Collide (2016)
| Theatrical Performance | ||
| Domestic Box Office | $2,280,004 | Details |
| International Box Office | $3,186,694 | Details |
| Worldwide Box Office | $5,466,698 | |
| OpusData ID: 218170100 More info... | ||
| Further financial details... | ||
Synopsis
After a heist goes terribly wrong, Casey Stein finds himself on the run from a ruthless gang headed by mob boss Hagen. Now Casey has precious cargo that belongs to Hagen, who will stop at nothing to retrieve it. Left with no choice, Casey calls his former employer and drug smuggler Geran to protect his long-time girlfriend Juliette before Hagen gets his hands on her. Casey sets out on an adrenaline-fueled car chase on the German highways to save the love of his life before it’s too late.
Metrics
| Opening Weekend: | $1,512,824 (66.4% of total gross) |
| Legs: | 1.51 (domestic box office/biggest weekend) |
| Domestic Share: | 41.7% (domestic box office/worldwide) |
| Production Budget: | $29,200,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2,045 opening theaters/2,045 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,040,005 |
Movie Details
| Domestic Releases: | February 24th, 2017 (Wide) by Open Road |
| International Releases: | August 26th, 2016 (Wide), released as Аутобан (Bulgaria)
September 30th, 2016 (Wide), released as Collide - A Alta Velocidade (Portugal) December 2nd, 2016 (Wide), released as Autobahn (Collide) (China) February 17th, 2017 (Wide), released as Autobahn - Fuori controllo (Italy) March 3rd, 2017 (Wide), released as Nešdintis visu greičiu (Lithuania) ... Show all releases |
| Video Release: | May 16th, 2017 by Universal Home Entertainment |
| MPA Rating: | PG-13 for violence, frenetic action, some sexuality, language, and drug material. (Rating bulletin 2403 (Cert #49918), 12/9/2015) |
| Running Time: | 99 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Fugitive / On the Run, Heist, Medical and Hospitals, Narcotics, Smuggler |
| Release detail: | Delayed Release |
| Social setting: | Organized Crime |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sycamore Pictures, Automatik, DMG Entertainment, Silver Pictures, Autobahn Film Gmbh |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 13 | $1,512,824 | 2,045 | $740 | $1,512,824 | 1 | |
| Mar 3, 2017 | 28 | $173,620 | -89% | 1,002 | $173 | $2,196,654 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 13 | $539,072 | 2,045 | $264 | $539,072 | 1 | ||
| Feb 25, 2017 | 13 | $626,324 | +16% | 2,045 | $306 | $1,165,396 | 2 | |
| Feb 26, 2017 | 14 | $347,428 | -45% | 2,045 | $170 | $1,512,824 | 3 | |
| Feb 27, 2017 | 15 | $121,600 | -65% | 2,045 | $59 | $1,634,424 | 4 | |
| Feb 28, 2017 | 14 | $187,264 | +54% | 2,045 | $92 | $1,821,688 | 5 | |
| Mar 1, 2017 | 15 | $119,849 | -36% | 2,045 | $59 | $1,941,537 | 6 | |
| Mar 2, 2017 | 15 | $81,497 | -32% | 2,045 | $40 | $2,023,034 | 7 | |
| Mar 3, 2017 | - | $51,973 | -36% | -90% | 1,002 | $52 | $2,075,007 | 8 |
| Mar 4, 2017 | - | $86,275 | +66% | -86% | 1,002 | $86 | $2,161,282 | 9 |
| Mar 5, 2017 | - | $35,372 | -59% | -90% | 1,002 | $35 | $2,196,654 | 10 |
| Mar 6, 2017 | - | $20,869 | -41% | -83% | 1,002 | $21 | $2,217,523 | 11 |
| Mar 7, 2017 | - | $23,373 | +12% | -88% | 1,002 | $23 | $2,240,896 | 12 |
| Mar 8, 2017 | - | $20,802 | -11% | -83% | 1,002 | $21 | $2,261,698 | 13 |
| Mar 9, 2017 | - | $18,306 | -12% | -78% | 1,002 | $18 | $2,280,004 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 13 | $2,023,034 | 2,045 | $989 | $2,023,034 | 1 | |
| Mar 3, 2017 | 28 | $256,970 | -87% | 1,002 | $256 | $2,280,004 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 8/26/2016 | $9,799 | 0 | 0 | 0 | $49,307 | 2/26/2019 | |||
| China | 12/2/2016 | $1,770,000 | 10,415 | 10,415 | 10,415 | $2,221,106 | 8/27/2018 | |||
| Italy | 2/17/2017 | $240,198 | 0 | 0 | 0 | $337,018 | 2/28/2017 | |||
| Lithuania | 3/3/2017 | $10,399 | 59 | 59 | 68 | $17,279 | 3/21/2017 | |||
| Mexico | 5/5/2017 | $113,134 | 0 | 0 | 0 | $113,134 | 5/9/2017 | |||
| Portugal | 9/30/2016 | $19,851 | 12 | 27 | 77 | $99,269 | 4/14/2017 | |||
| Russia (CIS) | 3/3/2017 | $22,214 | 0 | 0 | 0 | $95,944 | 1/1/2019 | |||
| Slovenia | 3/17/2017 | $1,231 | 5 | 5 | 5 | $1,687 | 3/23/2017 | |||
| South Korea | 3/16/2017 | $80,078 | 153 | 153 | 213 | $171,989 | 4/4/2026 | |||
| Spain | 7/20/2018 | $34,583 | 54 | 54 | 54 | $34,583 | 8/14/2018 | |||
| Turkey | 3/24/2017 | $20,903 | 59 | 59 | 81 | $45,378 | 2/26/2019 | |||
| International Total | $3,186,694 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Hoult | Casey | |
| Felicity Jones | Juliette |
Supporting
| Ben Kingsley | Geran | |
| Anthony Hopkins | Hagen Kahl | |
| Marwan Kenzari | Matthias | |
| Nadia Hilker | Rowena | |
| Clemens Schick | Mirko | |
| Christian Rubeck | Kye | |
| Aleksandar Jovanovic | Jonas | |
| Johnny Palmiero | Fitch | |
| Michael Epp | Karl | |
| Markus Klauk | Talaz | |
| Cherin West | Prostitute | |
| Sandra Steinbach | Waitress | |
| Joachim Krol | Wolfgang | |
| Svenja Kleinfeld | Stockbroker’s Wife | |
| Annina Nusko | Prostitute | |
| Johny Mathew | Dancer | |
| Ben Hecker | Gas Station Clerk | |
| Josh Gotto | Truck Driver |
Production and Technical Credits
| Eran Creevy | Director | |
| Eran Creevy | Screenwriter | |
| F. Scott Frazier | Screenwriter | |
| F. Scott Frazier | Story by | |
| Joel Silver | Producer | |
| Ben Pugh | Producer | |
| Rory Aitken | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Daniel Hetzer | Producer | |
| Stuart Ford | Executive Producer | |
| Matt Jackson | Executive Producer | |
| Steve Squillante | Executive Producer | |
| Rick Jackson | Executive Producer | |
| Ben Nearn | Executive Producer | |
| Tom Rice | Executive Producer | |
| Dan Mintz | Executive Producer | |
| Wu Bing | Executive Producer | |
| Peter Xiao | Executive Producer | |
| Chris Fenton | Executive Producer | |
| Chris Cowles | Executive Producer | |
| Hermann Joha | Executive Producer | |
| Kay Niessen | Executive Producer | |
| Steve Richards | Executive Producer | |
| Ali Cook | Executive Producer | |
| Aaron Auch | Co-Producer | |
| Ethan Erwin | Co-Producer | |
| F. Scott Frazier | Co-Executive Producer | |
| Ed Wild | Director of Photography | |
| Chris Gill | Editor | |
| Marese Langan | Make-up and Hair Designer | |
| Sharon Gilham | Costume Designer | |
| David Schulhof | Music Supervisor | |
| Ian Neil | Music Supervisor | |
| Iain Cooke | Music Supervisor | |
| Sasha Robertson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a heist goes terribly wrong, Casey Stein finds himself on the run from a ruthless gang headed by mob boss Hagen. Now Casey has precious cargo that belongs to Hagen, who will stop at nothing to retrieve it. Left with no choice, Casey calls his former employer and drug smuggler Geran to protect his long-time girlfriend Juliette before Hagen gets his hands on her. Casey sets out on an adrenaline-fueled car chase on the German highways to save the love of his life before it’s too late.
Metrics
| Opening Weekend: | $1,512,824 (66.4% of total gross) |
| Legs: | 1.51 (domestic box office/biggest weekend) |
| Domestic Share: | 41.7% (domestic box office/worldwide) |
| Production Budget: | $29,200,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2,045 opening theaters/2,045 max. theaters, 1.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,040,005 |
Movie Details
| Domestic Releases: | February 24th, 2017 (Wide) by Open Road |
| International Releases: | August 26th, 2016 (Wide), released as Аутобан (Bulgaria)
September 30th, 2016 (Wide), released as Collide - A Alta Velocidade (Portugal) December 2nd, 2016 (Wide), released as Autobahn (Collide) (China) February 17th, 2017 (Wide), released as Autobahn - Fuori controllo (Italy) March 3rd, 2017 (Wide), released as Nešdintis visu greičiu (Lithuania) ... Show all releases |
| Video Release: | May 16th, 2017 by Universal Home Entertainment |
| MPA Rating: | PG-13 for violence, frenetic action, some sexuality, language, and drug material. (Rating bulletin 2403 (Cert #49918), 12/9/2015) |
| Running Time: | 99 minutes |
| Cast, crew, or production detail: | Development Hell |
| Plot point: | Fugitive / On the Run, Heist, Medical and Hospitals, Narcotics, Smuggler |
| Release detail: | Delayed Release |
| Social setting: | Organized Crime |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Sycamore Pictures, Automatik, DMG Entertainment, Silver Pictures, Autobahn Film Gmbh |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 13 | $1,512,824 | 2,045 | $740 | $1,512,824 | 1 | |
| Mar 3, 2017 | 28 | $173,620 | -89% | 1,002 | $173 | $2,196,654 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 13 | $539,072 | 2,045 | $264 | $539,072 | 1 | ||
| Feb 25, 2017 | 13 | $626,324 | +16% | 2,045 | $306 | $1,165,396 | 2 | |
| Feb 26, 2017 | 14 | $347,428 | -45% | 2,045 | $170 | $1,512,824 | 3 | |
| Feb 27, 2017 | 15 | $121,600 | -65% | 2,045 | $59 | $1,634,424 | 4 | |
| Feb 28, 2017 | 14 | $187,264 | +54% | 2,045 | $92 | $1,821,688 | 5 | |
| Mar 1, 2017 | 15 | $119,849 | -36% | 2,045 | $59 | $1,941,537 | 6 | |
| Mar 2, 2017 | 15 | $81,497 | -32% | 2,045 | $40 | $2,023,034 | 7 | |
| Mar 3, 2017 | - | $51,973 | -36% | -90% | 1,002 | $52 | $2,075,007 | 8 |
| Mar 4, 2017 | - | $86,275 | +66% | -86% | 1,002 | $86 | $2,161,282 | 9 |
| Mar 5, 2017 | - | $35,372 | -59% | -90% | 1,002 | $35 | $2,196,654 | 10 |
| Mar 6, 2017 | - | $20,869 | -41% | -83% | 1,002 | $21 | $2,217,523 | 11 |
| Mar 7, 2017 | - | $23,373 | +12% | -88% | 1,002 | $23 | $2,240,896 | 12 |
| Mar 8, 2017 | - | $20,802 | -11% | -83% | 1,002 | $21 | $2,261,698 | 13 |
| Mar 9, 2017 | - | $18,306 | -12% | -78% | 1,002 | $18 | $2,280,004 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 24, 2017 | 13 | $2,023,034 | 2,045 | $989 | $2,023,034 | 1 | |
| Mar 3, 2017 | 28 | $256,970 | -87% | 1,002 | $256 | $2,280,004 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 8/26/2016 | $9,799 | 0 | 0 | 0 | $49,307 | 2/26/2019 | |||
| China | 12/2/2016 | $1,770,000 | 10,415 | 10,415 | 10,415 | $2,221,106 | 8/27/2018 | |||
| Italy | 2/17/2017 | $240,198 | 0 | 0 | 0 | $337,018 | 2/28/2017 | |||
| Lithuania | 3/3/2017 | $10,399 | 59 | 59 | 68 | $17,279 | 3/21/2017 | |||
| Mexico | 5/5/2017 | $113,134 | 0 | 0 | 0 | $113,134 | 5/9/2017 | |||
| Portugal | 9/30/2016 | $19,851 | 12 | 27 | 77 | $99,269 | 4/14/2017 | |||
| Russia (CIS) | 3/3/2017 | $22,214 | 0 | 0 | 0 | $95,944 | 1/1/2019 | |||
| Slovenia | 3/17/2017 | $1,231 | 5 | 5 | 5 | $1,687 | 3/23/2017 | |||
| South Korea | 3/16/2017 | $80,078 | 153 | 153 | 213 | $171,989 | 4/4/2026 | |||
| Spain | 7/20/2018 | $34,583 | 54 | 54 | 54 | $34,583 | 8/14/2018 | |||
| Turkey | 3/24/2017 | $20,903 | 59 | 59 | 81 | $45,378 | 2/26/2019 | |||
| International Total | $3,186,694 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Hoult | Casey | |
| Felicity Jones | Juliette |
Supporting
| Ben Kingsley | Geran | |
| Anthony Hopkins | Hagen Kahl | |
| Marwan Kenzari | Matthias | |
| Nadia Hilker | Rowena | |
| Clemens Schick | Mirko | |
| Christian Rubeck | Kye | |
| Aleksandar Jovanovic | Jonas | |
| Johnny Palmiero | Fitch | |
| Michael Epp | Karl | |
| Markus Klauk | Talaz | |
| Cherin West | Prostitute | |
| Sandra Steinbach | Waitress | |
| Joachim Krol | Wolfgang | |
| Svenja Kleinfeld | Stockbroker’s Wife | |
| Annina Nusko | Prostitute | |
| Johny Mathew | Dancer | |
| Ben Hecker | Gas Station Clerk | |
| Josh Gotto | Truck Driver |
Production and Technical Credits
| Eran Creevy | Director | |
| Eran Creevy | Screenwriter | |
| F. Scott Frazier | Screenwriter | |
| F. Scott Frazier | Story by | |
| Joel Silver | Producer | |
| Ben Pugh | Producer | |
| Rory Aitken | Producer | |
| Brian Kavanaugh-Jones | Producer | |
| Daniel Hetzer | Producer | |
| Stuart Ford | Executive Producer | |
| Matt Jackson | Executive Producer | |
| Steve Squillante | Executive Producer | |
| Rick Jackson | Executive Producer | |
| Ben Nearn | Executive Producer | |
| Tom Rice | Executive Producer | |
| Dan Mintz | Executive Producer | |
| Wu Bing | Executive Producer | |
| Peter Xiao | Executive Producer | |
| Chris Fenton | Executive Producer | |
| Chris Cowles | Executive Producer | |
| Hermann Joha | Executive Producer | |
| Kay Niessen | Executive Producer | |
| Steve Richards | Executive Producer | |
| Ali Cook | Executive Producer | |
| Aaron Auch | Co-Producer | |
| Ethan Erwin | Co-Producer | |
| F. Scott Frazier | Co-Executive Producer | |
| Ed Wild | Director of Photography | |
| Chris Gill | Editor | |
| Marese Langan | Make-up and Hair Designer | |
| Sharon Gilham | Costume Designer | |
| David Schulhof | Music Supervisor | |
| Ian Neil | Music Supervisor | |
| Iain Cooke | Music Supervisor | |
| Sasha Robertson | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.