Cross My Heart (1987)
| Theatrical Performance | ||
| Domestic Box Office | $1,025,762 | Details |
| OpusData ID: 61410100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $2,967,099 |
Movie Details
| Domestic Releases: | November 13th, 1987 (Wide) by Universal |
| Video Release: | May 14th, 1995 by Universal Home Entertainment |
| Running Time: | 96 minutes |
| Plot point: | Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Martin Short | David | |
| Annette O'Toole | Kathy |
Supporting
| Paul Reiser | Bruce | |
| Lee Arenberg | Parking Attendant | |
| Joanna Kerns | Nancy |
Production and Technical Credits
| Armyan Bernstein | Director | |
| Bruce Broughton | Composer | |
| Marilyn Vance | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $2,967,099 |
Movie Details
| Domestic Releases: | November 13th, 1987 (Wide) by Universal |
| Video Release: | May 14th, 1995 by Universal Home Entertainment |
| Running Time: | 96 minutes |
| Plot point: | Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Leading
| Martin Short | David | |
| Annette O'Toole | Kathy |
Supporting
| Paul Reiser | Bruce | |
| Lee Arenberg | Parking Attendant | |
| Joanna Kerns | Nancy |
Production and Technical Credits
| Armyan Bernstein | Director | |
| Bruce Broughton | Composer | |
| Marilyn Vance | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.