City of Gold (2016)
| Theatrical Performance | ||
| Domestic Box Office | $608,799 | Details |
| International Box Office | $71,985 | Details |
| Worldwide Box Office | $680,784 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $271,334 | |
| Total | $271,334 | |
| OpusData ID: 230080100 More info... | ||
| Further financial details... | ||
Synopsis
Restaurant Critic Jonathan Gold has long been adored in his hometown for his cultural writing about LA’s hidden culinary treasures; he was one of the first critics to review small family owned restaurants in far-flung ethnic enclaves with as much passion as the haute cuisine establishments of Beverly Hills.
Metrics
| Opening Weekend: | $62,959 (10.3% of total gross) |
| Legs: | 6.76 (domestic box office/biggest weekend) |
| Domestic Share: | 89.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/50 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $841,757 |
Movie Details
| Domestic Releases: | March 11th, 2016 (Limited) by IFC Films |
| International Releases: | May 27th, 2016 (Wide), released as City Of Gold (New Zealand)
December 4th, 2018 (Wide) (South Korea) |
| Video Release: | September 27th, 2016 by Mpi Home Video |
| MPA Rating: | R for some language. (Rating bulletin 2407 (Cert #50211), 1/13/2016) |
| Running Time: | 91 minutes |
| Film festival: | Sundance Film Festival 2015 |
| Geographical setting: | California, Los Angeles |
| Plot point: | Food, Writing and Writers |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Sundance Selects, JMLA |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 49 | $62,959 | 4 | $15,740 | $62,959 | 1 | |
| Mar 18, 2016 | 48 | $63,914 | +2% | 14 | $4,565 | $153,884 | 2 |
| Mar 25, 2016 | 31 | $90,072 | +41% | 33 | $2,729 | $272,712 | 3 |
| Apr 1, 2016 | 38 | $75,811 | -16% | 40 | $1,895 | $387,813 | 4 |
| Apr 8, 2016 | 39 | $60,527 | -20% | 49 | $1,235 | $482,366 | 5 |
| Apr 15, 2016 | 44 | $36,870 | -39% | 50 | $737 | $539,724 | 6 |
| Apr 22, 2016 | 55 | $17,363 | -53% | 37 | $469 | $574,113 | 7 |
| Apr 29, 2016 | 68 | $8,396 | -52% | 16 | $525 | $591,901 | 8 |
| May 6, 2016 | 69 | $6,045 | -28% | 12 | $504 | $602,427 | 9 |
| May 13, 2016 | 83 | $2,733 | -55% | 9 | $304 | $608,799 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 49 | $89,970 | 4 | $22,493 | $89,970 | 1 | |
| Mar 18, 2016 | 48 | $92,670 | +3% | 14 | $6,619 | $182,640 | 2 |
| Mar 25, 2016 | 33 | $129,362 | +40% | 33 | $3,920 | $312,002 | 3 |
| Apr 1, 2016 | 38 | $109,837 | -15% | 40 | $2,746 | $421,392 | 4 |
| Apr 8, 2016 | 40 | $81,015 | -26% | 49 | $1,653 | $502,854 | 5 |
| Apr 15, 2016 | 45 | $53,896 | -33% | 50 | $1,078 | $556,750 | 6 |
| Apr 22, 2016 | 53 | $26,755 | -50% | 36 | $743 | $583,505 | 7 |
| Apr 29, 2016 | 76 | $12,877 | -52% | 16 | $805 | $596,382 | 8 |
| May 6, 2016 | 76 | $9,684 | -25% | 12 | $807 | $606,066 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 5/27/2016 | $3,559 | 5 | 6 | 11 | $19,415 | 6/9/2016 | |||
| South Korea | 12/4/2018 | $0 | 0 | 13 | 36 | $52,570 | 7/29/2020 | |||
| International Total | $71,985 | 7/29/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Jonathan Gold | Himself |
Production and Technical Credits
| Laura Gabbert | Director | |
| Laura Gabbert | Producer | |
| Holly Becker | Producer | |
| Jamie Wolf | Executive Producer | |
| Braxton Pope | Executive Producer | |
| Andrea Lewis | Co-Producer | |
| Greg King | Editor | |
| William Haugse | Editor | |
| Bobby Johnston | Composer | |
| Goro Toshima | Cinematographer | |
| Jerry Henry | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Restaurant Critic Jonathan Gold has long been adored in his hometown for his cultural writing about LA’s hidden culinary treasures; he was one of the first critics to review small family owned restaurants in far-flung ethnic enclaves with as much passion as the haute cuisine establishments of Beverly Hills.
Metrics
| Opening Weekend: | $62,959 (10.3% of total gross) |
| Legs: | 6.76 (domestic box office/biggest weekend) |
| Domestic Share: | 89.4% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/50 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $841,757 |
Movie Details
| Domestic Releases: | March 11th, 2016 (Limited) by IFC Films |
| International Releases: | May 27th, 2016 (Wide), released as City Of Gold (New Zealand)
December 4th, 2018 (Wide) (South Korea) |
| Video Release: | September 27th, 2016 by Mpi Home Video |
| MPA Rating: | R for some language. (Rating bulletin 2407 (Cert #50211), 1/13/2016) |
| Running Time: | 91 minutes |
| Film festival: | Sundance Film Festival 2015 |
| Geographical setting: | California, Los Angeles |
| Plot point: | Food, Writing and Writers |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Sundance Selects, JMLA |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 49 | $62,959 | 4 | $15,740 | $62,959 | 1 | |
| Mar 18, 2016 | 48 | $63,914 | +2% | 14 | $4,565 | $153,884 | 2 |
| Mar 25, 2016 | 31 | $90,072 | +41% | 33 | $2,729 | $272,712 | 3 |
| Apr 1, 2016 | 38 | $75,811 | -16% | 40 | $1,895 | $387,813 | 4 |
| Apr 8, 2016 | 39 | $60,527 | -20% | 49 | $1,235 | $482,366 | 5 |
| Apr 15, 2016 | 44 | $36,870 | -39% | 50 | $737 | $539,724 | 6 |
| Apr 22, 2016 | 55 | $17,363 | -53% | 37 | $469 | $574,113 | 7 |
| Apr 29, 2016 | 68 | $8,396 | -52% | 16 | $525 | $591,901 | 8 |
| May 6, 2016 | 69 | $6,045 | -28% | 12 | $504 | $602,427 | 9 |
| May 13, 2016 | 83 | $2,733 | -55% | 9 | $304 | $608,799 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 11, 2016 | 49 | $89,970 | 4 | $22,493 | $89,970 | 1 | |
| Mar 18, 2016 | 48 | $92,670 | +3% | 14 | $6,619 | $182,640 | 2 |
| Mar 25, 2016 | 33 | $129,362 | +40% | 33 | $3,920 | $312,002 | 3 |
| Apr 1, 2016 | 38 | $109,837 | -15% | 40 | $2,746 | $421,392 | 4 |
| Apr 8, 2016 | 40 | $81,015 | -26% | 49 | $1,653 | $502,854 | 5 |
| Apr 15, 2016 | 45 | $53,896 | -33% | 50 | $1,078 | $556,750 | 6 |
| Apr 22, 2016 | 53 | $26,755 | -50% | 36 | $743 | $583,505 | 7 |
| Apr 29, 2016 | 76 | $12,877 | -52% | 16 | $805 | $596,382 | 8 |
| May 6, 2016 | 76 | $9,684 | -25% | 12 | $807 | $606,066 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 5/27/2016 | $3,559 | 5 | 6 | 11 | $19,415 | 6/9/2016 | |||
| South Korea | 12/4/2018 | $0 | 0 | 13 | 36 | $52,570 | 7/29/2020 | |||
| International Total | $71,985 | 7/29/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Jonathan Gold | Himself |
Production and Technical Credits
| Laura Gabbert | Director | |
| Laura Gabbert | Producer | |
| Holly Becker | Producer | |
| Jamie Wolf | Executive Producer | |
| Braxton Pope | Executive Producer | |
| Andrea Lewis | Co-Producer | |
| Greg King | Editor | |
| William Haugse | Editor | |
| Bobby Johnston | Composer | |
| Goro Toshima | Cinematographer | |
| Jerry Henry | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.