Clayface (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $24,002,731 | Details |
| International Box Office | $22,500,000 | Details |
| Worldwide Box Office | $46,502,731 | |
| OpusData ID: 670770100 More info... | ||
| Further financial details... | ||
Synopsis
A Hollywood horror tale centering on a B-movie actor who injects himself with a substance to keep himself relevant, only to find out that he can reshape his face and form, becoming a walking piece of clay.
Metrics
| Opening Weekend: | $24,002,731 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 51.6% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 3,458 opening theaters/3,458 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,002,731 |
Movie Details
| Domestic Releases: | October 23rd, 2026 (Wide) by Warner Bros. |
| International Releases: | September 9th, 2026 (Wide) (Belgium)
September 10th, 2026 (Wide) (Slovakia) October 21st, 2026 (Wide) (South Korea) October 21st, 2026 (Wide) (France) October 22nd, 2026 (Wide) (Netherlands) ... Show all releases |
| MPA Rating: | R for strong bloody violence, gore, language, some nudity and brief drug use. (Rating bulletin 2954 (cert #56141), 9/16/2026) |
| Running Time: | 108 minutes |
| Franchise: | DC Universe |
| Plot point: | Aspiring Actress / Actor, Film Actor, Human Experimentation, Monster, Scientific Experiment Gone Awry |
| Subgenre: | Body Horror |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | DC Studios, The Safran Company, 6th and Idaho, Troll Court Entertainment, Domain Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 23, 2026 | 1 | $24,002,731 | 3,458 | $6,941 | $24,002,731 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 22, 2026 | P | $3,500,000 | 3,000 | $1,167 | $3,500,000 | ||
| Oct 23, 2026 | 1 | $10,570,333 | 3,458 | $3,057 | $10,570,333 | 1 | |
| Oct 24, 2026 | 1 | $7,830,782 | -26% | 3,458 | $2,265 | $18,401,115 | 2 |
| Oct 25, 2026 | 2 | $5,601,616 | -28% | 3,458 | $1,620 | $24,002,731 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/22/2026 | $1,319,249 | 341 | 341 | 0 | $1,319,249 | 10/26/2026 | |||
| Finland | 10/23/2026 | $63,676 | 61 | 61 | 61 | $63,676 | 10/26/2026 | |||
| Italy | 10/22/2026 | $828,090 | 0 | 0 | 0 | $871,803 | 10/26/2026 | |||
| Netherlands | 10/22/2026 | $387,215 | 104 | 104 | 104 | $387,215 | 10/26/2026 | |||
| Serbia and Montenegro | 10/22/2026 | $29,803 | 59 | 59 | 0 | $36,277 | 10/26/2026 | |||
| Rest of World | $19,821,780 | |||||||||
| International Total | $22,500,000 | 10/26/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tom Rhys Harries | Matt Hagen / Clayface |
Supporting
| Naomi Ackie | Dr. Caitlin Bates | |
| Max Minghella | John Borelli | |
| David Dencik | ||
| Eddie Marsan | ||
| Joshua James | ||
| Nancy Carroll |
Production and Technical Credits
| James Watkins | Director | |
| Mike Flanagan | Screenwriter | |
| Hossein Amini | Screenwriter | |
| Bob Kane | Characters by | |
| Bill Finger | Characters by | |
| Matt Reeves | Producer | |
| Lynn Harris | Producer | |
| James Gunn | Producer | |
| Peter Safran | Producer | |
| Michael Uslan | Executive Producer | |
| Chantal Nong Vo* | Executive Producer | |
| Lars P. Winther | Executive Producer | |
| Paul Ritchie | Executive Producer | |
| Rafi Crohn | Executive Producer | |
| James Price | Production Designer | |
| Jon Harris | Editor | |
| Volker Bertelmann | Composer | |
| Rob Hardy | Director of Photography | |
| Angus Bickerton | Visual Effects Supervisor | |
| Keith Madden | Costume Designer | |
| Lucy Bright | Music Supervisor | |
| Lucy Bevan | Casting Director | |
| Martin Curry | First Assistant Director | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Nikeah Forde | Visual Effects Producer | |
| Jimmy O'Dee | Second Unit Director | |
| Jimmy O'Dee | Stunt Coordinator | |
| Jamie Edgell | Stunt Coordinator | |
| Pip Jordan | Choreography | |
| Ben Harrison | Unit Production Manager | |
| Adam A. Makin | Supervising Art Director | |
| Tilly Scandrett | Art Director | |
| Chris Wyatt | Art Director | |
| Gavin Lewis | Art Director | |
| Abaigael Snape | Art Director | |
| Simon Duric | Story Creator | |
| Tom Goode | Set Designer | |
| Chris Atkinson | Sound Mixer | |
| Matt Atkinson | Sound Mixer | |
| Caroline Bowker | Script Supervisor | |
| Daniella R. Baggaley | Production Supervisor | |
| Emma Zee | Post-Production Supervisor | |
| Ruth Antoine | First Assistant Editor | |
| Ben Barker | Supervising Sound Editor | |
| Ben Barker | Sound Designer | |
| Brendan Nicholson | Re-recording Mixer | |
| Adam Scrivener | Re-recording Mixer | |
| Gillian Dodders | Supervising Dialogue and ADR Editor | |
| James Wichall | Dialogue & ADR Editor | |
| Glen Gathard | Foley Supervisor | |
| Olly Freemantle | Foley Editor | |
| Kirsty Graham | Foley Editor | |
| Zoe Longbottom | Costume Supervisor | |
| Lois McIntosh | Make-up and Hair Designer | |
| Maxine Carlier | Set Decorator | |
| Jethro Ensor | Location Manager | |
| Elena Vakirtzis | Location Manager | |
| Henry Jepson | Location Manager | |
| Jonathon Barrass | Special Effects Supervisor | |
| Gerard McCann | Music Editor | |
| Volker Bertelmann | Score Producer | |
| Lennart Saathoff | Score Producer | |
| Julian Schwiebert | Score Producer | |
| Daniel Kresco | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A Hollywood horror tale centering on a B-movie actor who injects himself with a substance to keep himself relevant, only to find out that he can reshape his face and form, becoming a walking piece of clay.
Metrics
| Opening Weekend: | $24,002,731 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 51.6% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 3,458 opening theaters/3,458 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $24,002,731 |
Movie Details
| Domestic Releases: | October 23rd, 2026 (Wide) by Warner Bros. |
| International Releases: | September 9th, 2026 (Wide) (Belgium)
September 10th, 2026 (Wide) (Slovakia) October 21st, 2026 (Wide) (South Korea) October 21st, 2026 (Wide) (France) October 22nd, 2026 (Wide) (Netherlands) ... Show all releases |
| MPA Rating: | R for strong bloody violence, gore, language, some nudity and brief drug use. (Rating bulletin 2954 (cert #56141), 9/16/2026) |
| Running Time: | 108 minutes |
| Franchise: | DC Universe |
| Plot point: | Aspiring Actress / Actor, Film Actor, Human Experimentation, Monster, Scientific Experiment Gone Awry |
| Subgenre: | Body Horror |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | DC Studios, The Safran Company, 6th and Idaho, Troll Court Entertainment, Domain Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 23, 2026 | 1 | $24,002,731 | 3,458 | $6,941 | $24,002,731 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 22, 2026 | P | $3,500,000 | 3,000 | $1,167 | $3,500,000 | ||
| Oct 23, 2026 | 1 | $10,570,333 | 3,458 | $3,057 | $10,570,333 | 1 | |
| Oct 24, 2026 | 1 | $7,830,782 | -26% | 3,458 | $2,265 | $18,401,115 | 2 |
| Oct 25, 2026 | 2 | $5,601,616 | -28% | 3,458 | $1,620 | $24,002,731 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/22/2026 | $1,319,249 | 341 | 341 | 0 | $1,319,249 | 10/26/2026 | |||
| Finland | 10/23/2026 | $63,676 | 61 | 61 | 61 | $63,676 | 10/26/2026 | |||
| Italy | 10/22/2026 | $828,090 | 0 | 0 | 0 | $871,803 | 10/26/2026 | |||
| Netherlands | 10/22/2026 | $387,215 | 104 | 104 | 104 | $387,215 | 10/26/2026 | |||
| Serbia and Montenegro | 10/22/2026 | $29,803 | 59 | 59 | 0 | $36,277 | 10/26/2026 | |||
| Rest of World | $19,821,780 | |||||||||
| International Total | $22,500,000 | 10/26/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Tom Rhys Harries | Matt Hagen / Clayface |
Supporting
| Naomi Ackie | Dr. Caitlin Bates | |
| Max Minghella | John Borelli | |
| David Dencik | ||
| Eddie Marsan | ||
| Joshua James | ||
| Nancy Carroll |
Production and Technical Credits
| James Watkins | Director | |
| Mike Flanagan | Screenwriter | |
| Hossein Amini | Screenwriter | |
| Bob Kane | Characters by | |
| Bill Finger | Characters by | |
| Matt Reeves | Producer | |
| Lynn Harris | Producer | |
| James Gunn | Producer | |
| Peter Safran | Producer | |
| Michael Uslan | Executive Producer | |
| Chantal Nong Vo* | Executive Producer | |
| Lars P. Winther | Executive Producer | |
| Paul Ritchie | Executive Producer | |
| Rafi Crohn | Executive Producer | |
| James Price | Production Designer | |
| Jon Harris | Editor | |
| Volker Bertelmann | Composer | |
| Rob Hardy | Director of Photography | |
| Angus Bickerton | Visual Effects Supervisor | |
| Keith Madden | Costume Designer | |
| Lucy Bright | Music Supervisor | |
| Lucy Bevan | Casting Director | |
| Martin Curry | First Assistant Director | |
| Pete Chiappetta | Executive Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Nikeah Forde | Visual Effects Producer | |
| Jimmy O'Dee | Second Unit Director | |
| Jimmy O'Dee | Stunt Coordinator | |
| Jamie Edgell | Stunt Coordinator | |
| Pip Jordan | Choreography | |
| Ben Harrison | Unit Production Manager | |
| Adam A. Makin | Supervising Art Director | |
| Tilly Scandrett | Art Director | |
| Chris Wyatt | Art Director | |
| Gavin Lewis | Art Director | |
| Abaigael Snape | Art Director | |
| Simon Duric | Story Creator | |
| Tom Goode | Set Designer | |
| Chris Atkinson | Sound Mixer | |
| Matt Atkinson | Sound Mixer | |
| Caroline Bowker | Script Supervisor | |
| Daniella R. Baggaley | Production Supervisor | |
| Emma Zee | Post-Production Supervisor | |
| Ruth Antoine | First Assistant Editor | |
| Ben Barker | Supervising Sound Editor | |
| Ben Barker | Sound Designer | |
| Brendan Nicholson | Re-recording Mixer | |
| Adam Scrivener | Re-recording Mixer | |
| Gillian Dodders | Supervising Dialogue and ADR Editor | |
| James Wichall | Dialogue & ADR Editor | |
| Glen Gathard | Foley Supervisor | |
| Olly Freemantle | Foley Editor | |
| Kirsty Graham | Foley Editor | |
| Zoe Longbottom | Costume Supervisor | |
| Lois McIntosh | Make-up and Hair Designer | |
| Maxine Carlier | Set Decorator | |
| Jethro Ensor | Location Manager | |
| Elena Vakirtzis | Location Manager | |
| Henry Jepson | Location Manager | |
| Jonathon Barrass | Special Effects Supervisor | |
| Gerard McCann | Music Editor | |
| Volker Bertelmann | Score Producer | |
| Lennart Saathoff | Score Producer | |
| Julian Schwiebert | Score Producer | |
| Daniel Kresco | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.