The Corrupted (2019)
(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $166,610 | Details |
| Worldwide Box Office | $166,610 | |
| OpusData ID: 411100100 More info... | ||
| Further financial details... | ||
Synopsis
Beneath the blinding lights and towering sights of the newly-built East London skyline, lies a dark, dangerous web of corruption. Stratford was home to the Olympic Games; decorated in the notion of legacy. But there’s little hope to be found for the recently released Liam McDonagh; a talented boxer put away for armed robbery, who wants nothing more than a peaceful life, and to reconnect with his young son Archie. But his brother Sean is in deep, caught up in property developer Clifford Cullen’s violent, unforgiving circle, with no route out. Liam knows he must risk everything to save his brother before it's too late, but first, he needs to know who he can trust — which is a harder proposition than it sounds.
Metrics
Movie Details
| Domestic Releases: | January 10th, 2020 (Limited) by Saban Films |
| International Releases: | May 10th, 2019 (Limited) (United Kingdom)
July 12th, 2019 (Wide) (Russia (CIS)) November 7th, 2019 (Wide) (New Zealand) December 20th, 2019 (Wide), released as Teia de Corrupção (Portugal) June 17th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | February 25th, 2020 by Paramount Home Video |
| MPA Rating: | R for strong bloody violence, language throughout, and brief drug use. (Rating bulletin 2604 (Cert #52432), 11/13/2019) |
| Running Time: | 103 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | MPC, Creativity Capital , Eclipse Films, Rep Crime, Riverstone Pictures, The Exchange, Powder Keg Pictures, Fred Films, Head Gear Films, Metrol Technology, Kreo Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 11/7/2019 | $70 | 1 | 1 | 1 | $70 | 10/19/2022 | |||
| Portugal | 12/20/2019 | $1,996 | 4 | 4 | 8 | $3,398 | 10/19/2022 | |||
| Russia (CIS) | 7/12/2019 | $14,109 | 135 | 135 | 173 | $22,834 | 10/19/2022 | |||
| South Korea | 6/17/2020 | $13,588 | 107 | 107 | 107 | $24,615 | 6/24/2020 | |||
| United Kingdom | 5/10/2019 | $69,076 | 130 | 130 | 197 | $115,693 | 5/29/2019 | |||
| International Total | $166,610 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Sam Claflin | Liam McDonagh | |
| Timothy Spall | Clifford Cullen | |
| Noel Clarke | DS Neil Beckett | |
| David Hayman | DCI Raymond Ellery | |
| Hugh Bonneville | ||
| Naomi Ackie |
Supporting
| Joe Claflin | Sean McDonagh | |
| Sam Otto | ||
| Cathal Pendred | ||
| Charlie Murphy |
Production and Technical Credits
| Ron Scalpello | Director | |
| Nick Moorcroft | Screenwriter | |
| Andrew Berg | Producer | |
| Nik Bower | Producer | |
| Laure Vaysse | Producer | |
| John Sachs | Producer | |
| Kimberley Sachs | Associate Producer | |
| Deepak Nayar | Executive Producer | |
| James Spring | Executive Producer | |
| Giovanna Trischitta | Executive Producer | |
| Nat McCormick | Executive Producer | |
| Caddy Vanasirikul | Executive Producer | |
| Lynne Elizabeth Berg | Executive Producer | |
| Alex Thrussell | Executive Producer | |
| Charles Low | Executive Producer | |
| Richard Kondal | Executive Producer | |
| Patrick Fischer | Executive Producer | |
| Meg Leonard | Executive Producer | |
| Nick Moorcroft | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Brian Berg | Executive Producer | |
| Simon Moseley | Co-Producer | |
| Martyn Berg | Music Supervisor | |
| Andrew Kawczynski | Composer | |
| Alex Johnson | Casting Director | |
| Anthony Unwin | Costume Designer | |
| Byron Broadbent | Production Designer | |
| Gregory Shaw | Production Designer | |
| Jude Campbell | First Assistant Director | |
| Peter Christelis | Editor | |
| Richard Mott | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Beneath the blinding lights and towering sights of the newly-built East London skyline, lies a dark, dangerous web of corruption. Stratford was home to the Olympic Games; decorated in the notion of legacy. But there’s little hope to be found for the recently released Liam McDonagh; a talented boxer put away for armed robbery, who wants nothing more than a peaceful life, and to reconnect with his young son Archie. But his brother Sean is in deep, caught up in property developer Clifford Cullen’s violent, unforgiving circle, with no route out. Liam knows he must risk everything to save his brother before it's too late, but first, he needs to know who he can trust — which is a harder proposition than it sounds.
Metrics
Movie Details
| Domestic Releases: | January 10th, 2020 (Limited) by Saban Films |
| International Releases: | May 10th, 2019 (Limited) (United Kingdom)
July 12th, 2019 (Wide) (Russia (CIS)) November 7th, 2019 (Wide) (New Zealand) December 20th, 2019 (Wide), released as Teia de Corrupção (Portugal) June 17th, 2020 (Wide) (South Korea) ... Show all releases |
| Video Release: | February 25th, 2020 by Paramount Home Video |
| MPA Rating: | R for strong bloody violence, language throughout, and brief drug use. (Rating bulletin 2604 (Cert #52432), 11/13/2019) |
| Running Time: | 103 minutes |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | MPC, Creativity Capital , Eclipse Films, Rep Crime, Riverstone Pictures, The Exchange, Powder Keg Pictures, Fred Films, Head Gear Films, Metrol Technology, Kreo Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| New Zealand | 11/7/2019 | $70 | 1 | 1 | 1 | $70 | 10/19/2022 | |||
| Portugal | 12/20/2019 | $1,996 | 4 | 4 | 8 | $3,398 | 10/19/2022 | |||
| Russia (CIS) | 7/12/2019 | $14,109 | 135 | 135 | 173 | $22,834 | 10/19/2022 | |||
| South Korea | 6/17/2020 | $13,588 | 107 | 107 | 107 | $24,615 | 6/24/2020 | |||
| United Kingdom | 5/10/2019 | $69,076 | 130 | 130 | 197 | $115,693 | 5/29/2019 | |||
| International Total | $166,610 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Sam Claflin | Liam McDonagh | |
| Timothy Spall | Clifford Cullen | |
| Noel Clarke | DS Neil Beckett | |
| David Hayman | DCI Raymond Ellery | |
| Hugh Bonneville | ||
| Naomi Ackie |
Supporting
| Joe Claflin | Sean McDonagh | |
| Sam Otto | ||
| Cathal Pendred | ||
| Charlie Murphy |
Production and Technical Credits
| Ron Scalpello | Director | |
| Nick Moorcroft | Screenwriter | |
| Andrew Berg | Producer | |
| Nik Bower | Producer | |
| Laure Vaysse | Producer | |
| John Sachs | Producer | |
| Kimberley Sachs | Associate Producer | |
| Deepak Nayar | Executive Producer | |
| James Spring | Executive Producer | |
| Giovanna Trischitta | Executive Producer | |
| Nat McCormick | Executive Producer | |
| Caddy Vanasirikul | Executive Producer | |
| Lynne Elizabeth Berg | Executive Producer | |
| Alex Thrussell | Executive Producer | |
| Charles Low | Executive Producer | |
| Richard Kondal | Executive Producer | |
| Patrick Fischer | Executive Producer | |
| Meg Leonard | Executive Producer | |
| Nick Moorcroft | Executive Producer | |
| Phil Hunt | Executive Producer | |
| Compton Ross | Executive Producer | |
| Brian Berg | Executive Producer | |
| Simon Moseley | Co-Producer | |
| Martyn Berg | Music Supervisor | |
| Andrew Kawczynski | Composer | |
| Alex Johnson | Casting Director | |
| Anthony Unwin | Costume Designer | |
| Byron Broadbent | Production Designer | |
| Gregory Shaw | Production Designer | |
| Jude Campbell | First Assistant Director | |
| Peter Christelis | Editor | |
| Richard Mott | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.