Code 8 (2019)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $6,964 | Details |
| Worldwide Box Office | $6,964 | |
| OpusData ID: 293720100 More info... | ||
| Further financial details... | ||
Synopsis
Code 8 is set in a world where 4% of the population is born with varying supernatural abilities, but instead of being billionaires or superheroes, they face discrimination and live in poverty, often resorting to crime. Connor Reed a power-enabled young man, is struggling to pay for his ailing mother’s health treatment. Fighting to earn enough money as a day laborer, Connor is lured into a lucrative criminal world by Garrett who works for Lincoln City’s reigning drug lord, Marcus Sutcliffe. Garrett helps Connor sharpen his powers in order to execute a series of crimes on behalf of Sutcliffe, while a militarized police unit, led by Agent Park and Agent Davis, hunts them down.
Metrics
Movie Details
| Domestic Releases: | December 13th, 2019 (Limited) by Vertical Entertainment |
| International Releases: | July 2nd, 2020 (Wide) (South Korea) |
| Video Release: | April 11th, 2020 by Netflix |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Police State, Supernatural |
| Source: | Based on Short Film |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | The Fyzz Facility, Colony Pictures, Ontario Creates, Lane E Productions, XYZ Films, Blue Ice Pictures |
| Production Countries: | Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 7/2/2020 | $5,243 | 76 | 76 | 76 | $6,964 | 7/9/2020 | |||
| International Total | $6,964 | 7/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robbie Amell | Connor Reed | |
| Stephen Amell | Garrett | |
| Sung Kang | Agent Park |
Supporting
| Kari Matchett | Connor’s Mom | |
| Greg Bryk | Marcus Sutcliffe | |
| Aaron Abrams | Agent Davis | |
| Peter Outerbridge | Cumbo | |
| Shaun Benson | Dixon | |
| Elena Khan | Protester |
Production and Technical Credits
| Jeff Chan | Director | |
| Chris Pare | Screenwriter | |
| Jeff Chan | Producer | |
| Robbie Amell | Executive Producer | |
| Stephen Amell | Executive Producer | |
| Lee Kim | Executive Producer | |
| Mary Anne Waterhouse | Executive Producer | |
| Chris Pare | Executive Producer | |
| Cynthia Guidry | Executive Producer | |
| Lainie Guidry | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Code 8 is set in a world where 4% of the population is born with varying supernatural abilities, but instead of being billionaires or superheroes, they face discrimination and live in poverty, often resorting to crime. Connor Reed a power-enabled young man, is struggling to pay for his ailing mother’s health treatment. Fighting to earn enough money as a day laborer, Connor is lured into a lucrative criminal world by Garrett who works for Lincoln City’s reigning drug lord, Marcus Sutcliffe. Garrett helps Connor sharpen his powers in order to execute a series of crimes on behalf of Sutcliffe, while a militarized police unit, led by Agent Park and Agent Davis, hunts them down.
Metrics
Movie Details
| Domestic Releases: | December 13th, 2019 (Limited) by Vertical Entertainment |
| International Releases: | July 2nd, 2020 (Wide) (South Korea) |
| Video Release: | April 11th, 2020 by Netflix |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Police State, Supernatural |
| Source: | Based on Short Film |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | The Fyzz Facility, Colony Pictures, Ontario Creates, Lane E Productions, XYZ Films, Blue Ice Pictures |
| Production Countries: | Canada |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 7/2/2020 | $5,243 | 76 | 76 | 76 | $6,964 | 7/9/2020 | |||
| International Total | $6,964 | 7/9/2020 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Robbie Amell | Connor Reed | |
| Stephen Amell | Garrett | |
| Sung Kang | Agent Park |
Supporting
| Kari Matchett | Connor’s Mom | |
| Greg Bryk | Marcus Sutcliffe | |
| Aaron Abrams | Agent Davis | |
| Peter Outerbridge | Cumbo | |
| Shaun Benson | Dixon | |
| Elena Khan | Protester |
Production and Technical Credits
| Jeff Chan | Director | |
| Chris Pare | Screenwriter | |
| Jeff Chan | Producer | |
| Robbie Amell | Executive Producer | |
| Stephen Amell | Executive Producer | |
| Lee Kim | Executive Producer | |
| Mary Anne Waterhouse | Executive Producer | |
| Chris Pare | Executive Producer | |
| Cynthia Guidry | Executive Producer | |
| Lainie Guidry | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.