Class Act (1992)
| Theatrical Performance | ||
| Domestic Box Office | $13,226,469 | Details |
| OpusData ID: 32560100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,421,827 (25.9% of total gross) |
| Legs: | 3.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,148 opening theaters/1,148 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,046,101 |
Movie Details
| Domestic Releases: | June 5th, 1992 (Wide) by Warner Bros. |
| Video Release: | September 1st, 1998 by Warner Home Video |
| MPA Rating: | PG-13 for sensuality and sex-related dialogue. |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Epilogue |
| Social setting: | High School, Hood Film |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 5, 1992 | 7 | $3,421,827 | 1,148 | $2,981 | $3,421,827 | 1 | |
| Jun 12, 1992 | 8 | $2,139,740 | -37% | 1,145 | $1,869 | $6,767,048 | 2 |
| Jun 19, 1992 | 9 | $1,223,323 | -43% | 881 | $1,389 | $9,048,384 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 5, 1992 | 7 | $4,627,308 | 1,148 | $4,031 | $4,627,308 | 1 | |
| Jun 12, 1992 | 8 | $3,197,753 | -31% | 1,145 | $2,793 | $7,825,061 | 2 |
| Rhea Perlman | Miss Simpson | |
| Loretta Devine | Blade's Mom | |
| Pauly Shore | Julian Thomas | |
| Doug E. Doug | Popsicle | |
| Christopher Reid | Duncan Pinderhughes | |
| Christopher Martin | Blade Brown |
Production and Technical Credits
| Randall Miller | Director | |
| Cynthia Friedlob | Screenwriter | |
| John Semper | Screenwriter | |
| Dan Hegeman | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,421,827 (25.9% of total gross) |
| Legs: | 3.87 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,148 opening theaters/1,148 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $36,046,101 |
Movie Details
| Domestic Releases: | June 5th, 1992 (Wide) by Warner Bros. |
| Video Release: | September 1st, 1998 by Warner Home Video |
| MPA Rating: | PG-13 for sensuality and sex-related dialogue. |
| Running Time: | 98 minutes |
| Cast, crew, or production detail: | Epilogue |
| Social setting: | High School, Hood Film |
| Subgenre: | Farcical / Slapstick Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 5, 1992 | 7 | $3,421,827 | 1,148 | $2,981 | $3,421,827 | 1 | |
| Jun 12, 1992 | 8 | $2,139,740 | -37% | 1,145 | $1,869 | $6,767,048 | 2 |
| Jun 19, 1992 | 9 | $1,223,323 | -43% | 881 | $1,389 | $9,048,384 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 5, 1992 | 7 | $4,627,308 | 1,148 | $4,031 | $4,627,308 | 1 | |
| Jun 12, 1992 | 8 | $3,197,753 | -31% | 1,145 | $2,793 | $7,825,061 | 2 |
| Rhea Perlman | Miss Simpson | |
| Loretta Devine | Blade's Mom | |
| Pauly Shore | Julian Thomas | |
| Doug E. Doug | Popsicle | |
| Christopher Reid | Duncan Pinderhughes | |
| Christopher Martin | Blade Brown |
Production and Technical Credits
| Randall Miller | Director | |
| Cynthia Friedlob | Screenwriter | |
| John Semper | Screenwriter | |
| Dan Hegeman | Sound Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.