Cleaner (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $794,091 | Details |
| International Box Office | $280,195 | Details |
| Worldwide Box Office | $1,074,286 | |
| OpusData ID: 715910100 More info... | ||
| Further financial details... | ||
Synopsis
Set in present-day London, a group of radical activists take over an energy company’s annual gala, seizing 300 hostages in order to expose the corruption of the hosts. Their just cause is hijacked by an extremist within their ranks, who is ready to murder everyone in the building to send his anarchic message to the world. It falls to an ex-soldier turned window cleaner suspended 50 stories up on the outside of the building, to save those trapped inside, including her younger brother.
Metrics
| Opening Weekend: | $403,560 (50.8% of total gross) |
| Legs: | 1.97 (domestic box office/biggest weekend) |
| Domestic Share: | 73.9% (domestic box office/worldwide) |
| Theater counts: | 378 opening theaters/381 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $794,091 |
Movie Details
| Domestic Releases: | February 21st, 2025 (Limited) by Quiver |
| International Releases: | February 27th, 2025 (Limited), released as Cleaner (Клинер) (Russia (CIS))
March 7th, 2025 (Limited), released as Cleaner: Atentat la înălțime (Romania) March 14th, 2025 (Limited) (South Africa) March 6th, 2026 (Limited), released as Cleaner: Rescate Vertical (Spain) ... Show all releases |
| Video Release: | March 21st, 2025 by Quiver |
| MPA Rating: | R for violence, language throughout, and brief drug use. (Rating bulletin 2862 (cert #55281), 11/27/2024) |
| Running Time: | 96 minutes |
| Geographical setting: | London, United Kingdom |
| Plot point: | Environment, Ex-soldier, Hostage, Rescue, Terrorism |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Anton Capital Investors, Qwerty Films, Anton Capital Entertainment |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2025 | - | $403,560 | 378 | $1,068 | $403,560 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2025 | 18 | $589,122 | 381 | $1,546 | $589,122 | 1 | |
| Feb 28, 2025 | 30 | $181,250 | -69% | 307 | $590 | $770,372 | 2 |
| Mar 7, 2025 | 43 | $21,800 | -88% | 37 | $589 | $792,172 | 3 |
| Mar 14, 2025 | 62 | $1,919 | -91% | 5 | $384 | $794,091 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Romania | 3/7/2025 | $33,249 | 75 | 75 | 0 | $83,336 | 4/4/2026 | |||
| Russia (CIS) | 2/27/2025 | $79,159 | 680 | 680 | 680 | $80,614 | 4/4/2026 | |||
| Spain | 3/6/2026 | $61,906 | 117 | 117 | 205 | $116,245 | 4/4/2026 | |||
| International Total | $280,195 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Ridley | Joey Locke | |
| Taz Skylar | ||
| Clive Owen |
Production and Technical Credits
| Martin Campbell | Director | |
| Simon Uttley | Screenwriter | |
| Paul Andrew Williams | Screenwriter | |
| Matthew Orton | Screenwriter | |
| Sébastien Raybaud | Producer | |
| Callum Grant | Producer | |
| Michael Kuhn | Producer | |
| Gavin Glendinning | Producer | |
| Thomas Fanning | Producer | |
| Chris Arthur | Producer | |
| Cindy Cowan | Producer | |
| Alex Ashworth | Executive Producer | |
| Bharatha Gangasani | Executive Producer | |
| Martha Chima | Executive Producer | |
| Pieter Engels | Executive Producer | |
| Malcolm Ritchie | Executive Producer | |
| Jane Hooks | Executive Producer | |
| Matthew Orton | Executive Producer | |
| Simon Uttley | Executive Producer | |
| Marcus Shirock | Executive Producer | |
| Michael Torchia | Executive Producer | |
| Alan Harper | Executive Producer | |
| Stanley Harper | Executive Producer | |
| Patti Harper | Executive Producer | |
| Linda Harper | Executive Producer | |
| Alastair Burlingham | Executive Producer | |
| Gary Raskin | Executive Producer | |
| Tom Hodge | Composer | |
| Jim Page | Editor | |
| Cheryl Potter | Editor | |
| Eigil Hansen | Director of Photography | |
| Russell De Rozario | Production Designer | |
| Amanda Monk | Costume Designer | |
| Tamsin Barbosa | Make-up and Hair Designer | |
| Elaine Grainger | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in present-day London, a group of radical activists take over an energy company’s annual gala, seizing 300 hostages in order to expose the corruption of the hosts. Their just cause is hijacked by an extremist within their ranks, who is ready to murder everyone in the building to send his anarchic message to the world. It falls to an ex-soldier turned window cleaner suspended 50 stories up on the outside of the building, to save those trapped inside, including her younger brother.
Metrics
| Opening Weekend: | $403,560 (50.8% of total gross) |
| Legs: | 1.97 (domestic box office/biggest weekend) |
| Domestic Share: | 73.9% (domestic box office/worldwide) |
| Theater counts: | 378 opening theaters/381 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $794,091 |
Movie Details
| Domestic Releases: | February 21st, 2025 (Limited) by Quiver |
| International Releases: | February 27th, 2025 (Limited), released as Cleaner (Клинер) (Russia (CIS))
March 7th, 2025 (Limited), released as Cleaner: Atentat la înălțime (Romania) March 14th, 2025 (Limited) (South Africa) March 6th, 2026 (Limited), released as Cleaner: Rescate Vertical (Spain) ... Show all releases |
| Video Release: | March 21st, 2025 by Quiver |
| MPA Rating: | R for violence, language throughout, and brief drug use. (Rating bulletin 2862 (cert #55281), 11/27/2024) |
| Running Time: | 96 minutes |
| Geographical setting: | London, United Kingdom |
| Plot point: | Environment, Ex-soldier, Hostage, Rescue, Terrorism |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Anton Capital Investors, Qwerty Films, Anton Capital Entertainment |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2025 | - | $403,560 | 378 | $1,068 | $403,560 | 1 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 21, 2025 | 18 | $589,122 | 381 | $1,546 | $589,122 | 1 | |
| Feb 28, 2025 | 30 | $181,250 | -69% | 307 | $590 | $770,372 | 2 |
| Mar 7, 2025 | 43 | $21,800 | -88% | 37 | $589 | $792,172 | 3 |
| Mar 14, 2025 | 62 | $1,919 | -91% | 5 | $384 | $794,091 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Romania | 3/7/2025 | $33,249 | 75 | 75 | 0 | $83,336 | 4/4/2026 | |||
| Russia (CIS) | 2/27/2025 | $79,159 | 680 | 680 | 680 | $80,614 | 4/4/2026 | |||
| Spain | 3/6/2026 | $61,906 | 117 | 117 | 205 | $116,245 | 4/4/2026 | |||
| International Total | $280,195 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Daisy Ridley | Joey Locke | |
| Taz Skylar | ||
| Clive Owen |
Production and Technical Credits
| Martin Campbell | Director | |
| Simon Uttley | Screenwriter | |
| Paul Andrew Williams | Screenwriter | |
| Matthew Orton | Screenwriter | |
| Sébastien Raybaud | Producer | |
| Callum Grant | Producer | |
| Michael Kuhn | Producer | |
| Gavin Glendinning | Producer | |
| Thomas Fanning | Producer | |
| Chris Arthur | Producer | |
| Cindy Cowan | Producer | |
| Alex Ashworth | Executive Producer | |
| Bharatha Gangasani | Executive Producer | |
| Martha Chima | Executive Producer | |
| Pieter Engels | Executive Producer | |
| Malcolm Ritchie | Executive Producer | |
| Jane Hooks | Executive Producer | |
| Matthew Orton | Executive Producer | |
| Simon Uttley | Executive Producer | |
| Marcus Shirock | Executive Producer | |
| Michael Torchia | Executive Producer | |
| Alan Harper | Executive Producer | |
| Stanley Harper | Executive Producer | |
| Patti Harper | Executive Producer | |
| Linda Harper | Executive Producer | |
| Alastair Burlingham | Executive Producer | |
| Gary Raskin | Executive Producer | |
| Tom Hodge | Composer | |
| Jim Page | Editor | |
| Cheryl Potter | Editor | |
| Eigil Hansen | Director of Photography | |
| Russell De Rozario | Production Designer | |
| Amanda Monk | Costume Designer | |
| Tamsin Barbosa | Make-up and Hair Designer | |
| Elaine Grainger | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.