Follow us on

Crazy Horse (2012)

Crazy Horse poster
Theatrical Performance
Domestic Box Office $154,691Details
International Box Office $75,489Details
Worldwide Box Office $230,180
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Documentary filmmaker Frederick Wiseman explores one of the most mythic and colorful places dedicated to women, the Crazy Horse - a legendary Parisian cabaret club, founded in 1951 by Alain Bernardin. Over the years it has become the Parisian nightlife "must" for visitors, ranking alongside the Eiffel Tower and the Louvre. Wiseman finds the Crazy Horse a uniquely French showcase, with an emphasis on elegance, perfectionism and a grueling schedule (2 shows a night and 3 on Saturdays, 7 days a week). The film shows us the rehearsals for and the unveiling of the brand new show - Désir - created by the renowned French choreographer Phillippe Decoufle.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,501-10,600) 10,557 $154,691
All Time International Box Office (Rank 9,801-9,900) 9,815 $75,489
All Time Worldwide Box Office (Rank 14,101-14,200) 14,163 $230,180
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,501-3,600) 3,543 $154,691

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: January 18th, 2012 (Limited) by Zipporah
International Releases: February 21st, 2013 (Wide) (Hong Kong)
MPAA Rating: Not Rated
Running Time: 134 minutes
Comparisons: vs. At Berkeley
Create your own comparison chart…
Keywords: Performing Arts, Strippers / Stripping, Cinema Verite
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production Companies: Zipporah, Sophie Dulac, Crazy Horse Productions
Production Countries: France,
United States

Interviewee(s)

Philippe Decoufle    Himself
Ali Mahdavi    Himself
Fifi Chachnil    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Pierre-Olivier Bardet    Producer
Frederick Wiseman    Producer
Frederick Wiseman    Editor
John Davey    Cinematographer
Frederick Wiseman    Sound Designer
Emmanuel Croset    Sound Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Per Theater Chart: Pina Dances to the Top

January 25th, 2012

There were only three films this past weekend to reach the $10,000 mark on the per theater average, and none of them were new releases. Pina finally expanded playing in ten theaters, while it climbed to the top of the per theater average with $13,667. It should hit its first major milestone soon. A Separation doubled its theater count and saw its per theater average grow to $12,986. It too should reach its first milestone sooner rather than later. The final member of the $10,000 club was We Need to Talk About Kevin with an average of $10,530 in seven theaters. The best new release of the week was Crazy Horse with $7,963 in its lone theater. However, it was a Wednesday release and if you include its first two days of release, it earned $12,336. If it were a Friday release, it likely would have reached the $10,000 market. More...

Limited Releases are in Full Bloom

January 20th, 2012

Among the number of limited releases coming out this week, there are a surprisingly high number of films earning overwhelmingly positive reviews: Carol Channing: Larger Than Life, Coriolanus, Crazy Horse, and The Pruitt Igoe Myth. Unfortunately, three of those four films are documentaries and those rarely earn any measure of mainstream success. I don't think there's enough buzz behind Coriolanus to make up the difference. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2012/01/20 64 $7,963   1 $7,963   $12,336 1
2012/01/27 63 $9,911 +24% 2 $4,956   $26,924 2
2012/02/03 58 $12,131 +22% 3 $4,044   $45,816 3
2012/02/24 73 $10,340   8 $1,293   $71,256 6
2012/03/02 71 $12,560 +21% 10 $1,256   $90,796 7
2012/04/06 71 $1,498   2 $749   $150,477 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2012/01/20 62 $12,639   1 $12,639   $17,013 2
2012/01/27 57 $16,672 +32% 2 $8,336   $33,685 3
2012/02/03 57 $20,088 +20% 3 $6,696   $53,773 4
2012/02/17 88 $3,338   5 $668   $60,916 6
2012/02/24 72 $17,320 +419% 9 $1,924   $78,236 7
2012/03/02 69 $20,585 +19% 10 $2,059   $98,821 8
2012/03/09 73 $17,340 -16% 10 $1,734   $116,161 9
2012/03/16 71 $12,710 -27% 12 $1,059   $128,871 10
2012/03/23 68 $11,939 -6% 14 $853   $140,810 11
2012/03/30 74 $8,169 -32% 5 $1,634   $148,979 12
2012/04/06 85 $3,637 -55% 3 $1,212   $152,616 13
2012/04/13 95 $2,075 -43% 3 $692   $154,691 14

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Hong Kong 2/21/2013 $46,126 14 14 20 $75,489 12/14/2015
 
International Total$75,489 12/14/2015

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


ProductionNext