El Clan (2015)
| Theatrical Performance | ||
| Domestic Box Office | $201,227 | Details |
| International Box Office | $21,923,875 | Details |
| Worldwide Box Office | $22,125,102 | |
| OpusData ID: 239410100 More info... | ||
| Further financial details... | ||
Synopsis
Old habits die hard: The “disappearances” that marked the Videla regime in Argentina continued after the dictator’s fall in 1981, but the motive changed from politics to money. Arquimedes Puccio kidnapped wealthy men and women and held them for ransom in his home, using domineering control over his family and—for a time—the tacit protection of police to do it.
Metrics
| Opening Weekend: | $12,519 (6.2% of total gross) |
| Legs: | 3.83 (domestic box office/biggest weekend) |
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Production Budget: | $5,500,000 (worldwide box office is 4.0 times production budget) |
| Theater counts: | 3 opening theaters/19 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $278,225 |
Movie Details
| Domestic Releases: | March 18th, 2016 (Limited) by 20th Century Fox |
| International Releases: | August 13th, 2015 (Wide) (Argentina)
September 24th, 2015 (Wide) (Chile) September 24th, 2015 (Wide) (Uruguay) November 13th, 2015 (Wide) (Spain) December 3rd, 2015 (Wide) (Peru) ... Show all releases |
| Video Release: | June 14th, 2016 by Fox Home Entertainment, released as The Clan |
| MPA Rating: | R for violence, language and a scene of sexuality/nudity. (Rating bulletin 2391, 9/16/2015) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Archive Footage, Epilogue |
| Geographical setting: | Argentina |
| Plot point: | Death of a Best Friend, Dysfunctional Family, Gangs, Hostage, Kidnap, Ransom, Romance, Suicide, Teachers |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Fox International Productions, Kramer & Sigman Films, Matanza Cine, El Deseo, Telefonica Studios, Telefe |
| Production Countries: | Argentina, Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2016 | 69 | $12,519 | 3 | $4,173 | $12,519 | 1 | |
| Mar 25, 2016 | 40 | $52,478 | +319% | 17 | $3,087 | $70,854 | 2 |
| Apr 1, 2016 | 46 | $46,613 | -11% | 19 | $2,453 | $137,380 | 3 |
| Apr 8, 2016 | 50 | $30,631 | -34% | 19 | $1,612 | $186,255 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2016 | - | $3,284 | 3 | $1,095 | $3,284 | 1 | ||
| Mar 19, 2016 | - | $5,727 | +74% | 3 | $1,909 | $9,011 | 2 | |
| Mar 20, 2016 | - | $3,508 | -39% | 3 | $1,169 | $12,519 | 3 | |
| Mar 21, 2016 | - | $1,838 | -48% | 3 | $613 | $14,357 | 4 | |
| Mar 22, 2016 | - | $1,630 | -11% | 3 | $543 | $15,987 | 5 | |
| Mar 23, 2016 | - | $1,394 | -14% | 3 | $465 | $17,381 | 6 | |
| Mar 24, 2016 | - | $995 | -29% | 3 | $332 | $18,376 | 7 | |
| Mar 25, 2016 | - | $16,771 | +1,586% | +411% | 17 | $987 | $35,147 | 8 |
| Mar 26, 2016 | - | $21,240 | +27% | +271% | 17 | $1,249 | $56,387 | 9 |
| Mar 27, 2016 | - | $14,467 | -32% | +312% | 17 | $851 | $70,854 | 10 |
| Mar 28, 2016 | - | $4,555 | -69% | +148% | 17 | $268 | $75,409 | 11 |
| Mar 29, 2016 | - | $5,097 | +12% | +213% | 17 | $300 | $80,506 | 12 |
| Mar 30, 2016 | - | $5,484 | +8% | +293% | 17 | $323 | $85,990 | 13 |
| Mar 31, 2016 | - | $4,777 | -13% | +380% | 17 | $281 | $90,767 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2016 | 69 | $18,376 | 3 | $6,125 | $18,376 | 1 | |
| Mar 25, 2016 | 43 | $72,391 | +294% | 17 | $4,258 | $90,767 | 2 |
| Apr 1, 2016 | 46 | $64,857 | -10% | 19 | $3,414 | $155,624 | 3 |
| Apr 8, 2016 | 50 | $45,603 | -30% | 19 | $2,400 | $201,227 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/13/2015 | $3,511,732 | 295 | 297 | 1,854 | $10,360,307 | 4/4/2026 | |||
| Austria | 3/4/2016 | $7,498 | 11 | 11 | 31 | $19,652 | 6/9/2016 | |||
| Bolivia | 12/10/2015 | $9,246 | 10 | 10 | 13 | $16,707 | 12/30/2018 | |||
| Brazil | 12/10/2015 | $108,518 | 63 | 67 | 215 | $415,277 | 6/9/2016 | |||
| Bulgaria | 5/20/2016 | $852 | 0 | 0 | 0 | $852 | 2/26/2019 | |||
| Chile | 9/24/2015 | $0 | 0 | 21 | 86 | $367,007 | 12/30/2018 | |||
| Ecuador | 12/4/2015 | $18,880 | 23 | 23 | 64 | $46,825 | 12/30/2018 | |||
| France | 2/10/2016 | $272,944 | 76 | 76 | 76 | $272,944 | 6/9/2016 | |||
| Germany | 3/3/2016 | $70,168 | 72 | 72 | 171 | $165,895 | 6/9/2016 | |||
| Italy | 8/25/2016 | $51,963 | 0 | 0 | 0 | $147,360 | 9/14/2016 | |||
| Mexico | 12/18/2015 | $64,792 | 0 | 48 | 93 | $229,559 | 6/9/2016 | |||
| Netherlands | 4/14/2016 | $43,230 | 22 | 30 | 118 | $210,990 | 6/9/2016 | |||
| New Zealand | 10/14/2016 | $5,638 | 9 | 12 | 89 | $40,432 | 12/28/2016 | |||
| Peru | 12/3/2015 | $34,877 | 14 | 14 | 49 | $157,115 | 12/31/2018 | |||
| Portugal | 10/28/2016 | $932 | 1 | 3 | 5 | $2,580 | 11/17/2016 | |||
| Russia (CIS) | 2/19/2016 | $4,947 | 0 | 0 | 0 | $12,739 | 12/31/2018 | |||
| South Korea | 5/12/2016 | $17,082 | 56 | 56 | 56 | $29,062 | 6/9/2016 | |||
| Spain | 11/13/2015 | $190,725 | 95 | 95 | 348 | $605,018 | 6/9/2016 | |||
| United Kingdom | 9/16/2016 | $56,259 | 14 | 14 | 14 | $56,259 | 9/21/2016 | |||
| Uruguay | 9/24/2015 | $0 | 0 | 23 | 93 | $476,692 | 12/30/2018 | |||
| Rest of World | $8,290,603 | |||||||||
| International Total | $21,923,875 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Guillermo Francella | Arquimedes Puccio | |
| Peter Lanzani | Alejandro Puccio | |
| Lili Popovich | Epifania Puccio | |
| Gaston Cocchiarale | Maguila Puccio | |
| Giselle Motta | Silvia Puccio | |
| Franco Masini | Guillermo Puccio | |
| Antonia Bengoechea | Adriana Puccio |
Supporting
| Stefania Koessl | Monica | |
| Fernando Miró | Anibal Gordon | |
| Martin Tecchi | Guillermo Francella |
Production and Technical Credits
| Pablo Trapero | Director | |
| Pablo Trapero | Screenwriter | |
| Esteban Student | Screenwriter | |
| Julian Loyola | Screenwriter | |
| Hugo Sigman | Producer | |
| Matias Mosteirin | Producer | |
| Agustin Almodovar | Producer | |
| Pedro Almodovar | Producer | |
| Esther Garcia | Producer | |
| Pablo Trapero | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Old habits die hard: The “disappearances” that marked the Videla regime in Argentina continued after the dictator’s fall in 1981, but the motive changed from politics to money. Arquimedes Puccio kidnapped wealthy men and women and held them for ransom in his home, using domineering control over his family and—for a time—the tacit protection of police to do it.
Metrics
| Opening Weekend: | $12,519 (6.2% of total gross) |
| Legs: | 3.83 (domestic box office/biggest weekend) |
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Production Budget: | $5,500,000 (worldwide box office is 4.0 times production budget) |
| Theater counts: | 3 opening theaters/19 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $278,225 |
Movie Details
| Domestic Releases: | March 18th, 2016 (Limited) by 20th Century Fox |
| International Releases: | August 13th, 2015 (Wide) (Argentina)
September 24th, 2015 (Wide) (Chile) September 24th, 2015 (Wide) (Uruguay) November 13th, 2015 (Wide) (Spain) December 3rd, 2015 (Wide) (Peru) ... Show all releases |
| Video Release: | June 14th, 2016 by Fox Home Entertainment, released as The Clan |
| MPA Rating: | R for violence, language and a scene of sexuality/nudity. (Rating bulletin 2391, 9/16/2015) |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Archive Footage, Epilogue |
| Geographical setting: | Argentina |
| Plot point: | Death of a Best Friend, Dysfunctional Family, Gangs, Hostage, Kidnap, Ransom, Romance, Suicide, Teachers |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Fox International Productions, Kramer & Sigman Films, Matanza Cine, El Deseo, Telefonica Studios, Telefe |
| Production Countries: | Argentina, Spain |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2016 | 69 | $12,519 | 3 | $4,173 | $12,519 | 1 | |
| Mar 25, 2016 | 40 | $52,478 | +319% | 17 | $3,087 | $70,854 | 2 |
| Apr 1, 2016 | 46 | $46,613 | -11% | 19 | $2,453 | $137,380 | 3 |
| Apr 8, 2016 | 50 | $30,631 | -34% | 19 | $1,612 | $186,255 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 18, 2016 | - | $3,284 | 3 | $1,095 | $3,284 | 1 | ||
| Mar 19, 2016 | - | $5,727 | +74% | 3 | $1,909 | $9,011 | 2 | |
| Mar 20, 2016 | - | $3,508 | -39% | 3 | $1,169 | $12,519 | 3 | |
| Mar 21, 2016 | - | $1,838 | -48% | 3 | $613 | $14,357 | 4 | |
| Mar 22, 2016 | - | $1,630 | -11% | 3 | $543 | $15,987 | 5 | |
| Mar 23, 2016 | - | $1,394 | -14% | 3 | $465 | $17,381 | 6 | |
| Mar 24, 2016 | - | $995 | -29% | 3 | $332 | $18,376 | 7 | |
| Mar 25, 2016 | - | $16,771 | +1,586% | +411% | 17 | $987 | $35,147 | 8 |
| Mar 26, 2016 | - | $21,240 | +27% | +271% | 17 | $1,249 | $56,387 | 9 |
| Mar 27, 2016 | - | $14,467 | -32% | +312% | 17 | $851 | $70,854 | 10 |
| Mar 28, 2016 | - | $4,555 | -69% | +148% | 17 | $268 | $75,409 | 11 |
| Mar 29, 2016 | - | $5,097 | +12% | +213% | 17 | $300 | $80,506 | 12 |
| Mar 30, 2016 | - | $5,484 | +8% | +293% | 17 | $323 | $85,990 | 13 |
| Mar 31, 2016 | - | $4,777 | -13% | +380% | 17 | $281 | $90,767 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 18, 2016 | 69 | $18,376 | 3 | $6,125 | $18,376 | 1 | |
| Mar 25, 2016 | 43 | $72,391 | +294% | 17 | $4,258 | $90,767 | 2 |
| Apr 1, 2016 | 46 | $64,857 | -10% | 19 | $3,414 | $155,624 | 3 |
| Apr 8, 2016 | 50 | $45,603 | -30% | 19 | $2,400 | $201,227 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 8/13/2015 | $3,511,732 | 295 | 297 | 1,854 | $10,360,307 | 4/4/2026 | |||
| Austria | 3/4/2016 | $7,498 | 11 | 11 | 31 | $19,652 | 6/9/2016 | |||
| Bolivia | 12/10/2015 | $9,246 | 10 | 10 | 13 | $16,707 | 12/30/2018 | |||
| Brazil | 12/10/2015 | $108,518 | 63 | 67 | 215 | $415,277 | 6/9/2016 | |||
| Bulgaria | 5/20/2016 | $852 | 0 | 0 | 0 | $852 | 2/26/2019 | |||
| Chile | 9/24/2015 | $0 | 0 | 21 | 86 | $367,007 | 12/30/2018 | |||
| Ecuador | 12/4/2015 | $18,880 | 23 | 23 | 64 | $46,825 | 12/30/2018 | |||
| France | 2/10/2016 | $272,944 | 76 | 76 | 76 | $272,944 | 6/9/2016 | |||
| Germany | 3/3/2016 | $70,168 | 72 | 72 | 171 | $165,895 | 6/9/2016 | |||
| Italy | 8/25/2016 | $51,963 | 0 | 0 | 0 | $147,360 | 9/14/2016 | |||
| Mexico | 12/18/2015 | $64,792 | 0 | 48 | 93 | $229,559 | 6/9/2016 | |||
| Netherlands | 4/14/2016 | $43,230 | 22 | 30 | 118 | $210,990 | 6/9/2016 | |||
| New Zealand | 10/14/2016 | $5,638 | 9 | 12 | 89 | $40,432 | 12/28/2016 | |||
| Peru | 12/3/2015 | $34,877 | 14 | 14 | 49 | $157,115 | 12/31/2018 | |||
| Portugal | 10/28/2016 | $932 | 1 | 3 | 5 | $2,580 | 11/17/2016 | |||
| Russia (CIS) | 2/19/2016 | $4,947 | 0 | 0 | 0 | $12,739 | 12/31/2018 | |||
| South Korea | 5/12/2016 | $17,082 | 56 | 56 | 56 | $29,062 | 6/9/2016 | |||
| Spain | 11/13/2015 | $190,725 | 95 | 95 | 348 | $605,018 | 6/9/2016 | |||
| United Kingdom | 9/16/2016 | $56,259 | 14 | 14 | 14 | $56,259 | 9/21/2016 | |||
| Uruguay | 9/24/2015 | $0 | 0 | 23 | 93 | $476,692 | 12/30/2018 | |||
| Rest of World | $8,290,603 | |||||||||
| International Total | $21,923,875 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Guillermo Francella | Arquimedes Puccio | |
| Peter Lanzani | Alejandro Puccio | |
| Lili Popovich | Epifania Puccio | |
| Gaston Cocchiarale | Maguila Puccio | |
| Giselle Motta | Silvia Puccio | |
| Franco Masini | Guillermo Puccio | |
| Antonia Bengoechea | Adriana Puccio |
Supporting
| Stefania Koessl | Monica | |
| Fernando Miró | Anibal Gordon | |
| Martin Tecchi | Guillermo Francella |
Production and Technical Credits
| Pablo Trapero | Director | |
| Pablo Trapero | Screenwriter | |
| Esteban Student | Screenwriter | |
| Julian Loyola | Screenwriter | |
| Hugo Sigman | Producer | |
| Matias Mosteirin | Producer | |
| Agustin Almodovar | Producer | |
| Pedro Almodovar | Producer | |
| Esther Garcia | Producer | |
| Pablo Trapero | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.