Crazy Horse (2012)
| Theatrical Performance | ||
| Domestic Box Office | $154,691 | Details |
| International Box Office | $75,489 | Details |
| Worldwide Box Office | $230,180 | |
| OpusData ID: 170240100 More info... | ||
| Further financial details... | ||
Synopsis
Documentary filmmaker Frederick Wiseman explores one of the most mythic and colorful places dedicated to women, the Crazy Horse - a legendary Parisian cabaret club, founded in 1951 by Alain Bernardin. Over the years it has become the Parisian nightlife "must" for visitors, ranking alongside the Eiffel Tower and the Louvre. Wiseman finds the Crazy Horse a uniquely French showcase, with an emphasis on elegance, perfectionism and a grueling schedule (2 shows a night and 3 on Saturdays, 7 days a week). The film shows us the rehearsals for and the unveiling of the brand new show - Désir - created by the renowned French choreographer Phillippe Decoufle.
Metrics
| Opening Weekend: | $7,963 (5.1% of total gross) |
| Legs: | 12.32 (domestic box office/biggest weekend) |
| Domestic Share: | 67.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/14 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $232,431 |
Movie Details
| Domestic Releases: | January 18th, 2012 (Limited) by Zipporah |
| International Releases: | February 21st, 2013 (Wide) (Hong Kong) |
| MPA Rating: | Not Rated |
| Running Time: | 134 minutes |
| Cast, crew, or production detail: | Cinema Verite |
| Plot point: | Performing Arts |
| Social setting: | Strippers / Stripping |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Zipporah, Sophie Dulac, Crazy Horse Productions |
| Production Countries: | United States, France |
| Languages: | English, French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2012 | 64 | $7,963 | 1 | $7,963 | $12,336 | 1 | |
| Jan 27, 2012 | 63 | $9,911 | +24% | 2 | $4,956 | $26,924 | 2 |
| Feb 3, 2012 | 58 | $12,131 | +22% | 3 | $4,044 | $45,816 | 3 |
| Feb 24, 2012 | 74 | $10,340 | 8 | $1,293 | $71,256 | 6 | |
| Mar 2, 2012 | 71 | $12,560 | +21% | 10 | $1,256 | $90,796 | 7 |
| Apr 6, 2012 | 93 | $1,498 | 2 | $749 | $150,477 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2012 | 62 | $12,639 | 1 | $12,639 | $17,013 | 2 | |
| Jan 27, 2012 | 57 | $16,672 | +32% | 2 | $8,336 | $33,685 | 3 |
| Feb 3, 2012 | 57 | $20,088 | +20% | 3 | $6,696 | $53,773 | 4 |
| Feb 17, 2012 | 89 | $3,338 | 5 | $668 | $60,916 | 6 | |
| Feb 24, 2012 | 72 | $17,320 | +419% | 9 | $1,924 | $78,236 | 7 |
| Mar 2, 2012 | 69 | $20,585 | +19% | 10 | $2,059 | $98,821 | 8 |
| Mar 9, 2012 | 73 | $17,340 | -16% | 10 | $1,734 | $116,161 | 9 |
| Mar 16, 2012 | 71 | $12,710 | -27% | 12 | $1,059 | $128,871 | 10 |
| Mar 23, 2012 | 69 | $11,939 | -6% | 14 | $853 | $140,810 | 11 |
| Mar 30, 2012 | 76 | $8,169 | -32% | 5 | $1,634 | $148,979 | 12 |
| Apr 6, 2012 | 87 | $3,637 | -55% | 3 | $1,212 | $152,616 | 13 |
| Apr 13, 2012 | 96 | $2,075 | -43% | 3 | $692 | $154,691 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 2/21/2013 | $46,126 | 14 | 14 | 20 | $75,489 | 12/14/2015 | |||
| International Total | $75,489 | 12/14/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Philippe Decoufle | Himself | |
| Ali Mahdavi | Himself | |
| Fifi Chachnil | Herself |
Production and Technical Credits
| Frederick Wiseman | Director | |
| Pierre-Olivier Bardet | Producer | |
| Frederick Wiseman | Producer | |
| Frederick Wiseman | Editor | |
| John Davey | Cinematographer | |
| Frederick Wiseman | Sound Designer | |
| Emmanuel Croset | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Documentary filmmaker Frederick Wiseman explores one of the most mythic and colorful places dedicated to women, the Crazy Horse - a legendary Parisian cabaret club, founded in 1951 by Alain Bernardin. Over the years it has become the Parisian nightlife "must" for visitors, ranking alongside the Eiffel Tower and the Louvre. Wiseman finds the Crazy Horse a uniquely French showcase, with an emphasis on elegance, perfectionism and a grueling schedule (2 shows a night and 3 on Saturdays, 7 days a week). The film shows us the rehearsals for and the unveiling of the brand new show - Désir - created by the renowned French choreographer Phillippe Decoufle.
Metrics
| Opening Weekend: | $7,963 (5.1% of total gross) |
| Legs: | 12.32 (domestic box office/biggest weekend) |
| Domestic Share: | 67.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/14 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $232,431 |
Movie Details
| Domestic Releases: | January 18th, 2012 (Limited) by Zipporah |
| International Releases: | February 21st, 2013 (Wide) (Hong Kong) |
| MPA Rating: | Not Rated |
| Running Time: | 134 minutes |
| Cast, crew, or production detail: | Cinema Verite |
| Plot point: | Performing Arts |
| Social setting: | Strippers / Stripping |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Zipporah, Sophie Dulac, Crazy Horse Productions |
| Production Countries: | United States, France |
| Languages: | English, French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2012 | 64 | $7,963 | 1 | $7,963 | $12,336 | 1 | |
| Jan 27, 2012 | 63 | $9,911 | +24% | 2 | $4,956 | $26,924 | 2 |
| Feb 3, 2012 | 58 | $12,131 | +22% | 3 | $4,044 | $45,816 | 3 |
| Feb 24, 2012 | 74 | $10,340 | 8 | $1,293 | $71,256 | 6 | |
| Mar 2, 2012 | 71 | $12,560 | +21% | 10 | $1,256 | $90,796 | 7 |
| Apr 6, 2012 | 93 | $1,498 | 2 | $749 | $150,477 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 20, 2012 | 62 | $12,639 | 1 | $12,639 | $17,013 | 2 | |
| Jan 27, 2012 | 57 | $16,672 | +32% | 2 | $8,336 | $33,685 | 3 |
| Feb 3, 2012 | 57 | $20,088 | +20% | 3 | $6,696 | $53,773 | 4 |
| Feb 17, 2012 | 89 | $3,338 | 5 | $668 | $60,916 | 6 | |
| Feb 24, 2012 | 72 | $17,320 | +419% | 9 | $1,924 | $78,236 | 7 |
| Mar 2, 2012 | 69 | $20,585 | +19% | 10 | $2,059 | $98,821 | 8 |
| Mar 9, 2012 | 73 | $17,340 | -16% | 10 | $1,734 | $116,161 | 9 |
| Mar 16, 2012 | 71 | $12,710 | -27% | 12 | $1,059 | $128,871 | 10 |
| Mar 23, 2012 | 69 | $11,939 | -6% | 14 | $853 | $140,810 | 11 |
| Mar 30, 2012 | 76 | $8,169 | -32% | 5 | $1,634 | $148,979 | 12 |
| Apr 6, 2012 | 87 | $3,637 | -55% | 3 | $1,212 | $152,616 | 13 |
| Apr 13, 2012 | 96 | $2,075 | -43% | 3 | $692 | $154,691 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 2/21/2013 | $46,126 | 14 | 14 | 20 | $75,489 | 12/14/2015 | |||
| International Total | $75,489 | 12/14/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Interviewee
| Philippe Decoufle | Himself | |
| Ali Mahdavi | Himself | |
| Fifi Chachnil | Herself |
Production and Technical Credits
| Frederick Wiseman | Director | |
| Pierre-Olivier Bardet | Producer | |
| Frederick Wiseman | Producer | |
| Frederick Wiseman | Editor | |
| John Davey | Cinematographer | |
| Frederick Wiseman | Sound Designer | |
| Emmanuel Croset | Sound Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.