Cobra (1986)
| Theatrical Performance | ||
| Domestic Box Office | $49,042,224 | Details |
| OpusData ID: 11290100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $15,652,147 (31.9% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 2.0 times production budget) |
| Theater counts: | 2,131 opening theaters/2,131 max. theaters, 6.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $149,506,076 |
Movie Details
| Domestic Releases: | May 23rd, 1986 (Wide) by Cannon |
| Video Release: | August 16th, 2011 by Warner Home Video |
| MPA Rating: | R |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Screenplay Written By the Star |
| Plot point: | Crime, Hostage, Mass Shooting, Romance |
| Social setting: | Cults |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 23, 1986 | 1 | $15,652,147 | 2,131 | $7,345 | $15,652,147 | 1 | |
| May 30, 1986 | 1 | $7,511,542 | -52% | 2,131 | $3,525 | $26,444,901 | 2 |
| Jun 6, 1986 | 3 | $5,016,853 | -33% | 2,117 | $2,370 | $34,497,825 | 3 |
| Jun 13, 1986 | 4 | $2,783,728 | -45% | 2,117 | $1,315 | $39,226,928 | 4 |
| Jun 20, 1986 | 6 | $1,995,484 | -28% | 1,577 | $1,265 | $42,587,780 | 5 |
| Jun 27, 1986 | 10 | $1,243,795 | -38% | 1,577 | $789 | $44,769,650 | 6 |
| Jul 4, 1986 | 16 | $583,811 | -53% | 621 | $940 | $45,756,915 | 7 |
| Jul 11, 1986 | 15 | $546,848 | -6% | 573 | $954 | $46,735,919 | 8 |
| Jul 18, 1986 | 17 | $527,498 | -4% | 488 | $1,081 | $47,542,215 | 9 |
| Jul 25, 1986 | 15 | $392,690 | -26% | 415 | $946 | $48,221,547 | 10 |
| Aug 1, 1986 | 17 | $251,463 | -36% | 295 | $852 | $48,661,578 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 23, 1986 | 1 | $18,933,359 | 2,131 | $8,885 | $18,933,359 | 1 | |
| May 30, 1986 | 2 | $10,547,613 | -44% | 2,131 | $4,950 | $29,480,972 | 2 |
| Jun 6, 1986 | 3 | $6,962,228 | -34% | 2,117 | $3,289 | $36,443,200 | 3 |
| Jun 13, 1986 | 4 | $4,149,096 | -40% | 2,117 | $1,960 | $40,592,296 | 4 |
| Jun 20, 1986 | 6 | $2,933,559 | -29% | 1,577 | $1,860 | $43,525,855 | 5 |
Leading
| Sylvester Stallone | Lieutenant Marion Cobretti |
| Brigitte Nielsen | Ingrid | |
| Val Avery | Chief Halliwell | |
| Brian Thompson | Night Slasher | |
| David Rasche | Dan | |
| Art LaFleur | Captain Sears | |
| Reni Santoni | Sergeant Gonzales |
Production and Technical Credits
| George P. Cosmatos | Director | |
| Sylvester Stallone | Screenwriter | |
| Paula Gosling | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $15,652,147 (31.9% of total gross) |
| Legs: | 3.13 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 2.0 times production budget) |
| Theater counts: | 2,131 opening theaters/2,131 max. theaters, 6.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $149,506,076 |
Movie Details
| Domestic Releases: | May 23rd, 1986 (Wide) by Cannon |
| Video Release: | August 16th, 2011 by Warner Home Video |
| MPA Rating: | R |
| Running Time: | 87 minutes |
| Cast, crew, or production detail: | Screenplay Written By the Star |
| Plot point: | Crime, Hostage, Mass Shooting, Romance |
| Social setting: | Cults |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 23, 1986 | 1 | $15,652,147 | 2,131 | $7,345 | $15,652,147 | 1 | |
| May 30, 1986 | 1 | $7,511,542 | -52% | 2,131 | $3,525 | $26,444,901 | 2 |
| Jun 6, 1986 | 3 | $5,016,853 | -33% | 2,117 | $2,370 | $34,497,825 | 3 |
| Jun 13, 1986 | 4 | $2,783,728 | -45% | 2,117 | $1,315 | $39,226,928 | 4 |
| Jun 20, 1986 | 6 | $1,995,484 | -28% | 1,577 | $1,265 | $42,587,780 | 5 |
| Jun 27, 1986 | 10 | $1,243,795 | -38% | 1,577 | $789 | $44,769,650 | 6 |
| Jul 4, 1986 | 16 | $583,811 | -53% | 621 | $940 | $45,756,915 | 7 |
| Jul 11, 1986 | 15 | $546,848 | -6% | 573 | $954 | $46,735,919 | 8 |
| Jul 18, 1986 | 17 | $527,498 | -4% | 488 | $1,081 | $47,542,215 | 9 |
| Jul 25, 1986 | 15 | $392,690 | -26% | 415 | $946 | $48,221,547 | 10 |
| Aug 1, 1986 | 17 | $251,463 | -36% | 295 | $852 | $48,661,578 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 23, 1986 | 1 | $18,933,359 | 2,131 | $8,885 | $18,933,359 | 1 | |
| May 30, 1986 | 2 | $10,547,613 | -44% | 2,131 | $4,950 | $29,480,972 | 2 |
| Jun 6, 1986 | 3 | $6,962,228 | -34% | 2,117 | $3,289 | $36,443,200 | 3 |
| Jun 13, 1986 | 4 | $4,149,096 | -40% | 2,117 | $1,960 | $40,592,296 | 4 |
| Jun 20, 1986 | 6 | $2,933,559 | -29% | 1,577 | $1,860 | $43,525,855 | 5 |
Leading
| Sylvester Stallone | Lieutenant Marion Cobretti |
| Brigitte Nielsen | Ingrid | |
| Val Avery | Chief Halliwell | |
| Brian Thompson | Night Slasher | |
| David Rasche | Dan | |
| Art LaFleur | Captain Sears | |
| Reni Santoni | Sergeant Gonzales |
Production and Technical Credits
| George P. Cosmatos | Director | |
| Sylvester Stallone | Screenwriter | |
| Paula Gosling | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.