Collisions (2018)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 430070100 More info... | ||
| Further financial details... | ||
Synopsis
When twelve-year-old Itan, straight-A-smart, comes home from school in San Francisco, she is stunned to find their furniture up-ended, and no trace of her mother, Yoana. Child Protective Services dumps Itan and her six year-old brother Neto with their estranged uncle Evencio, a big rig truck driver. Itan can’t stand him. He’s arrogant, unreliable, and probably criminal. After a desperate search, Itan locates Yoana in an immigration detention center in Arizona and convinces Evencio to take them there. They are propelled onto the road in Evencio’s truck, through the maddening labyrinth of immigration detention. Itan fights to free her mother before she is deported. But her mother keeps slipping from her grasp, as she is transferred from prison to prison. Their journey takes them through the deserts of the southern border, to sprawling truck stops, border patrol offices and secret immigration prisons. In the close quarters of Evencio’s truck cab, Itan and Neto begin to bring a better man out of Evencio. But Evencio abandons them just when it seems they have a chance of stopping their mother’s deportation. Are they now truly on their own? Or will Evencio come through and reunite the family?
Metrics
| Production Budget: | $300,000 |
Movie Details
| Running Time: | 82 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Widdershins Film, Mitchell Street Pictures, Don’t Foam, SFFILM Invest, Kenneth Rainin Foundation |
| Production Countries: | United States |
| Languages: | English |
Leading
| Jesse Garcia | Evencio | |
| Izabella Alvarez | Itan | |
| Jason Garcia | Neto |
Supporting
| Ana de la Reguera | Yoana | |
| Brian Bueno | Dad | |
| Tina Marie Murray | Science Teacher | |
| Manuela Ibarguren | Neto’s Teacher | |
| Veronica Valencia | Principal | |
| Molly Noble | CPS Worker #1 | |
| Arah Kramer | San Francisco Receptionist |
Production and Technical Credits
| Richard Levien | Director | |
| Richard Levien | Screenwriter | |
| Richard Levien | Story by | |
| Malin Alegria | Story by | |
| Jesse Garcia | Producer | |
| Vincent Cortez | Producer | |
| Frazer Bradshaw | Producer | |
| Richard Levien | Producer | |
| Zareen Poonen Levien | Producer | |
| Chad Burris | Producer | |
| Adam Keker | Producer | |
| Tamas Bojtor | Producer | |
| Pascal Demko | Producer | |
| Heidi Levitt | Executive Producer | |
| Richard Levien | Editor | |
| Heidi Levitt | Casting Director | |
| Lisa Essary | Casting Director | |
| Frazer Bradshaw | Director of Photography | |
| Justin Melland | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When twelve-year-old Itan, straight-A-smart, comes home from school in San Francisco, she is stunned to find their furniture up-ended, and no trace of her mother, Yoana. Child Protective Services dumps Itan and her six year-old brother Neto with their estranged uncle Evencio, a big rig truck driver. Itan can’t stand him. He’s arrogant, unreliable, and probably criminal. After a desperate search, Itan locates Yoana in an immigration detention center in Arizona and convinces Evencio to take them there. They are propelled onto the road in Evencio’s truck, through the maddening labyrinth of immigration detention. Itan fights to free her mother before she is deported. But her mother keeps slipping from her grasp, as she is transferred from prison to prison. Their journey takes them through the deserts of the southern border, to sprawling truck stops, border patrol offices and secret immigration prisons. In the close quarters of Evencio’s truck cab, Itan and Neto begin to bring a better man out of Evencio. But Evencio abandons them just when it seems they have a chance of stopping their mother’s deportation. Are they now truly on their own? Or will Evencio come through and reunite the family?
Metrics
| Production Budget: | $300,000 |
Movie Details
| Running Time: | 82 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Widdershins Film, Mitchell Street Pictures, Don’t Foam, SFFILM Invest, Kenneth Rainin Foundation |
| Production Countries: | United States |
| Languages: | English |
Leading
| Jesse Garcia | Evencio | |
| Izabella Alvarez | Itan | |
| Jason Garcia | Neto |
Supporting
| Ana de la Reguera | Yoana | |
| Brian Bueno | Dad | |
| Tina Marie Murray | Science Teacher | |
| Manuela Ibarguren | Neto’s Teacher | |
| Veronica Valencia | Principal | |
| Molly Noble | CPS Worker #1 | |
| Arah Kramer | San Francisco Receptionist |
Production and Technical Credits
| Richard Levien | Director | |
| Richard Levien | Screenwriter | |
| Richard Levien | Story by | |
| Malin Alegria | Story by | |
| Jesse Garcia | Producer | |
| Vincent Cortez | Producer | |
| Frazer Bradshaw | Producer | |
| Richard Levien | Producer | |
| Zareen Poonen Levien | Producer | |
| Chad Burris | Producer | |
| Adam Keker | Producer | |
| Tamas Bojtor | Producer | |
| Pascal Demko | Producer | |
| Heidi Levitt | Executive Producer | |
| Richard Levien | Editor | |
| Heidi Levitt | Casting Director | |
| Lisa Essary | Casting Director | |
| Frazer Bradshaw | Director of Photography | |
| Justin Melland | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.