Conan O'Brien Can't Stop (2011)
| Theatrical Performance | ||
| Domestic Box Office | $267,965 | Details |
| Further financial details... | ||
Synopsis
After a much - publicized departure from hosting NBC's Tonight Show, O'Brien hit the road with a 32-city music-and-comedy show to exercise his performing chops and exorcise a few demons. Filmmaker Rodman Flender's documentary, Conan O'Brien Can't Stop, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career. It offers a window into the private writers room and rehearsal halls as O'Brien’s "Legally Prohibited From Being Funny on Television Tour" is almost instantly assembled and mounted to an adoring fan base. At times angry, mostly hilarious, we see a comic who does not stop -- performing, singing, pushing his staff and himself. Did Conan O'Brien hit the road to give something back to his loyal fans, or did he travel across the continent, stopping at cities large and remote to fill a void within himself?
Metrics
| Opening Weekend: | $97,043 (36.2% of total gross) |
| Legs: | 2.76 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 24 opening theaters/24 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $404,140 |
Movie Details
| Domestic Releases: | June 24th, 2011 (Limited) by Abramorama Films |
| Video Release: | September 13th, 2011 by Magnolia Home Entertainment |
| MPA Rating: | R for language (Rating bulletin 2172, 5/18/2011) |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Epilogue, Gratuitous Cameos |
| Plot point: | Fired, Musicians, Performing Arts, Road Trip |
| Social setting: | Stand-Up Comedy |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Pariah Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 24, 2011 | 32 | $97,043 | 24 | $4,043 | $97,043 | 1 | |
| Jul 1, 2011 | 41 | $42,011 | -57% | 17 | $2,471 | $183,423 | 2 |
| Jul 8, 2011 | 56 | $17,537 | -58% | 10 | $1,754 | $223,959 | 3 |
| Jul 15, 2011 | 66 | $7,940 | -55% | 5 | $1,588 | $239,534 | 4 |
| Jul 22, 2011 | 84 | $2,283 | -71% | 2 | $1,142 | $247,235 | 5 |
| Aug 5, 2011 | 97 | $1,832 | 3 | $611 | $258,123 | 7 | |
| Aug 12, 2011 | 102 | $1,525 | -17% | 3 | $508 | $260,527 | 8 |
| Aug 19, 2011 | 114 | $886 | -42% | 2 | $443 | $262,734 | 9 |
| Aug 26, 2011 | 95 | $2,685 | +203% | 1 | $2,685 | $265,078 | 10 |
| Sep 2, 2011 | 112 | $1,863 | -31% | 3 | $621 | $267,097 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 4, 2011 | 43 | $7,197 | 17 | $423 | $190,620 | 11 | ||
| Sep 5, 2011 | 109 | $376 | 3 | $125 | $267,473 | 74 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 24, 2011 | 33 | $142,412 | 24 | $5,934 | $142,412 | 1 | |
| Jul 1, 2011 | 44 | $65,110 | -54% | 17 | $3,830 | $206,422 | 2 |
| Jul 8, 2011 | 58 | $25,172 | -61% | 10 | $2,517 | $231,594 | 3 |
| Jul 15, 2011 | 64 | $13,358 | -47% | 5 | $2,672 | $244,952 | 4 |
| Jul 22, 2011 | 82 | $4,243 | -68% | 2 | $2,122 | $249,195 | 5 |
| Jul 29, 2011 | 80 | $7,096 | +67% | 5 | $1,419 | $256,291 | 6 |
| Aug 5, 2011 | 103 | $2,711 | -62% | 3 | $904 | $259,002 | 7 |
| Aug 12, 2011 | 100 | $2,846 | +5% | 3 | $949 | $261,848 | 8 |
| Aug 19, 2011 | 103 | $2,685 | -6% | 2 | $1,343 | $264,533 | 9 |
| Aug 26, 2011 | 105 | $2,841 | +6% | 1 | $2,841 | $265,234 | 10 |
| Sep 2, 2011 | 113 | $2,731 | -4% | 3 | $910 | $267,965 | 11 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a much - publicized departure from hosting NBC's Tonight Show, O'Brien hit the road with a 32-city music-and-comedy show to exercise his performing chops and exorcise a few demons. Filmmaker Rodman Flender's documentary, Conan O'Brien Can't Stop, is an intimate portrait of an artist trained in improvisation, captured at the most improvisational time of his career. It offers a window into the private writers room and rehearsal halls as O'Brien’s "Legally Prohibited From Being Funny on Television Tour" is almost instantly assembled and mounted to an adoring fan base. At times angry, mostly hilarious, we see a comic who does not stop -- performing, singing, pushing his staff and himself. Did Conan O'Brien hit the road to give something back to his loyal fans, or did he travel across the continent, stopping at cities large and remote to fill a void within himself?
Metrics
| Opening Weekend: | $97,043 (36.2% of total gross) |
| Legs: | 2.76 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 24 opening theaters/24 max. theaters, 2.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $404,140 |
Movie Details
| Domestic Releases: | June 24th, 2011 (Limited) by Abramorama Films |
| Video Release: | September 13th, 2011 by Magnolia Home Entertainment |
| MPA Rating: | R for language (Rating bulletin 2172, 5/18/2011) |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Epilogue, Gratuitous Cameos |
| Plot point: | Fired, Musicians, Performing Arts, Road Trip |
| Social setting: | Stand-Up Comedy |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Pariah Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 24, 2011 | 32 | $97,043 | 24 | $4,043 | $97,043 | 1 | |
| Jul 1, 2011 | 41 | $42,011 | -57% | 17 | $2,471 | $183,423 | 2 |
| Jul 8, 2011 | 56 | $17,537 | -58% | 10 | $1,754 | $223,959 | 3 |
| Jul 15, 2011 | 66 | $7,940 | -55% | 5 | $1,588 | $239,534 | 4 |
| Jul 22, 2011 | 84 | $2,283 | -71% | 2 | $1,142 | $247,235 | 5 |
| Aug 5, 2011 | 97 | $1,832 | 3 | $611 | $258,123 | 7 | |
| Aug 12, 2011 | 102 | $1,525 | -17% | 3 | $508 | $260,527 | 8 |
| Aug 19, 2011 | 114 | $886 | -42% | 2 | $443 | $262,734 | 9 |
| Aug 26, 2011 | 95 | $2,685 | +203% | 1 | $2,685 | $265,078 | 10 |
| Sep 2, 2011 | 112 | $1,863 | -31% | 3 | $621 | $267,097 | 11 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 4, 2011 | 43 | $7,197 | 17 | $423 | $190,620 | 11 | ||
| Sep 5, 2011 | 109 | $376 | 3 | $125 | $267,473 | 74 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 24, 2011 | 33 | $142,412 | 24 | $5,934 | $142,412 | 1 | |
| Jul 1, 2011 | 44 | $65,110 | -54% | 17 | $3,830 | $206,422 | 2 |
| Jul 8, 2011 | 58 | $25,172 | -61% | 10 | $2,517 | $231,594 | 3 |
| Jul 15, 2011 | 64 | $13,358 | -47% | 5 | $2,672 | $244,952 | 4 |
| Jul 22, 2011 | 82 | $4,243 | -68% | 2 | $2,122 | $249,195 | 5 |
| Jul 29, 2011 | 80 | $7,096 | +67% | 5 | $1,419 | $256,291 | 6 |
| Aug 5, 2011 | 103 | $2,711 | -62% | 3 | $904 | $259,002 | 7 |
| Aug 12, 2011 | 100 | $2,846 | +5% | 3 | $949 | $261,848 | 8 |
| Aug 19, 2011 | 103 | $2,685 | -6% | 2 | $1,343 | $264,533 | 9 |
| Aug 26, 2011 | 105 | $2,841 | +6% | 1 | $2,841 | $265,234 | 10 |
| Sep 2, 2011 | 113 | $2,731 | -4% | 3 | $910 | $267,965 | 11 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.