Cry Macho (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $10,310,734 | Details |
| International Box Office | $6,200,000 | Details |
| Worldwide Box Office | $16,510,734 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,702,306 | |
| Blu-ray Sales (estimated) | $1,587,744 | |
| Total | $3,290,050 | |
| OpusData ID: 476790100 More info... | ||
| Further financial details... | ||
Synopsis
A one-time rodeo star and washed up horse breeder who, in 1978, takes a job from an ex-boss to bring the man’s young son home and away from his alcoholic mom. Crossing rural Mexico on their back way to Texas, the unlikely pair faces an unexpectedly challenging journey, during which the world-weary horseman may find his own sense of redemption through teaching the boy what it means to be a good man.
Metrics
| Opening Weekend: | $4,426,161 (42.9% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 62.4% (domestic box office/worldwide) |
| Theater counts: | 3,967 opening theaters/4,022 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,125,502 |
Movie Details
| Domestic Releases: | September 17th, 2021 (Wide) by Warner Bros. |
| International Releases: | September 16th, 2021 (Wide) (Greece)
September 16th, 2021 (Wide) (Mexico) September 16th, 2021 (Wide), released as Cry Macho - A Redenção (Portugal) September 24th, 2021 (Wide) (Spain) September 24th, 2021 (Wide) (Argentina) ... Show all releases |
| Video Release: | September 17th, 2021 by Max |
| MPA Rating: | PG-13 for language and thematic elements. (Rating bulletin 2677 (cert #53138), 4/21/2021) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Addiction, Autumn Years, Coming of Age, Dysfunctional Family, Road Trip |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Life Drama |
| Time period setting: | 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Malpaso Productions, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 3 | $4,426,161 | 3,967 | $1,116 | $4,426,161 | 1 | |
| Sep 24, 2021 | 5 | $2,047,054 | -54% | 4,022 | $509 | $8,274,592 | 2 |
| Oct 1, 2021 | - | $512,403 | -75% | 1,242 | $413 | $9,656,783 | 3 |
| Oct 8, 2021 | - | $145,668 | -72% | 470 | $310 | $10,027,722 | 4 |
| Oct 15, 2021 | - | $71,495 | -51% | 235 | $304 | $10,175,566 | 5 |
| Oct 22, 2021 | - | $31,032 | -57% | 101 | $307 | $10,242,474 | 6 |
| Oct 29, 2021 | - | $13,126 | -58% | 54 | $243 | $10,270,800 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 2 | $1,600,000 | 3,967 | $403 | $1,600,000 | 1 | ||
| Oct 29, 2021 | - | $3,864 | 54 | $72 | $10,261,538 | 43 | ||
| Oct 30, 2021 | - | $5,445 | +41% | 54 | $101 | $10,266,983 | 44 | |
| Oct 31, 2021 | - | $3,817 | -30% | 54 | $71 | $10,270,800 | 45 | |
| Nov 1, 2021 | - | $2,127 | -44% | 54 | $39 | $10,272,927 | 46 | |
| Nov 2, 2021 | - | $2,691 | +27% | 54 | $50 | $10,275,618 | 47 | |
| Nov 3, 2021 | - | $2,183 | -19% | 54 | $40 | $10,277,801 | 48 | |
| Nov 4, 2021 | - | $2,532 | +16% | 54 | $47 | $10,280,333 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 3 | $6,227,538 | 3,967 | $1,570 | $6,227,538 | 1 | |
| Sep 24, 2021 | 5 | $2,916,842 | -53% | 3,967 | $735 | $9,144,380 | 2 |
| Oct 1, 2021 | 11 | $737,674 | -75% | 1,242 | $594 | $9,882,054 | 3 |
| Oct 8, 2021 | - | $222,017 | -70% | 470 | $472 | $10,104,071 | 4 |
| Oct 15, 2021 | - | $107,371 | -52% | 235 | $457 | $10,211,442 | 5 |
| Oct 22, 2021 | - | $46,232 | -57% | 101 | $458 | $10,257,674 | 6 |
| Oct 29, 2021 | - | $22,659 | -51% | 54 | $420 | $10,280,333 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/24/2021 | $0 | 0 | 0 | 0 | $82,000 | 10/20/2022 | |||
| Australia | 11/25/2021 | $26,482 | 50 | 50 | 122 | $63,607 | 10/20/2022 | |||
| Finland | 10/29/2021 | $7,252 | 29 | 30 | 29 | $13,767 | 4/21/2026 | |||
| France | 11/10/2021 | $810,000 | 460 | 460 | 460 | $810,000 | 10/20/2022 | |||
| Greece | 9/16/2021 | $72,000 | 0 | 0 | 0 | $106,000 | 10/20/2022 | |||
| Italy | 12/2/2021 | $411,787 | 0 | 0 | 0 | $828,659 | 10/20/2022 | |||
| Mexico | 9/16/2021 | $60,048 | 0 | 0 | 0 | $95,000 | 10/20/2022 | |||
| Netherlands | 10/28/2021 | $30,102 | 57 | 57 | 57 | $33,135 | 10/20/2022 | |||
| Portugal | 9/16/2021 | $36,923 | 66 | 66 | 191 | $117,802 | 10/20/2022 | |||
| Spain | 9/24/2021 | $279,623 | 277 | 293 | 863 | $835,056 | 10/28/2021 | |||
| United Kingdom | 11/12/2021 | $96,742 | 341 | 341 | 341 | $96,742 | 4/4/2026 | |||
| Rest of World | $3,118,232 | |||||||||
| International Total | $6,200,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clint Eastwood | Mike Milo |
Supporting
| Dwight Yoakam | Howard Polk | |
| Eduardo Minett | Rafo | |
| Natalia Traven | Marta | |
| Horacio Garcia Rojas | Aurelio | |
| Fernanda Urrejola | Leta | |
| Daniel V. Graulau | Mexican Border Officer | |
| Amber Ashley | Hippie Girl | |
| Brytnee Ratledge | Hippie Girl | |
| Alexandra Ruddy | Hippie Girl | |
| Sebestien Soliz | Worker | |
| Ivan Hernandez | Lucas | |
| Lincoln A. Castellanos | Zafiro | |
| Juan Mendoza Solis | Bartender | |
| Marco Rodriguez | Porfirio | |
| Abiah Martinez | 6-Year-Old Grandaughter | |
| Ramona Thornton | 4-Year-Old Grandaughter | |
| Elida Munoz | 14-Year-Old Grandaughter | |
| Cesia Isabel Rosales | 10-Year-Old Grandaughter | |
| Jorge-Luis Pallo | Deputy Diaz | |
| Ana Rey | Señora Reyes | |
| Rocko Reyes | Captain Garcia | |
| Paul Lincoln Alayo | Sergeant Perez |
Production and Technical Credits
| Clint Eastwood | Director | |
| Nick Schenk | Screenwriter | |
| N. Richard Nash | Screenwriter | |
| Albert S. Ruddy | Producer | |
| Jessica Meier | Producer | |
| Tim Moore | Producer | |
| Clint Eastwood | Producer | |
| David M. Bernstein | Executive Producer | |
| N. Richard Nash | Story based on the novel by | |
| Ben Davis | Director of Photography | |
| Ronald R. Reiss | Production Designer | |
| Joel Cox | Editor | |
| Deborah Hopper | Costume Designer | |
| Mark Mancina | Composer | |
| Geoffrey Miclat | Casting Director | |
| Tim Moore | Unit Production Manager | |
| David M. Bernstein | First Assistant Director | |
| Jeff Hubbard | Second Assistant Director | |
| Stephen S. Campanelli | Second Unit Director | |
| Holly Hagy | Associate Producer | |
| Greg Sandoval | Art Director | |
| Christopher Carlson | Set Decorator | |
| Maureen Ross | Assistant Editor | |
| Nathan Godley | Assistant Editor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Adam Ohl | Visual Effects Producer | |
| Erin Mast | Script Supervisor | |
| Clint Eastwood | Additional Music | |
| Marlon E. Espino | Additional Music | |
| Chris McGeary | Music Editor | |
| Nanrose Buchman | Costume Supervisor | |
| Kimberly Felix-Burke | Make up | |
| Karen Asano-Myers | Hairstylist | |
| Holly Hagy | Production Supervisor | |
| Lee Orloff | Sound Mixer | |
| Patrick O. Mignano | Supervising Location Manager | |
| Shani Orona | Location Manager | |
| Jimmy Hendrix | Set Designer | |
| Cameron Steenhagen | Supervising Dialogue Editor | |
| John Joseph Thomas | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Doug Jackson | Sound Effects Editor | |
| Christian Wenger | Sound Effects Editor | |
| Willard Overstreet | Supervising Foley Editor | |
| Mark Pappas | Foley Editor | |
| Michael Hertlein | Dialogue Editor | |
| Kevin Harp | Score Mixer | |
| Tom Ozanich | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Tavish Grade | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Arno Stephanian | Foley Mixer | |
| Tim LeDoux | Visual Effects Supervisor | |
| John Brubaker | Visual Effects Supervisor | |
| Jason Sanford | Visual Effects Producer | |
| Bob Brown | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A one-time rodeo star and washed up horse breeder who, in 1978, takes a job from an ex-boss to bring the man’s young son home and away from his alcoholic mom. Crossing rural Mexico on their back way to Texas, the unlikely pair faces an unexpectedly challenging journey, during which the world-weary horseman may find his own sense of redemption through teaching the boy what it means to be a good man.
Metrics
| Opening Weekend: | $4,426,161 (42.9% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 62.4% (domestic box office/worldwide) |
| Theater counts: | 3,967 opening theaters/4,022 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $12,125,502 |
Movie Details
| Domestic Releases: | September 17th, 2021 (Wide) by Warner Bros. |
| International Releases: | September 16th, 2021 (Wide) (Greece)
September 16th, 2021 (Wide) (Mexico) September 16th, 2021 (Wide), released as Cry Macho - A Redenção (Portugal) September 24th, 2021 (Wide) (Spain) September 24th, 2021 (Wide) (Argentina) ... Show all releases |
| Video Release: | September 17th, 2021 by Max |
| MPA Rating: | PG-13 for language and thematic elements. (Rating bulletin 2677 (cert #53138), 4/21/2021) |
| Running Time: | 104 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Addiction, Autumn Years, Coming of Age, Dysfunctional Family, Road Trip |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Life Drama |
| Time period setting: | 1970s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Malpaso Productions, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 3 | $4,426,161 | 3,967 | $1,116 | $4,426,161 | 1 | |
| Sep 24, 2021 | 5 | $2,047,054 | -54% | 4,022 | $509 | $8,274,592 | 2 |
| Oct 1, 2021 | - | $512,403 | -75% | 1,242 | $413 | $9,656,783 | 3 |
| Oct 8, 2021 | - | $145,668 | -72% | 470 | $310 | $10,027,722 | 4 |
| Oct 15, 2021 | - | $71,495 | -51% | 235 | $304 | $10,175,566 | 5 |
| Oct 22, 2021 | - | $31,032 | -57% | 101 | $307 | $10,242,474 | 6 |
| Oct 29, 2021 | - | $13,126 | -58% | 54 | $243 | $10,270,800 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 2 | $1,600,000 | 3,967 | $403 | $1,600,000 | 1 | ||
| Oct 29, 2021 | - | $3,864 | 54 | $72 | $10,261,538 | 43 | ||
| Oct 30, 2021 | - | $5,445 | +41% | 54 | $101 | $10,266,983 | 44 | |
| Oct 31, 2021 | - | $3,817 | -30% | 54 | $71 | $10,270,800 | 45 | |
| Nov 1, 2021 | - | $2,127 | -44% | 54 | $39 | $10,272,927 | 46 | |
| Nov 2, 2021 | - | $2,691 | +27% | 54 | $50 | $10,275,618 | 47 | |
| Nov 3, 2021 | - | $2,183 | -19% | 54 | $40 | $10,277,801 | 48 | |
| Nov 4, 2021 | - | $2,532 | +16% | 54 | $47 | $10,280,333 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 3 | $6,227,538 | 3,967 | $1,570 | $6,227,538 | 1 | |
| Sep 24, 2021 | 5 | $2,916,842 | -53% | 3,967 | $735 | $9,144,380 | 2 |
| Oct 1, 2021 | 11 | $737,674 | -75% | 1,242 | $594 | $9,882,054 | 3 |
| Oct 8, 2021 | - | $222,017 | -70% | 470 | $472 | $10,104,071 | 4 |
| Oct 15, 2021 | - | $107,371 | -52% | 235 | $457 | $10,211,442 | 5 |
| Oct 22, 2021 | - | $46,232 | -57% | 101 | $458 | $10,257,674 | 6 |
| Oct 29, 2021 | - | $22,659 | -51% | 54 | $420 | $10,280,333 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/24/2021 | $0 | 0 | 0 | 0 | $82,000 | 10/20/2022 | |||
| Australia | 11/25/2021 | $26,482 | 50 | 50 | 122 | $63,607 | 10/20/2022 | |||
| Finland | 10/29/2021 | $7,252 | 29 | 30 | 29 | $13,767 | 4/21/2026 | |||
| France | 11/10/2021 | $810,000 | 460 | 460 | 460 | $810,000 | 10/20/2022 | |||
| Greece | 9/16/2021 | $72,000 | 0 | 0 | 0 | $106,000 | 10/20/2022 | |||
| Italy | 12/2/2021 | $411,787 | 0 | 0 | 0 | $828,659 | 10/20/2022 | |||
| Mexico | 9/16/2021 | $60,048 | 0 | 0 | 0 | $95,000 | 10/20/2022 | |||
| Netherlands | 10/28/2021 | $30,102 | 57 | 57 | 57 | $33,135 | 10/20/2022 | |||
| Portugal | 9/16/2021 | $36,923 | 66 | 66 | 191 | $117,802 | 10/20/2022 | |||
| Spain | 9/24/2021 | $279,623 | 277 | 293 | 863 | $835,056 | 10/28/2021 | |||
| United Kingdom | 11/12/2021 | $96,742 | 341 | 341 | 341 | $96,742 | 4/4/2026 | |||
| Rest of World | $3,118,232 | |||||||||
| International Total | $6,200,000 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Clint Eastwood | Mike Milo |
Supporting
| Dwight Yoakam | Howard Polk | |
| Eduardo Minett | Rafo | |
| Natalia Traven | Marta | |
| Horacio Garcia Rojas | Aurelio | |
| Fernanda Urrejola | Leta | |
| Daniel V. Graulau | Mexican Border Officer | |
| Amber Ashley | Hippie Girl | |
| Brytnee Ratledge | Hippie Girl | |
| Alexandra Ruddy | Hippie Girl | |
| Sebestien Soliz | Worker | |
| Ivan Hernandez | Lucas | |
| Lincoln A. Castellanos | Zafiro | |
| Juan Mendoza Solis | Bartender | |
| Marco Rodriguez | Porfirio | |
| Abiah Martinez | 6-Year-Old Grandaughter | |
| Ramona Thornton | 4-Year-Old Grandaughter | |
| Elida Munoz | 14-Year-Old Grandaughter | |
| Cesia Isabel Rosales | 10-Year-Old Grandaughter | |
| Jorge-Luis Pallo | Deputy Diaz | |
| Ana Rey | Señora Reyes | |
| Rocko Reyes | Captain Garcia | |
| Paul Lincoln Alayo | Sergeant Perez |
Production and Technical Credits
| Clint Eastwood | Director | |
| Nick Schenk | Screenwriter | |
| N. Richard Nash | Screenwriter | |
| Albert S. Ruddy | Producer | |
| Jessica Meier | Producer | |
| Tim Moore | Producer | |
| Clint Eastwood | Producer | |
| David M. Bernstein | Executive Producer | |
| N. Richard Nash | Story based on the novel by | |
| Ben Davis | Director of Photography | |
| Ronald R. Reiss | Production Designer | |
| Joel Cox | Editor | |
| Deborah Hopper | Costume Designer | |
| Mark Mancina | Composer | |
| Geoffrey Miclat | Casting Director | |
| Tim Moore | Unit Production Manager | |
| David M. Bernstein | First Assistant Director | |
| Jeff Hubbard | Second Assistant Director | |
| Stephen S. Campanelli | Second Unit Director | |
| Holly Hagy | Associate Producer | |
| Greg Sandoval | Art Director | |
| Christopher Carlson | Set Decorator | |
| Maureen Ross | Assistant Editor | |
| Nathan Godley | Assistant Editor | |
| Alan Robert Murray | Supervising Sound Editor | |
| Adam Ohl | Visual Effects Producer | |
| Erin Mast | Script Supervisor | |
| Clint Eastwood | Additional Music | |
| Marlon E. Espino | Additional Music | |
| Chris McGeary | Music Editor | |
| Nanrose Buchman | Costume Supervisor | |
| Kimberly Felix-Burke | Make up | |
| Karen Asano-Myers | Hairstylist | |
| Holly Hagy | Production Supervisor | |
| Lee Orloff | Sound Mixer | |
| Patrick O. Mignano | Supervising Location Manager | |
| Shani Orona | Location Manager | |
| Jimmy Hendrix | Set Designer | |
| Cameron Steenhagen | Supervising Dialogue Editor | |
| John Joseph Thomas | Sound Effects Editor | |
| Michael W. Mitchell | Sound Effects Editor | |
| Doug Jackson | Sound Effects Editor | |
| Christian Wenger | Sound Effects Editor | |
| Willard Overstreet | Supervising Foley Editor | |
| Mark Pappas | Foley Editor | |
| Michael Hertlein | Dialogue Editor | |
| Kevin Harp | Score Mixer | |
| Tom Ozanich | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Tavish Grade | Foley Mixer | |
| Jack Cucci | Foley Mixer | |
| Arno Stephanian | Foley Mixer | |
| Tim LeDoux | Visual Effects Supervisor | |
| John Brubaker | Visual Effects Supervisor | |
| Jason Sanford | Visual Effects Producer | |
| Bob Brown | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.