Come True (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $62,080 | Details |
| International Box Office | $145,798 | Details |
| Worldwide Box Office | $207,878 | |
| OpusData ID: 460290100 More info... | ||
| Further financial details... | ||
Synopsis
High school student Sarah is at her lowest point yet when she runs away from home and finds herself with no one to rely on and struggling with recurring nightmares. She chances upon a university sleep study that offers the promise of safety and money and brings her an unexpected friend and confidant in the overseeing scientist Jeremy. But there’s something curious about proceedings and being under observation seems to make Sarah’s disturbing dreams even worse. As the darkness begins to close in, it’s soon clear that Sarah has unknowingly become the conduit to a horrifying, new discovery…
Metrics
| Opening Weekend: | $31,090 (50.1% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 29.9% (domestic box office/worldwide) |
| Theater counts: | 96 opening theaters/96 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $73,004 |
Movie Details
| Domestic Releases: | March 12th, 2021 (Limited) by IFC Midnight |
| International Releases: | July 1st, 2021 (Wide), released as Кошмары (Russia (CIS))
July 20th, 2023 (Limited), released as Come True (Кошмары) (Russia (CIS)) February 9th, 2024 (Limited), released as Come True (カム・トゥルー 戦慄の催眠実験) (Japan) |
| Video Release: | March 12th, 2021 by IFC Video |
| Running Time: | 105 minutes |
| Plot point: | Coma, Dream Sequence, Nightmare, Runaway, Sleep Disorders |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Copperheart Entertainment, Telefilm Canada, Alberta Media Fund, Raven Banner Entertainment, Angel Entertainment |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 12, 2021 | - | $31,090 | 96 | $324 | $31,090 | 1 | |
| Mar 19, 2021 | - | $13,109 | -58% | 73 | $180 | $54,841 | 2 |
| Mar 26, 2021 | - | $3,750 | -71% | 26 | $144 | $61,624 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 12, 2021 | - | $9,289 | 96 | $97 | $9,289 | 1 | ||
| Mar 13, 2021 | - | $13,474 | +45% | 96 | $140 | $22,763 | 2 | |
| Mar 14, 2021 | - | $8,327 | -38% | 96 | $87 | $31,090 | 3 | |
| Mar 15, 2021 | - | $2,203 | -74% | 96 | $23 | $33,293 | 4 | |
| Mar 16, 2021 | - | $2,768 | +26% | 96 | $29 | $36,061 | 5 | |
| Mar 17, 2021 | - | $2,362 | -15% | 96 | $25 | $38,423 | 6 | |
| Mar 18, 2021 | - | $3,309 | +40% | 96 | $34 | $41,732 | 7 | |
| Mar 19, 2021 | - | $3,942 | +19% | -58% | 73 | $54 | $45,674 | 8 |
| Mar 20, 2021 | - | $6,024 | +53% | -55% | 73 | $83 | $51,698 | 9 |
| Mar 21, 2021 | - | $3,143 | -48% | -62% | 73 | $43 | $54,841 | 10 |
| Mar 22, 2021 | - | $620 | -80% | -72% | 73 | $8 | $55,461 | 11 |
| Mar 23, 2021 | - | $685 | +10% | -75% | 73 | $9 | $56,146 | 12 |
| Mar 24, 2021 | - | $989 | +44% | -58% | 73 | $14 | $57,135 | 13 |
| Mar 25, 2021 | - | $739 | -25% | -78% | 73 | $10 | $57,874 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 12, 2021 | - | $41,732 | 96 | $435 | $41,732 | 1 | |
| Mar 19, 2021 | - | $16,142 | -61% | 73 | $221 | $57,874 | 2 |
| Mar 26, 2021 | - | $4,206 | -74% | 26 | $162 | $62,080 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 7/1/2021 | $0 | 0 | 855 | 1,663 | $145,798 | 8/2/2023 | |||
| International Total | $145,798 | 8/2/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julia Sarah Stone | Sarah |
Supporting
| Landon Liboiron | Jeremy | |
| Carlee Ryski | Anita | |
| Tedra Rogers | Zoe | |
| Christopher Heatherington | Dr. Meyer |
Production and Technical Credits
| Anthony Scott Burns | Director | |
| Anthony Scott Burns | Screenwriter | |
| Anthony Scott Burns | Cinematographer | |
| Anthony Scott Burns | Story by | |
| Daniel Weissenberger | Story by | |
| Nicholas Bechard | Co-Producer | |
| Steven Hoban | Producer | |
| Mark Smith | Producer | |
| Brent Kawchuck | Producer | |
| Vincenzo Natali | Executive Producer | |
| Andrea Hatzinikolas | Executive Producer | |
| Chris Wallace | Executive Producer | |
| Bob Crowe | Executive Producer | |
| Karyn Nolan | Executive Producer | |
| Susan Bristow | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
High school student Sarah is at her lowest point yet when she runs away from home and finds herself with no one to rely on and struggling with recurring nightmares. She chances upon a university sleep study that offers the promise of safety and money and brings her an unexpected friend and confidant in the overseeing scientist Jeremy. But there’s something curious about proceedings and being under observation seems to make Sarah’s disturbing dreams even worse. As the darkness begins to close in, it’s soon clear that Sarah has unknowingly become the conduit to a horrifying, new discovery…
Metrics
| Opening Weekend: | $31,090 (50.1% of total gross) |
| Legs: | 2.00 (domestic box office/biggest weekend) |
| Domestic Share: | 29.9% (domestic box office/worldwide) |
| Theater counts: | 96 opening theaters/96 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $73,004 |
Movie Details
| Domestic Releases: | March 12th, 2021 (Limited) by IFC Midnight |
| International Releases: | July 1st, 2021 (Wide), released as Кошмары (Russia (CIS))
July 20th, 2023 (Limited), released as Come True (Кошмары) (Russia (CIS)) February 9th, 2024 (Limited), released as Come True (カム・トゥルー 戦慄の催眠実験) (Japan) |
| Video Release: | March 12th, 2021 by IFC Video |
| Running Time: | 105 minutes |
| Plot point: | Coma, Dream Sequence, Nightmare, Runaway, Sleep Disorders |
| Subgenre: | Psychological Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Copperheart Entertainment, Telefilm Canada, Alberta Media Fund, Raven Banner Entertainment, Angel Entertainment |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 12, 2021 | - | $31,090 | 96 | $324 | $31,090 | 1 | |
| Mar 19, 2021 | - | $13,109 | -58% | 73 | $180 | $54,841 | 2 |
| Mar 26, 2021 | - | $3,750 | -71% | 26 | $144 | $61,624 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 12, 2021 | - | $9,289 | 96 | $97 | $9,289 | 1 | ||
| Mar 13, 2021 | - | $13,474 | +45% | 96 | $140 | $22,763 | 2 | |
| Mar 14, 2021 | - | $8,327 | -38% | 96 | $87 | $31,090 | 3 | |
| Mar 15, 2021 | - | $2,203 | -74% | 96 | $23 | $33,293 | 4 | |
| Mar 16, 2021 | - | $2,768 | +26% | 96 | $29 | $36,061 | 5 | |
| Mar 17, 2021 | - | $2,362 | -15% | 96 | $25 | $38,423 | 6 | |
| Mar 18, 2021 | - | $3,309 | +40% | 96 | $34 | $41,732 | 7 | |
| Mar 19, 2021 | - | $3,942 | +19% | -58% | 73 | $54 | $45,674 | 8 |
| Mar 20, 2021 | - | $6,024 | +53% | -55% | 73 | $83 | $51,698 | 9 |
| Mar 21, 2021 | - | $3,143 | -48% | -62% | 73 | $43 | $54,841 | 10 |
| Mar 22, 2021 | - | $620 | -80% | -72% | 73 | $8 | $55,461 | 11 |
| Mar 23, 2021 | - | $685 | +10% | -75% | 73 | $9 | $56,146 | 12 |
| Mar 24, 2021 | - | $989 | +44% | -58% | 73 | $14 | $57,135 | 13 |
| Mar 25, 2021 | - | $739 | -25% | -78% | 73 | $10 | $57,874 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 12, 2021 | - | $41,732 | 96 | $435 | $41,732 | 1 | |
| Mar 19, 2021 | - | $16,142 | -61% | 73 | $221 | $57,874 | 2 |
| Mar 26, 2021 | - | $4,206 | -74% | 26 | $162 | $62,080 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Russia (CIS) | 7/1/2021 | $0 | 0 | 855 | 1,663 | $145,798 | 8/2/2023 | |||
| International Total | $145,798 | 8/2/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Julia Sarah Stone | Sarah |
Supporting
| Landon Liboiron | Jeremy | |
| Carlee Ryski | Anita | |
| Tedra Rogers | Zoe | |
| Christopher Heatherington | Dr. Meyer |
Production and Technical Credits
| Anthony Scott Burns | Director | |
| Anthony Scott Burns | Screenwriter | |
| Anthony Scott Burns | Cinematographer | |
| Anthony Scott Burns | Story by | |
| Daniel Weissenberger | Story by | |
| Nicholas Bechard | Co-Producer | |
| Steven Hoban | Producer | |
| Mark Smith | Producer | |
| Brent Kawchuck | Producer | |
| Vincenzo Natali | Executive Producer | |
| Andrea Hatzinikolas | Executive Producer | |
| Chris Wallace | Executive Producer | |
| Bob Crowe | Executive Producer | |
| Karyn Nolan | Executive Producer | |
| Susan Bristow | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.