Crimes of the Future (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $2,452,882 | Details |
| International Box Office | $1,157,158 | Details |
| Worldwide Box Office | $3,610,040 | |
| OpusData ID: 540700100 More info... | ||
| Further financial details... | ||
Synopsis
As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice, Saul Tenser, celebrity performance artist, publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin, an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission — to use Saul’s notoriety to shed light on the next phase of human evolution.
Metrics
| Opening Weekend: | $1,117,962 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 67.9% (domestic box office/worldwide) |
| Theater counts: | 773 opening theaters/773 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,785,986 |
Movie Details
| Domestic Releases: | June 3rd, 2022 (Wide) by Neon |
| International Releases: | June 2nd, 2022 (Wide) (Netherlands)
July 14th, 2022 (Wide), released as Crímenes del futuro (Mexico) July 28th, 2022 (Limited) (New Zealand) August 18th, 2022 (Limited) (Australia) August 24th, 2022 (Wide) (Italy) ... Show all releases |
| Video Release: | June 21st, 2022 by Neon |
| MPA Rating: | R for strong disturbing violent content and grisly images, graphic nudity and some language. (Rating bulletin 2730 (cert #53775), 5/4/2022) |
| Running Time: | 107 minutes |
| Plot point: | Sexual Fetishism |
| Subgenre: | Body Horror |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Serendipity Point Films, Telefilm Canada, Ingenious Media, Robert Lantos, Argonauts Productions S.A., Crave Films, CBC Films, ERT, Rocket Science, EKOME, Greek Film Center, Ontario Creates, Neon Films |
| Production Countries: | Canada, Greece |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2022 | - | $1,117,962 | 773 | $1,446 | $1,117,962 | 1 | |
| Jun 10, 2022 | 12 | $374,131 | -67% | 712 | $525 | $2,005,215 | 2 |
| Jun 17, 2022 | 14 | $107,263 | -71% | 122 | $879 | $2,373,744 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 3, 2022 | - | $506,094 | 773 | $655 | $506,094 | 1 | ||
| Jun 4, 2022 | - | $328,961 | -35% | 773 | $426 | $835,055 | 2 | |
| Jun 5, 2022 | - | $282,907 | -14% | 773 | $366 | $1,117,962 | 3 | |
| Jun 6, 2022 | - | $135,061 | -52% | 773 | $175 | $1,253,023 | 4 | |
| Jun 7, 2022 | - | $159,078 | +18% | 773 | $206 | $1,412,101 | 5 | |
| Jun 8, 2022 | - | $120,666 | -24% | 773 | $156 | $1,532,767 | 6 | |
| Jun 9, 2022 | - | $98,317 | -19% | 773 | $127 | $1,631,084 | 7 | |
| Jun 10, 2022 | 13 | $109,877 | +12% | -78% | 712 | $154 | $1,740,961 | 8 |
| Jun 11, 2022 | 13 | $142,840 | +30% | -57% | 712 | $201 | $1,883,801 | 9 |
| Jun 12, 2022 | 10 | $121,414 | -15% | -57% | 712 | $171 | $2,005,215 | 10 |
| Jun 13, 2022 | - | $63,135 | -48% | -53% | 712 | $89 | $2,068,350 | 11 |
| Jun 14, 2022 | - | $78,288 | +24% | -51% | 712 | $110 | $2,146,638 | 12 |
| Jun 15, 2022 | - | $69,676 | -11% | -42% | 712 | $98 | $2,216,314 | 13 |
| Jun 16, 2022 | - | $50,167 | -28% | -49% | 712 | $70 | $2,266,481 | 14 |
| Jun 17, 2022 | - | $30,194 | -40% | -73% | 122 | $247 | $2,296,675 | 15 |
| Jun 18, 2022 | - | $43,565 | +44% | -70% | 122 | $357 | $2,340,240 | 16 |
| Jun 19, 2022 | 12 | $33,504 | -23% | -72% | 122 | $275 | $2,373,744 | 17 |
| Jun 20, 2022 | 11 | $24,123 | -28% | -62% | 122 | $198 | $2,397,867 | 18 |
| Jun 21, 2022 | 11 | $21,228 | -12% | -73% | 122 | $174 | $2,419,095 | 19 |
| Jun 22, 2022 | 11 | $19,530 | -8% | -72% | 122 | $160 | $2,438,625 | 20 |
| Jun 23, 2022 | 12 | $14,257 | -27% | -72% | 122 | $117 | $2,452,882 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2022 | - | $1,631,084 | 773 | $2,110 | $1,631,084 | 1 | |
| Jun 10, 2022 | - | $635,397 | -61% | 712 | $892 | $2,266,481 | 2 |
| Jun 17, 2022 | - | $186,401 | -71% | 122 | $1,528 | $2,452,882 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/18/2022 | $9,433 | 8 | 11 | 56 | $72,362 | 11/21/2022 | |||
| Finland | 10/7/2022 | $6,244 | 20 | 20 | 20 | $10,295 | 4/21/2026 | |||
| Italy | 8/24/2022 | $184,309 | 0 | 0 | 0 | $635,225 | 9/19/2022 | |||
| Netherlands | 6/2/2022 | $23,747 | 39 | 39 | 78 | $51,923 | 6/13/2022 | |||
| New Zealand | 7/28/2022 | $0 | 0 | 3 | 7 | $865 | 4/4/2026 | |||
| Portugal | 11/24/2022 | $10,196 | 23 | 23 | 47 | $23,046 | 12/13/2022 | |||
| Russia (CIS) | 9/1/2022 | $148,098 | 699 | 699 | 1,206 | $256,370 | 9/15/2022 | |||
| South Korea | 7/17/2024 | $2,609 | 15 | 15 | 15 | $7,156 | 7/24/2024 | |||
| Spain | 9/23/2022 | $30,748 | 57 | 57 | 57 | $31,002 | 11/4/2022 | |||
| United Kingdom | 9/9/2022 | $68,021 | 160 | 160 | 160 | $68,021 | 9/13/2022 | |||
| Rest of World | $893 | |||||||||
| International Total | $1,157,158 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Viggo Mortensen | Saul Tenser |
Supporting
| Lea Seydoux | Caprice | |
| Kristen Stewart | Timlin | |
| Scott Speedman | Lang Dotrice | |
| Welket Bungue | Detective Cope | |
| Don McKellar | Wippet | |
| Yorgos Pirpassopoulos | Dr. Nasatir | |
| Tanaya Beatty | Berst | |
| Nadia Litz | Dani Router | |
| Lihi Kornowski | Djuna | |
| Denise Capezza | Odile | |
| Penelope Tsilika | Spa Woman | |
| Ephie Kantza | Adrienne Berseau | |
| Tassos Karahalios | Klinek | |
| Jason Bitter | Tarr |
Production and Technical Credits
| David Cronenberg | Director | |
| David Cronenberg | Screenwriter | |
| Robert Lantos | Producer | |
| Howard Shore | Composer | |
| Panos Papahadzis | Producer | |
| Steve Solomos | Producer | |
| Laura Lanktree | Co-Producer | |
| Bonnie Do | Associate Producer | |
| Joe Iacono | Executive Producer | |
| Aida Tannyan | Executive Producer | |
| Peter Touche | Executive Producer | |
| Christelle Conan | Executive Producer | |
| Tom Quinn | Executive Producer | |
| Jeff Deutchman | Executive Producer | |
| Christian Parkes | Executive Producer | |
| Thorsten Schumacher | Executive Producer | |
| Victor Hadida | Co-Executive Producer | |
| Victor Loewy | Co-Executive Producer | |
| Charles Tremblay | Co-Executive Producer | |
| Ariane Giroux-Dallaire | Co-Executive Producer | |
| Douglas Koch | Director of Photography | |
| Carol Spier | Production Designer | |
| Christopher Donaldson | Editor | |
| Mayou Trikerioti | Costume Designer | |
| Deirdre Bowen | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice, Saul Tenser, celebrity performance artist, publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin, an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission — to use Saul’s notoriety to shed light on the next phase of human evolution.
Metrics
| Opening Weekend: | $1,117,962 (45.6% of total gross) |
| Legs: | 2.19 (domestic box office/biggest weekend) |
| Domestic Share: | 67.9% (domestic box office/worldwide) |
| Theater counts: | 773 opening theaters/773 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,785,986 |
Movie Details
| Domestic Releases: | June 3rd, 2022 (Wide) by Neon |
| International Releases: | June 2nd, 2022 (Wide) (Netherlands)
July 14th, 2022 (Wide), released as Crímenes del futuro (Mexico) July 28th, 2022 (Limited) (New Zealand) August 18th, 2022 (Limited) (Australia) August 24th, 2022 (Wide) (Italy) ... Show all releases |
| Video Release: | June 21st, 2022 by Neon |
| MPA Rating: | R for strong disturbing violent content and grisly images, graphic nudity and some language. (Rating bulletin 2730 (cert #53775), 5/4/2022) |
| Running Time: | 107 minutes |
| Plot point: | Sexual Fetishism |
| Subgenre: | Body Horror |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Serendipity Point Films, Telefilm Canada, Ingenious Media, Robert Lantos, Argonauts Productions S.A., Crave Films, CBC Films, ERT, Rocket Science, EKOME, Greek Film Center, Ontario Creates, Neon Films |
| Production Countries: | Canada, Greece |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2022 | - | $1,117,962 | 773 | $1,446 | $1,117,962 | 1 | |
| Jun 10, 2022 | 12 | $374,131 | -67% | 712 | $525 | $2,005,215 | 2 |
| Jun 17, 2022 | 14 | $107,263 | -71% | 122 | $879 | $2,373,744 | 3 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 3, 2022 | - | $506,094 | 773 | $655 | $506,094 | 1 | ||
| Jun 4, 2022 | - | $328,961 | -35% | 773 | $426 | $835,055 | 2 | |
| Jun 5, 2022 | - | $282,907 | -14% | 773 | $366 | $1,117,962 | 3 | |
| Jun 6, 2022 | - | $135,061 | -52% | 773 | $175 | $1,253,023 | 4 | |
| Jun 7, 2022 | - | $159,078 | +18% | 773 | $206 | $1,412,101 | 5 | |
| Jun 8, 2022 | - | $120,666 | -24% | 773 | $156 | $1,532,767 | 6 | |
| Jun 9, 2022 | - | $98,317 | -19% | 773 | $127 | $1,631,084 | 7 | |
| Jun 10, 2022 | 13 | $109,877 | +12% | -78% | 712 | $154 | $1,740,961 | 8 |
| Jun 11, 2022 | 13 | $142,840 | +30% | -57% | 712 | $201 | $1,883,801 | 9 |
| Jun 12, 2022 | 10 | $121,414 | -15% | -57% | 712 | $171 | $2,005,215 | 10 |
| Jun 13, 2022 | - | $63,135 | -48% | -53% | 712 | $89 | $2,068,350 | 11 |
| Jun 14, 2022 | - | $78,288 | +24% | -51% | 712 | $110 | $2,146,638 | 12 |
| Jun 15, 2022 | - | $69,676 | -11% | -42% | 712 | $98 | $2,216,314 | 13 |
| Jun 16, 2022 | - | $50,167 | -28% | -49% | 712 | $70 | $2,266,481 | 14 |
| Jun 17, 2022 | - | $30,194 | -40% | -73% | 122 | $247 | $2,296,675 | 15 |
| Jun 18, 2022 | - | $43,565 | +44% | -70% | 122 | $357 | $2,340,240 | 16 |
| Jun 19, 2022 | 12 | $33,504 | -23% | -72% | 122 | $275 | $2,373,744 | 17 |
| Jun 20, 2022 | 11 | $24,123 | -28% | -62% | 122 | $198 | $2,397,867 | 18 |
| Jun 21, 2022 | 11 | $21,228 | -12% | -73% | 122 | $174 | $2,419,095 | 19 |
| Jun 22, 2022 | 11 | $19,530 | -8% | -72% | 122 | $160 | $2,438,625 | 20 |
| Jun 23, 2022 | 12 | $14,257 | -27% | -72% | 122 | $117 | $2,452,882 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 3, 2022 | - | $1,631,084 | 773 | $2,110 | $1,631,084 | 1 | |
| Jun 10, 2022 | - | $635,397 | -61% | 712 | $892 | $2,266,481 | 2 |
| Jun 17, 2022 | - | $186,401 | -71% | 122 | $1,528 | $2,452,882 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 8/18/2022 | $9,433 | 8 | 11 | 56 | $72,362 | 11/21/2022 | |||
| Finland | 10/7/2022 | $6,244 | 20 | 20 | 20 | $10,295 | 4/21/2026 | |||
| Italy | 8/24/2022 | $184,309 | 0 | 0 | 0 | $635,225 | 9/19/2022 | |||
| Netherlands | 6/2/2022 | $23,747 | 39 | 39 | 78 | $51,923 | 6/13/2022 | |||
| New Zealand | 7/28/2022 | $0 | 0 | 3 | 7 | $865 | 4/4/2026 | |||
| Portugal | 11/24/2022 | $10,196 | 23 | 23 | 47 | $23,046 | 12/13/2022 | |||
| Russia (CIS) | 9/1/2022 | $148,098 | 699 | 699 | 1,206 | $256,370 | 9/15/2022 | |||
| South Korea | 7/17/2024 | $2,609 | 15 | 15 | 15 | $7,156 | 7/24/2024 | |||
| Spain | 9/23/2022 | $30,748 | 57 | 57 | 57 | $31,002 | 11/4/2022 | |||
| United Kingdom | 9/9/2022 | $68,021 | 160 | 160 | 160 | $68,021 | 9/13/2022 | |||
| Rest of World | $893 | |||||||||
| International Total | $1,157,158 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Viggo Mortensen | Saul Tenser |
Supporting
| Lea Seydoux | Caprice | |
| Kristen Stewart | Timlin | |
| Scott Speedman | Lang Dotrice | |
| Welket Bungue | Detective Cope | |
| Don McKellar | Wippet | |
| Yorgos Pirpassopoulos | Dr. Nasatir | |
| Tanaya Beatty | Berst | |
| Nadia Litz | Dani Router | |
| Lihi Kornowski | Djuna | |
| Denise Capezza | Odile | |
| Penelope Tsilika | Spa Woman | |
| Ephie Kantza | Adrienne Berseau | |
| Tassos Karahalios | Klinek | |
| Jason Bitter | Tarr |
Production and Technical Credits
| David Cronenberg | Director | |
| David Cronenberg | Screenwriter | |
| Robert Lantos | Producer | |
| Howard Shore | Composer | |
| Panos Papahadzis | Producer | |
| Steve Solomos | Producer | |
| Laura Lanktree | Co-Producer | |
| Bonnie Do | Associate Producer | |
| Joe Iacono | Executive Producer | |
| Aida Tannyan | Executive Producer | |
| Peter Touche | Executive Producer | |
| Christelle Conan | Executive Producer | |
| Tom Quinn | Executive Producer | |
| Jeff Deutchman | Executive Producer | |
| Christian Parkes | Executive Producer | |
| Thorsten Schumacher | Executive Producer | |
| Victor Hadida | Co-Executive Producer | |
| Victor Loewy | Co-Executive Producer | |
| Charles Tremblay | Co-Executive Producer | |
| Ariane Giroux-Dallaire | Co-Executive Producer | |
| Douglas Koch | Director of Photography | |
| Carol Spier | Production Designer | |
| Christopher Donaldson | Editor | |
| Mayou Trikerioti | Costume Designer | |
| Deirdre Bowen | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.