Crazy People (1990)
| Theatrical Performance | ||
| Domestic Box Office | $13,204,459 | Details |
| OpusData ID: 32580100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,357,800 (25.4% of total gross) |
| Legs: | 3.93 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,389 opening theaters/1,389 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,389,194 |
Movie Details
| Domestic Releases: | April 11th, 1990 (Wide) by Paramount Pictures |
| Video Release: | June 24th, 1992 by Paramount Home Video |
| MPA Rating: | R |
| Running Time: | 90 minutes |
| Plot point: | Mental Illness, Romance |
| Social setting: | Advertising and Marketing, Mental Hospital |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 1990 | 6 | $3,357,800 | 1,389 | $2,417 | $4,213,556 | 1 | |
| Apr 20, 1990 | 7 | $2,400,655 | -29% | 1,389 | $1,728 | $7,828,620 | 2 |
| Apr 27, 1990 | 10 | $1,426,592 | -41% | 1,135 | $1,257 | $9,927,735 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 1990 | 6 | $4,572,209 | 1,389 | $3,292 | $5,427,965 | 2 | |
| Apr 20, 1990 | 5 | $3,073,178 | -33% | 1,389 | $2,213 | $8,501,143 | 3 |
| David Paymer | George | |
| Daryl Hannah | Kathy | |
| J.T. Walsh | Drucker | |
| Dudley Moore | Leeson, Emory | |
| Paul Reiser | Stephen | |
| Bill Smitrovich | Bruce | |
| Mercedes Ruehl | Dr. Liz Baylor |
Cameo
| Larry King | Himself |
Production and Technical Credits
| Tony Bill | Director | |
| Mitch Markowitz | Screenwriter | |
| Gary Bourgeois | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,357,800 (25.4% of total gross) |
| Legs: | 3.93 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,389 opening theaters/1,389 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $35,389,194 |
Movie Details
| Domestic Releases: | April 11th, 1990 (Wide) by Paramount Pictures |
| Video Release: | June 24th, 1992 by Paramount Home Video |
| MPA Rating: | R |
| Running Time: | 90 minutes |
| Plot point: | Mental Illness, Romance |
| Social setting: | Advertising and Marketing, Mental Hospital |
| Subgenre: | Comedy Drama |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 1990 | 6 | $3,357,800 | 1,389 | $2,417 | $4,213,556 | 1 | |
| Apr 20, 1990 | 7 | $2,400,655 | -29% | 1,389 | $1,728 | $7,828,620 | 2 |
| Apr 27, 1990 | 10 | $1,426,592 | -41% | 1,135 | $1,257 | $9,927,735 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 13, 1990 | 6 | $4,572,209 | 1,389 | $3,292 | $5,427,965 | 2 | |
| Apr 20, 1990 | 5 | $3,073,178 | -33% | 1,389 | $2,213 | $8,501,143 | 3 |
| David Paymer | George | |
| Daryl Hannah | Kathy | |
| J.T. Walsh | Drucker | |
| Dudley Moore | Leeson, Emory | |
| Paul Reiser | Stephen | |
| Bill Smitrovich | Bruce | |
| Mercedes Ruehl | Dr. Liz Baylor |
Cameo
| Larry King | Himself |
Production and Technical Credits
| Tony Bill | Director | |
| Mitch Markowitz | Screenwriter | |
| Gary Bourgeois | Re-recording Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.