Clean (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $318,877 | Details |
| International Box Office | $369 | Details |
| Worldwide Box Office | $319,246 | |
| OpusData ID: 520770100 More info... | ||
| Further financial details... | ||
Synopsis
Tormented by a past life, garbage man Clean attempts a life of quiet redemption. But when his good intentions mark him a target of local crime boss, Clean is forced to reconcile with the violence of his past.
Metrics
| Opening Weekend: | $162,098 (50.8% of total gross) |
| Legs: | 1.97 (domestic box office/biggest weekend) |
| Domestic Share: | 99.9% (domestic box office/worldwide) |
| Theater counts: | 254 opening theaters/254 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $362,185 |
Movie Details
| Domestic Releases: | January 28th, 2022 (Limited) by IFC Films |
| International Releases: | July 28th, 2022 (Limited) (New Zealand) |
| Video Release: | January 28th, 2022 by IFC Video |
| Running Time: | 94 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $162,098 | 254 | $638 | $162,098 | 1 | |
| Feb 4, 2022 | - | $77,122 | -52% | 181 | $426 | $287,679 | 2 |
| Feb 11, 2022 | - | $5,153 | -93% | 23 | $224 | $315,448 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $59,343 | 254 | $234 | $59,343 | 1 | ||
| Jan 29, 2022 | - | $72,433 | +22% | 254 | $285 | $131,776 | 2 | |
| Jan 30, 2022 | - | $30,322 | -58% | 254 | $119 | $162,098 | 3 | |
| Jan 31, 2022 | - | $12,324 | -59% | 254 | $49 | $174,422 | 4 | |
| Feb 1, 2022 | - | $16,380 | +33% | 254 | $64 | $190,802 | 5 | |
| Feb 2, 2022 | - | $11,435 | -30% | 254 | $45 | $202,237 | 6 | |
| Feb 3, 2022 | - | $8,320 | -27% | 254 | $33 | $210,557 | 7 | |
| Feb 4, 2022 | - | $22,316 | +168% | -62% | 181 | $123 | $232,873 | 8 |
| Feb 5, 2022 | - | $35,635 | +60% | -51% | 181 | $197 | $268,508 | 9 |
| Feb 6, 2022 | - | $19,171 | -46% | -37% | 181 | $106 | $287,679 | 10 |
| Feb 7, 2022 | - | $5,590 | -71% | -55% | 181 | $31 | $293,269 | 11 |
| Feb 8, 2022 | - | $5,893 | +5% | -64% | 181 | $33 | $299,162 | 12 |
| Feb 9, 2022 | - | $7,084 | +20% | -38% | 181 | $39 | $306,246 | 13 |
| Feb 10, 2022 | - | $4,049 | -43% | -51% | 181 | $22 | $310,295 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $210,557 | 254 | $829 | $210,557 | 1 | |
| Feb 4, 2022 | - | $99,738 | -53% | 181 | $551 | $310,295 | 2 |
| Feb 11, 2022 | - | $8,582 | -91% | 23 | $373 | $318,877 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 7/28/2022 | $0 | 0 | 1 | 1 | $369 | 8/15/2022 | |||
| International Total | $369 | 8/15/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adrien Brody |
Supporting
| Glenn Fleshler | ||
| Richie Merritt | ||
| Chandler DuPont | ||
| Mykelti Williamson | ||
| RZA | ||
| Michelle Wilson | ||
| John Bianco |
Production and Technical Credits
| Paul Solet | Director | |
| Paul Solet | Screenwriter | |
| Adrien Brody | Screenwriter | |
| Daniel Sollinger | Producer | |
| Adrien Brody | Producer | |
| Paul Solet | Producer | |
| Elliot Brody | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Tormented by a past life, garbage man Clean attempts a life of quiet redemption. But when his good intentions mark him a target of local crime boss, Clean is forced to reconcile with the violence of his past.
Metrics
| Opening Weekend: | $162,098 (50.8% of total gross) |
| Legs: | 1.97 (domestic box office/biggest weekend) |
| Domestic Share: | 99.9% (domestic box office/worldwide) |
| Theater counts: | 254 opening theaters/254 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $362,185 |
Movie Details
| Domestic Releases: | January 28th, 2022 (Limited) by IFC Films |
| International Releases: | July 28th, 2022 (Limited) (New Zealand) |
| Video Release: | January 28th, 2022 by IFC Video |
| Running Time: | 94 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $162,098 | 254 | $638 | $162,098 | 1 | |
| Feb 4, 2022 | - | $77,122 | -52% | 181 | $426 | $287,679 | 2 |
| Feb 11, 2022 | - | $5,153 | -93% | 23 | $224 | $315,448 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $59,343 | 254 | $234 | $59,343 | 1 | ||
| Jan 29, 2022 | - | $72,433 | +22% | 254 | $285 | $131,776 | 2 | |
| Jan 30, 2022 | - | $30,322 | -58% | 254 | $119 | $162,098 | 3 | |
| Jan 31, 2022 | - | $12,324 | -59% | 254 | $49 | $174,422 | 4 | |
| Feb 1, 2022 | - | $16,380 | +33% | 254 | $64 | $190,802 | 5 | |
| Feb 2, 2022 | - | $11,435 | -30% | 254 | $45 | $202,237 | 6 | |
| Feb 3, 2022 | - | $8,320 | -27% | 254 | $33 | $210,557 | 7 | |
| Feb 4, 2022 | - | $22,316 | +168% | -62% | 181 | $123 | $232,873 | 8 |
| Feb 5, 2022 | - | $35,635 | +60% | -51% | 181 | $197 | $268,508 | 9 |
| Feb 6, 2022 | - | $19,171 | -46% | -37% | 181 | $106 | $287,679 | 10 |
| Feb 7, 2022 | - | $5,590 | -71% | -55% | 181 | $31 | $293,269 | 11 |
| Feb 8, 2022 | - | $5,893 | +5% | -64% | 181 | $33 | $299,162 | 12 |
| Feb 9, 2022 | - | $7,084 | +20% | -38% | 181 | $39 | $306,246 | 13 |
| Feb 10, 2022 | - | $4,049 | -43% | -51% | 181 | $22 | $310,295 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2022 | - | $210,557 | 254 | $829 | $210,557 | 1 | |
| Feb 4, 2022 | - | $99,738 | -53% | 181 | $551 | $310,295 | 2 |
| Feb 11, 2022 | - | $8,582 | -91% | 23 | $373 | $318,877 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 7/28/2022 | $0 | 0 | 1 | 1 | $369 | 8/15/2022 | |||
| International Total | $369 | 8/15/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Adrien Brody |
Supporting
| Glenn Fleshler | ||
| Richie Merritt | ||
| Chandler DuPont | ||
| Mykelti Williamson | ||
| RZA | ||
| Michelle Wilson | ||
| John Bianco |
Production and Technical Credits
| Paul Solet | Director | |
| Paul Solet | Screenwriter | |
| Adrien Brody | Screenwriter | |
| Daniel Sollinger | Producer | |
| Adrien Brody | Producer | |
| Paul Solet | Producer | |
| Elliot Brody | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.