Churchill (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $1,279,681 | Details |
| International Box Office | $6,302,515 | Details |
| Worldwide Box Office | $7,582,196 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $80,929 | |
| Blu-ray Sales (estimated) | $61,292 | |
| Total | $142,221 | |
| OpusData ID: 280510100 More info... | ||
| Further financial details... | ||
Synopsis
Tensions mount for the beleaguered British Prime Minister Winston Churchill in the days leading up to infamous Allied D-Day landings in Normandy, France in June, 1944. Fearful of repeating his deadly mistake from World War I in the Battle of Gallipoli, exhausted by years of war, plagued by depression and obsessed with his historical destiny, Churchill is reluctant to embark on the large-scale campaign, one that the entire war effort hinges upon. Clashing with his Allied political opponents U.S. General Dwight D. Eisenhower and British Field Marshal Bernard Law Montgomery, the troubled Churchill receives support and devotion from his wife, the brilliant and unflappable Clementine Churchill. With her strength and shrewdness, “Clemmie” halts Winston’s physical, mental spiritual collapse and inspires him on to greatness.
Metrics
| Opening Weekend: | $408,891 (32.0% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 16.9% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 215 opening theaters/215 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,706,238 |
Movie Details
| Domestic Releases: | June 2nd, 2017 (Limited) by Cohen Media Group |
| International Releases: | March 30th, 2017 (Wide) (Mexico)
June 2nd, 2017 (Wide) (Australia) June 2nd, 2017 (Wide) (France) June 16th, 2017 (Wide) (New Zealand) June 16th, 2017 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | October 3rd, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for thematic elements, brief war images, historical smoking throughout, and some language. (Rating bulletin 2467 (Cert #50966), 3/15/2017) |
| Running Time: | 110 minutes |
| Geographical setting: | United Kingdom |
| Plot point: | Biography, Politicians |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Cohen Media Group, Silver Reel Entertainment, Salon , Tempo Productions, Embankment Films, Lipsync Productions, Creative Scotland, Headgear Films, Metrol Technology |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 2, 2017 | 16 | $408,891 | 215 | $1,902 | $408,891 | 1 | |
| Jun 9, 2017 | 20 | $201,624 | -51% | 187 | $1,078 | $798,779 | 2 |
| Jun 16, 2017 | 29 | $85,393 | -58% | 60 | $1,423 | $993,017 | 3 |
| Jun 23, 2017 | 34 | $70,581 | -17% | 55 | $1,283 | $1,107,937 | 4 |
| Jun 30, 2017 | 40 | $29,745 | -58% | 26 | $1,144 | $1,181,463 | 5 |
| Jul 7, 2017 | 47 | $14,920 | -50% | 18 | $829 | $1,220,078 | 6 |
| Jul 14, 2017 | 49 | $10,264 | -31% | 14 | $733 | $1,244,798 | 7 |
| Jul 21, 2017 | 60 | $3,684 | -64% | 7 | $526 | $1,255,014 | 8 |
| Jul 28, 2017 | 63 | $4,487 | +22% | 9 | $499 | $1,264,854 | 9 |
| Aug 4, 2017 | 63 | $4,739 | +6% | 5 | $948 | $1,273,135 | 10 |
| Aug 11, 2017 | 81 | $2,127 | -55% | 4 | $532 | $1,279,681 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 2, 2017 | 16 | $597,155 | 215 | $2,777 | $597,155 | 1 | |
| Jun 9, 2017 | 19 | $310,469 | -48% | 187 | $1,660 | $907,624 | 2 |
| Jun 16, 2017 | 29 | $129,732 | -58% | 55 | $2,359 | $1,037,356 | 3 |
| Jun 23, 2017 | 34 | $114,362 | -12% | 55 | $2,079 | $1,151,718 | 4 |
| Jun 30, 2017 | 40 | $53,440 | -53% | 26 | $2,055 | $1,205,158 | 5 |
| Jul 7, 2017 | 45 | $29,375 | -45% | 18 | $1,632 | $1,234,534 | 6 |
| Jul 14, 2017 | 50 | $16,796 | -43% | 15 | $1,120 | $1,251,330 | 7 |
| Jul 21, 2017 | 57 | $9,037 | -46% | 11 | $822 | $1,260,367 | 8 |
| Jul 28, 2017 | 62 | $8,029 | -11% | 9 | $892 | $1,268,396 | 9 |
| Aug 4, 2017 | 57 | $9,158 | +14% | 5 | $1,832 | $1,277,554 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/2/2017 | $2,220 | 5 | 86 | 780 | $1,386,888 | 10/23/2017 | |||
| Bulgaria | 12/15/2017 | $1,579 | 0 | 0 | 0 | $9,860 | 2/26/2019 | |||
| France | 6/2/2017 | $158,965 | 0 | 0 | 0 | $158,965 | 6/27/2018 | |||
| Mexico | 3/30/2017 | $0 | 0 | 0 | 0 | $400,683 | 7/12/2017 | |||
| New Zealand | 6/16/2017 | $67,776 | 37 | 45 | 319 | $309,824 | 9/5/2017 | |||
| Portugal | 6/16/2017 | $33,840 | 24 | 24 | 82 | $129,181 | 7/27/2017 | |||
| Spain | 9/8/2017 | $224,647 | 125 | 151 | 463 | $664,162 | 10/6/2017 | |||
| Turkey | 7/28/2017 | $9,114 | 30 | 30 | 41 | $22,525 | 2/26/2019 | |||
| United Kingdom | 6/16/2017 | $501,830 | 345 | 393 | 1,136 | $2,202,793 | 10/4/2017 | |||
| Rest of World | $1,017,634 | |||||||||
| International Total | $6,302,515 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brian Cox | Winston Churchill | |
| Miranda Richardson | Clementine Churchill | |
| John Slattery | Dwight Eisenhower |
Supporting
| Ella Purnell | Helen Garrett | |
| James Purefoy | King George VI | |
| Julian Wadham | General Montgomery | |
| Richard Durden | Jan Smuts | |
| Danny Webb | Field Marshal Alan Brooke | |
| Jonathan Aris | Leigh Mallory | |
| George Anton | Admiral Ramsay |
Production and Technical Credits
| Jonathan Teplitzky | Director | |
| Alex Von Tunzelmann | Screenwriter | |
| Nick Taussig | Producer | |
| Paul van Carter | Producer | |
| Claudia Bluemhuber | Producer | |
| Piers Tempest | Producer | |
| Tim Haslam | Executive Producer | |
| Hugo Grumbar | Executive Producer | |
| Jo Bamford | Executive Producer | |
| Ian Berg | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Ian Hutchinson | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Nick Manzi | Executive Producer | |
| Norman Merry | Executive Producer | |
| Michael Milillo | Executive Producer | |
| Christopher J. Reynolds | Executive Producer | |
| Andrea Reynolds | Executive Producer | |
| Compton Ross | Executive Producer | |
| Ronnell Shaw | Executive Producer | |
| Mike Starr | Executive Producer | |
| David Higgs | Director of Photography | |
| Chris Gill | Editor | |
| Lorne Balfe | Composer | |
| Chris Roope | Production Designer | |
| Cate Hall | Make up, Hair and Prosthetics Designer | |
| Bart Cariss | Costume Designer | |
| Dan Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Tensions mount for the beleaguered British Prime Minister Winston Churchill in the days leading up to infamous Allied D-Day landings in Normandy, France in June, 1944. Fearful of repeating his deadly mistake from World War I in the Battle of Gallipoli, exhausted by years of war, plagued by depression and obsessed with his historical destiny, Churchill is reluctant to embark on the large-scale campaign, one that the entire war effort hinges upon. Clashing with his Allied political opponents U.S. General Dwight D. Eisenhower and British Field Marshal Bernard Law Montgomery, the troubled Churchill receives support and devotion from his wife, the brilliant and unflappable Clementine Churchill. With her strength and shrewdness, “Clemmie” halts Winston’s physical, mental spiritual collapse and inspires him on to greatness.
Metrics
| Opening Weekend: | $408,891 (32.0% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 16.9% (domestic box office/worldwide) |
| Production Budget: | $10,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 215 opening theaters/215 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,706,238 |
Movie Details
| Domestic Releases: | June 2nd, 2017 (Limited) by Cohen Media Group |
| International Releases: | March 30th, 2017 (Wide) (Mexico)
June 2nd, 2017 (Wide) (Australia) June 2nd, 2017 (Wide) (France) June 16th, 2017 (Wide) (New Zealand) June 16th, 2017 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | October 3rd, 2017 by Sony Pictures Home Entertainment |
| MPA Rating: | PG for thematic elements, brief war images, historical smoking throughout, and some language. (Rating bulletin 2467 (Cert #50966), 3/15/2017) |
| Running Time: | 110 minutes |
| Geographical setting: | United Kingdom |
| Plot point: | Biography, Politicians |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Cohen Media Group, Silver Reel Entertainment, Salon , Tempo Productions, Embankment Films, Lipsync Productions, Creative Scotland, Headgear Films, Metrol Technology |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 2, 2017 | 16 | $408,891 | 215 | $1,902 | $408,891 | 1 | |
| Jun 9, 2017 | 20 | $201,624 | -51% | 187 | $1,078 | $798,779 | 2 |
| Jun 16, 2017 | 29 | $85,393 | -58% | 60 | $1,423 | $993,017 | 3 |
| Jun 23, 2017 | 34 | $70,581 | -17% | 55 | $1,283 | $1,107,937 | 4 |
| Jun 30, 2017 | 40 | $29,745 | -58% | 26 | $1,144 | $1,181,463 | 5 |
| Jul 7, 2017 | 47 | $14,920 | -50% | 18 | $829 | $1,220,078 | 6 |
| Jul 14, 2017 | 49 | $10,264 | -31% | 14 | $733 | $1,244,798 | 7 |
| Jul 21, 2017 | 60 | $3,684 | -64% | 7 | $526 | $1,255,014 | 8 |
| Jul 28, 2017 | 63 | $4,487 | +22% | 9 | $499 | $1,264,854 | 9 |
| Aug 4, 2017 | 63 | $4,739 | +6% | 5 | $948 | $1,273,135 | 10 |
| Aug 11, 2017 | 81 | $2,127 | -55% | 4 | $532 | $1,279,681 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 2, 2017 | 16 | $597,155 | 215 | $2,777 | $597,155 | 1 | |
| Jun 9, 2017 | 19 | $310,469 | -48% | 187 | $1,660 | $907,624 | 2 |
| Jun 16, 2017 | 29 | $129,732 | -58% | 55 | $2,359 | $1,037,356 | 3 |
| Jun 23, 2017 | 34 | $114,362 | -12% | 55 | $2,079 | $1,151,718 | 4 |
| Jun 30, 2017 | 40 | $53,440 | -53% | 26 | $2,055 | $1,205,158 | 5 |
| Jul 7, 2017 | 45 | $29,375 | -45% | 18 | $1,632 | $1,234,534 | 6 |
| Jul 14, 2017 | 50 | $16,796 | -43% | 15 | $1,120 | $1,251,330 | 7 |
| Jul 21, 2017 | 57 | $9,037 | -46% | 11 | $822 | $1,260,367 | 8 |
| Jul 28, 2017 | 62 | $8,029 | -11% | 9 | $892 | $1,268,396 | 9 |
| Aug 4, 2017 | 57 | $9,158 | +14% | 5 | $1,832 | $1,277,554 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/2/2017 | $2,220 | 5 | 86 | 780 | $1,386,888 | 10/23/2017 | |||
| Bulgaria | 12/15/2017 | $1,579 | 0 | 0 | 0 | $9,860 | 2/26/2019 | |||
| France | 6/2/2017 | $158,965 | 0 | 0 | 0 | $158,965 | 6/27/2018 | |||
| Mexico | 3/30/2017 | $0 | 0 | 0 | 0 | $400,683 | 7/12/2017 | |||
| New Zealand | 6/16/2017 | $67,776 | 37 | 45 | 319 | $309,824 | 9/5/2017 | |||
| Portugal | 6/16/2017 | $33,840 | 24 | 24 | 82 | $129,181 | 7/27/2017 | |||
| Spain | 9/8/2017 | $224,647 | 125 | 151 | 463 | $664,162 | 10/6/2017 | |||
| Turkey | 7/28/2017 | $9,114 | 30 | 30 | 41 | $22,525 | 2/26/2019 | |||
| United Kingdom | 6/16/2017 | $501,830 | 345 | 393 | 1,136 | $2,202,793 | 10/4/2017 | |||
| Rest of World | $1,017,634 | |||||||||
| International Total | $6,302,515 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Brian Cox | Winston Churchill | |
| Miranda Richardson | Clementine Churchill | |
| John Slattery | Dwight Eisenhower |
Supporting
| Ella Purnell | Helen Garrett | |
| James Purefoy | King George VI | |
| Julian Wadham | General Montgomery | |
| Richard Durden | Jan Smuts | |
| Danny Webb | Field Marshal Alan Brooke | |
| Jonathan Aris | Leigh Mallory | |
| George Anton | Admiral Ramsay |
Production and Technical Credits
| Jonathan Teplitzky | Director | |
| Alex Von Tunzelmann | Screenwriter | |
| Nick Taussig | Producer | |
| Paul van Carter | Producer | |
| Claudia Bluemhuber | Producer | |
| Piers Tempest | Producer | |
| Tim Haslam | Executive Producer | |
| Hugo Grumbar | Executive Producer | |
| Jo Bamford | Executive Producer | |
| Ian Berg | Executive Producer | |
| Peter Hampden | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Ian Hutchinson | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Nick Manzi | Executive Producer | |
| Norman Merry | Executive Producer | |
| Michael Milillo | Executive Producer | |
| Christopher J. Reynolds | Executive Producer | |
| Andrea Reynolds | Executive Producer | |
| Compton Ross | Executive Producer | |
| Ronnell Shaw | Executive Producer | |
| Mike Starr | Executive Producer | |
| David Higgs | Director of Photography | |
| Chris Gill | Editor | |
| Lorne Balfe | Composer | |
| Chris Roope | Production Designer | |
| Cate Hall | Make up, Hair and Prosthetics Designer | |
| Bart Cariss | Costume Designer | |
| Dan Hubbard | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.