Crazy in Alabama (1999)
| Theatrical Performance | ||
| Domestic Box Office | $1,954,202 | Details |
| OpusData ID: 56230100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,010,596 (51.7% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 1,214 opening theaters/1,214 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,600,833 |
Movie Details
| Domestic Releases: | October 22nd, 1999 (Wide) by Sony Pictures |
| MPA Rating: | PG-13 for some violence, thematic material, language and a scene of sensuality |
| Running Time: | 111 minutes |
| Cast, crew, or production detail: | Family Affair, Relatives Playing Relatives |
| Source material: | Novel or Other Work Adapted by Author |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 22, 1999 | 15 | $1,010,596 | 1,214 | $832 | $1,010,596 | 1 | |
| Oct 29, 1999 | 20 | $366,136 | -64% | 1,214 | $302 | $1,723,957 | 2 |
| Nov 5, 1999 | 49 | $64,045 | -83% | 213 | $301 | $1,954,202 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 22, 1999 | 15 | $310,000 | 1,214 | $255 | $310,000 | 1 | ||
| Oct 23, 1999 | 15 | $430,000 | +39% | 1,214 | $354 | $740,000 | 2 | |
| Oct 24, 1999 | 16 | $274,000 | -36% | 1,214 | $226 | $1,010,596 | 3 | |
| Oct 25, 1999 | 15 | $86,037 | -69% | 1,214 | $71 | $1,096,633 | 4 | |
| Oct 26, 1999 | 14 | $94,491 | +10% | 1,214 | $78 | $1,191,124 | 5 | |
| Oct 27, 1999 | 15 | $86,566 | -8% | 1,214 | $71 | $1,277,690 | 6 | |
| Oct 28, 1999 | 15 | $80,131 | -7% | 1,214 | $66 | $1,357,821 | 7 | |
| Oct 31, 1999 | 18 | $100,000 | -64% | 1,214 | $82 | $1,723,957 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 22, 1999 | 15 | $1,357,821 | 1,214 | $1,118 | $1,357,821 | 1 | |
| Oct 29, 1999 | 20 | $532,336 | -61% | 1,214 | $438 | $1,890,157 | 2 |
| Nov 5, 1999 | 54 | $64,045 | -88% | 213 | $301 | $1,954,202 | 3 |
| Melanie Griffith | Lucille | |
| David Morse | Dove | |
| Lucas Black | Peejoe | |
| Cathy Moriarty | Earlene | |
| Meat Loaf | Sheriff John Doggett | |
| Rod Steiger | Judge Mead | |
| Richard Schiff | Norman | |
| John Beasley | Nehemiah | |
| Robert Wagner | Harry Hall | |
| Noah Emmerich | Sheriff Raymond | |
| Sandra Seacat | Meemaw | |
| Paul Ben-Victor | Mackie | |
| Brad Beyer | Jack | |
| Fannie Flagg | Sally | |
| Elizabeth Perkins | Joan Blake |
Production and Technical Credits
| Antonio Banderas | Director | |
| Tim Chau | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $1,010,596 (51.7% of total gross) |
| Legs: | 1.93 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $15,000,000 (worldwide box office is 0.1 times production budget) |
| Theater counts: | 1,214 opening theaters/1,214 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,600,833 |
Movie Details
| Domestic Releases: | October 22nd, 1999 (Wide) by Sony Pictures |
| MPA Rating: | PG-13 for some violence, thematic material, language and a scene of sensuality |
| Running Time: | 111 minutes |
| Cast, crew, or production detail: | Family Affair, Relatives Playing Relatives |
| Source material: | Novel or Other Work Adapted by Author |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 22, 1999 | 15 | $1,010,596 | 1,214 | $832 | $1,010,596 | 1 | |
| Oct 29, 1999 | 20 | $366,136 | -64% | 1,214 | $302 | $1,723,957 | 2 |
| Nov 5, 1999 | 49 | $64,045 | -83% | 213 | $301 | $1,954,202 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 22, 1999 | 15 | $310,000 | 1,214 | $255 | $310,000 | 1 | ||
| Oct 23, 1999 | 15 | $430,000 | +39% | 1,214 | $354 | $740,000 | 2 | |
| Oct 24, 1999 | 16 | $274,000 | -36% | 1,214 | $226 | $1,010,596 | 3 | |
| Oct 25, 1999 | 15 | $86,037 | -69% | 1,214 | $71 | $1,096,633 | 4 | |
| Oct 26, 1999 | 14 | $94,491 | +10% | 1,214 | $78 | $1,191,124 | 5 | |
| Oct 27, 1999 | 15 | $86,566 | -8% | 1,214 | $71 | $1,277,690 | 6 | |
| Oct 28, 1999 | 15 | $80,131 | -7% | 1,214 | $66 | $1,357,821 | 7 | |
| Oct 31, 1999 | 18 | $100,000 | -64% | 1,214 | $82 | $1,723,957 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 22, 1999 | 15 | $1,357,821 | 1,214 | $1,118 | $1,357,821 | 1 | |
| Oct 29, 1999 | 20 | $532,336 | -61% | 1,214 | $438 | $1,890,157 | 2 |
| Nov 5, 1999 | 54 | $64,045 | -88% | 213 | $301 | $1,954,202 | 3 |
| Melanie Griffith | Lucille | |
| David Morse | Dove | |
| Lucas Black | Peejoe | |
| Cathy Moriarty | Earlene | |
| Meat Loaf | Sheriff John Doggett | |
| Rod Steiger | Judge Mead | |
| Richard Schiff | Norman | |
| John Beasley | Nehemiah | |
| Robert Wagner | Harry Hall | |
| Noah Emmerich | Sheriff Raymond | |
| Sandra Seacat | Meemaw | |
| Paul Ben-Victor | Mackie | |
| Brad Beyer | Jack | |
| Fannie Flagg | Sally | |
| Elizabeth Perkins | Joan Blake |
Production and Technical Credits
| Antonio Banderas | Director | |
| Tim Chau | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.