar 9, 2021 | - | $277,394 | +33% | 1,980 | $140 | $4,261,887 | 5 | |
| Mar 10, 2021 | - | $189,860 | -32% | 1,980 | $96 | $4,451,747 | 6 | |
| Mar 11, 2021 | - | $209,660 | +10% | 1,980 | $106 | $4,661,407 | 7 | |
| Mar 12, 2021 | - | $646,408 | +208% | -51% | 1,995 | $324 | $5,307,815 | 8 |
| Mar 13, 2021 | - | $1,015,183 | +57% | -36% | 1,995 | $509 | $6,322,998 | 9 |
| Mar 14, 2021 | - | $586,741 | -42% | -32% | 1,995 | $294 | $6,909,739 | 10 |
| Mar 15, 2021 | - | $201,306 | -66% | -4% | 1,995 | $101 | $7,111,045 | 11 |
| Mar 16, 2021 | - | $237,992 | +18% | -14% | 1,995 | $119 | $7,349,037 | 12 |
| Mar 17, 2021 | - | $201,552 | -15% | +6% | 1,995 | $101 | $7,550,589 | 13 |
| Mar 18, 2021 | - | $218,044 | +8% | +4% | 1,995 | $109 | $7,768,633 | 14 |
| Mar 19, 2021 | - | $577,476 | +165% | -11% | 2,132 | $271 | $8,346,109 | 15 |
| Mar 20, 2021 | - | $853,490 | +48% | -16% | 2,132 | $400 | $9,199,599 | 16 |
| Mar 21, 2021 | - | $492,131 | -42% | -16% | 2,132 | $231 | $9,691,730 | 17 |
| Mar 22, 2021 | - | $141,782 | -71% | -30% | 2,132 | $67 | $9,833,512 | 18 |
| Mar 23, 2021 | - | $172,068 | +21% | -28% | 2,132 | $81 | $10,005,580 | 19 |
| Mar 24, 2021 | - | $142,184 | -17% | -29% | 2,132 | $67 | $10,147,764 | 20 |
| Mar 25, 2021 | - | $135,492 | -5% | -38% | 2,132 | $64 | $10,283,256 | 21 |
| Mar 26, 2021 | - | $353,479 | +161% | -39% | 2,036 | $174 | $10,636,735 | 22 |
| Mar 27, 2021 | - | $531,013 | +50% | -38% | 2,036 | $261 | $11,167,748 | 23 |
| Mar 28, 2021 | - | $324,218 | -39% | -34% | 2,036 | $159 | $11,491,966 | 24 |
| Mar 29, 2021 | - | $103,529 | -68% | -27% | 2,036 | $51 | $11,595,495 | 25 |
| Mar 30, 2021 | - | $115,951 | +12% | -33% | 2,036 | $57 | $11,711,446 | 26 |
| Mar 31, 2021 | - | $68,009 | -41% | -52% | 2,036 | $33 | $11,779,455 | 27 |
| Apr 1, 2021 | - | $73,613 | +8% | -46% | 2,036 | $36 | $11,853,068 | 28 |
| Apr 2, 2021 | - | $135,133 | +84% | -62% | 1,605 | $84 | $11,988,201 | 29 |
| Apr 3, 2021 | - | $149,287 | +10% | -72% | 1,605 | $93 | $12,137,488 | 30 |
| Apr 4, 2021 | - | $84,957 | -43% | -74% | 1,605 | $53 | $12,222,445 | 31 |
| Apr 5, 2021 | - | $47,618 | -44% | -54% | 1,605 | $30 | $12,270,063 | 32 |
| Apr 6, 2021 | - | $49,092 | +3% | -58% | 1,605 | $31 | $12,319,155 | 33 |
| Apr 7, 2021 | - | $46,482 | -5% | -32% | 1,605 | $29 | $12,365,637 | 34 |
| Apr 8, 2021 | - | $44,018 | -5% | -40% | 1,605 | $27 | $12,409,655 | 35 |
| Apr 9, 2021 | - | $82,022 | +86% | -39% | 1,300 | $63 | $12,491,677 | 36 |
| Apr 10, 2021 | - | $125,268 | +53% | -16% | 1,300 | $96 | $12,616,945 | 37 |
| Apr 11, 2021 | - | $66,576 | -47% | -22% | 1,300 | $51 | $12,683,521 | 38 |
| Apr 12, 2021 | - | $20,183 | -70% | -58% | 1,300 | $16 | $12,703,704 | 39 |
| Apr 13, 2021 | - | $22,172 | +10% | -55% | 1,300 | $17 | $12,725,876 | 40 |
| Apr 14, 2021 | - | $22,546 | +2% | -51% | 1,300 | $17 | $12,748,422 | 41 |
| Apr 15, 2021 | - | $26,486 | +17% | -40% | 1,300 | $20 | $12,774,908 | 42 |
| Apr 16, 2021 | - | $67,103 | +153% | -18% | 1,242 | $54 | $12,842,011 | 43 |
| Apr 17, 2021 | - | $94,642 | +41% | -24% | 1,242 | $76 | $12,936,653 | 44 |
| Apr 18, 2021 | - | $48,016 | -49% | -28% | 1,242 | $39 | $12,984,669 | 45 |
| Apr 19, 2021 | - | $14,597 | -70% | -28% | 1,242 | $12 | $12,999,266 | 46 |
| Apr 20, 2021 | - | $16,677 | +14% | -25% | 1,242 | $13 | $13,015,943 | 47 |
| Apr 21, 2021 | - | $15,038 | -10% | -33% | 1,242 | $12 | $13,030,981 | 48 |
| Apr 22, 2021 | - | $15,204 | +1% | -43% | 1,242 | $12 | $13,046,185 | 49 |
| Apr 23, 2021 | - | $32,916 | +116% | -51% | 1,071 | $31 | $13,079,101 | 50 |
| Apr 24, 2021 | - | $48,885 | +49% | -48% | 1,071 | $46 | $13,127,986 | 51 |
| Apr 25, 2021 | - | $25,417 | -48% | -47% | 1,071 | $24 | $13,153,403 | 52 |
| Apr 26, 2021 | - | $5,861 | -77% | -60% | 1,071 | $5 | $13,159,264 | 53 |
| Apr 27, 2021 | - | $7,806 | +33% | -53% | 1,071 | $7 | $13,167,070 | 54 |
| Apr 28, 2021 | - | $7,041 | -10% | -53% | 1,071 | $7 | $13,174,111 | 55 |
| Apr 29, 2021 | - | $6,766 | -4% | -55% | 1,071 | $6 | $13,180,877 | 56 |
| Apr 30, 2021 | - | $14,541 | +115% | -56% | 502 | $29 | $13,195,418 | 57 |
| May 1, 2021 | - | $25,821 | +78% | -47% | 502 | $51 | $13,221,239 | 58 |
| May 2, 2021 | - | $10,438 | -60% | -59% | 502 | $21 | $13,231,677 | 59 |
| May 3, 2021 | - | $3,819 | -63% | -35% | 502 | $8 | $13,235,496 | 60 |
| May 4, 2021 | - | $5,108 | +34% | -35% | 502 | $10 | $13,240,604 | 61 |
| May 5, 2021 | - | $3,993 | -22% | -43% | 502 | $8 | $13,244,597 | 62 |
| May 6, 2021 | - | $3,559 | -11% | -47% | 502 | $7 | $13,248,156 | 63 |
| May 7, 2021 | - | $10,416 | +193% | -28% | 413 | $25 | $13,258,572 | 64 |
| May 8, 2021 | - | $15,043 | +44% | -42% | 413 | $36 | $13,273,615 | 65 |
| May 9, 2021 | - | $6,429 | -57% | -38% | 413 | $16 | $13,280,044 | 66 |
| May 10, 2021 | - | $1,872 | -71% | -51% | 413 | $5 | $13,281,916 | 67 |
| May 11, 2021 | - | $2,013 | +8% | -61% | 413 | $5 | $13,283,929 | 68 |
| May 12, 2021 | - | $2,150 | +7% | -46% | 413 | $5 | $13,286,079 | 69 |
| May 13, 2021 | - | $1,829 | -15% | -49% | 413 | $4 | $13,287,908 | 70 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $4,661,407 | 1,980 | $2,354 | $4,661,407 | 1 | |
| Mar 12, 2021 | - | $3,107,226 | -33% | 1,995 | $1,558 | $7,768,633 | 2 |
| Mar 19, 2021 | - | $2,514,623 | -19% | 2,132 | $1,179 | $10,283,256 | 3 |
| Mar 26, 2021 | - | $1,569,812 | -38% | 2,036 | $771 | $11,853,068 | 4 |
| Apr 2, 2021 | - | $556,587 | -65% | 1,605 | $347 | $12,409,655 | 5 |
| Apr 9, 2021 | - | $365,253 | -34% | 1,300 | $281 | $12,774,908 | 6 |
| Apr 16, 2021 | - | $271,277 | -26% | 1,242 | $218 | $13,046,185 | 7 |
| Apr 23, 2021 | - | $134,692 | -50% | 1,071 | $126 | $13,180,877 | 8 |
| Apr 30, 2021 | 20 | $67,279 | -50% | 502 | $134 | $13,248,156 | 9 |
| May 7, 2021 | 25 | $39,752 | -41% | 413 | $96 | $13,287,908 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/4/2021 | $900,191 | 388 | 388 | 1,481 | $2,936,245 | 6/2/2021 | |||
| Austria | 6/18/2021 | $18,363 | 15,050 | 15,050 | 15,050 | $65,018 | 8/13/2021 | |||
| Belgium | 8/4/2021 | $92,378 | 43 | 43 | 88 | $152,181 | 4/4/2026 | |||
| Brazil | 5/13/2021 | $0 | 0 | 1,819 | 1,819 | $188,234 | 6/24/2021 | |||
| Chile | 5/27/2021 | $0 | 0 | 310,300 | 310,300 | $944 | 10/20/2022 | |||
| China | 8/27/2021 | $790,000 | 49,008 | 49,008 | 49,591 | $1,010,000 | 10/20/2022 | |||
| Denmark | 5/6/2021 | $0 | 0 | 12,795 | 12,795 | $2,351,516 | 8/6/2021 | |||
| Estonia | 5/28/2021 | $0 | 0 | 135 | 135 | $14,545 | 6/24/2021 | |||
| Finland | 7/16/2021 | $0 | 0 | 6 | 8 | $79,114 | 8/13/2021 | |||
| Germany | 6/17/2021 | $10,942 | 8,968 | 8,968 | 8,983 | $33,071 | 8/20/2021 | |||
| Hong Kong | 4/29/2021 | $108,753 | 0 | 0 | 0 | $108,753 | 5/7/2021 | |||
| Lithuania | 5/14/2021 | $3,490 | 13 | 13 | 19 | $5,703 | 5/26/2021 | |||
| Mexico | 3/4/2021 | $263,195 | 0 | 0 | 0 | $942,984 | 10/19/2022 | |||
| Netherlands | 6/25/2021 | $136,491 | 91 | 91 | 229 | $432,866 | 8/6/2021 | |||
| New Zealand | 3/4/2021 | $97,427 | 77 | 80 | 346 | $401,731 | 10/19/2022 | |||
| Norway | 7/16/2021 | $0 | 0 | 23 | 45 | $115,126 | 4/4/2026 | |||
| Peru | 8/5/2021 | $0 | 0 | 0 | 0 | $13,858 | 10/20/2022 | |||
| Portugal | 6/11/2021 | $19,919 | 57 | 57 | 107 | $41,248 | 6/29/2021 | |||
| Russia (CIS) | 3/25/2021 | $405,760 | 1,352 | 1,407 | 3,259 | $810,657 | 4/4/2026 | |||
| Serbia and Montenegro | 9/2/2021 | $1,841 | 18 | 18 | 18 | $1,841 | 10/20/2022 | |||
| South Korea | 2/24/2021 | $504,708 | 759 | 759 | 1,425 | $1,099,555 | 4/21/2021 | |||
| Spain | 4/30/2021 | $0 | 0 | 691 | 786 | $612,765 | 7/16/2021 | |||
| Sweden | 6/23/2021 | $0 | 0 | 7 | 7 | $1,007,336 | 8/6/2021 | |||
| Switzerland (French Speaking) | 8/6/2021 | $17,376 | 13 | 13 | 22 | $22,304 | 8/20/2021 | |||
| Switzerland (German Speaking) | 4/22/2021 | $0 | 0 | 1,098 | 1,100 | $278,577 | 8/13/2021 | |||
| Switzerland (Italian Speaking) | 6/10/2021 | $0 | 0 | 484 | 484 | $1,744 | 6/24/2021 | |||
| Turkey | 1/28/2022 | $23,180 | 103 | 103 | 167 | $42,319 | 4/4/2026 | |||
| Uruguay | 8/26/2021 | $0 | 0 | 3 | 3 | $4,855 | 10/20/2022 | |||
| Rest of World | $1,009,171 | |||||||||
| International Total | $13,784,261 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tom Holland | Todd Hewitt | |
| Daisy Ridley | Viola Eade |
Supporting
| Mads Mikkelsen | Mayor Prentiss | |
| Demián Bichir | Ben | |
| Cynthia Erivo | Hildy | |
| Nick Jonas | Davy Prentiss, Jr. | |
| Kurt Sutter | Cillian | |
| David Oyelowo | Aaron | |
| Oscar Jaenada | Wilf | |
| Bethany Anne Lind | Karyssa Hewitt | |
| Ray McKinnon | Matthew | |
| Vincent LeClerc | Daws | |
| Blane Crockarell | Young Todd | |
| François Gauthiér | Charlie | |
| Tyrone Benskin | Hammer | |
| Frank Fontaine | Mr. Phelps | |
| Don Jordan | Tam | |
| Patrick Garrow | Ivan | |
| Mylène Dinh-Robic | Julie | |
| Julian Richings | Gault | |
| Michael Dyson | Fisherman #1 | |
| Glen Michael Grant | Fisherman #2 | |
| Maxwell McCabe-Lokos | Prentisstown Man #1 | |
| Stephen Eric McIntyre | Prentisstown Man #2 | |
| Pete Seaborne | Caleb | |
| Jean Michel Paré | Mayor Camp Man #1 | |
| Michael Yarmush | Prentisstown Scout | |
| Frédéric Bélanger | Prentisstown Man #3 | |
| Louis-Philippe Duhamel | Stable Boy #1 | |
| Janel Boire | Stable #2 | |
| Trevor Anderson | Prentisstown Man #4 | |
| Brian Alexander | Prentisstown Footman #1 | |
| Jerome Huerta | Prentisstown Footman #2 |
Production and Technical Credits
| Doug Liman | Director | |
| Patrick Ness | Screenwriter | |
| Christopher D. Ford | Screenwriter | |
| Patrick Ness | Story based on the book “The Knife of Never Letting Go” by | |
| Doug Davison | Producer | |
| Allison Shearmur | Producer | |
| Erwin Stoff | Producer | |
| Alison Winter | Producer | |
| Ray Angelic | Executive Producer | |
| Erik Feig | Executive Producer | |
| Iron Chen | Executive Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Ben Seresin | Director of Photography | |
| Dan Weil | Production Designer | |
| Doc Crotzer | Editor | |
| Lon Bender | Sound Designer | |
| Lon Bender | Sound Supervisor | |
| Kate Hawley | Costume Designer | |
| Marco Beltrami | Composer | |
| Brandon Roberts | Composer | |
| Julianne Jordan | Music Supervisor | |
| Matt Johnson | Visual Effects Supervisor | |
| Helene Ross | Unit Production Manager | |
| Ray Angelic | Unit Production Manager | |
| Mark Anthony Little | First Assistant Director | |
| Patrick Murphy | Second Assistant Director | |
| Simon Crane | Second Unit Director | |
| Thomas Elder Groebe | Visual Effects Producer | |
| Simon Crane | Stunt Coordinator | |
| Marc Desourdy | Stunt Coordinator | |
| Gershon Hinkson | Additional Editor | |
| Nicholas Lepage | Supervising Art Director | |
| Daran Fulham | Art Director | |
| Carolyne De Bellefeuille | Art Director | |
| Daniel Carpentier | Set Decorator | |
| Daniel Hamelin | Set Decorator | |
| Brad Rohrer | Post-Production Supervisor | |
| Julia Bloch | Additional Editor | |
| Kevin Greutert | Additional Editor | |
| Adam Schaefer | First Assistant Editor | |
| Andrew Pang | Assistant Editor | |
| Max Miller | Assistant Editor | |
| Elizabeth Tremblay | Script Supervisor | |
| Simon Poudrette | Sound Mixer | |
| Frederic Amblard | Set Designer | |
| Gabriella Douglas | Set Designer | |
| Simon Theberge | Set Designer | |
| Jessica Dan | Set Designer | |
| Louis Craig | Special Effects Supervisor | |
| Colleen Quinton | Make up | |
| Charles Carter | Make up | |
| Bruno Gatien | Special Make-up Effects | |
| Rejean Goderre | Hairstylist | |
| Frédéric Bélanger | Hairstylist | |
| Benoît Mathieu | Location Manager | |
| Ben Cooke | Second Unit Director | |
| Luke Gibleon | Sound Editor | |
| Luke Gibleon | Sound Designer | |
| Alexa Zimmerman | Supervising Dialogue Editor/ADR Editor | |
| Alex Nomick | Sound Designer | |
| Jeffrey A. Pitts | Sound Designer | |
| Rusty Dunn | Sound Designer | |
| Mariusz Glabinski | Sound Effects Editor | |
| Peter Staubli | Sound Effects Editor | |
| Ronald Eng | Sound Effects Editor | |
| Michael McMenomy | Dialogue Editor | |
| Daniel Newman | Dialogue Editor | |
| Andy Hay | Dialogue Editor | |
| Martin Czembor | Re-recording Mixer | |
| David Paterson | Re-recording Mixer | |
| Ron Bartlett | Re-recording Mixer | |
| Lon Bender | Re-recording Mixer | |
| Ryan Collison | Foley Mixer | |
| Connor Nagy | Foley Mixer | |
| Nick Seaman | Foley Editor | |
| Laura Heinzinger | Foley Editor | |
| Mick Gormaley | Music Editor | |
| Philip Tallman | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Todd Hewitt lives on the distant planet of New World—a new hope for humanity until struck by “The Noise,” a virus which inflicts immersive visions of ones’ every thought. The cacophony drives many mad until Todd makes a hidden, silent discovery: there is a girl named Viola, who may be the key to unlocking New World’s many layered secrets. Together, the two unlikely companions are forced on a white-knuckle adventure into an unexplored planet—trying to escape and hide in an environment where all thought is heard, all movement seen—as they both discover the truth about the lives they left behind and the spectacular world they’ve learned to call home.
Metrics
| Opening Weekend: | $3,775,350 (28.4% of total gross) |
| Legs: | 3.52 (domestic box office/biggest weekend) |
| Domestic Share: | 49.1% (domestic box office/worldwide) |
| Production Budget: | $100,000,000 (worldwide box office is 0.3 times production budget) |
| Theater counts: | 1,980 opening theaters/2,132 max. theaters, 6.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $15,626,685 |
Movie Details
| Domestic Releases: | March 5th, 2021 (Wide) by Lionsgate March 5th, 2021 (IMAX) by Lionsgate |
| International Releases: | February 3rd, 2021 (Wide) (France)
February 24th, 2021 (Wide) (South Korea) March 4th, 2021 (Wide) (Australia) March 4th, 2021 (Wide), released as Caos: El inicio (Mexico) March 4th, 2021 (Wide) (New Zealand) ... Show all releases |
| Video Release: | April 2nd, 2021 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for violence and language. (Rating bulletin 2653 (cert #52756), 10/28/2020) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Fugitive / On the Run |
| Social setting: | Dystopia, Post Apocalypse |
| Subgenre: | Chase Adventure |
| Time period setting: | Near Future |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Lionsgate, Quadrant Pictures, Allison Shearmur, 3 Arts Entertainment, TIK Films, Hercules Bron Creative Partnership |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | 3 | $3,775,350 | 1,980 | $1,907 | $3,775,350 | 1 | |
| Mar 12, 2021 | 3 | $2,248,332 | -40% | 1,995 | $1,127 | $6,909,739 | 2 |
| Mar 19, 2021 | 3 | $1,923,097 | -14% | 2,132 | $902 | $9,691,730 | 3 |
| Mar 26, 2021 | 4 | $1,208,710 | -37% | 2,036 | $594 | $11,491,966 | 4 |
| Apr 2, 2021 | 8 | $369,377 | -69% | 1,605 | $230 | $12,222,445 | 5 |
| Apr 9, 2021 | - | $273,866 | -26% | 1,300 | $211 | $12,683,521 | 6 |
| Apr 16, 2021 | 11 | $209,761 | -23% | 1,242 | $169 | $12,984,669 | 7 |
| Apr 23, 2021 | - | $107,218 | -49% | 1,071 | $100 | $13,153,403 | 8 |
| Apr 30, 2021 | - | $50,800 | -53% | 502 | $101 | $13,231,677 | 9 |
| May 7, 2021 | - | $31,888 | -37% | 413 | $77 | $13,280,044 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $1,326,427 | 1,980 | $670 | $1,326,427 | 1 | ||
| Mar 6, 2021 | - | $1,586,984 | +20% | 1,980 | $802 | $2,913,411 | 2 | |
| Mar 7, 2021 | - | $861,939 | -46% | 1,980 | $435 | $3,775,350 | 3 | |
| Mar 8, 2021 | - | $209,143 | -76% | 1,980 | $106 | $3,984,493 | 4 | |
| Mar 9, 2021 | - | $277,394 | +33% | 1,980 | $140 | $4,261,887 | 5 | |
| Mar 10, 2021 | - | $189,860 | -32% | 1,980 | $96 | $4,451,747 | 6 | |
| Mar 11, 2021 | - | $209,660 | +10% | 1,980 | $106 | $4,661,407 | 7 | |
| Mar 12, 2021 | - | $646,408 | +208% | -51% | 1,995 | $324 | $5,307,815 | 8 |
| Mar 13, 2021 | - | $1,015,183 | +57% | -36% | 1,995 | $509 | $6,322,998 | 9 |
| Mar 14, 2021 | - | $586,741 | -42% | -32% | 1,995 | $294 | $6,909,739 | 10 |
| Mar 15, 2021 | - | $201,306 | -66% | -4% | 1,995 | $101 | $7,111,045 | 11 |
| Mar 16, 2021 | - | $237,992 | +18% | -14% | 1,995 | $119 | $7,349,037 | 12 |
| Mar 17, 2021 | - | $201,552 | -15% | +6% | 1,995 | $101 | $7,550,589 | 13 |
| Mar 18, 2021 | - | $218,044 | +8% | +4% | 1,995 | $109 | $7,768,633 | 14 |
| Mar 19, 2021 | - | $577,476 | +165% | -11% | 2,132 | $271 | $8,346,109 | 15 |
| Mar 20, 2021 | - | $853,490 | +48% | -16% | 2,132 | $400 | $9,199,599 | 16 |
| Mar 21, 2021 | - | $492,131 | -42% | -16% | 2,132 | $231 | $9,691,730 | 17 |
| Mar 22, 2021 | - | $141,782 | -71% | -30% | 2,132 | $67 | $9,833,512 | 18 |
| Mar 23, 2021 | - | $172,068 | +21% | -28% | 2,132 | $81 | $10,005,580 | 19 |
| Mar 24, 2021 | - | $142,184 | -17% | -29% | 2,132 | $67 | $10,147,764 | 20 |
| Mar 25, 2021 | - | $135,492 | -5% | -38% | 2,132 | $64 | $10,283,256 | 21 |
| Mar 26, 2021 | - | $353,479 | +161% | -39% | 2,036 | $174 | $10,636,735 | 22 |
| Mar 27, 2021 | - | $531,013 | +50% | -38% | 2,036 | $261 | $11,167,748 | 23 |
| Mar 28, 2021 | - | $324,218 | -39% | -34% | 2,036 | $159 | $11,491,966 | 24 |
| Mar 29, 2021 | - | $103,529 | -68% | -27% | 2,036 | $51 | $11,595,495 | 25 |
| Mar 30, 2021 | - | $115,951 | +12% | -33% | 2,036 | $57 | $11,711,446 | 26 |
| Mar 31, 2021 | - | $68,009 | -41% | -52% | 2,036 | $33 | $11,779,455 | 27 |
| Apr 1, 2021 | - | $73,613 | +8% | -46% | 2,036 | $36 | $11,853,068 | 28 |
| Apr 2, 2021 | - | $135,133 | +84% | -62% | 1,605 | $84 | $11,988,201 | 29 |
| Apr 3, 2021 | - | $149,287 | +10% | -72% | 1,605 | $93 | $12,137,488 | 30 |
| Apr 4, 2021 | - | $84,957 | -43% | -74% | 1,605 | $53 | $12,222,445 | 31 |
| Apr 5, 2021 | - | $47,618 | -44% | -54% | 1,605 | $30 | $12,270,063 | 32 |
| Apr 6, 2021 | - | $49,092 | +3% | -58% | 1,605 | $31 | $12,319,155 | 33 |
| Apr 7, 2021 | - | $46,482 | -5% | -32% | 1,605 | $29 | $12,365,637 | 34 |
| Apr 8, 2021 | - | $44,018 | -5% | -40% | 1,605 | $27 | $12,409,655 | 35 |
| Apr 9, 2021 | - | $82,022 | +86% | -39% | 1,300 | $63 | $12,491,677 | 36 |
| Apr 10, 2021 | - | $125,268 | +53% | -16% | 1,300 | $96 | $12,616,945 | 37 |
| Apr 11, 2021 | - | $66,576 | -47% | -22% | 1,300 | $51 | $12,683,521 | 38 |
| Apr 12, 2021 | - | $20,183 | -70% | -58% | 1,300 | $16 | $12,703,704 | 39 |
| Apr 13, 2021 | - | $22,172 | +10% | -55% | 1,300 | $17 | $12,725,876 | 40 |
| Apr 14, 2021 | - | $22,546 | +2% | -51% | 1,300 | $17 | $12,748,422 | 41 |
| Apr 15, 2021 | - | $26,486 | +17% | -40% | 1,300 | $20 | $12,774,908 | 42 |
| Apr 16, 2021 | - | $67,103 | +153% | -18% | 1,242 | $54 | $12,842,011 | 43 |
| Apr 17, 2021 | - | $94,642 | +41% | -24% | 1,242 | $76 | $12,936,653 | 44 |
| Apr 18, 2021 | - | $48,016 | -49% | -28% | 1,242 | $39 | $12,984,669 | 45 |
| Apr 19, 2021 | - | $14,597 | -70% | -28% | 1,242 | $12 | $12,999,266 | 46 |
| Apr 20, 2021 | - | $16,677 | +14% | -25% | 1,242 | $13 | $13,015,943 | 47 |
| Apr 21, 2021 | - | $15,038 | -10% | -33% | 1,242 | $12 | $13,030,981 | 48 |
| Apr 22, 2021 | - | $15,204 | +1% | -43% | 1,242 | $12 | $13,046,185 | 49 |
| Apr 23, 2021 | - | $32,916 | +116% | -51% | 1,071 | $31 | $13,079,101 | 50 |
| Apr 24, 2021 | - | $48,885 | +49% | -48% | 1,071 | $46 | $13,127,986 | 51 |
| Apr 25, 2021 | - | $25,417 | -48% | -47% | 1,071 | $24 | $13,153,403 | 52 |
| Apr 26, 2021 | - | $5,861 | -77% | -60% | 1,071 | $5 | $13,159,264 | 53 |
| Apr 27, 2021 | - | $7,806 | +33% | -53% | 1,071 | $7 | $13,167,070 | 54 |
| Apr 28, 2021 | - | $7,041 | -10% | -53% | 1,071 | $7 | $13,174,111 | 55 |
| Apr 29, 2021 | - | $6,766 | -4% | -55% | 1,071 | $6 | $13,180,877 | 56 |
| Apr 30, 2021 | - | $14,541 | +115% | -56% | 502 | $29 | $13,195,418 | 57 |
| May 1, 2021 | - | $25,821 | +78% | -47% | 502 | $51 | $13,221,239 | 58 |
| May 2, 2021 | - | $10,438 | -60% | -59% | 502 | $21 | $13,231,677 | 59 |
| May 3, 2021 | - | $3,819 | -63% | -35% | 502 | $8 | $13,235,496 | 60 |
| May 4, 2021 | - | $5,108 | +34% | -35% | 502 | $10 | $13,240,604 | 61 |
| May 5, 2021 | - | $3,993 | -22% | -43% | 502 | $8 | $13,244,597 | 62 |
| May 6, 2021 | - | $3,559 | -11% | -47% | 502 | $7 | $13,248,156 | 63 |
| May 7, 2021 | - | $10,416 | +193% | -28% | 413 | $25 | $13,258,572 | 64 |
| May 8, 2021 | - | $15,043 | +44% | -42% | 413 | $36 | $13,273,615 | 65 |
| May 9, 2021 | - | $6,429 | -57% | -38% | 413 | $16 | $13,280,044 | 66 |
| May 10, 2021 | - | $1,872 | -71% | -51% | 413 | $5 | $13,281,916 | 67 |
| May 11, 2021 | - | $2,013 | +8% | -61% | 413 | $5 | $13,283,929 | 68 |
| May 12, 2021 | - | $2,150 | +7% | -46% | 413 | $5 | $13,286,079 | 69 |
| May 13, 2021 | - | $1,829 | -15% | -49% | 413 | $4 | $13,287,908 | 70 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 5, 2021 | - | $4,661,407 | 1,980 | $2,354 | $4,661,407 | 1 | |
| Mar 12, 2021 | - | $3,107,226 | -33% | 1,995 | $1,558 | $7,768,633 | 2 |
| Mar 19, 2021 | - | $2,514,623 | -19% | 2,132 | $1,179 | $10,283,256 | 3 |
| Mar 26, 2021 | - | $1,569,812 | -38% | 2,036 | $771 | $11,853,068 | 4 |
| Apr 2, 2021 | - | $556,587 | -65% | 1,605 | $347 | $12,409,655 | 5 |
| Apr 9, 2021 | - | $365,253 | -34% | 1,300 | $281 | $12,774,908 | 6 |
| Apr 16, 2021 | - | $271,277 | -26% | 1,242 | $218 | $13,046,185 | 7 |
| Apr 23, 2021 | - | $134,692 | -50% | 1,071 | $126 | $13,180,877 | 8 |
| Apr 30, 2021 | 20 | $67,279 | -50% | 502 | $134 | $13,248,156 | 9 |
| May 7, 2021 | 25 | $39,752 | -41% | 413 | $96 | $13,287,908 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 3/4/2021 | $900,191 | 388 | 388 | 1,481 | $2,936,245 | 6/2/2021 | |||
| Austria | 6/18/2021 | $18,363 | 15,050 | 15,050 | 15,050 | $65,018 | 8/13/2021 | |||
| Belgium | 8/4/2021 | $92,378 | 43 | 43 | 88 | $152,181 | 4/4/2026 | |||
| Brazil | 5/13/2021 | $0 | 0 | 1,819 | 1,819 | $188,234 | 6/24/2021 | |||
| Chile | 5/27/2021 | $0 | 0 | 310,300 | 310,300 | $944 | 10/20/2022 | |||
| China | 8/27/2021 | $790,000 | 49,008 | 49,008 | 49,591 | $1,010,000 | 10/20/2022 | |||
| Denmark | 5/6/2021 | $0 | 0 | 12,795 | 12,795 | $2,351,516 | 8/6/2021 | |||
| Estonia | 5/28/2021 | $0 | 0 | 135 | 135 | $14,545 | 6/24/2021 | |||
| Finland | 7/16/2021 | $0 | 0 | 6 | 8 | $79,114 | 8/13/2021 | |||
| Germany | 6/17/2021 | $10,942 | 8,968 | 8,968 | 8,983 | $33,071 | 8/20/2021 | |||
| Hong Kong | 4/29/2021 | $108,753 | 0 | 0 | 0 | $108,753 | 5/7/2021 | |||
| Lithuania | 5/14/2021 | $3,490 | 13 | 13 | 19 | $5,703 | 5/26/2021 | |||
| Mexico | 3/4/2021 | $263,195 | 0 | 0 | 0 | $942,984 | 10/19/2022 | |||
| Netherlands | 6/25/2021 | $136,491 | 91 | 91 | 229 | $432,866 | 8/6/2021 | |||
| New Zealand | 3/4/2021 | $97,427 | 77 | 80 | 346 | $401,731 | 10/19/2022 | |||
| Norway | 7/16/2021 | $0 | 0 | 23 | 45 | $115,126 | 4/4/2026 | |||
| Peru | 8/5/2021 | $0 | 0 | 0 | 0 | $13,858 | 10/20/2022 | |||
| Portugal | 6/11/2021 | $19,919 | 57 | 57 | 107 | $41,248 | 6/29/2021 | |||
| Russia (CIS) | 3/25/2021 | $405,760 | 1,352 | 1,407 | 3,259 | $810,657 | 4/4/2026 | |||
| Serbia and Montenegro | 9/2/2021 | $1,841 | 18 | 18 | 18 | $1,841 | 10/20/2022 | |||
| South Korea | 2/24/2021 | $504,708 | 759 | 759 | 1,425 | $1,099,555 | 4/21/2021 | |||
| Spain | 4/30/2021 | $0 | 0 | 691 | 786 | $612,765 | 7/16/2021 | |||
| Sweden | 6/23/2021 | $0 | 0 | 7 | 7 | $1,007,336 | 8/6/2021 | |||
| Switzerland (French Speaking) | 8/6/2021 | $17,376 | 13 | 13 | 22 | $22,304 | 8/20/2021 | |||
| Switzerland (German Speaking) | 4/22/2021 | $0 | 0 | 1,098 | 1,100 | $278,577 | 8/13/2021 | |||
| Switzerland (Italian Speaking) | 6/10/2021 | $0 | 0 | 484 | 484 | $1,744 | 6/24/2021 | |||
| Turkey | 1/28/2022 | $23,180 | 103 | 103 | 167 | $42,319 | 4/4/2026 | |||
| Uruguay | 8/26/2021 | $0 | 0 | 3 | 3 | $4,855 | 10/20/2022 | |||
| Rest of World | $1,009,171 | |||||||||
| International Total | $13,784,261 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tom Holland | Todd Hewitt | |
| Daisy Ridley | Viola Eade |
Supporting
| Mads Mikkelsen | Mayor Prentiss | |
| Demián Bichir | Ben | |
| Cynthia Erivo | Hildy | |
| Nick Jonas | Davy Prentiss, Jr. | |
| Kurt Sutter | Cillian | |
| David Oyelowo | Aaron | |
| Oscar Jaenada | Wilf | |
| Bethany Anne Lind | Karyssa Hewitt | |
| Ray McKinnon | Matthew | |
| Vincent LeClerc | Daws | |
| Blane Crockarell | Young Todd | |
| François Gauthiér | Charlie | |
| Tyrone Benskin | Hammer | |
| Frank Fontaine | Mr. Phelps | |
| Don Jordan | Tam | |
| Patrick Garrow | Ivan | |
| Mylène Dinh-Robic | Julie | |
| Julian Richings | Gault | |
| Michael Dyson | Fisherman #1 | |
| Glen Michael Grant | Fisherman #2 | |
| Maxwell McCabe-Lokos | Prentisstown Man #1 | |
| Stephen Eric McIntyre | Prentisstown Man #2 | |
| Pete Seaborne | Caleb | |
| Jean Michel Paré | Mayor Camp Man #1 | |
| Michael Yarmush | Prentisstown Scout | |
| Frédéric Bélanger | Prentisstown Man #3 | |
| Louis-Philippe Duhamel | Stable Boy #1 | |
| Janel Boire | Stable #2 | |
| Trevor Anderson | Prentisstown Man #4 | |
| Brian Alexander | Prentisstown Footman #1 | |
| Jerome Huerta | Prentisstown Footman #2 |
Production and Technical Credits
| Doug Liman | Director | |
| Patrick Ness | Screenwriter | |
| Christopher D. Ford | Screenwriter | |
| Patrick Ness | Story based on the book “The Knife of Never Letting Go” by | |
| Doug Davison | Producer | |
| Allison Shearmur | Producer | |
| Erwin Stoff | Producer | |
| Alison Winter | Producer | |
| Ray Angelic | Executive Producer | |
| Erik Feig | Executive Producer | |
| Iron Chen | Executive Producer | |
| Paris Kasidokostas Latsis | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Ben Seresin | Director of Photography | |
| Dan Weil | Production Designer | |
| Doc Crotzer | Editor | |
| Lon Bender | Sound Designer | |
| Lon Bender | Sound Supervisor | |
| Kate Hawley | Costume Designer | |
| Marco Beltrami | Composer | |
| Brandon Roberts | Composer | |
| Julianne Jordan | Music Supervisor | |
| Matt Johnson | Visual Effects Supervisor | |
| Helene Ross | Unit Production Manager | |
| Ray Angelic | Unit Production Manager | |
| Mark Anthony Little | First Assistant Director | |
| Patrick Murphy | Second Assistant Director | |
| Simon Crane | Second Unit Director | |
| Thomas Elder Groebe | Visual Effects Producer | |
| Simon Crane | Stunt Coordinator | |
| Marc Desourdy | Stunt Coordinator | |
| Gershon Hinkson | Additional Editor | |
| Nicholas Lepage | Supervising Art Director | |
| Daran Fulham | Art Director | |
| Carolyne De Bellefeuille | Art Director | |
| Daniel Carpentier | Set Decorator | |
| Daniel Hamelin | Set Decorator | |
| Brad Rohrer | Post-Production Supervisor | |
| Julia Bloch | Additional Editor | |
| Kevin Greutert | Additional Editor | |
| Adam Schaefer | First Assistant Editor | |
| Andrew Pang | Assistant Editor | |
| Max Miller | Assistant Editor | |
| Elizabeth Tremblay | Script Supervisor | |
| Simon Poudrette | Sound Mixer | |
| Frederic Amblard | Set Designer | |
| Gabriella Douglas | Set Designer | |
| Simon Theberge | Set Designer | |
| Jessica Dan | Set Designer | |
| Louis Craig | Special Effects Supervisor | |
| Colleen Quinton | Make up | |
| Charles Carter | Make up | |
| Bruno Gatien | Special Make-up Effects | |
| Rejean Goderre | Hairstylist | |
| Frédéric Bélanger | Hairstylist | |
| Benoît Mathieu | Location Manager | |
| Ben Cooke | Second Unit Director | |
| Luke Gibleon | Sound Editor | |
| Luke Gibleon | Sound Designer | |
| Alexa Zimmerman | Supervising Dialogue Editor/ADR Editor | |
| Alex Nomick | Sound Designer | |
| Jeffrey A. Pitts | Sound Designer | |
| Rusty Dunn | Sound Designer | |
| Mariusz Glabinski | Sound Effects Editor | |
| Peter Staubli | Sound Effects Editor | |
| Ronald Eng | Sound Effects Editor | |
| Michael McMenomy | Dialogue Editor | |
| Daniel Newman | Dialogue Editor | |
| Andy Hay | Dialogue Editor | |
| Martin Czembor | Re-recording Mixer | |
| David Paterson | Re-recording Mixer | |
| Ron Bartlett | Re-recording Mixer | |
| Lon Bender | Re-recording Mixer | |
| Ryan Collison | Foley Mixer | |
| Connor Nagy | Foley Mixer | |
| Nick Seaman | Foley Editor | |
| Laura Heinzinger | Foley Editor | |
| Mick Gormaley | Music Editor | |
| Philip Tallman | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.