Crocodile Dundee 2 (1988)
| Theatrical Performance | ||
| Domestic Box Office | $109,306,210 | Details |
| International Box Office | $130,300,000 | |
| Worldwide Box Office | $239,606,210 | |
| OpusData ID: 3640100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $24,462,976 (22.4% of total gross) |
| Legs: | 4.47 (domestic box office/biggest weekend) |
| Domestic Share: | 45.6% (domestic box office/worldwide) |
| Production Budget: | $14,000,000 (worldwide box office is 17.1 times production budget) |
| Theater counts: | 2,837 opening theaters/2,837 max. theaters, 6.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $300,791,531 |
Movie Details
| Domestic Releases: | May 25th, 1988 (Wide) by Paramount Pictures |
| Video Release: | 1991 by CBS |
| MPA Rating: | PG |
| Running Time: | 108 minutes |
| Franchise: | Crocodile Dundee |
| Cast, crew, or production detail: | Intertitle, Screenplay Written By the Star |
| Plot point: | Culture Clash, Investigative Journalist, Kidnap, Narcotics, Rescue |
| Social setting: | Organized Crime |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Australia, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 1988 | 1 | $24,462,976 | 2,837 | $8,623 | $29,215,731 | 1 | |
| Jun 3, 1988 | 1 | $12,717,140 | -48% | 2,837 | $4,483 | $47,644,578 | 2 |
| Jun 10, 1988 | 1 | $8,519,246 | -33% | 2,410 | $3,535 | $61,321,196 | 3 |
| Jun 17, 1988 | 4 | $6,114,018 | -28% | 2,394 | $2,554 | $71,269,313 | 4 |
| Jun 24, 1988 | 5 | $5,205,576 | -15% | 2,284 | $2,279 | $79,531,395 | 5 |
| Jul 1, 1988 | 5 | $5,312,714 | +2% | 2,105 | $2,524 | $87,429,087 | 6 |
| Jul 8, 1988 | 8 | $3,216,665 | -39% | 1,658 | $1,940 | $92,295,492 | 7 |
| Jul 15, 1988 | 10 | $2,292,160 | -29% | 1,248 | $1,837 | $96,152,188 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 1988 | 1 | $30,174,683 | 2,837 | $10,636 | $34,927,438 | 2 | |
| Jun 3, 1988 | 1 | $17,874,512 | -41% | 2,837 | $6,300 | $52,801,950 | 3 |
| Jun 10, 1988 | 1 | $12,353,345 | -31% | 2,410 | $5,126 | $65,155,295 | 4 |
| Jun 17, 1988 | 4 | $9,170,524 | -26% | 2,394 | $3,831 | $74,325,819 | 5 |
| Jun 24, 1988 | 5 | $7,790,554 | -15% | 2,284 | $3,411 | $82,116,373 | 6 |
| Jul 1, 1988 | 4 | $6,962,454 | -11% | 2,105 | $3,308 | $89,078,827 | 7 |
| Jul 8, 1988 | 8 | $4,781,201 | -31% | 1,658 | $2,884 | $93,860,028 | 8 |
Leading
| Paul Hogan | Michael J. 'Crocodile' Dundee | |
| Linda Kozlowski | Sue Charlton |
Supporting
| Charles S. Dutton | Leroy |
Cameo
| Luis Guzmán | Jose |
Supporting
| Tatyana Ali | Park Girl | |
| Stephen Root | DEA Agent (Toilet) |
Production and Technical Credits
| Cornell John | Director | |
| Paul Hogan | Screenwriter | |
| Brett Hogan | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $24,462,976 (22.4% of total gross) |
| Legs: | 4.47 (domestic box office/biggest weekend) |
| Domestic Share: | 45.6% (domestic box office/worldwide) |
| Production Budget: | $14,000,000 (worldwide box office is 17.1 times production budget) |
| Theater counts: | 2,837 opening theaters/2,837 max. theaters, 6.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $300,791,531 |
Movie Details
| Domestic Releases: | May 25th, 1988 (Wide) by Paramount Pictures |
| Video Release: | 1991 by CBS |
| MPA Rating: | PG |
| Running Time: | 108 minutes |
| Franchise: | Crocodile Dundee |
| Cast, crew, or production detail: | Intertitle, Screenplay Written By the Star |
| Plot point: | Culture Clash, Investigative Journalist, Kidnap, Narcotics, Rescue |
| Social setting: | Organized Crime |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Australia, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 1988 | 1 | $24,462,976 | 2,837 | $8,623 | $29,215,731 | 1 | |
| Jun 3, 1988 | 1 | $12,717,140 | -48% | 2,837 | $4,483 | $47,644,578 | 2 |
| Jun 10, 1988 | 1 | $8,519,246 | -33% | 2,410 | $3,535 | $61,321,196 | 3 |
| Jun 17, 1988 | 4 | $6,114,018 | -28% | 2,394 | $2,554 | $71,269,313 | 4 |
| Jun 24, 1988 | 5 | $5,205,576 | -15% | 2,284 | $2,279 | $79,531,395 | 5 |
| Jul 1, 1988 | 5 | $5,312,714 | +2% | 2,105 | $2,524 | $87,429,087 | 6 |
| Jul 8, 1988 | 8 | $3,216,665 | -39% | 1,658 | $1,940 | $92,295,492 | 7 |
| Jul 15, 1988 | 10 | $2,292,160 | -29% | 1,248 | $1,837 | $96,152,188 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 27, 1988 | 1 | $30,174,683 | 2,837 | $10,636 | $34,927,438 | 2 | |
| Jun 3, 1988 | 1 | $17,874,512 | -41% | 2,837 | $6,300 | $52,801,950 | 3 |
| Jun 10, 1988 | 1 | $12,353,345 | -31% | 2,410 | $5,126 | $65,155,295 | 4 |
| Jun 17, 1988 | 4 | $9,170,524 | -26% | 2,394 | $3,831 | $74,325,819 | 5 |
| Jun 24, 1988 | 5 | $7,790,554 | -15% | 2,284 | $3,411 | $82,116,373 | 6 |
| Jul 1, 1988 | 4 | $6,962,454 | -11% | 2,105 | $3,308 | $89,078,827 | 7 |
| Jul 8, 1988 | 8 | $4,781,201 | -31% | 1,658 | $2,884 | $93,860,028 | 8 |
Leading
| Paul Hogan | Michael J. 'Crocodile' Dundee | |
| Linda Kozlowski | Sue Charlton |
Supporting
| Charles S. Dutton | Leroy |
Cameo
| Luis Guzmán | Jose |
Supporting
| Tatyana Ali | Park Girl | |
| Stephen Root | DEA Agent (Toilet) |
Production and Technical Credits
| Cornell John | Director | |
| Paul Hogan | Screenwriter | |
| Brett Hogan | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.