Compadres (2016)
| Theatrical Performance | ||
| Domestic Box Office | $3,127,773 | Details |
| International Box Office | $4,317,271 | Details |
| Worldwide Box Office | $7,445,044 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $117,515 | |
| Total | $117,515 | |
| OpusData ID: 250090100 More info... | ||
| Further financial details... | ||
Synopsis
After being released from prison, former Mexican cop Garza seeks revenge on Santos. Santos has kidnapped his girlfriend Maria and framed him for a crime he didn’t commit. With the help of his former boss Coronado, Garza manages to escape with a tip about how to find Santos which leads him to San Diego in search of an “accountant.” This said accountant is responsible for stealing $10 million dollars from Santos and may know Santos’ whereabouts. When Garza arrives, he is shocked to find that the infamous accountant is a 17 year old American computer hacker named Vic. Despite an immediate disdain for each other, these two divided by culture, language and age, realize that Garza’s low tech brain and Vic’s high tech hacker skills may be their only chance at finding Santos before he finds them.
Metrics
| Opening Weekend: | $1,397,434 (44.7% of total gross) |
| Legs: | 2.24 (domestic box office/biggest weekend) |
| Domestic Share: | 42.0% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 2.5 times production budget) |
| Theater counts: | 368 opening theaters/368 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,324,640 |
Movie Details
| Domestic Releases: | April 22nd, 2016 (Limited) by Lionsgate |
| International Releases: | March 31st, 2016 (Wide) (Mexico)
April 7th, 2016 (Wide) (Central America) |
| Video Release: | September 6th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence and language. (Rating bulletin 2421 (Cert #50413), 4/20/2016) |
| Running Time: | 110 minutes |
| Plot point: | Buddy Cop, Fired, Framed, Gangs, Hackers, Kidnap, Life on the Outside, Police Detective, Revenge |
| Subgenre: | Action Comedy |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pantelion Films, Lionsgate, Televisa Cine, Draco Films |
| Production Countries: | Mexico, United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 9 | $1,397,434 | 368 | $3,797 | $1,397,434 | 1 | |
| Apr 29, 2016 | 15 | $650,844 | -53% | 368 | $1,769 | $2,393,033 | 2 |
| May 6, 2016 | 22 | $201,843 | -69% | 212 | $952 | $2,762,171 | 3 |
| May 13, 2016 | 29 | $150,190 | -26% | 127 | $1,183 | $2,995,400 | 4 |
| May 20, 2016 | 40 | $57,659 | -62% | 82 | $703 | $3,105,269 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 9 | $435,773 | 368 | $1,184 | $435,773 | 1 | ||
| Apr 23, 2016 | 11 | $476,644 | +9% | 368 | $1,295 | $912,417 | 2 | |
| Apr 24, 2016 | 9 | $485,017 | +2% | 368 | $1,318 | $1,397,434 | 3 | |
| Apr 25, 2016 | 11 | $92,988 | -81% | 368 | $253 | $1,490,422 | 4 | |
| Apr 26, 2016 | 12 | $116,855 | +26% | 368 | $318 | $1,607,277 | 5 | |
| Apr 27, 2016 | 14 | $73,074 | -37% | 368 | $199 | $1,680,351 | 6 | |
| Apr 28, 2016 | 14 | $61,838 | -15% | 368 | $168 | $1,742,189 | 7 | |
| Apr 29, 2016 | - | $143,852 | +133% | -67% | 368 | $391 | $1,886,041 | 8 |
| Apr 30, 2016 | - | $256,057 | +78% | -46% | 368 | $696 | $2,142,098 | 9 |
| May 1, 2016 | 14 | $250,935 | -2% | -48% | 368 | $682 | $2,393,033 | 10 |
| May 2, 2016 | - | $44,498 | -82% | -52% | 368 | $121 | $2,437,531 | 11 |
| May 3, 2016 | - | $60,632 | +36% | -48% | 368 | $165 | $2,498,163 | 12 |
| May 4, 2016 | - | $41,486 | -32% | -43% | 368 | $113 | $2,539,649 | 13 |
| May 5, 2016 | - | $20,679 | -50% | -67% | 368 | $56 | $2,560,328 | 14 |
| May 6, 2016 | - | $43,382 | +110% | -70% | 212 | $205 | $2,603,710 | 15 |
| May 7, 2016 | - | $60,825 | +40% | -76% | 212 | $287 | $2,664,535 | 16 |
| May 8, 2016 | - | $97,636 | +61% | -61% | 212 | $461 | $2,762,171 | 17 |
| May 9, 2016 | - | $19,499 | -80% | -56% | 212 | $92 | $2,781,670 | 18 |
| May 10, 2016 | - | $32,881 | +69% | -46% | 212 | $155 | $2,814,551 | 19 |
| May 11, 2016 | - | $18,109 | -45% | -56% | 212 | $85 | $2,832,660 | 20 |
| May 12, 2016 | - | $12,550 | -31% | -39% | 212 | $59 | $2,845,210 | 21 |
| May 13, 2016 | - | $32,082 | +156% | -26% | 127 | $253 | $2,877,292 | 22 |
| May 14, 2016 | - | $59,351 | +85% | -2% | 127 | $467 | $2,936,643 | 23 |
| May 15, 2016 | - | $58,757 | -1% | -40% | 127 | $463 | $2,995,400 | 24 |
| May 16, 2016 | - | $13,406 | -77% | -31% | 127 | $106 | $3,008,806 | 25 |
| May 17, 2016 | - | $18,539 | +38% | -44% | 127 | $146 | $3,027,345 | 26 |
| May 18, 2016 | - | $12,700 | -31% | -30% | 127 | $100 | $3,040,045 | 27 |
| May 19, 2016 | - | $7,565 | -40% | -40% | 127 | $60 | $3,047,610 | 28 |
| May 20, 2016 | - | $13,472 | +78% | -58% | 82 | $164 | $3,061,082 | 29 |
| May 21, 2016 | - | $21,409 | +59% | -64% | 82 | $261 | $3,082,491 | 30 |
| May 22, 2016 | - | $22,778 | +6% | -61% | 82 | $278 | $3,105,269 | 31 |
| May 23, 2016 | - | $5,521 | -76% | -59% | 82 | $67 | $3,110,790 | 32 |
| May 24, 2016 | - | $7,786 | +41% | -58% | 82 | $95 | $3,118,576 | 33 |
| May 25, 2016 | - | $5,498 | -29% | -57% | 82 | $67 | $3,124,074 | 34 |
| May 26, 2016 | - | $3,699 | -33% | -51% | 82 | $45 | $3,127,773 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 9 | $1,742,189 | 368 | $4,734 | $1,742,189 | 1 | |
| Apr 29, 2016 | 15 | $818,139 | -53% | 368 | $2,223 | $2,560,328 | 2 |
| May 6, 2016 | 24 | $284,882 | -65% | 212 | $1,344 | $2,845,210 | 3 |
| May 13, 2016 | 29 | $202,400 | -29% | 127 | $1,594 | $3,047,610 | 4 |
| May 20, 2016 | 40 | $80,163 | -60% | 82 | $978 | $3,127,773 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Central America | 4/7/2016 | $0 | 0 | 6 | 6 | $27,805 | 4/19/2016 | |||
| Mexico | 3/31/2016 | $1,693,999 | 0 | 0 | 0 | $4,220,573 | 6/9/2016 | |||
| Rest of World | $68,893 | |||||||||
| International Total | $4,317,271 | 6/9/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Omar Chaparro | Diego Garza | |
| Joey Morgan | Vic |
Supporting
| Eric Roberts | Dalton | |
| Kevin Pollak | Banker | |
| Erick Elias | Santos | |
| Aislinn Derbez | María | |
| Hector Jimenez | Guasa | |
| Mauricio Barrientos | Porky | |
| Camila Sodi | Emilia | |
| Jose Sefami | Coronado |
Cameo
| Joaquin Cosio | Gaspar | |
| Adrian Uribe | Guardia Fronterizo | |
| Espinoza Paz | Waldo | |
| Iran Castillo | Comadre |
Production and Technical Credits
| Enrique Begne | Director | |
| Francisco Gonzalez Compean* | Producer | |
| Ted Perkins | Screenwriter | |
| Gabriel Ripstein | Screenwriter | |
| Enrique Begne | Screenwriter | |
| Ben Odell | Executive Producer | |
| Jose Nacif | Producer | |
| J. Fernando Perez Gavilan E. | Associate Producer | |
| Omar Chaparro | Associate Producer | |
| Auri Maruri | Co-Producer | |
| Tita Lombardo | Line Producer | |
| Federico Barbabosa | Director of Photography | |
| Miguel Angel Alvarez | Production Designer | |
| Jorge Macaya | Editor | |
| Joan Valent | Composer | |
| Martin Hernandez | Sound Supervisor | |
| Martin Hernandez | Sound Designer | |
| Lynn Fainchtein | Music Supervisor | |
| Lynn Fainchtein | Music Producer | |
| Raul Prado | Visual Effects Supervisor | |
| Carlos Morales | Post-Production Supervisor | |
| Vanessa Hernandez | Post-Production Supervisor | |
| Adela Cortazar | Costume Designer | |
| Isabel Menchaca | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After being released from prison, former Mexican cop Garza seeks revenge on Santos. Santos has kidnapped his girlfriend Maria and framed him for a crime he didn’t commit. With the help of his former boss Coronado, Garza manages to escape with a tip about how to find Santos which leads him to San Diego in search of an “accountant.” This said accountant is responsible for stealing $10 million dollars from Santos and may know Santos’ whereabouts. When Garza arrives, he is shocked to find that the infamous accountant is a 17 year old American computer hacker named Vic. Despite an immediate disdain for each other, these two divided by culture, language and age, realize that Garza’s low tech brain and Vic’s high tech hacker skills may be their only chance at finding Santos before he finds them.
Metrics
| Opening Weekend: | $1,397,434 (44.7% of total gross) |
| Legs: | 2.24 (domestic box office/biggest weekend) |
| Domestic Share: | 42.0% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 2.5 times production budget) |
| Theater counts: | 368 opening theaters/368 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,324,640 |
Movie Details
| Domestic Releases: | April 22nd, 2016 (Limited) by Lionsgate |
| International Releases: | March 31st, 2016 (Wide) (Mexico)
April 7th, 2016 (Wide) (Central America) |
| Video Release: | September 6th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence and language. (Rating bulletin 2421 (Cert #50413), 4/20/2016) |
| Running Time: | 110 minutes |
| Plot point: | Buddy Cop, Fired, Framed, Gangs, Hackers, Kidnap, Life on the Outside, Police Detective, Revenge |
| Subgenre: | Action Comedy |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Pantelion Films, Lionsgate, Televisa Cine, Draco Films |
| Production Countries: | Mexico, United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 9 | $1,397,434 | 368 | $3,797 | $1,397,434 | 1 | |
| Apr 29, 2016 | 15 | $650,844 | -53% | 368 | $1,769 | $2,393,033 | 2 |
| May 6, 2016 | 22 | $201,843 | -69% | 212 | $952 | $2,762,171 | 3 |
| May 13, 2016 | 29 | $150,190 | -26% | 127 | $1,183 | $2,995,400 | 4 |
| May 20, 2016 | 40 | $57,659 | -62% | 82 | $703 | $3,105,269 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 9 | $435,773 | 368 | $1,184 | $435,773 | 1 | ||
| Apr 23, 2016 | 11 | $476,644 | +9% | 368 | $1,295 | $912,417 | 2 | |
| Apr 24, 2016 | 9 | $485,017 | +2% | 368 | $1,318 | $1,397,434 | 3 | |
| Apr 25, 2016 | 11 | $92,988 | -81% | 368 | $253 | $1,490,422 | 4 | |
| Apr 26, 2016 | 12 | $116,855 | +26% | 368 | $318 | $1,607,277 | 5 | |
| Apr 27, 2016 | 14 | $73,074 | -37% | 368 | $199 | $1,680,351 | 6 | |
| Apr 28, 2016 | 14 | $61,838 | -15% | 368 | $168 | $1,742,189 | 7 | |
| Apr 29, 2016 | - | $143,852 | +133% | -67% | 368 | $391 | $1,886,041 | 8 |
| Apr 30, 2016 | - | $256,057 | +78% | -46% | 368 | $696 | $2,142,098 | 9 |
| May 1, 2016 | 14 | $250,935 | -2% | -48% | 368 | $682 | $2,393,033 | 10 |
| May 2, 2016 | - | $44,498 | -82% | -52% | 368 | $121 | $2,437,531 | 11 |
| May 3, 2016 | - | $60,632 | +36% | -48% | 368 | $165 | $2,498,163 | 12 |
| May 4, 2016 | - | $41,486 | -32% | -43% | 368 | $113 | $2,539,649 | 13 |
| May 5, 2016 | - | $20,679 | -50% | -67% | 368 | $56 | $2,560,328 | 14 |
| May 6, 2016 | - | $43,382 | +110% | -70% | 212 | $205 | $2,603,710 | 15 |
| May 7, 2016 | - | $60,825 | +40% | -76% | 212 | $287 | $2,664,535 | 16 |
| May 8, 2016 | - | $97,636 | +61% | -61% | 212 | $461 | $2,762,171 | 17 |
| May 9, 2016 | - | $19,499 | -80% | -56% | 212 | $92 | $2,781,670 | 18 |
| May 10, 2016 | - | $32,881 | +69% | -46% | 212 | $155 | $2,814,551 | 19 |
| May 11, 2016 | - | $18,109 | -45% | -56% | 212 | $85 | $2,832,660 | 20 |
| May 12, 2016 | - | $12,550 | -31% | -39% | 212 | $59 | $2,845,210 | 21 |
| May 13, 2016 | - | $32,082 | +156% | -26% | 127 | $253 | $2,877,292 | 22 |
| May 14, 2016 | - | $59,351 | +85% | -2% | 127 | $467 | $2,936,643 | 23 |
| May 15, 2016 | - | $58,757 | -1% | -40% | 127 | $463 | $2,995,400 | 24 |
| May 16, 2016 | - | $13,406 | -77% | -31% | 127 | $106 | $3,008,806 | 25 |
| May 17, 2016 | - | $18,539 | +38% | -44% | 127 | $146 | $3,027,345 | 26 |
| May 18, 2016 | - | $12,700 | -31% | -30% | 127 | $100 | $3,040,045 | 27 |
| May 19, 2016 | - | $7,565 | -40% | -40% | 127 | $60 | $3,047,610 | 28 |
| May 20, 2016 | - | $13,472 | +78% | -58% | 82 | $164 | $3,061,082 | 29 |
| May 21, 2016 | - | $21,409 | +59% | -64% | 82 | $261 | $3,082,491 | 30 |
| May 22, 2016 | - | $22,778 | +6% | -61% | 82 | $278 | $3,105,269 | 31 |
| May 23, 2016 | - | $5,521 | -76% | -59% | 82 | $67 | $3,110,790 | 32 |
| May 24, 2016 | - | $7,786 | +41% | -58% | 82 | $95 | $3,118,576 | 33 |
| May 25, 2016 | - | $5,498 | -29% | -57% | 82 | $67 | $3,124,074 | 34 |
| May 26, 2016 | - | $3,699 | -33% | -51% | 82 | $45 | $3,127,773 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 22, 2016 | 9 | $1,742,189 | 368 | $4,734 | $1,742,189 | 1 | |
| Apr 29, 2016 | 15 | $818,139 | -53% | 368 | $2,223 | $2,560,328 | 2 |
| May 6, 2016 | 24 | $284,882 | -65% | 212 | $1,344 | $2,845,210 | 3 |
| May 13, 2016 | 29 | $202,400 | -29% | 127 | $1,594 | $3,047,610 | 4 |
| May 20, 2016 | 40 | $80,163 | -60% | 82 | $978 | $3,127,773 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Central America | 4/7/2016 | $0 | 0 | 6 | 6 | $27,805 | 4/19/2016 | |||
| Mexico | 3/31/2016 | $1,693,999 | 0 | 0 | 0 | $4,220,573 | 6/9/2016 | |||
| Rest of World | $68,893 | |||||||||
| International Total | $4,317,271 | 6/9/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Omar Chaparro | Diego Garza | |
| Joey Morgan | Vic |
Supporting
| Eric Roberts | Dalton | |
| Kevin Pollak | Banker | |
| Erick Elias | Santos | |
| Aislinn Derbez | María | |
| Hector Jimenez | Guasa | |
| Mauricio Barrientos | Porky | |
| Camila Sodi | Emilia | |
| Jose Sefami | Coronado |
Cameo
| Joaquin Cosio | Gaspar | |
| Adrian Uribe | Guardia Fronterizo | |
| Espinoza Paz | Waldo | |
| Iran Castillo | Comadre |
Production and Technical Credits
| Enrique Begne | Director | |
| Francisco Gonzalez Compean* | Producer | |
| Ted Perkins | Screenwriter | |
| Gabriel Ripstein | Screenwriter | |
| Enrique Begne | Screenwriter | |
| Ben Odell | Executive Producer | |
| Jose Nacif | Producer | |
| J. Fernando Perez Gavilan E. | Associate Producer | |
| Omar Chaparro | Associate Producer | |
| Auri Maruri | Co-Producer | |
| Tita Lombardo | Line Producer | |
| Federico Barbabosa | Director of Photography | |
| Miguel Angel Alvarez | Production Designer | |
| Jorge Macaya | Editor | |
| Joan Valent | Composer | |
| Martin Hernandez | Sound Supervisor | |
| Martin Hernandez | Sound Designer | |
| Lynn Fainchtein | Music Supervisor | |
| Lynn Fainchtein | Music Producer | |
| Raul Prado | Visual Effects Supervisor | |
| Carlos Morales | Post-Production Supervisor | |
| Vanessa Hernandez | Post-Production Supervisor | |
| Adela Cortazar | Costume Designer | |
| Isabel Menchaca | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.