The Commuter (2018)
| Theatrical Performance | ||
| Domestic Box Office | $36,343,858 | Details |
| International Box Office | $82,165,978 | Details |
| Worldwide Box Office | $118,509,836 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,539,889 | |
| Blu-ray Sales (estimated) | $4,220,929 | |
| Total | $7,760,818 | |
| OpusData ID: 247210100 More info... | ||
| Further financial details... | ||
Synopsis
Michael is an insurance salesman whose daily commute home quickly becomes anything but routine. After being confronted by a mysterious stranger, Michael is blackmailed into finding the identity of a passenger on his train before the last stop. As he works against the clock to solve the puzzle, Michael is unwittingly caught up in a criminal conspiracy that carries life and death stakes for himself and his fellow passengers.
Metrics
| Opening Weekend: | $13,701,452 (37.7% of total gross) |
| Legs: | 2.65 (domestic box office/biggest weekend) |
| Domestic Share: | 30.7% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 3.0 times production budget) |
| Theater counts: | 2,892 opening theaters/2,892 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,713,786 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Wide) by Lionsgate |
| International Releases: | January 11th, 2018 (Wide) (South Korea)
January 12th, 2018 (Wide) (Germany) January 12th, 2018 (Wide), released as Slaptas keleivis (Lithuania) January 12th, 2018 (Wide) (Netherlands) January 12th, 2018 (Wide), released as Yolcu (Turkey) ... Show all releases |
| Video Release: | April 3rd, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some intense action/violence, and language. (Rating bulletin 2485 (Cert #51144), 7/19/2017) |
| Running Time: | 105 minutes |
| Film format: | IMAX: DMR |
| Plot point: | Ex-cop, Trains, Trapped |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | StudioCanal, The Picture Company, Ombra Films, Lionsgate |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 3 | $13,701,452 | 2,892 | $4,738 | $13,701,452 | 1 | |
| Jan 19, 2018 | 7 | $6,603,842 | -52% | 2,892 | $2,283 | $25,627,371 | 2 |
| Jan 26, 2018 | 14 | $3,412,694 | -48% | 1,811 | $1,884 | $31,389,883 | 3 |
| Feb 2, 2018 | 19 | $1,666,757 | -51% | 1,494 | $1,116 | $34,266,504 | 4 |
| Feb 9, 2018 | 28 | $575,770 | -65% | 590 | $976 | $35,541,634 | 5 |
| Feb 16, 2018 | 40 | $114,800 | -80% | 148 | $776 | $35,941,298 | 6 |
| Feb 23, 2018 | 39 | $113,208 | -1% | 138 | $820 | $36,114,858 | 7 |
| Mar 2, 2018 | 39 | $75,715 | -33% | 112 | $676 | $36,242,015 | 8 |
| Mar 9, 2018 | 48 | $40,551 | -46% | 71 | $571 | $36,317,285 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 11, 2018 | P | $700,000 | 0 | $700,000 | ||||
| Jan 12, 2018 | 3 | $4,509,520 | 2,892 | $1,559 | $4,509,520 | 1 | ||
| Jan 13, 2018 | 3 | $5,185,751 | +15% | 2,892 | $1,793 | $9,695,271 | 2 | |
| Jan 14, 2018 | 5 | $4,006,181 | -23% | 2,892 | $1,385 | $13,701,452 | 3 | |
| Jan 15, 2018 | 6 | $2,094,447 | -48% | 2,892 | $724 | $15,795,899 | 4 | |
| Jan 16, 2018 | 3 | $1,418,728 | -32% | 2,892 | $491 | $17,214,627 | 5 | |
| Jan 17, 2018 | 4 | $932,560 | -34% | 2,892 | $322 | $18,147,187 | 6 | |
| Jan 18, 2018 | 4 | $876,342 | -6% | 2,892 | $303 | $19,023,529 | 7 | |
| Jan 19, 2018 | 6 | $1,967,525 | +125% | -56% | 2,892 | $680 | $20,991,054 | 8 |
| Jan 20, 2018 | 8 | $3,141,792 | +60% | -39% | 2,892 | $1,086 | $24,132,846 | 9 |
| Jan 21, 2018 | 8 | $1,494,525 | -52% | -63% | 2,892 | $517 | $25,627,371 | 10 |
| Jan 22, 2018 | 7 | $533,094 | -64% | -75% | 2,892 | $184 | $26,160,465 | 11 |
| Jan 23, 2018 | 6 | $828,216 | +55% | -42% | 2,892 | $286 | $26,988,681 | 12 |
| Jan 24, 2018 | 8 | $514,840 | -38% | -45% | 2,892 | $178 | $27,503,521 | 13 |
| Jan 25, 2018 | 9 | $473,668 | -8% | -46% | 2,892 | $164 | $27,977,189 | 14 |
| Jan 26, 2018 | 15 | $919,895 | +94% | -53% | 1,811 | $508 | $28,897,084 | 15 |
| Jan 27, 2018 | 14 | $1,549,689 | +68% | -51% | 1,811 | $856 | $30,446,773 | 16 |
| Jan 28, 2018 | 13 | $943,110 | -39% | -37% | 1,811 | $521 | $31,389,883 | 17 |
| Jan 29, 2018 | 15 | $267,519 | -72% | -50% | 1,811 | $148 | $31,657,402 | 18 |
| Jan 30, 2018 | 11 | $409,648 | +53% | -51% | 1,811 | $226 | $32,067,050 | 19 |
| Jan 31, 2018 | 15 | $274,432 | -33% | -47% | 1,811 | $152 | $32,341,482 | 20 |
| Feb 1, 2018 | 14 | $258,265 | -6% | -45% | 1,811 | $143 | $32,599,747 | 21 |
| Feb 2, 2018 | - | $520,758 | +102% | -43% | 1,494 | $349 | $33,120,505 | 22 |
| Feb 3, 2018 | - | $880,913 | +69% | -43% | 1,494 | $590 | $34,001,418 | 23 |
| Feb 4, 2018 | - | $265,086 | -70% | -72% | 1,494 | $177 | $34,266,504 | 24 |
| Feb 5, 2018 | - | $161,091 | -39% | -40% | 1,494 | $108 | $34,427,595 | 25 |
| Feb 6, 2018 | - | $240,882 | +50% | -41% | 1,494 | $161 | $34,668,477 | 26 |
| Feb 7, 2018 | - | $158,656 | -34% | -42% | 1,494 | $106 | $34,827,133 | 27 |
| Feb 8, 2018 | - | $138,731 | -13% | -46% | 1,494 | $93 | $34,965,864 | 28 |
| Feb 9, 2018 | - | $148,566 | +7% | -71% | 590 | $252 | $35,114,430 | 29 |
| Feb 10, 2018 | - | $270,665 | +82% | -69% | 590 | $459 | $35,385,095 | 30 |
| Feb 11, 2018 | - | $156,539 | -42% | -41% | 590 | $265 | $35,541,634 | 31 |
| Feb 12, 2018 | - | $55,599 | -64% | -65% | 590 | $94 | $35,597,233 | 32 |
| Feb 13, 2018 | - | $74,590 | +34% | -69% | 590 | $126 | $35,671,823 | 33 |
| Feb 14, 2018 | - | $119,025 | +60% | -25% | 590 | $202 | $35,790,848 | 34 |
| Feb 15, 2018 | - | $35,650 | -70% | -74% | 590 | $60 | $35,826,498 | 35 |
| Feb 16, 2018 | - | $30,391 | -15% | -80% | 148 | $205 | $35,856,889 | 36 |
| Feb 17, 2018 | - | $47,994 | +58% | -82% | 148 | $324 | $35,904,883 | 37 |
| Feb 18, 2018 | - | $36,415 | -24% | -77% | 148 | $246 | $35,941,298 | 38 |
| Feb 19, 2018 | - | $19,589 | -46% | -65% | 148 | $132 | $35,960,887 | 39 |
| Feb 20, 2018 | - | $16,554 | -15% | -78% | 148 | $112 | $35,977,441 | 40 |
| Feb 21, 2018 | - | $13,725 | -17% | -88% | 148 | $93 | $35,991,166 | 41 |
| Feb 22, 2018 | - | $10,484 | -24% | -71% | 148 | $71 | $36,001,650 | 42 |
| Feb 23, 2018 | - | $29,300 | +179% | -4% | 138 | $212 | $36,030,950 | 43 |
| Feb 24, 2018 | - | $51,488 | +76% | +7% | 138 | $373 | $36,082,438 | 44 |
| Feb 25, 2018 | - | $32,420 | -37% | -11% | 138 | $235 | $36,114,858 | 45 |
| Feb 26, 2018 | - | $11,264 | -65% | -42% | 138 | $82 | $36,126,122 | 46 |
| Feb 27, 2018 | - | $16,369 | +45% | -1% | 138 | $119 | $36,142,491 | 47 |
| Feb 28, 2018 | - | $12,287 | -25% | -10% | 138 | $89 | $36,154,778 | 48 |
| Mar 1, 2018 | - | $11,522 | -6% | +10% | 138 | $83 | $36,166,300 | 49 |
| Mar 2, 2018 | - | $20,517 | +78% | -30% | 112 | $183 | $36,186,817 | 50 |
| Mar 3, 2018 | - | $33,754 | +65% | -34% | 112 | $301 | $36,220,571 | 51 |
| Mar 4, 2018 | - | $21,444 | -36% | -34% | 112 | $191 | $36,242,015 | 52 |
| Mar 5, 2018 | - | $7,434 | -65% | -34% | 112 | $66 | $36,249,449 | 53 |
| Mar 6, 2018 | - | $10,056 | +35% | -39% | 112 | $90 | $36,259,505 | 54 |
| Mar 7, 2018 | - | $8,507 | -15% | -31% | 112 | $76 | $36,268,012 | 55 |
| Mar 8, 2018 | - | $8,722 | +3% | -24% | 112 | $78 | $36,276,734 | 56 |
| Mar 9, 2018 | - | $10,307 | +18% | -50% | 71 | $145 | $36,287,041 | 57 |
| Mar 10, 2018 | - | $17,684 | +72% | -48% | 71 | $249 | $36,304,725 | 58 |
| Mar 11, 2018 | - | $12,560 | -29% | -41% | 71 | $177 | $36,317,285 | 59 |
| Mar 12, 2018 | - | $6,236 | -50% | -16% | 71 | $88 | $36,323,521 | 60 |
| Mar 13, 2018 | - | $7,422 | +19% | -26% | 71 | $105 | $36,330,943 | 61 |
| Mar 14, 2018 | - | $6,431 | -13% | -24% | 71 | $91 | $36,337,374 | 62 |
| Mar 15, 2018 | - | $6,484 | +1% | -26% | 71 | $91 | $36,343,858 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 4 | $19,023,529 | 2,892 | $6,578 | $19,023,529 | 1 | |
| Jan 19, 2018 | 7 | $8,953,660 | -53% | 2,892 | $3,096 | $27,977,189 | 2 |
| Jan 26, 2018 | 14 | $4,622,558 | -48% | 1,811 | $2,552 | $32,599,747 | 3 |
| Feb 2, 2018 | 18 | $2,366,117 | -49% | 1,494 | $1,584 | $34,965,864 | 4 |
| Feb 9, 2018 | 28 | $860,634 | -64% | 590 | $1,459 | $35,826,498 | 5 |
| Feb 16, 2018 | 40 | $175,152 | -80% | 148 | $1,183 | $36,001,650 | 6 |
| Feb 23, 2018 | 38 | $164,650 | -6% | 138 | $1,193 | $36,166,300 | 7 |
| Mar 2, 2018 | 41 | $110,434 | -33% | 112 | $986 | $36,276,734 | 8 |
| Mar 9, 2018 | 46 | $67,124 | -39% | 71 | $945 | $36,343,858 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/19/2018 | $268,525 | 0 | 0 | 0 | $801,993 | 1/1/2019 | |||
| Australia | 1/19/2018 | $889,326 | 210 | 210 | 733 | $2,401,349 | 3/19/2018 | |||
| Brazil | 3/9/2018 | $663,918 | 0 | 0 | 0 | $1,510,563 | 6/14/2018 | |||
| Bulgaria | 1/12/2018 | $75,217 | 0 | 0 | 0 | $266,882 | 2/26/2019 | |||
| China | 3/30/2018 | $4,080,000 | 43,877 | 43,877 | 49,296 | $7,163,071 | 8/10/2018 | |||
| Czech Republic | 1/19/2018 | $90,813 | 82 | 82 | 198 | $300,494 | 1/1/2019 | |||
| France | 1/26/2018 | $0 | 0 | 165 | 165 | $5,088,564 | 4/11/2019 | |||
| Germany | 1/12/2018 | $2,037,197 | 449 | 458 | 907 | $5,274,419 | 6/11/2018 | |||
| Italy | 1/25/2018 | $1,332,429 | 0 | 0 | 0 | $4,056,337 | 9/22/2018 | |||
| Japan | 3/30/2018 | $582,693 | 0 | 0 | 0 | $772,073 | 6/8/2018 | |||
| Lithuania | 1/12/2018 | $24,925 | 49 | 49 | 93 | $61,108 | 2/13/2018 | |||
| Mexico | 1/19/2018 | $1,826,007 | 0 | 0 | 0 | $4,723,263 | 2/5/2018 | |||
| Netherlands | 1/12/2018 | $637,910 | 85 | 89 | 559 | $2,312,904 | 2/26/2018 | |||
| New Zealand | 1/19/2018 | $148,154 | 65 | 66 | 254 | $436,676 | 3/19/2018 | |||
| Poland | 1/12/2018 | $268,308 | 0 | 0 | 0 | $629,148 | 1/1/2019 | |||
| Portugal | 1/19/2018 | $278,843 | 63 | 73 | 284 | $801,757 | 3/20/2018 | |||
| Romania | 11/27/2020 | $0 | 0 | 1 | 2 | $748,541 | 2/17/2021 | |||
| Russia (CIS) | 3/8/2018 | $1,191,464 | 510 | 519 | 1,610 | $2,432,595 | 2/26/2019 | |||
| Slovakia | 1/19/2018 | $72,140 | 64 | 64 | 134 | $185,679 | 2/21/2018 | |||
| South Korea | 1/11/2018 | $0 | 0 | 575 | 754 | $2,106,692 | 5/22/2018 | |||
| Spain | 1/26/2018 | $542,846 | 231 | 234 | 645 | $1,264,711 | 2/15/2018 | |||
| Turkey | 1/12/2018 | $81,140 | 64 | 64 | 119 | $230,573 | 2/26/2019 | |||
| United Kingdom | 1/19/2018 | $2,220,701 | 472 | 472 | 1,539 | $5,501,290 | 4/4/2026 | |||
| Rest of World | $33,095,296 | |||||||||
| International Total | $82,165,978 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | Michael MacCauley |
Supporting
| Vera Farmiga | Joanna | |
| Patrick Wilson | Alex Murphy | |
| Jonathan Banks | Walt | |
| Sam Neill | Captain Hawthorne | |
| Elizabeth McGovern | Karen MacCauley | |
| Killian Scott | Dylan | |
| Shazad Latif | Vince | |
| Andy Nyman | Tony | |
| Clara Lago | Eva | |
| Roland Møller | Jackson | |
| Florence Pugh | Gwen | |
| Dean-Charles Chapman | Danny MacCauley | |
| Ella-Rae Smith | Sofia | |
| Nila Aalia | Sherri | |
| Colin McFarlane | Conductor Sam | |
| Kobna Holdbrook-Smith | Oliver | |
| Adam Nagaitis | Conductor Jimmy | |
| Kingsley Ben-Adir | Agent Garcia | |
| Damson Idris | Agent Denys | |
| Andy Lucas | Manny Engineer | |
| Zaak Conway | Caleb O’Malley | |
| Ben Caplan | Frank | |
| Letitia Wright | Jules Skateboarder | |
| Simon Hibbs | Sean O’Malley | |
| Nathan Wiley | Sniper | |
| Jamie Beamish | Nathan | |
| Ben Nathan | Police Officer | |
| David Alwyn | Platform Trooper | |
| John Alastair | Officer O’Neal | |
| Edward Bluemel | Gwen’s Boyfriend | |
| Aoife Hinds | Jeanie | |
| Alana Maria | Officer Jones |
Cameo
| Pat Kiernan | Himself | |
| Natalie Duddridge | Herself |
Supporting
| Jaime Menendez | Enrique Mendez |
Production and Technical Credits
| Jaume Collet-Serra | Director | |
| Byron Willinger | Screenwriter | |
| Phil de Blasi | Screenwriter | |
| Byron Willinger | Story by | |
| Phil de Blasi | Story by | |
| Andrew Rona | Producer | |
| Alex Heineman | Producer | |
| Michael Dreyer | Executive Producer | |
| Juan Sola | Executive Producer | |
| Jaume Collet-Serra | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Didier Lupfer | Executive Producer | |
| Roque Banos | Composer | |
| Paul Cameron | Director of Photography | |
| Richard Bridgland | Production Designer | |
| Nicolas de Toth | Editor | |
| Jill Taylor | Costume Designer | |
| Reg Poerscout-Edgerton | Casting Director | |
| Mark Vanselow | Stunt Coordinator | |
| Simon Fraser | Unit Production Manager | |
| Alexander Oakley | First Assistant Director | |
| Lacey Darlene Paulson | Associate Producer | |
| Rupert Smith | Visual Effects Producer | |
| Emma Zee | Post-Production Supervisor | |
| Adam O'Neill | Supervising Art Director | |
| John King | Art Director | |
| Stephen Dobric | Art Director | |
| Tina Jones | Set Decorator | |
| Irene Chawko | Script Supervisor | |
| Tracy McGregor | Costume Supervisor | |
| Dana Kalder | Hairstylist | |
| Jim Greenhorn | Sound Mixer | |
| Stefano Pepin | Special Effects Supervisor | |
| Laura Davison | Special Effects Coordinator | |
| Finlay Bradbury | Location Manager | |
| Julia Tomlinson | Location Manager | |
| Tom Davis | First Assistant Editor | |
| Jeremy Richardson | First Assistant Editor | |
| James Harrison | Supervising Sound Editor | |
| Steve Little | Supervising Dialogue Editor | |
| Chris Burdon | Re-recording Mixer | |
| Gilbert Lake | Re-recording Mixer | |
| Adam Mendez | Foley Mixer | |
| Stephane Paris | Visual Effects Supervisor | |
| Caroline Garrett | Visual Effects Executive Producer | |
| Marc A. Rousseau | Visual Effects Executive Producer | |
| Audrey Boivin | Visual Effects Producer | |
| Fiona Foster | Visual Effects Producer | |
| John Warhurst | Music Editor | |
| Anele Onyekwere | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Michael is an insurance salesman whose daily commute home quickly becomes anything but routine. After being confronted by a mysterious stranger, Michael is blackmailed into finding the identity of a passenger on his train before the last stop. As he works against the clock to solve the puzzle, Michael is unwittingly caught up in a criminal conspiracy that carries life and death stakes for himself and his fellow passengers.
Metrics
| Opening Weekend: | $13,701,452 (37.7% of total gross) |
| Legs: | 2.65 (domestic box office/biggest weekend) |
| Domestic Share: | 30.7% (domestic box office/worldwide) |
| Production Budget: | $40,000,000 (worldwide box office is 3.0 times production budget) |
| Theater counts: | 2,892 opening theaters/2,892 max. theaters, 3.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $47,713,786 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Wide) by Lionsgate |
| International Releases: | January 11th, 2018 (Wide) (South Korea)
January 12th, 2018 (Wide) (Germany) January 12th, 2018 (Wide), released as Slaptas keleivis (Lithuania) January 12th, 2018 (Wide) (Netherlands) January 12th, 2018 (Wide), released as Yolcu (Turkey) ... Show all releases |
| Video Release: | April 3rd, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | PG-13 for some intense action/violence, and language. (Rating bulletin 2485 (Cert #51144), 7/19/2017) |
| Running Time: | 105 minutes |
| Film format: | IMAX: DMR |
| Plot point: | Ex-cop, Trains, Trapped |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | StudioCanal, The Picture Company, Ombra Films, Lionsgate |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 3 | $13,701,452 | 2,892 | $4,738 | $13,701,452 | 1 | |
| Jan 19, 2018 | 7 | $6,603,842 | -52% | 2,892 | $2,283 | $25,627,371 | 2 |
| Jan 26, 2018 | 14 | $3,412,694 | -48% | 1,811 | $1,884 | $31,389,883 | 3 |
| Feb 2, 2018 | 19 | $1,666,757 | -51% | 1,494 | $1,116 | $34,266,504 | 4 |
| Feb 9, 2018 | 28 | $575,770 | -65% | 590 | $976 | $35,541,634 | 5 |
| Feb 16, 2018 | 40 | $114,800 | -80% | 148 | $776 | $35,941,298 | 6 |
| Feb 23, 2018 | 39 | $113,208 | -1% | 138 | $820 | $36,114,858 | 7 |
| Mar 2, 2018 | 39 | $75,715 | -33% | 112 | $676 | $36,242,015 | 8 |
| Mar 9, 2018 | 48 | $40,551 | -46% | 71 | $571 | $36,317,285 | 9 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 11, 2018 | P | $700,000 | 0 | $700,000 | ||||
| Jan 12, 2018 | 3 | $4,509,520 | 2,892 | $1,559 | $4,509,520 | 1 | ||
| Jan 13, 2018 | 3 | $5,185,751 | +15% | 2,892 | $1,793 | $9,695,271 | 2 | |
| Jan 14, 2018 | 5 | $4,006,181 | -23% | 2,892 | $1,385 | $13,701,452 | 3 | |
| Jan 15, 2018 | 6 | $2,094,447 | -48% | 2,892 | $724 | $15,795,899 | 4 | |
| Jan 16, 2018 | 3 | $1,418,728 | -32% | 2,892 | $491 | $17,214,627 | 5 | |
| Jan 17, 2018 | 4 | $932,560 | -34% | 2,892 | $322 | $18,147,187 | 6 | |
| Jan 18, 2018 | 4 | $876,342 | -6% | 2,892 | $303 | $19,023,529 | 7 | |
| Jan 19, 2018 | 6 | $1,967,525 | +125% | -56% | 2,892 | $680 | $20,991,054 | 8 |
| Jan 20, 2018 | 8 | $3,141,792 | +60% | -39% | 2,892 | $1,086 | $24,132,846 | 9 |
| Jan 21, 2018 | 8 | $1,494,525 | -52% | -63% | 2,892 | $517 | $25,627,371 | 10 |
| Jan 22, 2018 | 7 | $533,094 | -64% | -75% | 2,892 | $184 | $26,160,465 | 11 |
| Jan 23, 2018 | 6 | $828,216 | +55% | -42% | 2,892 | $286 | $26,988,681 | 12 |
| Jan 24, 2018 | 8 | $514,840 | -38% | -45% | 2,892 | $178 | $27,503,521 | 13 |
| Jan 25, 2018 | 9 | $473,668 | -8% | -46% | 2,892 | $164 | $27,977,189 | 14 |
| Jan 26, 2018 | 15 | $919,895 | +94% | -53% | 1,811 | $508 | $28,897,084 | 15 |
| Jan 27, 2018 | 14 | $1,549,689 | +68% | -51% | 1,811 | $856 | $30,446,773 | 16 |
| Jan 28, 2018 | 13 | $943,110 | -39% | -37% | 1,811 | $521 | $31,389,883 | 17 |
| Jan 29, 2018 | 15 | $267,519 | -72% | -50% | 1,811 | $148 | $31,657,402 | 18 |
| Jan 30, 2018 | 11 | $409,648 | +53% | -51% | 1,811 | $226 | $32,067,050 | 19 |
| Jan 31, 2018 | 15 | $274,432 | -33% | -47% | 1,811 | $152 | $32,341,482 | 20 |
| Feb 1, 2018 | 14 | $258,265 | -6% | -45% | 1,811 | $143 | $32,599,747 | 21 |
| Feb 2, 2018 | - | $520,758 | +102% | -43% | 1,494 | $349 | $33,120,505 | 22 |
| Feb 3, 2018 | - | $880,913 | +69% | -43% | 1,494 | $590 | $34,001,418 | 23 |
| Feb 4, 2018 | - | $265,086 | -70% | -72% | 1,494 | $177 | $34,266,504 | 24 |
| Feb 5, 2018 | - | $161,091 | -39% | -40% | 1,494 | $108 | $34,427,595 | 25 |
| Feb 6, 2018 | - | $240,882 | +50% | -41% | 1,494 | $161 | $34,668,477 | 26 |
| Feb 7, 2018 | - | $158,656 | -34% | -42% | 1,494 | $106 | $34,827,133 | 27 |
| Feb 8, 2018 | - | $138,731 | -13% | -46% | 1,494 | $93 | $34,965,864 | 28 |
| Feb 9, 2018 | - | $148,566 | +7% | -71% | 590 | $252 | $35,114,430 | 29 |
| Feb 10, 2018 | - | $270,665 | +82% | -69% | 590 | $459 | $35,385,095 | 30 |
| Feb 11, 2018 | - | $156,539 | -42% | -41% | 590 | $265 | $35,541,634 | 31 |
| Feb 12, 2018 | - | $55,599 | -64% | -65% | 590 | $94 | $35,597,233 | 32 |
| Feb 13, 2018 | - | $74,590 | +34% | -69% | 590 | $126 | $35,671,823 | 33 |
| Feb 14, 2018 | - | $119,025 | +60% | -25% | 590 | $202 | $35,790,848 | 34 |
| Feb 15, 2018 | - | $35,650 | -70% | -74% | 590 | $60 | $35,826,498 | 35 |
| Feb 16, 2018 | - | $30,391 | -15% | -80% | 148 | $205 | $35,856,889 | 36 |
| Feb 17, 2018 | - | $47,994 | +58% | -82% | 148 | $324 | $35,904,883 | 37 |
| Feb 18, 2018 | - | $36,415 | -24% | -77% | 148 | $246 | $35,941,298 | 38 |
| Feb 19, 2018 | - | $19,589 | -46% | -65% | 148 | $132 | $35,960,887 | 39 |
| Feb 20, 2018 | - | $16,554 | -15% | -78% | 148 | $112 | $35,977,441 | 40 |
| Feb 21, 2018 | - | $13,725 | -17% | -88% | 148 | $93 | $35,991,166 | 41 |
| Feb 22, 2018 | - | $10,484 | -24% | -71% | 148 | $71 | $36,001,650 | 42 |
| Feb 23, 2018 | - | $29,300 | +179% | -4% | 138 | $212 | $36,030,950 | 43 |
| Feb 24, 2018 | - | $51,488 | +76% | +7% | 138 | $373 | $36,082,438 | 44 |
| Feb 25, 2018 | - | $32,420 | -37% | -11% | 138 | $235 | $36,114,858 | 45 |
| Feb 26, 2018 | - | $11,264 | -65% | -42% | 138 | $82 | $36,126,122 | 46 |
| Feb 27, 2018 | - | $16,369 | +45% | -1% | 138 | $119 | $36,142,491 | 47 |
| Feb 28, 2018 | - | $12,287 | -25% | -10% | 138 | $89 | $36,154,778 | 48 |
| Mar 1, 2018 | - | $11,522 | -6% | +10% | 138 | $83 | $36,166,300 | 49 |
| Mar 2, 2018 | - | $20,517 | +78% | -30% | 112 | $183 | $36,186,817 | 50 |
| Mar 3, 2018 | - | $33,754 | +65% | -34% | 112 | $301 | $36,220,571 | 51 |
| Mar 4, 2018 | - | $21,444 | -36% | -34% | 112 | $191 | $36,242,015 | 52 |
| Mar 5, 2018 | - | $7,434 | -65% | -34% | 112 | $66 | $36,249,449 | 53 |
| Mar 6, 2018 | - | $10,056 | +35% | -39% | 112 | $90 | $36,259,505 | 54 |
| Mar 7, 2018 | - | $8,507 | -15% | -31% | 112 | $76 | $36,268,012 | 55 |
| Mar 8, 2018 | - | $8,722 | +3% | -24% | 112 | $78 | $36,276,734 | 56 |
| Mar 9, 2018 | - | $10,307 | +18% | -50% | 71 | $145 | $36,287,041 | 57 |
| Mar 10, 2018 | - | $17,684 | +72% | -48% | 71 | $249 | $36,304,725 | 58 |
| Mar 11, 2018 | - | $12,560 | -29% | -41% | 71 | $177 | $36,317,285 | 59 |
| Mar 12, 2018 | - | $6,236 | -50% | -16% | 71 | $88 | $36,323,521 | 60 |
| Mar 13, 2018 | - | $7,422 | +19% | -26% | 71 | $105 | $36,330,943 | 61 |
| Mar 14, 2018 | - | $6,431 | -13% | -24% | 71 | $91 | $36,337,374 | 62 |
| Mar 15, 2018 | - | $6,484 | +1% | -26% | 71 | $91 | $36,343,858 | 63 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 4 | $19,023,529 | 2,892 | $6,578 | $19,023,529 | 1 | |
| Jan 19, 2018 | 7 | $8,953,660 | -53% | 2,892 | $3,096 | $27,977,189 | 2 |
| Jan 26, 2018 | 14 | $4,622,558 | -48% | 1,811 | $2,552 | $32,599,747 | 3 |
| Feb 2, 2018 | 18 | $2,366,117 | -49% | 1,494 | $1,584 | $34,965,864 | 4 |
| Feb 9, 2018 | 28 | $860,634 | -64% | 590 | $1,459 | $35,826,498 | 5 |
| Feb 16, 2018 | 40 | $175,152 | -80% | 148 | $1,183 | $36,001,650 | 6 |
| Feb 23, 2018 | 38 | $164,650 | -6% | 138 | $1,193 | $36,166,300 | 7 |
| Mar 2, 2018 | 41 | $110,434 | -33% | 112 | $986 | $36,276,734 | 8 |
| Mar 9, 2018 | 46 | $67,124 | -39% | 71 | $945 | $36,343,858 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/19/2018 | $268,525 | 0 | 0 | 0 | $801,993 | 1/1/2019 | |||
| Australia | 1/19/2018 | $889,326 | 210 | 210 | 733 | $2,401,349 | 3/19/2018 | |||
| Brazil | 3/9/2018 | $663,918 | 0 | 0 | 0 | $1,510,563 | 6/14/2018 | |||
| Bulgaria | 1/12/2018 | $75,217 | 0 | 0 | 0 | $266,882 | 2/26/2019 | |||
| China | 3/30/2018 | $4,080,000 | 43,877 | 43,877 | 49,296 | $7,163,071 | 8/10/2018 | |||
| Czech Republic | 1/19/2018 | $90,813 | 82 | 82 | 198 | $300,494 | 1/1/2019 | |||
| France | 1/26/2018 | $0 | 0 | 165 | 165 | $5,088,564 | 4/11/2019 | |||
| Germany | 1/12/2018 | $2,037,197 | 449 | 458 | 907 | $5,274,419 | 6/11/2018 | |||
| Italy | 1/25/2018 | $1,332,429 | 0 | 0 | 0 | $4,056,337 | 9/22/2018 | |||
| Japan | 3/30/2018 | $582,693 | 0 | 0 | 0 | $772,073 | 6/8/2018 | |||
| Lithuania | 1/12/2018 | $24,925 | 49 | 49 | 93 | $61,108 | 2/13/2018 | |||
| Mexico | 1/19/2018 | $1,826,007 | 0 | 0 | 0 | $4,723,263 | 2/5/2018 | |||
| Netherlands | 1/12/2018 | $637,910 | 85 | 89 | 559 | $2,312,904 | 2/26/2018 | |||
| New Zealand | 1/19/2018 | $148,154 | 65 | 66 | 254 | $436,676 | 3/19/2018 | |||
| Poland | 1/12/2018 | $268,308 | 0 | 0 | 0 | $629,148 | 1/1/2019 | |||
| Portugal | 1/19/2018 | $278,843 | 63 | 73 | 284 | $801,757 | 3/20/2018 | |||
| Romania | 11/27/2020 | $0 | 0 | 1 | 2 | $748,541 | 2/17/2021 | |||
| Russia (CIS) | 3/8/2018 | $1,191,464 | 510 | 519 | 1,610 | $2,432,595 | 2/26/2019 | |||
| Slovakia | 1/19/2018 | $72,140 | 64 | 64 | 134 | $185,679 | 2/21/2018 | |||
| South Korea | 1/11/2018 | $0 | 0 | 575 | 754 | $2,106,692 | 5/22/2018 | |||
| Spain | 1/26/2018 | $542,846 | 231 | 234 | 645 | $1,264,711 | 2/15/2018 | |||
| Turkey | 1/12/2018 | $81,140 | 64 | 64 | 119 | $230,573 | 2/26/2019 | |||
| United Kingdom | 1/19/2018 | $2,220,701 | 472 | 472 | 1,539 | $5,501,290 | 4/4/2026 | |||
| Rest of World | $33,095,296 | |||||||||
| International Total | $82,165,978 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Liam Neeson | Michael MacCauley |
Supporting
| Vera Farmiga | Joanna | |
| Patrick Wilson | Alex Murphy | |
| Jonathan Banks | Walt | |
| Sam Neill | Captain Hawthorne | |
| Elizabeth McGovern | Karen MacCauley | |
| Killian Scott | Dylan | |
| Shazad Latif | Vince | |
| Andy Nyman | Tony | |
| Clara Lago | Eva | |
| Roland Møller | Jackson | |
| Florence Pugh | Gwen | |
| Dean-Charles Chapman | Danny MacCauley | |
| Ella-Rae Smith | Sofia | |
| Nila Aalia | Sherri | |
| Colin McFarlane | Conductor Sam | |
| Kobna Holdbrook-Smith | Oliver | |
| Adam Nagaitis | Conductor Jimmy | |
| Kingsley Ben-Adir | Agent Garcia | |
| Damson Idris | Agent Denys | |
| Andy Lucas | Manny Engineer | |
| Zaak Conway | Caleb O’Malley | |
| Ben Caplan | Frank | |
| Letitia Wright | Jules Skateboarder | |
| Simon Hibbs | Sean O’Malley | |
| Nathan Wiley | Sniper | |
| Jamie Beamish | Nathan | |
| Ben Nathan | Police Officer | |
| David Alwyn | Platform Trooper | |
| John Alastair | Officer O’Neal | |
| Edward Bluemel | Gwen’s Boyfriend | |
| Aoife Hinds | Jeanie | |
| Alana Maria | Officer Jones |
Cameo
| Pat Kiernan | Himself | |
| Natalie Duddridge | Herself |
Supporting
| Jaime Menendez | Enrique Mendez |
Production and Technical Credits
| Jaume Collet-Serra | Director | |
| Byron Willinger | Screenwriter | |
| Phil de Blasi | Screenwriter | |
| Byron Willinger | Story by | |
| Phil de Blasi | Story by | |
| Andrew Rona | Producer | |
| Alex Heineman | Producer | |
| Michael Dreyer | Executive Producer | |
| Juan Sola | Executive Producer | |
| Jaume Collet-Serra | Executive Producer | |
| Ron Halpern | Executive Producer | |
| Didier Lupfer | Executive Producer | |
| Roque Banos | Composer | |
| Paul Cameron | Director of Photography | |
| Richard Bridgland | Production Designer | |
| Nicolas de Toth | Editor | |
| Jill Taylor | Costume Designer | |
| Reg Poerscout-Edgerton | Casting Director | |
| Mark Vanselow | Stunt Coordinator | |
| Simon Fraser | Unit Production Manager | |
| Alexander Oakley | First Assistant Director | |
| Lacey Darlene Paulson | Associate Producer | |
| Rupert Smith | Visual Effects Producer | |
| Emma Zee | Post-Production Supervisor | |
| Adam O'Neill | Supervising Art Director | |
| John King | Art Director | |
| Stephen Dobric | Art Director | |
| Tina Jones | Set Decorator | |
| Irene Chawko | Script Supervisor | |
| Tracy McGregor | Costume Supervisor | |
| Dana Kalder | Hairstylist | |
| Jim Greenhorn | Sound Mixer | |
| Stefano Pepin | Special Effects Supervisor | |
| Laura Davison | Special Effects Coordinator | |
| Finlay Bradbury | Location Manager | |
| Julia Tomlinson | Location Manager | |
| Tom Davis | First Assistant Editor | |
| Jeremy Richardson | First Assistant Editor | |
| James Harrison | Supervising Sound Editor | |
| Steve Little | Supervising Dialogue Editor | |
| Chris Burdon | Re-recording Mixer | |
| Gilbert Lake | Re-recording Mixer | |
| Adam Mendez | Foley Mixer | |
| Stephane Paris | Visual Effects Supervisor | |
| Caroline Garrett | Visual Effects Executive Producer | |
| Marc A. Rousseau | Visual Effects Executive Producer | |
| Audrey Boivin | Visual Effects Producer | |
| Fiona Foster | Visual Effects Producer | |
| John Warhurst | Music Editor | |
| Anele Onyekwere | Music Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.