Corpus Christi (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $127,240 | Details |
| International Box Office | $10,824,043 | Details |
| Worldwide Box Office | $10,951,283 | |
| OpusData ID: 427530100 More info... | ||
| Further financial details... | ||
Synopsis
After spending years in a Warsaw prison for a violent crime, 20-year-old Daniel is released and sent to a remote village to work as a manual laborer. The job is designed to keep the ex-con busy, but Daniel has a higher calling. Over the course of his incarceration he has found Christ, and aspires to join the clergy—but his criminal record means no seminary will accept him. When Daniel arrives in town, one quick lie allows him to be mistaken for the town’s new priest, and he sets about leading his newfound flock. Though he has no training, his passion and charisma inspire the community. At the same time, his unconventional sermons and unpriestly behavior raise suspicions among some of the townsfolk—even more so as he edges towards a dark secret that the community hasn’t revealed in the confessional booth.
Metrics
| Opening Weekend: | $4,632 (3.6% of total gross) |
| Legs: | 5.34 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Production Budget: | $1,300,000 (worldwide box office is 8.4 times production budget) |
| Theater counts: | 1 opening theaters/23 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $165,778 |
Movie Details
| Domestic Releases: | February 14th, 2020 (Limited) by Film Movement |
| International Releases: | October 11th, 2019 (Wide) (Poland)
October 18th, 2019 (Wide) (United Kingdom) October 18th, 2019 (Wide) (Spain) February 7th, 2020 (Wide), released as Corpus Christi - A Redenção (Portugal) February 13th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | June 23rd, 2020 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 116 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Poland |
| Languages: | Polish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 62 | $4,632 | 1 | $4,632 | $20,210 | 1 | |
| Feb 21, 2020 | 55 | $11,874 | +156% | 5 | $2,375 | $35,176 | 2 |
| Feb 28, 2020 | 47 | $20,843 | +76% | 13 | $1,603 | $68,125 | 3 |
| Mar 6, 2020 | 44 | $23,836 | +14% | 19 | $1,255 | $105,517 | 4 |
| Mar 13, 2020 | 43 | $12,232 | -49% | 23 | $532 | $127,240 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 64 | $8,035 | 2 | $4,018 | $23,302 | 1 | |
| Feb 21, 2020 | 54 | $22,347 | +178% | 6 | $3,725 | $45,649 | 2 |
| Feb 28, 2020 | 42 | $34,399 | +54% | 13 | $2,646 | $81,681 | 3 |
| Mar 6, 2020 | 44 | $33,327 | -3% | 19 | $1,754 | $115,008 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/22/2020 | $41,320 | 13 | 28 | 265 | $421,657 | 10/20/2022 | |||
| Czech Republic | 9/25/2020 | $3,995 | 32 | 32 | 36 | $22,778 | 10/20/2022 | |||
| France | 3/6/2020 | $286,382 | 114 | 114 | 114 | $286,382 | 3/14/2020 | |||
| Germany | 9/3/2020 | $72,294 | 76 | 92 | 254 | $359,957 | 10/19/2022 | |||
| Italy | 4/30/2021 | $1,876 | 3 | 8 | 15 | $67,167 | 7/16/2021 | |||
| Lithuania | 6/5/2020 | $0 | 0 | 4 | 15 | $3,032 | 8/12/2020 | |||
| Netherlands | 10/9/2020 | $54,609 | 58 | 612 | 923 | $400,832 | 10/19/2022 | |||
| New Zealand | 7/23/2020 | $2,757 | 4 | 4 | 4 | $2,757 | 10/19/2022 | |||
| Poland | 10/11/2019 | $0 | 0 | 306 | 612 | $8,062,012 | 10/19/2022 | |||
| Portugal | 2/7/2020 | $5,223 | 17 | 17 | 29 | $9,479 | 10/19/2022 | |||
| Romania | 10/9/2020 | $8,179 | 27 | 27 | 97 | $14,066 | 10/20/2022 | |||
| Slovakia | 10/23/2020 | $0 | 0 | 9 | 24 | $5,628 | 12/22/2020 | |||
| South Korea | 2/13/2020 | $17,090 | 52 | 52 | 83 | $49,301 | 3/4/2020 | |||
| Spain | 10/18/2019 | $0 | 0 | 53 | 219 | $188,273 | 12/3/2020 | |||
| United Kingdom | 10/18/2019 | $83,161 | 90 | 90 | 90 | $83,161 | 10/23/2019 | |||
| Rest of World | $847,561 | |||||||||
| International Total | $10,824,043 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bartosz Bielenia | Daniel |
| Eliza Rycembel | ||
| Aleksandra Konieczna | ||
| Tomasz Zietek | ||
| Leszek Lichota | ||
| Lukasz Simlat |
Production and Technical Credits
| Jan Komasa | Director | |
| Mateusz Pacewicz | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After spending years in a Warsaw prison for a violent crime, 20-year-old Daniel is released and sent to a remote village to work as a manual laborer. The job is designed to keep the ex-con busy, but Daniel has a higher calling. Over the course of his incarceration he has found Christ, and aspires to join the clergy—but his criminal record means no seminary will accept him. When Daniel arrives in town, one quick lie allows him to be mistaken for the town’s new priest, and he sets about leading his newfound flock. Though he has no training, his passion and charisma inspire the community. At the same time, his unconventional sermons and unpriestly behavior raise suspicions among some of the townsfolk—even more so as he edges towards a dark secret that the community hasn’t revealed in the confessional booth.
Metrics
| Opening Weekend: | $4,632 (3.6% of total gross) |
| Legs: | 5.34 (domestic box office/biggest weekend) |
| Domestic Share: | 1.2% (domestic box office/worldwide) |
| Production Budget: | $1,300,000 (worldwide box office is 8.4 times production budget) |
| Theater counts: | 1 opening theaters/23 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $165,778 |
Movie Details
| Domestic Releases: | February 14th, 2020 (Limited) by Film Movement |
| International Releases: | October 11th, 2019 (Wide) (Poland)
October 18th, 2019 (Wide) (United Kingdom) October 18th, 2019 (Wide) (Spain) February 7th, 2020 (Wide), released as Corpus Christi - A Redenção (Portugal) February 13th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | June 23rd, 2020 by Film Movement Video |
| MPA Rating: | Not Rated |
| Running Time: | 116 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Poland |
| Languages: | Polish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 62 | $4,632 | 1 | $4,632 | $20,210 | 1 | |
| Feb 21, 2020 | 55 | $11,874 | +156% | 5 | $2,375 | $35,176 | 2 |
| Feb 28, 2020 | 47 | $20,843 | +76% | 13 | $1,603 | $68,125 | 3 |
| Mar 6, 2020 | 44 | $23,836 | +14% | 19 | $1,255 | $105,517 | 4 |
| Mar 13, 2020 | 43 | $12,232 | -49% | 23 | $532 | $127,240 | 5 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 2020 | 64 | $8,035 | 2 | $4,018 | $23,302 | 1 | |
| Feb 21, 2020 | 54 | $22,347 | +178% | 6 | $3,725 | $45,649 | 2 |
| Feb 28, 2020 | 42 | $34,399 | +54% | 13 | $2,646 | $81,681 | 3 |
| Mar 6, 2020 | 44 | $33,327 | -3% | 19 | $1,754 | $115,008 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/22/2020 | $41,320 | 13 | 28 | 265 | $421,657 | 10/20/2022 | |||
| Czech Republic | 9/25/2020 | $3,995 | 32 | 32 | 36 | $22,778 | 10/20/2022 | |||
| France | 3/6/2020 | $286,382 | 114 | 114 | 114 | $286,382 | 3/14/2020 | |||
| Germany | 9/3/2020 | $72,294 | 76 | 92 | 254 | $359,957 | 10/19/2022 | |||
| Italy | 4/30/2021 | $1,876 | 3 | 8 | 15 | $67,167 | 7/16/2021 | |||
| Lithuania | 6/5/2020 | $0 | 0 | 4 | 15 | $3,032 | 8/12/2020 | |||
| Netherlands | 10/9/2020 | $54,609 | 58 | 612 | 923 | $400,832 | 10/19/2022 | |||
| New Zealand | 7/23/2020 | $2,757 | 4 | 4 | 4 | $2,757 | 10/19/2022 | |||
| Poland | 10/11/2019 | $0 | 0 | 306 | 612 | $8,062,012 | 10/19/2022 | |||
| Portugal | 2/7/2020 | $5,223 | 17 | 17 | 29 | $9,479 | 10/19/2022 | |||
| Romania | 10/9/2020 | $8,179 | 27 | 27 | 97 | $14,066 | 10/20/2022 | |||
| Slovakia | 10/23/2020 | $0 | 0 | 9 | 24 | $5,628 | 12/22/2020 | |||
| South Korea | 2/13/2020 | $17,090 | 52 | 52 | 83 | $49,301 | 3/4/2020 | |||
| Spain | 10/18/2019 | $0 | 0 | 53 | 219 | $188,273 | 12/3/2020 | |||
| United Kingdom | 10/18/2019 | $83,161 | 90 | 90 | 90 | $83,161 | 10/23/2019 | |||
| Rest of World | $847,561 | |||||||||
| International Total | $10,824,043 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Bartosz Bielenia | Daniel |
| Eliza Rycembel | ||
| Aleksandra Konieczna | ||
| Tomasz Zietek | ||
| Leszek Lichota | ||
| Lukasz Simlat |
Production and Technical Credits
| Jan Komasa | Director | |
| Mateusz Pacewicz | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.