Crown Heights (2017)
| Theatrical Performance | ||
| Domestic Box Office | $238,553 | Details |
| OpusData ID: 289990100 More info... | ||
| Further financial details... | ||
Synopsis
In the spring of 1980, a teenager is gunned down in the streets of Flatbush, Brooklyn. The police pressure a child witness to identify a suspect. As a result, Colin Warner, an 18-year-old kid from nearby Crown Heights, is wrongfully convicted of murder and sentenced to life in prison. Colin’s childhood friend Carl ‛KC’ King devotes his life to fighting for Colin’s freedom. He works on appeals, takes loans for lawyer fees and becomes a legal courier to learn the court system.
Metrics
| Opening Weekend: | $30,173 (12.6% of total gross) |
| Legs: | 3.82 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/91 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $318,076 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by IFC Films |
| Video Release: | November 14th, 2017 by IFC Video |
| MPA Rating: | R for language, some sexuality/nudity and violence. (Rating bulletin 2480 (Cert #51061), 6/14/2017) |
| Running Time: | 99 minutes |
| Film festival: | Sundance Film Festival 2017 |
| Plot point: | Corrupt Cops, Falsely Accused, Lawyers, Wrongfully Convicted |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Washington Square Films, Black Maple Films, iAM21 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 51 | $30,173 | 3 | $10,058 | $30,173 | 1 | |
| Aug 25, 2017 | 50 | $30,944 | +3% | 10 | $3,094 | $67,934 | 2 |
| Sep 1, 2017 | 48 | $62,418 | +102% | 54 | $1,156 | $146,318 | 3 |
| Sep 8, 2017 | 51 | $30,047 | -52% | 91 | $330 | $206,556 | 4 |
| Sep 15, 2017 | 74 | $6,149 | -80% | 24 | $256 | $231,373 | 5 |
| Sep 22, 2017 | 91 | $1,314 | -79% | 5 | $263 | $236,434 | 6 |
| Sep 29, 2017 | 98 | $1,020 | -22% | 3 | $340 | $238,122 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 52 | $36,990 | 3 | $12,330 | $36,990 | 1 | |
| Aug 25, 2017 | 51 | $46,910 | +27% | 10 | $4,691 | $83,900 | 2 |
| Sep 1, 2017 | 49 | $92,609 | +97% | 54 | $1,715 | $176,509 | 3 |
| Sep 8, 2017 | 50 | $48,715 | -47% | 91 | $535 | $225,224 | 4 |
| Sep 15, 2017 | 78 | $9,896 | -80% | 24 | $412 | $235,120 | 5 |
| Sep 22, 2017 | 100 | $1,982 | -80% | 5 | $396 | $237,102 | 6 |
| Sep 29, 2017 | 102 | $1,451 | -27% | 3 | $484 | $238,553 | 7 |
Leading
| Lakeith Lee Stanfield | Colin Warner |
Supporting
| Nnamdi Asomugha | Carl “KC” King | |
| Natalie Paul | Antoinette | |
| Amari Cheatom | Leon Grant | |
| Marsha Stephanie Blake | Briana | |
| Nestor Carbonell | Bruce Regenstreich | |
| Zach Grenier | Detective Cassel | |
| Josh Pais | D.A. Mengano | |
| Bill Camp | William Robedee | |
| Yul Vazquez | Commissioner Rafello |
Production and Technical Credits
| Matt Ruskin | Director | |
| Matt Ruskin | Screenwriter | |
| Nnamdi Asomugha | Producer | |
| Natalie Galazka | Producer | |
| Matt Ruskin | Producer | |
| Matthew Thurm | Co-Producer | |
| Jonathan Baker | Executive Producer | |
| Joshua Blum | Executive Producer | |
| Lila Yacoub | Executive Producer | |
| Ben Kutchins | Director of Photography | |
| Kaet McAnneny | Production Designer | |
| Paul Greenhouse | Editor | |
| Mark Degli Antoni | Composer | |
| Meghan Kasperlik | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the spring of 1980, a teenager is gunned down in the streets of Flatbush, Brooklyn. The police pressure a child witness to identify a suspect. As a result, Colin Warner, an 18-year-old kid from nearby Crown Heights, is wrongfully convicted of murder and sentenced to life in prison. Colin’s childhood friend Carl ‛KC’ King devotes his life to fighting for Colin’s freedom. He works on appeals, takes loans for lawyer fees and becomes a legal courier to learn the court system.
Metrics
| Opening Weekend: | $30,173 (12.6% of total gross) |
| Legs: | 3.82 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/91 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $318,076 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by IFC Films |
| Video Release: | November 14th, 2017 by IFC Video |
| MPA Rating: | R for language, some sexuality/nudity and violence. (Rating bulletin 2480 (Cert #51061), 6/14/2017) |
| Running Time: | 99 minutes |
| Film festival: | Sundance Film Festival 2017 |
| Plot point: | Corrupt Cops, Falsely Accused, Lawyers, Wrongfully Convicted |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Washington Square Films, Black Maple Films, iAM21 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 51 | $30,173 | 3 | $10,058 | $30,173 | 1 | |
| Aug 25, 2017 | 50 | $30,944 | +3% | 10 | $3,094 | $67,934 | 2 |
| Sep 1, 2017 | 48 | $62,418 | +102% | 54 | $1,156 | $146,318 | 3 |
| Sep 8, 2017 | 51 | $30,047 | -52% | 91 | $330 | $206,556 | 4 |
| Sep 15, 2017 | 74 | $6,149 | -80% | 24 | $256 | $231,373 | 5 |
| Sep 22, 2017 | 91 | $1,314 | -79% | 5 | $263 | $236,434 | 6 |
| Sep 29, 2017 | 98 | $1,020 | -22% | 3 | $340 | $238,122 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 52 | $36,990 | 3 | $12,330 | $36,990 | 1 | |
| Aug 25, 2017 | 51 | $46,910 | +27% | 10 | $4,691 | $83,900 | 2 |
| Sep 1, 2017 | 49 | $92,609 | +97% | 54 | $1,715 | $176,509 | 3 |
| Sep 8, 2017 | 50 | $48,715 | -47% | 91 | $535 | $225,224 | 4 |
| Sep 15, 2017 | 78 | $9,896 | -80% | 24 | $412 | $235,120 | 5 |
| Sep 22, 2017 | 100 | $1,982 | -80% | 5 | $396 | $237,102 | 6 |
| Sep 29, 2017 | 102 | $1,451 | -27% | 3 | $484 | $238,553 | 7 |
Leading
| Lakeith Lee Stanfield | Colin Warner |
Supporting
| Nnamdi Asomugha | Carl “KC” King | |
| Natalie Paul | Antoinette | |
| Amari Cheatom | Leon Grant | |
| Marsha Stephanie Blake | Briana | |
| Nestor Carbonell | Bruce Regenstreich | |
| Zach Grenier | Detective Cassel | |
| Josh Pais | D.A. Mengano | |
| Bill Camp | William Robedee | |
| Yul Vazquez | Commissioner Rafello |
Production and Technical Credits
| Matt Ruskin | Director | |
| Matt Ruskin | Screenwriter | |
| Nnamdi Asomugha | Producer | |
| Natalie Galazka | Producer | |
| Matt Ruskin | Producer | |
| Matthew Thurm | Co-Producer | |
| Jonathan Baker | Executive Producer | |
| Joshua Blum | Executive Producer | |
| Lila Yacoub | Executive Producer | |
| Ben Kutchins | Director of Photography | |
| Kaet McAnneny | Production Designer | |
| Paul Greenhouse | Editor | |
| Mark Degli Antoni | Composer | |
| Meghan Kasperlik | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.